The Iron Giant (1999) - Bird's heavily themed family animation debut

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A stylish and retro-cool poster for Brad Bird's The Iron Giant

1950s Maine, the United States: Boy Hogarth is mad about sci-fi magazines during the atomic scare period, when a giant robot from space lands in the forest near his home ...

 

The Iron Giant is written by Tim McCanlies (North Shore (1987)), Brent Forrester (Love (2016-18)) and great Montanan filmmaker, debuting co-writer/director Brad Bird (Ratatouille (2007)), loosely adapted from Ted Hughes' (The Hawk in the Rain (1957)) The Iron Man (1968).

Wonderful, inspired and deeply colorful and vivid animation, which is endowed with a keen comical eye and excellent voice performances from Eli Marienthal (American Pie (1999)), Jennifer Aniston (We're the Millers (2013)), Harry Connick Jr. (New in Town (2009)), and others.

The story's political angle, - weapon are evil and the state and authorities are deceitful, ignorant and hungry for wars, - is a bit too pregnant for a family film. The Iron Giant is nevertheless still a very special and delightful picture.

 

Related posts:

Brad Bird: 2011 in films and TV-series - according to Film Excess [UPDATED III]
2011 in films and TV-series - according to Film Excess [UPDATED II]
2011 in films - according to Film Excess

Mission: Impossible - Ghost Protocol (2011) - Cruise and Bird's phenomenal action spectacle 
The Incredibles (2004) - Unwanted animation action slam-dunk

 

Watch a trailer for the movie here

 

Cost: 50 mil. $

Box office: 31.7 mil. $

= Huge flop (returned 0.63 times its cost)

[The Iron Giant premiered 31 July (USA) and runs 87 minutes. Bird was inspired by the murder of his sister, shot dead by her estranged husband, because Hughes' novel was a comforting tale for his children following their mother, poet Sylvia Plath's suicide. Production took place in Los Angeles, California. The film opened #9 to a 5.7 mil. $ first weekend in North America, steadily declining from there to end with a 23.1 mil. $ (72.9 % of the total gross) gross. The flop was attributed to Warner Bros. lacking marketing campaign, apparently stemming from lack of faith in the film due to their failure with the preceding year's big animation Quest for Camelot (1998). The film won a BAFTA, among other honors. Roger Ebert gave it a 3.5/4 star review, translating to a notch over this one. IMDb's users have rated it in at the site's Top 250 at #239, sitting between Network (1976) and The Handmaiden (2016). Bird returned with The Incredibles (2004). Marienthal returned in 3 TV credits prior to his theatrical return in American Pie 2 (2001). The Iron Giant is certified fresh at 96 % at Rotten Tomatoes.]

What do you think of The Iron Giant?

And Then We Danced/და ჩვენ ვიცეკვეთ (Da chven vitsek'vet) (2019) - Swede strikes for LGBT rights in Georgia

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The fantastical emotion of unhindered freedom found in folk dance is encapsulated beautifully on this elegant poster for Levan Akin's And Then We Danced

Merab is a passionate dancer in the tradition of Georgian folk dance, who falls for a new, male dance colleague and competitor during a period leading up to a pivotal audition in the traditional and Conservative country.

And Then We Danced is written, directed and co-edited by Levan Akin (Katinkas Kalas (2011)). The original Georgian title translates to, 'and we danced'.

With a dedicated and strong performance by debuting Levan Gelbakhiani as Merab and a thrilling insight into a rarely seen nation and culture, And Then We Danced attracts its viewers.  But its secret taboo romance is seen many times before and is related in a very leisurely pace, which dramatically slows our investment in the film, which is lifted by the finishing audition dance scene.

 

Watch a trailer for the film here

 

Cost: Unknown

Box office: 625k $

= Uncertain but likely a huge flop (projected return of 0.625 times its cost)

[And Then We Danced premiered 16 May (Cannes Film Festival, Director's Fortnight section) and runs 105 minutes. Akin, born in Sweden with Georgian ex-pat parents, decided to make the film after seeing footage of a Gay Pride parade in Georgia getting attacked by homophobes. 10 companies and support bodies collaborated in the financing and production of the film. Shooting took place in Georgia, including in Tbilisi. The film was met with death threats, protests, dismissals and a refusal for support by official Georgia, including the Culture Ministry, the Church and the National Ballet, due to the country's homophobic culture. Hundreds protested the films cinema screenings in Georgia, with the police forcefully enforcing the peace and safety of cinema-goers. The Georgian gross is regrettably not reported online. The film opened #48 to a 13k $ first weekend in 2 theaters in North America, where it peaked at #43 and in 23 theaters (different weekends), grossing 177k $ (28.3 % of the total gross). North America was the film's 2nd biggest market. The biggest was Spain with 182k $ (29.1 %); 3rd biggest was the Netherlands with 142k $ (22.7 %). The cost of the film is unknown but is here projected to have been a low 1 mil. $. The film was nominated for a European Film award and won 4/7 Guldbagge award nominations, among other honors. It was chosen as Sweden's film for the Best Foreign Language Film Oscar but did not get nominated. Akin returned with Deg (2021, TV-series) and theatrically with Crossing (2024). Gelbakhiani has not returned in a film yet but is slated to return in two films in post production, Don't Let the Sun (Catch You Crying) and Youri. And Then We Danced is certified fresh at 93 % with a 7.90/10 critical average at Rotten Tomatoes.]

What do you think of And Then We Danced?

Inherent Vice (2014) - Anderson turns in his career's first dud

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A psychedelic reproduction of star Joaquin Phoenix with a characteristic stoner look in rainbow colors make up most of this poster for Paul Thomas Anderson's Inherent Vice

A hairy, uncool private investigator in 1970s Los Angeles gets a new, bewildering case, when his ex-girlfriend appears and sets his attention on the story of a disappeared real estate broker.

 

Inherent Vice is written, co-produced and directed by Californian master filmmaker Paul Thomas Anderson (Hard Eight (1996)), whose 7th feature it is. It is an adaptation of the same-titled 2009 novel by Thomas Pynchon (V. (1963)).

The driving narrative of the missing realtor never hooks us, and Inherent Vice looks and feels like an auteur who is verliebt in a time and a place, (1970s LA, where Anderson also set his Boogie Nights (1997)), but the result is never as fun, dramatic nor anything approaching exciting as it was supposed to be. Technically the film is beautiful, with a cool back alley cat attitude, which clashes with Joaquin Phoenix (Her (2013)) booby performance in the lead role, providing moments of measured mirth. This while a parade of stars come and go before the master's camera. Anderson with Inherent Vice is beating on an empty drum in an overlong running time to boot. It is a deadly bore.

 

Related posts:

Paul Thomas Anderson: 2017 in films - according to Film Excess [UPDATED I]
Phantom Thread (2017) - Anderson's exquisite drama of an English dressmaker and his Alma 

The Master (2012) - Anderson's stunning post-war reflection 

2002 in films and TV-series - according to Film Excess [UPDATED I] 

Punch-Drunk Love (2002) - Sandler breaks out of his routine in Anderson's delightful romcom

1997 in films and TV-series - according to Film Excess 
Boogie Nights (1997) - Anderson's irresistible porn 'Casino'

1996 in films and TV-series - according to Film Excess 

Hard Eight (1996) - Anderson debuts with downbeat crime drama

 

Watch a trailer for the movie here

 

Cost: 20 mil. $

Box office: 14.8 mil. $

= Huge flop (returned 0.74 times its cost)

[Inherent Vice premiered 4 October (New York Film Festival) and runs 149 minutes. Shooting took place from May - August 2013 in California, including in Los Angeles, and in Las Vegas, Nevada. The film opened #20 to a 328k $ first weekend in 5 theaters in North America, where it peaked at #11 and in 653 theaters (different weeks), grossing 8.1 mil. $ (54.7 % of the total gross). The 2nd and 3rd biggest markets were the UK with 1.1 mil. $ (7.4 %) and Italy with 707k $ (4.8 %). The film was nominated for 2 Oscars: Best Adapted Screenplay, lost to Graham Moore for The Imitation Game, and Costume Design, lost to The Grand Budapest Hotel. It was also nominated for a Golden Globe, won an Independent Spirit award and 2 National Board of Review awards, among many others. Anderson returned with 8 music videos and a documentary prior to his theatrical return with Phantom Thread (2017). Phoenix returned in Irrational Man (2015). Inherent Vice is fresh at 74 % with a 7.20/10 critical average at Rotten Tomatoes.]

 

What do you think of Inherent Vice? 

In the Heart of the Sea (2015) - Howard and stars mostly lost at sea

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The dimensions of a man swimming behind a massive whale are astonishing on this poster for Ron Howard's In the Heart of the Sea

Herman Melville comes to Nantucket, New England in 1850 and pressures a local to relate to him the story of how the whaling ship the Essex suffered a cruel fate on a mission thirty years prior.

In the Heart of the Sea is written by Charles Leavitt (The Mighty (1998)), with Rick Jaffa and Amanda Silver (Rise of the Planet of the Apes (2011), both) contributing story elements, adapting the same-titled 1999 non-fiction book by Nathaniel Philbrick (Abram's Eyes (1998)), and co-produced and directed by great Oklahoman filmmaker Ron Howard (Grand Theft Auto (1977)).

Not an adaptation of Herman Melville's classic Moby Dick (1851), rather this is about the true-story genesis of his novel. In the Heart of the Sea attracts with its colorful seafaring adventure. Whaling, to most people, is about as exotic as it can get. The film succeeds rather well in portraying this fascinating activity, no doubt with enormous practical difficulties, not least because the activity is so hard to imagine doing.

But good maritime scenes cannot cover the many egregious choices made by the filmmakers: The film is about Melville, - but then not really. It is about first mate Owen Chase's (Chris Hemsworth (Thor: Ragnarok (2017))) marriage, - but then not really. And there's a fair argument to be made that Hemsworth is not enough of a dramatic actor to carry the part. It is about Chase's rivalry with the ship's stubborn captain, - but then not really. Finally the film is about the young Thomas, who sees everything through a big kid's eyes: SPOILER Tom Holland (Avengers: Endgame (2019)) is too cute for this part, and when as a grown man he has become Brendan Gleeson (The Village (2004)) it is impossible to see how and when the two could have possible morphed.

Maybe Howard was too unfocused during the making of the film, (he was tweeting and instagraming during shooting), or perhaps not personally invested enough. In any case, In the Heart of the Sea rumbles along hither and dither without much luck.

 

Related posts:

 

Ron Howard: Solo: A Star Wars Story (2018) - Disney, Howard and Co. drive expensive stick through beloved franchise 

Inferno (2016) - Howard's third Langdon adventure is among the year's worst films 

Corman's World: Exploits of a Hollywood Rebel (2011) - Stapleton's Corman doc. is among the year's best films (interview subject)

2008 in films and TV-series - according to Film Excess [UPDATED III] 

2008 in films and TV-series - according to Film Excess [UPDATED II] 
2008 in films - according to Film Excess [UPDATED I]
2008 in films - according to Film Excess
Frost/Nixon (2008) - Howard's political drama is gripping, superiorly acted 
The Da Vinci Code (2006) - Howard's first Brown adaptation is a popcorn thriller hoot  

2001 in films and TV-series - according to Film Excess 
Top 10: The best biopic movies reviewed by Film Excess to date 
A Beautiful Mind (2001) - John Nash given the Epic Treatment  
EDtv (1999) - Phenomenal cast shine in Howard's witty mega-flop

Far and Away (1992) - Howard, Hollywood's sweethearts visit the old West with dull result (co-writer/director) 
Backdraft (1991) - Howard's giant, stupid Chicago-set firefighter movie 

Grand Theft Auto (1977) or, Crash Bam Boom! 
American Graffiti (1973) or, Cruisin' Modesto '62 (actor)   

 

 

Watch a trailer for the movie here

 

Cost: 100 mil. $

Box office: 94.3 mil. $

= Huge flop (returned 0.94 times its cost)

[In the Heart of the Sea premiered 2 December (London) and runs 122 minutes. 10 companies cooperated in the financing and production of the film. Shooting took place from September 2013 in Spain and England, including in London. The film opened #2, behind The Hunger Games: Mockingjay - Part 2, to an 11 mil. $ first weekend in North America, where it left the top 5 in its 2nd weekend and grossed 25 mil. $ (26.5 % of the total gross). The 2nd and 3rd biggest markets were Mexico with 6.3 mil. $ (6.7 %) and South Korea with 5.7 mil. $ (6 %). The film made an estimated 8.6 mil. $ additionally on the domestic home video market. Howard returned with The Beatles: Eight Days a Week - The Touring Years (2016, documentary) and theatrically with Inferno (2016). Hemsworth returned in The Huntsman: Winter's War (2016). In the Heart of the Sea is rotten at 42 % with a 5.50/10 critical average at Rotten Tomatoes.]

What do you think of In the Heart of the Sea?

The In-Laws (2003) - Fine cast fuel amusing hijinks in under-appreciated remake

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A festive matrimonial gathering of Hollywood stars make up the poster for Andrew Fleming's The In-Laws

A young couple are getting married, and their parents are finally about to meet: But her foot doctor father and his CIA hotshot father get closer to each other than anyone could have guessed on this eventful weekend.

 

The In-Laws is written by Nat Mauldin (Downtown (1990)) and Ed Solomon (Charlie's Angels (2000)) and directed by Andrew Fleming (Bad Dreams (1988)). It is a remake of Andrew Bergman's same-titled 1979 action comedy hit.

The poster makes the film look like a Meet the Parents (2000) style romcom, but this is more of a buddy-tasting action comedy. Being unfamiliar with the original film is not a handicap in this case and may even be advisable. I found myself easily let along by the charming stars: Albert Brooks (The Scout (1994)) as the neurotic scaredy cat doctor, and Michael Douglas (Traffic (2000)) as the nonchalant, 'I-can-do-anything' type are both well-cast, share chemistry and are genuinely funny together. Brooks' scenes with David Suchet (Effie Gray (2014)) as Jean-Pierre (among other things appearing in a red thong!) are also a hoot. With Candice Bergen (Rules Don't Apply (2016)) as heavily combated ex-wife, and Ryan Reynolds (6 Underground (2019)) with strangely over-plucked eyebrows as the cute son getting married. 

The In-Laws doesn't take itself seriously but it is a bowl of laughs, while it also trails around admirably as a kind of fun field trip, particularly for fans of its two seasoned, headlining stars.

 

Watch a trailer for the film here

Cost: 40 mil. $

Box office: 26.8 mil. $

= Huge flop (returned 0.67 times its cost)

[The In-Laws premiered 19 May (USA) and runs 98 minutes. Shooting took place from June - August 2002 in California, including in Los Angeles, in Chicago, Illinois and in Ontario, including in Toronto. The film opened #5, behind fellow new release Bruce Almigthy and holdover hits The Matrix Reloaded, Daddy Daycare and X2: X-Men United, to a 7.3 mil. $ first weekend in North America, where it left the top 5 in its 2nd weekend and grossed 20.4 mil. $ (76.1 % of the total gross). The 2nd and 3rd biggest markets were Italy with 1.2 mil. $ (4.5 %) and Spain with 777k $ (2.9 %). Roger Ebert gave it a 2/4 star review, translating to 2 notches under this one. Fleming returned with 3 TV credits prior to his theatrical return, Nancy Drew (2007). Douglas returned with a voice performance in Freedom: History of US (2003, TV-series) and theatrically in The Sentinel (2006); Brooks in Looking for Comedy in the Muslim World (2005). The In-Laws is rotten at 33 % with a 5/10 critical average at Rotten Tomatoes.]

What do you think of The In-Laws?

Into the Blue (2005) or, Ship Ahoy!

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Two nearly naked young stars look enticing on this poster for John Stockwell's Into the Blue

A broke diver with a boat with holes in it, a lovely girlfriend and big dreams get a visit from an old friend and a girl, and soon the group discover a major drug find in the ocean around the Bahamas.

 

Into the Blue is written by Matt Johnson (Torque (2004)) and directed by John Stockwell (Under Cover (1987)).

If you're gonna watch Into the Blue, it is advisable to leave the plot alone and just enjoy the images of ocean life and beautiful bodies supplied in it. Here's the chance to ogle Paul Walker (Timeline (2003)) and Jessica Alba (The Veil (2016)) in swimwear. The film is overlong and narratively messy - a hodgepodge. It is a shame because an artistically interesting or a better action director might have wrung a great film from this premise.

Walker is supposed to be at times unrealistically boyish and often highly vexed at his pal Scott Caan's (Rock the Kasbah (2015)) shenanigans here. Josh Brolin (Avengers: Infinity War (2018)) is a villain who seems hired directly from an old bikini b-picture. The many underwater scenes, including action scenes, are often bewildering, because the many characters look identical wearing diving goggles.

 

 

Watch a trailer for the film here

 

Cost: 50 mil. $

Box office: 46.1 mil. $

= Huge flop (returned 0.92 times its cost)

[Into the Blue premiered 21 September (Los Angeles) and runs 110 minutes. Walker was paid 8.5 mil. $ for his performance in the film. Shooting took place from January - March 2004 in Florida, the Cayman Islands and in the Bahamas. The film opened #5 (during Hurricane Katrina), behind holdover hit Flightplan, fellow new release Serendipity and holdover hits Corpse Bride and A History of Violence, to a 7 mil. $ first weekend in North America, where it left the top 5 in its 2nd weekend and grossed 18.8 mil. $ (40.8 % of the total gross). The 2nd and 3rd biggest markets were the UK with 3.1 mil. $ (6.7 %) and Germany with 2.6 mil. $ (5.6 %). Roger Ebert gave the film a 3/4 star review, translating to 2 notches over this one. Stockwell returned with Rocky Point (2005, TV-series) and theatrically with Turistas (2006). Walker returned in Running Scared (2006); Alba in Shawn Desman: Sexy (2005, TV-series) and theatrically in The Ten (2007). Into the Blue is rotten at 21 % with a 4.10/10 critical average at Rotten Tomatoes.]

 

What do you think of Into the Blue? 

The Ice Harvest (2005) or, It's a Difficult Life

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Cut-outs of the three stars are obviously photo-shopped together on this poster for Harold Ramis' The Ice Harvest

A disillusioned lawyer and his cynical buddy steal 2 mil. $ in Wichita Falls, Kansas on a wet Christmas Eve, but after this feat they run into a series of problems.

 

The Ice Harvest is written by Robert Benton (Bonnie and Clyde (1967)) and Richard Russo (Twilight (1998)), adapting Scott Phillips' (The Devil Raises His Own (2024)) same-titled 2000 novel, and directed by Illinoisan master filmmaker Harold Ramis (Caddyshack (1980)), whose 10th feature it was.

It is a sardonic, dark Christmas movie with a fine, well-acting cast in a knotty plot with many funny, superbly delivered lines. John Cusack (Hot Tub Time Machine 2 (2015)) is good as the protagonist, and Billy Bob Thornton (Bad Santa 2 (2016)) is ideal as the ornery prick he gets to play here. Oliver Platt (Modern Family (2015-17)) plays a character that's both funny and somewhat tragic. Connie Nielsen (FBI (2018, TV-series)) is beautiful and provides depth to boot; and Mike Starr (Clowning (2022)) is very funny in a part that goes mostly unseen.

The look of The Ice Harvest is sometimes film noir inspired, and quite successfully so. This is a dark, wet, cold, strip, liquor and curse-word filled dose of yo-ho-ho. The plot leaves some things for us to ponder about: SPOILER Worst among these instances must be that Cusack's character feels impelled to murder Nielsen's, - at least without me being fully clear about why this was necessary, - and then proceeding to be fairly unaffected by the action. But over-all The Ice Harvest is too funny for these holes to ruin the experience.

 

Related posts:

Harold Ramis: 1999 in films and TV-series - according to Film Excess 

Analyze This (1999) - Analyze what, Ramis? 

1993 in films and TV-series - according to Film Excess 

Top 10: Best fantasy movies reviewed by Film Excess to date 

Groundhog Day (1993) - Rubin, Ramis and Murray's irresistible comedy masterpiece 

Ghostbusters II (1989) - Reitman's unjustifiably maligned sequel (co-writer/co-star)

Ghostbusters (1984) - Reitman and Co. conjure up the gleeful pomp and circumstance of the 1980s (co-writer/co-star)

Caddyshack (1980) - And you thought golf was boring?

 

 

Watch a trailer for the film here

 

Cost: 16 mil. $

Box office: 10.1 mil. $

= Huge flop (returned 0.63 times its cost)

[The Ice Harvest premiered 3 September (Deauville Film Festival, France) and runs 89 minutes. Ramis approached his Ghostbusters co-star Bill Murray to star in the film, but Murray did not return his call. Monica Bellucci had to bow out due to her pregnancy. Shooting took place from April - June 2004 in Illinois. The film opened #10 to a 3.7 mil. $ first weekend in North America, its peak there, grossing 9 mil. $ (89 % of the total gross). The 2nd and 3rd biggest markets were Spain with 599k $ (5.9 %) and France with 254k $ (2.5 %). Roger Ebert gave the film a 3/4 star review, equal in rating to this one. Ramis returned with Atlanta (2007, TV movie) and theatrically with Year One (2009). Cusack returned in The Contract (2006); Thornton in School for Scoundrels (2006); and Nielsen in The Situation (2006). The Ice Harvest is rotten at 47 % with a 5.50/10 critical average at Rotten Tomatoes.]

What do you think of The Ice Harvest?

Inferno (1980) - Argento's satanic, New York-set nightmare masterpiece

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A fashionably colored skull outline with a seductive woman's lips and jaws in a sea of black makes up most of this most elegant poster for Dario Argento's Inferno

A music student pursues tracks from his sister's mysterious disappearance in New York, just after being near to an equally mysterious double homicide in Rome, his place of study.

 

Inferno is written and directed by Italian master filmmaker Dario Argento (The Bird with the Crystal Plumage/L'Uccello dalle Piume di Cristallo (1970)), whose 7th feature it is. Dardano Sacchetti (Turbo (2000, TV-series)) and co-writer/co-star Daria Nicolodi (Suspiria (1977)) contributed uncredited contributions, and the story is inspired by Thomas De Quincey's (Lake Reminiscences (1834-40)) Suspiria de Profundis (1845). It is the second film in Argento's Three Mothers trilogy, also consisting of Suspiria (1977) and Mother of Tears/La Terza Madre (2007).

It is a fantastical, dream-like horror. Its opening scenes in a largely deserted New York City are unforgettable, and so are several incredible scenes later on. The Verdi scene in Rome and the cat drowning scene in Central Park must be called out as among the film's highlights.

Beautifully, atmospherically lit, and designed with exemplary effects, Inferno is memorable as a surrealist, sensually dense, deeply cinematic descent into the dark hell of our subconscious. It is among Argento's best, an unavoidable, strange and wild horror classic.

 

Related posts:

Dario Argento: The Phantom of the Opera/Il Fantasma dell'Opera (1998) - Argento's Leroux adaptation is a kicker mostly for stout fans 

Demons/Dèmoni (1985) or, Cinema of Death! (co-writer/producer)

Dawn of the Dead (1978) or, Mall of Death! (co-composer)

The Cat O'Nine Tails/Il Gatto a Nove Code (1971) - Solid genetics-themed giallo murder puzzle 

The Bird With the Crystal Plumage/L'uccello Dalle Piume di Cristallo (1970) - The great debut giallo of Dario Argento

Documentary about Dario Argento: An Eye for Horror (2002) - Bio. doc. of Dario Argento 

 

 

Watch a modern-made trailer for the film here

 

Cost: 3 mil. $

Box office: In excess of 1.6 mil. $ (Italy only)

= Uncertain but likely a huge flop (projected return of 0.66 times its cost)

[Inferno was released 7 February (Italy) and runs 107 minutes. Shooting took place from May - September 1970 in Rome, Italy and in New York. Argento became ill with hepatitis during the shoot. The film was commissioned after Suspiria's success, but new Fox management saw no quality in the endeavor and the film reportedly only had a tiny release in North America. The gross numbers, except for Italy, where the film was popular, are regrettably not reported. Only 1,126 paid admission in Denmark. With a projected final gross of 2 mil. $, the film would rank as a huge flop. Argento returned with Tenebrae (1982). Eleonora Giorgi (SoloMetro (2007)) returned in Mia moglie è una Strega (1980); Leigh McCloskey (Bones (2011, TV-series)) in Hart to Hart (1981, TV-series) and theatrically in Hearts and Armour (1983); and Alida Valli (La Bocca (1991) in L'eredità della Priora (1980, miniseries)), Verso l'ora Zero (1980, TV movie) and theatrically in Aquella Casa en las Afueras (1980). Inferno is fresh at 63 % with a 5.70/10 critical average at Rotten Tomatoes.]

 

What do you think of Inferno?

The Ice Storm (1997) - Lee makes one of the year's great American films

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Elongated, eye-focused peaks at three of the film's stars make up most of this blue-toned poster for Ang Lee's The Ice Storm

The father in a nice-looking Connecticut family in the bold 1970s has an affair with the neighbor's wife, while their daughter fools around with two brothers from the same neighborhood, and their son goes to New York during an ice storm.

 

The Ice Storm is written by James Schamus (Indignation (2016)), adapting the same-titled 1994 novel by Rick Moody (Garden State (1992)), and directed by Taiwanese-American master filmmaker Ang Lee (Pushing Hands/Tui shou (1991)), whose 5th feature it is.

An intelligent, stealing meditation of family, sexual identity-making and the dangers in the modern world, The Ice Storm stands out as an excellent drama.

In the glorious cast, durable work is turned in by Kevin Kline (Ricki and the Flash (2015)), Joan Allen (Death Race (2008)), Tobey Maguire (Spider-Man 3 (2007)), Christina Ricci (Miranda (2002)), Sigourney Weaver (Madman (1978)) and Elijah Wood (The Good Son (1993)). The Ice Storm ends powerfully and is a beautiful drama.

 

Related posts:

Ang Lee: 2012 in films and TV-series - according to Film Excess [UPDATED V]

2012 in films and TV-series - according to Film Excess [UPDATED IV]  
2012 in films and TV-series - according to Film Excess [UPDATED III] 
Top 10: The best big hit movies reviewed by Film Excess to date   

2012 in films and TV-series - according to Film Excess [UPDATED II] 
Life of Pi (2012) - Lee's triumphant, stunning faith-builder 

Top 10: Best erotic movies reviewed by Film Excess to date 

The 2000s in films and TV-series - according to Film Excess
2007 in films and TV-series - according to Film Excess [UPDATED II]
2007 in films - according to Film Excess [UPDATED I] 

Lust, Caution/色，戒/Sè, Jiè/Sik1Gaai3 (2007) - Lee's erotic spy thriller is an exquisite, complex masterpiece 

2005 in films and TV-series - according to Film Excess [UPDATED I] 

2005 in films and TV-series - according to Film Excess 
Brokeback Mountain (2005) or, That Place That Weren't Possible  

2003 in films and TV-series - according to Film Excess [UPDATED II] 

Hulk (2003) - Lee's fantastic comics adaptation drama 

 

 

Watch a trailer for the film here

 

Cost: 18 mil. $

Box office: Reportedly 16 mil. $

= Huge flop (returned 0.88 times its cost)

[The Ice Storm premiered 12 May (Cannes Film Festival, main competition) and runs 113 minutes. Shooting took place from April - June 1996 in New York and Connecticut. The film opened #17 to a 75k $ first weekend in 3 theaters in North America, where it grossed 8 mil. $ (50 % of the total gross). The foreign gross numbers are not made public, but it is ascertained at The-Numbers.com that the film made almost as much internationally, which would rank it as a huge flop. It won 1/2 BAFTA nominations, an award in Cannes, losing the Palme d'Or to Taste of Cherry, and was nominated for a Golden Globe, among other honors. Roger Ebert gave it a 4/4 star review, translating to a notch over this one. Lee returned with Ride with the Devil (1999). Kline returned in In & Out (1997); Allen in Face/Off (1997); and Weaver in Alien: Resurrection (1997). The Ice Storm is certified fresh at 86 % with a 7.80/10 critical average at Rotten Tomatoes.]

What do you think of The Ice Storm?