Film Excess - Free Ukraine - Stop Putin - End the war NOW!!: Paul Thomas Anderson

Showing posts with label Paul Thomas Anderson. Show all posts

2/25/2025

Inherent Vice (2014) - Anderson turns in his career's first dud

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A psychedelic reproduction of star Joaquin Phoenix with a characteristic stoner look in rainbow colors make up most of this poster for Paul Thomas Anderson's Inherent Vice

A hairy, uncool private investigator in 1970s Los Angeles gets a new, bewildering case, when his ex-girlfriend appears and sets his attention on the story of a disappeared real estate broker.

Inherent Vice is written, co-produced and directed by Californian master filmmaker Paul Thomas Anderson (Hard Eight (1996)), whose 7th feature it is. It is an adaptation of the same-titled 2009 novel by Thomas Pynchon (V. (1963)).

The driving narrative of the missing realtor never hooks us, and Inherent Vice looks and feels like an auteur who is verliebt in a time and a place, (1970s LA, where Anderson also set his Boogie Nights (1997)), but the result is never as fun, dramatic nor anything approaching exciting as it was supposed to be. Technically the film is beautiful, with a cool back alley cat attitude, which clashes with Joaquin Phoenix (Her (2013)) booby performance in the lead role, providing moments of measured mirth. This while a parade of stars come and go before the master's camera. Anderson with Inherent Vice is beating on an empty drum in an overlong running time to boot. It is a deadly bore.

The Master (2012) - Anderson's stunning post-war reflection

2002 in films and TV-series - according to Film Excess [UPDATED I]

Punch-Drunk Love (2002) - Sandler breaks out of his routine in Anderson's delightful romcom

1997 in films and TV-series - according to Film Excess
Boogie Nights (1997) - Anderson's irresistible porn 'Casino'

1996 in films and TV-series - according to Film Excess

Hard Eight (1996) - Anderson debuts with downbeat crime drama

Watch a trailer for the movie here

Cost: 20 mil. $

Box office: 14.8 mil. $

= Huge flop (returned 0.74 times its cost)

[Inherent Vice premiered 4 October (New York Film Festival) and runs 149 minutes. Shooting took place from May - August 2013 in California, including in Los Angeles, and in Las Vegas, Nevada. The film opened #20 to a 328k $ first weekend in 5 theaters in North America, where it peaked at #11 and in 653 theaters (different weeks), grossing 8.1 mil. $ (54.7 % of the total gross). The 2nd and 3rd biggest markets were the UK with 1.1 mil. $ (7.4 %) and Italy with 707k $ (4.8 %). The film was nominated for 2 Oscars: Best Adapted Screenplay, lost to Graham Moore for The Imitation Game, and Costume Design, lost to The Grand Budapest Hotel. It was also nominated for a Golden Globe, won an Independent Spirit award and 2 National Board of Review awards, among many others. Anderson returned with 8 music videos and a documentary prior to his theatrical return with Phantom Thread (2017). Phoenix returned in Irrational Man (2015). Inherent Vice is fresh at 74 % with a 7.20/10 critical average at Rotten Tomatoes.]

What do you think of Inherent Vice?

8/20/2023

Punch-Drunk Love (2002) - Sandler breaks out of his routine in Anderson's delightful romcom

♥♥♥♥♥

+ Best Romance of the Year

A wonderful still image of a kiss with wavy dark, mellow colors underneath makes up this elegant poster for Paul Thomas Anderson's Punch-Drunk Love

Barry lives in his own socially cautious world, in which he is saving up a ton of frequent flier miles by purchasing pudding. Then he meets a woman, who knocks him off his feet and gets him to fly for the first time in his life, - to Hawaii.

Punch-Drunk Love is written, co-produced and directed by Californian master filmmaker Paul Thomas Anderson (Hard Eight (1996)), whose 4th film it is.

It is strange to enter the anxiety-ridden world of Barry; well-achieved through feministically-diabolical sisters, led by Mary Lynn Rajskub (Hero Mode (2021)), and an untraditional, unharmonic score (by Jon Brion (Lady Bird (2017))). The film also has neat if strangely, purposely 'off' cinematography (by Robert Elswit (Inherent Vice (2014))).

SPOILER A phone sex subplot and Philip Seymour Hoffman (A Late Quartet (2012)) work exceedingly well as elements in Punch-Drunk Love and both are also some of its original parts. Adam Sandler (The Wedding Singer (1998)) and Emily Watson (Chernobyl (2019, miniseries)) are a delightful match. The film is a salute to the first, overwhelming feelings of falling in love.

The Master (2012) - Anderson's stunning post-war reflection

2002 in films and TV-series - according to Film Excess [UPDATED I]

1997 in films and TV-series - according to Film Excess
Boogie Nights (1997) - Anderson's irresistible porn 'Casino'

1996 in films and TV-series - according to Film Excess

Hard Eight (1996) - Anderson debuts with downbeat crime drama

Watch a trailer for the film here

Cost: 30 mil. $

Box office: 24.6 mil. $

= Huge flop (returned 0.82 times its cost)

[Punch-Drunk Love premiered 19 May (Cannes Film Festival, main competition) and runs 95 minutes. The film came about due to Anderson's fandom of Sandler and his wish to make a 90-minute romcom with him. Sandler was paid 7 mil. $ for his performance in the film. Shooting took place from February - March 2001 in Hawaii and California, including in Los Angeles. The film opened #23 to a 367k $ first weekend in 5 theaters in North America, where it peaked at #7 and in 1,293 theaters (different weeks), grossing 17.8 mil. $ (72.4 % of the total gross). The 2nd and 3rd biggest markets were France with 1.6 mil. $ (6.5 %) and Australia with 840k $ (3.4 %). It was nominated for a Golden Globe and won Anderson the Best Director prize at Cannes (tied with Im Kwon-taek for Painted Fire), among other honors. Roger Ebert gave it a 3.5/4 star review, equal in rating to this one. Anderson returned with Jon Brion: Here We Go (2002, music video), Couch (2003, video) and theatrically with There Will Be Blood (2007). Sandler returned in Mr. Deeds (2002); Watson in Red Dragon (2002). Punch-Drunk Love is certified fresh at 79 % with a 7.40/10 critical average at Rotten Tomatoes.]

What do you think of Punch-Drunk Love?

7/02/2022

1997 in films and TV-series - according to Film Excess

Top 10 of the Year

1. Good Will Hunting - Gus Van Sant + Best American Movie of the Year + Best Drama of the Year + Best Massachusetts Movie of the Year

2. Happy Together/春光乍洩 (Chun gwong cha sit) - Wong Kar-Wai + Best Buenos Aires Movie of the Year + Best On-Screen Couple of the Year: Tony Leung & Leslie Cheung + Best Rainbow Movie of the Year + Best Romance of the Year

3. Bean/Bean: The Ultimate Disaster Movie/Bean: The Movie - Mel Smith + Breakthrough Actor of the Year: Rowan Atkinson + Best Comedy of the Year + Best Family Movie of the Year + Best Los Angeles Movie of the Year + Best Mega-Hit Movie of the Year

4. As Good As It Gets - James L. Brooks + Best Huge Hit of the Year + Best Romcom of the Year

5. Donnie Brasco - Mike Newell + Best Big Hit Movie of the Year + Best Gangster Movie of the Year + Best New York Movie of the Year + Best Period Movie of the Year

6. Boogie Nights - Paul Thomas Anderson + Shooting Star Actor of the Year: Mark Wahlberg

7. The Full Monty - Peter Cattaneo + Best Dance Movie of the Year + Best English Movie of the Year + Most Profitable Movie of the Year: 99.66 mil. $ range

8. Austin Powers: International Man of Mystery - Jay Roach + Best New Franchise of the Year + Best Poster of the Year + Best Spoof Movie of the Year

9. Anastasia - Don Bluth, Gary Goldman + Best Musical of the Year

10. The Big One, documentary - Michael Moore + Best Political Movie of the Year

Other great movies (in alphabetical order):

The Boxer - Jim Sheridan + Best Boxing Movie of the Year + Best Irish Movie of the Year

Frasier - season 5 - David Angell, Peter Casey, David Lee + Best Returning TV-series of the Year + Best Sitcom of the Year

The Game - David Fincher + Best Big Flop Movie of the Year + Best Thriller of the Year + Costliest Flop of the Year: 26.24 mil. $ range

Other good, recommendable movies (in alphabetic order):

Chinese Box - Wayne Wang + Best Hong Kong Movie of the Year

Cop Land - James Mangold + Best Crime Drama of the Year

East Side Story, documentary - Dana Ranga

The Eel/うなぎ (Unagi) - Shôhei Imamura + Best Japanese Movie of the Year

Live Flesh/Carne Trémula - Pedro Almodóvar + Best Erotic Movie of the Year + Best Spanish Movie of the Year

The Bottom 10 of the Year

1. Contact - Robert Zemeckis + Most Deserved Flop of the Year + Most Overrated Movie of the Year

2. The Brave - Johnny Depp + Worst $ Return of the Year: 0.16 times the cost

3. Flubber - Les Mayfield

4. Alien: Resurrection - Jean-Pierre Jeunet

5. The Fifth Element/Le Cinquième Élément - Luc Besson + Most Undeserved Hit of the Year

6. Chasing Amy - Kevin Smith + Best $ Return of the Year: 60.4 times the cost

7. Con Air - Simon West

8. Absolute Power - Clint Eastwood + Worst Poser of the Year

9. Fireworks/Hana-bi/はなび - Takeshi Kitano

10. Amistad - Steven Spielberg

Other failed, mediocre and/or poor films (in alphabetic order):

Anaconda - Luis Llosa

Breakdown - Jonathan Mostow

The Devil's Advocate - Taylor Hackford

Face/Off - John Woo

G.I. Jane - Ridley Scott

Hercules - Ron Clements, John Musker

Home Alone 3 - Raja Gosnell + Best Chicago Movie of the Year

[35 titles in total]

Notes

1997 gets its first lists here, which cover one masterpiece of the year and one grade zero film.

The Top 10 list kicks off with the year's to date only reviewed masterpiece, Gus Van Sant's globally beloved young scholar drama Good Will Hunting. Taking silver and bronze are Wong Kar-Wai's remarkable expat romance Happy Together and Mel Smith's crowd-pleasing family comedy smash, Bean.

The top 10 goes on with James L. Brooks' delightful romcom As Good As It Gets; Mike Newell's solid gangster period drama Donnie Brasco; Paul Thomas Anderson's legendary porn business portrayal Boogie Nights; Peter Cattaneo's sensationally popular strip romp The Full Monty; Jay Roach's shag-a-delic spy spoof Austin Powers: International Man of Mystery; Don Bluth and Gary Goldman's splendid animated adventure Anastasia and finally Michael Moore's outraged - and hugely entertaining - documentary The Big One.

Among the other remarkable films of the year are another towering Daniel Day-Lewis performance in Jim Sheridan's The Boxer; Wayne Wang's melancholic Hong Kong lullaby Chinese Box; Shôhei Imamura's deliciously strange The Eel; and David Fincher's wild thriller ride The Game.

The Bottom 10 list is capped by Robert Zemeckis' almost unwatchable sci-fi epic Contact. Taking silver and bronze are Johnny Depp's catastrophic directorial debut, the native American/snuff film-themed indulgence The Brave and Les Mayfield's brain-attacking family-aimed monstrosity Flubber.

Rounding out the list of the year's most dubious duds are Jean-Pierre Jeunet's goo calamity Alien: Resurrection; Luc Besson's braindead space opera The Fifth Element; Kevin Smith's strenuous lesbian-themed romcom Chasing Amy; Simon West's sensory bombardment Con Air; Clint Eastwood's inauspicious homicidal president thriller Absolute Power; Takeshi Kitano's self-indulgent, self-pushing zen killer drama Fireworks; and finally Steven Spielberg's grand, ham-fisted rush job Amistad.

Besides Spielberg and Eastwood, the other master filmmakers who also disappointed in 1997 are Ridley Scott (G.I. Jane) and John Musker and Ron Clements (Hercules).

The year's biggest hits list is notable for the non-action (and non-Hollywood) titles that currently rank in the top: Comedies and two (part) British films are all the way in the front. Among the notable stars who had an especially great year are breakthroughs Matt Damon (Good Will Hunting) and Ben Affleck (Good Will Hunting and indie hit Chasing Amy). Cementing their star status were Jack Nicholson (As Good As It Gets), Al Pacino (Donnie Brasco and The Devil's Advocate), Bruce Willis (The Fifth Element) and Nicolas Cage (Con Air and Face/Off), - as well as funny-men Rowan Atkinson (Bean) and Mike Myers (Austin Powers).

Robin Williams (Good Will Hunting, Flubber) and Johnny Depp (Donnie Brasco, The Brave) headed both major hits and major flops. Among the other notables whose output were costly flops were Jodie Foster and Matthew McConaughey (Contact), Michael Douglas (The Game) and Sigourney Weaver and Winona Ryder (Alien: Resurrection).

The lists are missing most of the year's important output still, of course, and future updates will include much more.

Biggest flops of the year:

[The loss is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]

1. The Game - 26.24 mil. $ range

2. Contact - 21.56 mil. $ range

3. Alien: Resurrection - 10.48 mil. $ range

4. Flubber - 8.84 mil. $ range

5. The Brave - 5.6 mil. $ range

= Combined losses: 72.72 mil. $

Biggest hits of the year:

[The gain is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]

1. The Full Monty - 99.66 mil. $ range

2. Bean - 82.48 mil. $ range

3. Good Will Hunting - 77.36 mil. $ range

4. As Good As It Gets - 75.64 mil. $ range

5. Face/Off - 18.24 mil. $ range

6. Hercules - 16.08 mil. $ range

7. The Fifth Element - 15.6 mil. $ range

8. Donnie Brasco - 14.96 mil. $ range

9. Con Air - 14.6 mil. $ range

10. Austin Powers: International Man of Mystery - 10.58 mil. $

= Combined profits: 425.2 mil. $

1997 titles currently on the watch-list:

Kiss Me, Guido, Taste of Cherry, Open Your Eyes, The Long Way Home, Ma Vie en Rose, TwentyFourSeven, La Vie de Jésus, Wild Animals, See the Sea, Saint

Previous annual lists:

2021 in films - according to Film Excess

2020 in films - according to Film Excess

2019 in films - according to Film Excess [UPDATED I]

2019 in films - according to Film Excess
2018 in films - according to Film Excess [UPDATED I]
2018 in films - according to Film Excess
2017 in films - according to Film Excess [UPDATED I]
2017 in films - according to Film Excess
2016 in films - according to Film Excess [UPDATED II]
2016 in films - according to Film Excess [UPDATED I]
2016 in films - according to Film Excess

2008 in films and TV-series - according to Film Excess [UPDATED II]
2008 in films - according to Film Excess [UPDATED I]
2008 in films - according to Film Excess
2007 in films and TV-series - according to Film Excess [UPDATED II]
2007 in films - according to Film Excess [UPDATED I]
2007 in films - according to Film Excess

2006 in films and TV-series - according to Film Excess [UPDATED II]
2006 in films and TV-series - according to Film Excess [UPDATED I]
2006 in films and TV-series - according to Film Excess
2005 in films and TV-series - according to Film Excess

2004 in films and TV-series - according to Film Excess [UPDATED I]
2004 in films and TV-series - according to Film Excess

2003 in films and TV-series - according to Film Excess [UPDATED I]
2003 in films and TV-series - according to Film Excess
2002 in films and TV-series - according to Film Excess
2001 in films and TV-series - according to Film Excess

2000 in films and TV-series - according to Film Excess

1999 in films and TV-series - according to Film Excess

1998 in films and TV-series - according to Film Excess

What do you think of the 1997 lists?
Which 1997 titles would make to your top and bottom lists?
Which worthwhile 1997 titles are missing on the watch-list?

Film Excess - Free Ukraine - Stop Putin - End the war NOW!!

Eagerly anticipating this month ... (6-25)

2/25/2025

Inherent Vice (2014) - Anderson turns in his career's first dud

8/20/2023

Punch-Drunk Love (2002) - Sandler breaks out of his routine in Anderson's delightful romcom

7/02/2022

1997 in films and TV-series - according to Film Excess

Eagerly anticipating this month ... (5-25)

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