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A gun and turtleneck wearing star Steve McQueen oversees some speeding car action on this ultra-cool poster for Peter Yates' Bullitt |
When the mob witness, who San Francisco detective Frank Bullitt is assigned to protect, gets killed, Bullitt is pressured from above. But soon he finds out that the deceased witness wasn't who he appeared to be.
Bullitt is written by Harry Kleiner (Cry Tough (1959)) and Alan Trustman (Lady Ice (1973)), adapting Mute Witness (1963) by Robert L. Fish (Always Kill a Stranger (1967)), and directed by Peter Yates (Summer Holiday (1963)).
It is a subtle cop thriller/car movie, mostly because Steve McQueen (The Great Escape (1963)) says very little in the title role.
Argentinian Lalo Schifrin (Mission: Impossible (1996)) made a characteristic, jazzy score, and the film has a car chase scene through San Francisco that is deservedly remembered and hailed as one of the best (and first long, city-spanning car chase scenes) in film history. Bullitt is chased and then chases the bad guys around in his '68 Ford Mustang GT.
There's lots of the highly cinematic Bay area in the film, which ends in the San Francisco Airport. Bullitt encompasses the bright, happening San Francisco that was, not the city that is decaying in human travesty today.
Some scenes of Bullitt appear almost hypnotizing, being so downplayed, - perhaps something to do with Yates' British heritage, - but for my money, I think the film was topped by Clint Eastwood and Don Siegel with the very similar Dirty Harry (1971) just three years later, which somehow feels a lot more like an American movie to me.
Related posts:
Peter Yates: Top 10: Best cop movies reviewed by Film Excess to date
Top 10: Best car chases in movies reviewed by Film Excess to date
Cost: 4 mil. $
Box office; 42.3 mil. $ (North America only)
= Mega-hit (returned at least 10.57 times its cost)
[Bullitt was released 17 October (North America) and runs 113 minutes. McQueen was paid 1 mil. for his performance in the film. Shooting took place from February - May 1968 in California, including in Los Angeles and San Francisco, and in Chicago, Illinois. The film grossed 19 mil. $ in 1968, becoming the year's 4th highest grossing, with a reported 42.5 mil. $ domestic total gross. It is impossible to guess its total world gross, but it may well have crossed 60 mil. $. The film was nominated for 2 Oscars, winning for Best Editing. It lost Best Sound to Oliver!. It was also nominated for 5 BAFTAs. Roger Ebert gave it a 4/4 star review, translating to 2 notches over this one. Yates returned with Koroshi (1968, TV movie) and theatrically with Jack and Mary (1969). McQueen returned with The Reivers (1969). Bullitt is certified fresh at 98 % with a 7.90/10 critical average at Rotten Tomatoes.]
What do you think of Bullitt?
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