The Station Agent (2003) - A little star is born

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+ Best Independent Movie of the Year + Best Dramedy of the Year + Best Shooting Star Actor of the Year: Peter Dinklage

Sundance awards and critical praise helps sell this poster's promise of decent, good, bright, grown-up company, for Tom McCarthy's The Station Agent

Fin's boss at the model train shop passes away and leaves a closed up train station in New Jersey to Fin, who decides to move there, where he encounters two new friends.

The Station Agent is written and directed by great New-Jerseyite filmmaker Tom McCarthy (The Cobbler (2014)), whose debut it is.
It is a small, 'good time' story with 4 delightful actors. Peter Dinklage (A Case of You (2013)) is excellent as Fin, and the film gives insight into the life as a little person. It also deals with train fascination and friendships. Bobby Cannavale's (Blue Bloods (2010-11)) character lacks some information; namely, how does he survive on selling hotdogs and coffee in virtual no-man's-land?
The Station Agent is built with warm humor and pleasant scenes with something at stake. It is a fine little picture.

Related posts:


Tom McCarthy: 2015 in films and TV-series - according to Film Excess [UPDATED III]
2015 in films and TV-series - according to Film Excess [UPDATED II]
2015 in films and TV-series - according to Film Excess [UPDATED I]  
The day after the day after ... the Oscars 2016
Spotlight (2015) - McCarthy puts an admirably bright and sober light on one of the major crimes of modern history

2003 in films and TV-series - according to Film Excess [UPDATED II] 

2003 in films and TV-series - according to Film Excess [UPDATED I]

 

Watch a trailer for the film here

Cost: 0.5 mil. $
Box office: 8.6 mil. $
= Mega-hit (returned 17.2 times its cost)
[The Station Agent premiered 26 January (Sundance Film Festival, Utah) and runs 90 minutes. Shooting took place in Pennsylvania and New Jersey in August 2002. The film opened 55 to a 57k $ first weekend in 3 theaters in North America, where it peaked at #20 and in 198 theaters (different weeks), grossing 5.7 mil. $ (66.3 % of the total gross). The 2nd and 3rd biggest markets were the UK with 0.9 mil. $ (10.5 %) and New Zealand with 0.5 mil. $ (5.8 %). The film won a BAFTA, 3/4 Independent Spirit award nominations, 2 National Board of Review awards and 3 prizes at Sundance. Roger Ebert gave it a 3.5/4 star review, translating to a notch better than this one. McCarthy returned with The Visitor (2007). Dinklage returned in Tiptoes (2003), Cannavale in 3 TV credits before Shortcut to Happiness (2003); Michelle Williams (Lassie (1994)) in Dawson's Creek (1998-03)) and theatrically in A Hole in One (2004); and Patricia Clarkson (The East (2013)) in Dogville (2003). The Station Agent is certified fresh at 94 % with a 7.97/10 critical average at Rotten Tomatoes.]

What do you think of The Station Agent?

Lars and the Real Girl (2007) - A great cast shine in fine and funny doll romance dramedy

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Dogville (2003) - Von Trier's implacable, truly unique drama

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+ Best Big Flop Movie of the Year + Best Danish Movie of the Year + Best Ensemble of the Year: Nicole Kidman, Ben Gazzara, James Caan, Lauren Bacall, Harriet Andersson, Chloë Sevigny, Patricia Clarkson, Paul Bettany, Stellen Skarsgård, Zeljko Ivanek + Best Epic of the Year + Best Experimental Movie of the Year

Nicole Kidman as Grace and the residents of Lars Von Trier's Dogville on its poster

QUICK REVIEW:

A lady in distress, on the run from mobsters, appears in the small Colorado mountain town of Dogville in America in the 1930s, where the town's aspiring writer Tom gets the townspeople to show mercy and take in the stranger.

Dogville is the 8th feature from Danish master filmmaker Lars Von Trier (Breaking the Waves (1996)), who both wrote and directed it. Half of the awe-inspiring work that is Dogville is Trier's disturbing script, (which Quentin Tarantino has said would have won the Pulitzer Prize, if it had been written for the stage instead of the screen), and the film's unique stage concept; the film takes place in a small town which is not physically created but merely marked by chalk lines on a dark stage. The other half is the combined force of an ensemble that could be among the decade's best:
Ben Gazzara (Anatomy of a Murder (1959)), Nicole Kidman (The Hours (2002)), James Caan (Misery (1990)), Lauren Bacall (The Big Sleep (1946)), Harriet Andersson (Cries & Whispers/Viskningar och Rop (1972)), Chloë Sevigny (Boys Don't Cry (1999)), Patricia Clarkson (Six Feet Under (2002-05)), Paul Bettany (The Tourist (2010)), Stellan Skarsgård (Breaking the Waves) and Zeljko Ivanek (Oz (1997-03)) are all simply grand.
The ending is strong and hard to come to terms with, which is not meant as a criticism.
The only reservation I do have regarding Dogville is that it has too much narration. For a film as long as this, it simply becomes too dense.

 Related reviews:

Lars Von Trier:  Nymphomaniac (2013) short version, vol. 1 & vol. 2, or, Lars Von Trier's Suck It Melancholia (2011) - Von Trier's heightened reality doomsday reflections 
Antichrist (2009) - Von Trier's cabin-in-the-woods psycho-horror 
The Boss of It All/Direktøren for det Hele (2006) - Von Trier's hilarious absurd comedy 
Dear Wendy (2005) - Vinterberg and Von Trier's unpopular, gun-themed megaflop (writer)  

2003 in films and TV-series - according to Film Excess [UPDATED II] 

2003 in films and TV-series - according to Film Excess [UPDATED I]

Dancer in the Dark (2000) or, Selma the Immigrant  

Lars Von Trier's Dogville as seen from above

Watch a trailer for the film here

Cost: 10 mil. $
Box office: 16.6 mil. $
= Big flop
[Dogville premiered May 19 (Cannes) and runs 178 minutes. It is the first of a proposed America: Land of Opportunities trilogy, which also includes Manderlay (2005) and Washington, which hasn't been made. The film was shot digitally on a stage in Trollhättan, Sweden and was a co-production between no less than 9 European countries. Trier has since revealed that he wrote the script for Dogville in a 12 day drug binge, although the truthfulness of that statement shouldn't be taken for granted. More or less outrageous stories about the film's production abounds, and some can be read here. Dogville competed in Cannes but lost to Gus Van Sant's masterpiece Elephant. Dogville had a limited run in North America, where it opened #41 with 88k $ and grossed 1.5 mil. $ (9 % of the total gross). Its biggest markets were Italy with 3.2 mil. $ (19.3 %), France with 2.1 mil. $ (12.7 %) and Germany with 2 mil. $ (12 %). In Trier's native Denmark, the film made a fine 1.2 mil. $ (7.2 %). Mostly American critics were offended by the fact that the film is obviously made by a filmmaker who is critical of the US, but others have hailed it as a great film. It is included on several top 10 lists of the year, and several critics and filmmakers also believe it to be among the best films ever made. It was nominated for 4 European Film Awards, winning Best Cinematography for Anthony Dod Mantle. It won Best Danish Film at the Bodil Awards (Danish critics awards), and Best Costume Design and Screenplay at the Robert Awards (Danish Oscar). Dogville is fresh at 70 % with a 6.9 critical average on Rotten Tomatoes.]

What do you think of Dogville?

The Dead Pool (1988) - The highly entertaining last Dirty Harry movie

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An original, virile poster for Buddy Van Horn's The Dead Pool

QUICK REVIEW:

Fame catches up with Detective Harry Callahan of the SFPD, who gets a new, Asian martial arts expert partner and a new assignment: A celebrity-killing serial killer maniac.

Dead Pool is a highly entertaining, appealingly compact sequel, (at just 91 minutes it is both the crime action movie series' last and shortest entry). 
It is definitely better than the first of the four sequels, the series' most commercially successful film, Magnum Force (1973). - Because the 80s truly shine through, and also because the film presents an imaginative story with some fun characters: Jim Carrey (Ace Ventura: Pet Detective (1994)) as a heroin junkie rock star; Liam Neeson (Schindler's List (1993)) as an a-hole movie director, and Patricia Clarkson (Six Feet Under (2002-05)) as a sweet blond. - And Guns N' Roses cameos in the film.
Clint Eastwood (Dirty Harry (1971)), the center of it all, is in physical top shape here, where he SPOILER ultimately gets to harpoon the villain!
The Dead Pool is written by Steve Sharon, based on a story by him, Durk Pearson and Sandy Shaw (Firefox (1982), scientific advisors, both), and directed by stunt man and stunt coordinator on more than 100 films Buddy Van Horn, who also directed three: Besides Dead Pool, the other two are also Eastwood vehicles; Any Which Way You Can (1980) and Pink Cadillac (1989).

Relate review:

Dirty Harry (1971) - Eastwood's great, signature renegade cop character comes to life 
Buddy Van Horn: Any Which Way You Can (1980) or, More Monkey Business!

A young Patricia Clarkson in Buddy Van Horn's The Dead Pool

An equally young Jim Carrey also in Buddy Van Horn's The Dead Pool

A flying car --- a trick that never grows old --- in Buddy Van Horn's The Dead Pool

Watch the original trailer here

Cost: 31 mil. $
Box office: 37.9 mil. $ (US only)
= Uncertainty
[Without international figures, it is not possible to tell if Dead Pool made a profit. It seems likely it just broke even theatrically or perhaps even incurred a minor loss.]

What do you think of The Dead Pool?
And the other four Dirty Harry movies?

The Pledge (2001) - Maddening, realistic, unpleasant child-killer story

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Jack Nicholson as the restless cop on the poster for Sean Penn's The Pledge

The Pledge is Sean Penn's (Into the Wild (2007)) third foray into directing following The Indian Runner (1991) and The Crossing Guard (1995), which is also with Jack Nicholson (About Schmidt (2002)). Of the two, I definitely prefer The Crossing Guard, but it may be a matter of taste more than quality difference.
The Pledge is based on Swiss author/playwright Friedrich Dürrenmatt's novella Das Versprechen:Requiem for den Kriminalroman/The Pledge: Requiem for the Detective Novel (1958), which has been adapted before in Germany and the UK.
It is a story of a retiring cop in a country county, who on the eve of his retirement party helps out at a crime scene, where a little girl has been found ravaged and murdered. He pledges to the girl's grieving mother (Patricia Clarkson (The East (2013)), who is strong in the part) that he will find the killer, and then watches at the station, as the accused, mentally disadvantaged Indian (Benicio Del Toro) is more or less coaxed into an ambiguous confession by a colleague with a hard-on for closing the case (Aaron Eckhart), before the Indian SPOILER steals a gun and blows his brains out. Jerry (Nicholson) is retired, but he can't let the case rest: What if the killer wasn't this Indian? What if the monster is still out there?
The story is told so that we have no problem understanding why this will not let Jerry's mind rest. An important decision in that regard is that we see crime scene photos of a similar crime a little while into the film, which is truly horrifying and aligns us with Jerry completely.
But then kicks in the Requiem for the Detective Novel-part in The Pledge, because Jerry's efforts are essentially SPOILER fruitless: His hunger for justice and peace of mind turns into an obsession and eventually crumbles his mind completely, as we see in the film's last shots of Nicholson spazzing out. Even more maddening is the fact that we see that he was close to the solution and salvation, - but just missed it. It bears reminiscence to the ending of Penn's later Northern tale, Into the Wild, in which the lead Christopher dies of sickness and hunger isolated in an abandoned bus in Alaska much closer to civilization than he thinks he is.

The details:

The Pledge is well-played, although I think there was a single mis-tune to Nicholson's performance, when he has to make us and some colleagues understand why this case is so obsessively important, and I could see the actor taking the leap to up the stakes for his character, but a little too late. - He's good in the film, granted, but it's not among his greatest performances. Also the character seems somewhat lean: When asked about why he isn't married at one point, he replies that he's a "two-time loser". - Which could mean at least two and really several things, but we never learn. - Never learn much about Jerry besides his obsession. In that sense, The Pledge remains strictly a detective movie and stays clear of drama-elements about the character's past, but since it is a detective story about not finding a solution, (although we as audiences do see the solution), it is an almost maddeningly frustrating time.
- Also because of the subject matter, child abduction, -rape and -murder, which made me uncomfortable before the film was also about the killer being an elusive son of a *****, AND Jack Nicholson losing his mind. Thiscombined weight of this whole stack of unpleasant things is too much for me to still basically enjoy the film, which I must say that I didn''t. Also because it is fiercely realistic and very well-made, photography-wise (Chris Menges (The Reader (2008)) and acting-wise: Vanessa Redgrave also gives a great performance in a single scene as the murdered girl's grandmother. And the ensemble cast is very impressive with additional stars Sam Shepard, Robin Wright Penn, Helen Mirren, Tom Noonan, Mickey Rourke (who is also moving as a father of a missing daughter) and Harry Dean Stanton.
Penn is in pre-production with another film right now which he will direct called The Last Face.

Related reviews:

Sean Penn as actor:  Gangster Squad (2013) or, Good Men vs. Bad Men! 
The Tree of Life (2011) or, Mother, Father, Sharks, Dinosaurs, My Brothers, Sunflowers, the Desert, the Wind and Me 
21 Grams (2003) or, Hardcore Life 

Watch the trailer here

Budget: 35 mil. $
Box office: 29.4 mil. $
= Flop

What do you think of The Pledge?