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11/25/2013

Babel (2006) or, Every One Is Connected



Striking images lined with the title and ultra-simple tagline ('Listen') makes up this poster for Alejandro Gonzáles Iñárritu's Babel


When a couple of Moroccan boys accidentally shoot an American tourist, it starts an avalanche of events on different continents.

 

Babel is written by Guillermo Arriaga (En Defensa Propia (2015, short)) and directed by Mexican master filmmaker Alejandro Gonzáles Iñárritu (Amores Perros (2000)), whose 3rd feature it is. It is the 3rd and last film in Arriaga and Iñárritu's Death trilogy, also comprising Amores Perros and 21 Grams (2003).
Babel is a unique drawing of the times we live in; the tragedies, the hope and the people around the world, mostly seen as trying to do the right thing. Each working in their own fragment of the wildly divergent world, which is still being held together by some universal instincts and values that we seemingly all share as human beings. Babel lets us into the complexity of our world in the form of an emotionally wild sensual bombardment that took most audiences aback in cinemas the world over in 2006.
It is inventively carried out visually, (cinematography by Rodrigo Prieto (Barbie (2023))), story-wise and musically, (Gustavo Santaolalla (Brokeback Mountain (2005)) score is grand.) The film is extremely powerful, due, of course, in equal measure to the tremendous acting performances: Brad Pitt (Fight Club (1999)) gives one of his career's best performances, a gripping portrayal of desperation and grief. Adriana Barraza (Drag Me to Hell (2009)) plays the Mexican sitter with every ounce of her being.

 

Related posts:

 

Alejandro Gonzáles Iñárritu: The day after the day after ... the Oscars 2016 

2015 in films and TV-series - according to Film Excess [UPDATED IV]
2015 in films and TV-series - according to Film Excess [UPDATED III]
2015 in films and TV-series - according to Film Excess [UPDATED II]
2015 in films and TV-series - according to Film Excess [UPDATED I]  

The Revenant (2015) - Nature outdoes itself in Iñárritu's showy, solemn macho-spectacle 

The day after the day after... The Oscars 2015
Birdman (2014) - Iñárritu's clever, but cold showbusiness dramedy 

Biutiful (2010) - Sad globalization stories from Iñárritu 

2006 in films and TV-series - according to Film Excess 

Top 10: Best 'box office success' movies reviewed by Film Excess to date 

21 Grams (2003) or, Hardcore Life 

Love Is a Bitch/Amores Perros (2000) or, People = Bad, Dogs = Good

 




Watch a trailer for the film here


Cost: 25 mil. $
Box office: 135.3 mil. $
= Big hit (returned 5.41 times its cost)

[Babel premiered 23 May (Cannes Film Festival, main competition) and runs 143 minutes. Shooting took place from May - December 2005 in Japan, including in Tokyo, Morocco, including in Casablanca, Mexico and in San Diego, California. Arriaga and Iñárritu fell out prior to the film's premiere; the former was saying that they were co-authors of the trilogy, while the latter stressed that he was the sole auteur behind the films, and consequently banned Arriaga from attending the film's Cannes premiere. The film opened #24 to a 389k $ first weekend in 7 theaters in North America, where it peaked at #6 and in 1,251 theaters, grossing 34.3 mil. $ (25.4 % of the total gross). The 2nd and 3rd biggest markets were Japan with 14.9 mil. $ (11 %) and Spain with 13.9 mil. $ (10.3 %). The film was nominated for 6 Oscars (7 nominations), winning for Best Score. It lost Best Picture to The Departed, Supporting Actress (Rinko Kikuchi (Westworld (2018, TV-series)), Barraza) to Jennifer Hudson in Dreamgirls, Director to Martin Scorsese for The Departed, Original Screenplay to Michael Arndt for Little Miss Sunshine and Editing to The Departed. It won 1/7 BAFTA nominations, 3 prizes in Cannes, was nominated for a César award, won a David di Donatello award, won 1/7 Golden Globe nominations, was nominated for a Grammy and won 2 National Board of Review awards and an AFI award, among many other honors. Roger Ebert gave it a 4/4 star review, equal in rating to this one. It additionally made in excess of 31.4 mil. $ on the North-American home video market alone. Iñárritu returned with To Each His Own Cinema (2007, segment) and theatrically himself alone with Biutiful (2010). Pitt returned in Ocean's Thirteen (2007); Cate Blanchett (Hanna (2011)) in The Good German (2006); and Gael García Bernal (Mozart in the Jungle (2014-18)) in Déficit (2007). Babel is fresh at 69 % with a 6.80/10 critical average at Rotten Tomatoes.]

 

What do you think of Babel?

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