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A group of smiling, extremely buxom young women is the main element on this text-heavy poster for Russ Meyer's Beneath the Valley of the Ultra-Vixens |
The inhabitants of a small, Texan town are exhibited: Lavonia, the nymphomaniac, who fights her anally obsessed hubby, Lamar. The imposing, black Junkyard Sal, who owns her own junkyard, and many other colorful characters.
Beneath the Valley of the Ultra-Vixens is written by Roger Ebert (Beyond the Valley of the Dolls (1970)) and Californian master filmmaker, co-writer/producer/director/cinematographer/editor Russ Meyer (Mr. Tease and His Playthings (1959)), whose 23rd feature it was.
There's not much in the way of a real plot in Ultra-Vixens, just endless sex scenes. It became the last theatrical release of notorious, American sexploitation maverick Meyer, who had found great success with his very informal films starring lots of big-breasted dames.
Meyer method here comes down to exaggerating EVERYTHING, mostly regrettably to no little effect besides the sensational and (for some audiences) erotic. The film is at least semi-pornographic, if not to be considered soft-core porn; but somehow not lewd. It is made with Meyer's characteristic enthusiasm and high spirits flowing freely from every cast-member, which is what makes it worth watching.
Two time Miss Nude Universe winner (1970 and 1971) Kitten Natividad (The Double-D Avenger (2001)) plays Lavonia, every (straight) man's dream, and June Mack is very memorable as Sal.
Be advised that only in the most unusual social circumstances would it be appropriate to show Ultra-Vixens; which is recommended for late-late night watching and not in the company of parents, grandparents or sleazy uncles, (unless you care to watch graphic sex scenes with your relatives.)
Related post:
Russ Meyer: Faster, Pussycat! Kill! Kill! (1965) - Meyer's thrill-tastic outlaw masterpiece
Cost: Reportedly 239k $
Box office: Unknown
= Uncertain
[Beneath the Valley of the Ultra-Vixens premiered in April (USA) and runs 93 minutes. Meyer took most positions on the film himself to keep costs low, and shot the interior scenes in his own home. Shooting took place in California. About dating Natividad during filming, Meyer has stated: "we shot inside, and we'd forgo lunch and have sex–wonderful, riotous, noisy sex… laughing and scratching. Yeah, that was fun. That really worked out wonderfully." The film's gross results, - from North America and in a handful of foreign markets up through the 1980s, - are regrettably not reported online. It is not unlikely that the film was highly profitable. Meyer did not return again with a fiction feature but did make a couple of music videos and documentaries before passing away in 2004. Natividad returned in The Lady in Red (1979). 3,4k+ IMDb users have given Beneath the Valley of the Ultra-Vixens a 5.4/10 average rating.]
What do you think of Beneath the Valley of the Ultra-Vixens?
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