The Fabelmans (2022) or, My Wonderful Upbringing

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A life captured on film rolls by over the head of Sam Fabelman walking on the Paramount studio backlot on this neat poster for Steven Spielberg's The Fabelmans

Sam Fabelman grows up in post WWII America with 3 sisters and two doting parents, who mostly encourage his passion, which from an early age becomes the art of filmmaking.

 

The Fabelmans is written by Tony Kushner (Lincoln (2012)) and Ohioan master filmmaker, co-writer/co-producer/director Steven Spielberg (The Sugarland Express (1974)), whose 33rd feature it is. It is an autobiographical account of Spielberg's own childhood with the names altered.

Probably the most seen and most known modern filmmaker, - the man behind Jaws (1975), Raiders of the Lost Ark (1981), E.T. the Extra-Terrestrial (1982), Jurassic Park (1993), Saving Private Ryan (1998), The Post (2017) and several more cinematic knock-outs, - here opens the doors for us to come to know him on a more personal level through seeing the story of his childhood and family. Our parents shape us more than probably any other people in the world, and this influence certainly makes sense in Spielberg's case; an over-emotional mother and a nerdy-technical, grounded father, both of whom were caring and supportive of their son: Spielberg's films are precisely characterized by equal measures intense emotion - and technical brilliance and entrepreneurship.

Spielberg affords his largely happy and sweet memories of growing up epic playtime length here, and perhaps it is the lack of utter heartbreak and really serious obstacles that make it feel a bit cushy. Who wouldn't have liked to have this kind of upbringing? Sam Fabelman is also a sweet and uncomplicated teenager. He doesn't act out, fail a lot or get nervous or weird. Gabriel LaBelle (The Predator (2018)) is adorable in the part, perhaps too adorable, and certainly his very noticeable colored contact lenses are an irritating ('reptile eyes') distraction. Michelle Williams (Wonderstruck (2017)) and Paul Dano (Looper (2012)) are on-point as the good parents, while Judd Hirsch (Uncut Gems (2019)) and David Lynch (Lucky (2017)) give memorable supporting performances.

Of course the film is well-made, told with nostalgia and emotion as it is. Spielberg's arrival as a filmmaker is interesting to see for anyone with a heart for the movies. There's wise words behind every corner, as Sam receives golden nuggets from mother, father, uncle, John Ford and others. The lessons and polished nature of the film is a clear lacquer that rests over The Fabelmans. It is astute and comes from a master filmmaker and a great guy (with a great family.) But many of his other films are simply put much more interesting and riveting.

 

Related posts:

Steven Spielberg: 2017 in films - according to Film Excess [UPDATED I]
The Post (2017) - Spielberg returns to mastery with a thrilling salute to the virtues of real, critical, brave journalism
2012 in films and TV-series - according to Film Excess [UPDATED V]
Lincoln (2012) - Spielberg's inspiring presidential portrait stands tall 
War Horse (2011) - Spielberg visits WWI with problematic horse drama  
The Adventures of Tintin/The Adventures of Tintin: The Secret of the Unicorn (2011) - Affinities for Tintin, earlier Spielberg and film will decide your experience of this 3D mo-cap adventure
Super 8 (2011) - Abrams' nostalgic family crowdpleaser (producer)

The 2000s in films and TV-series - according to Film Excess 

2005 in films and TV-series - according to Film Excess [UPDATED I] 

2005 in films and TV-series - according to Film Excess 

Munich (2005) - Spielberg wrings a brilliant spy thriller from fraught real-life massacre and its aftermath

2001 in films and TV-series - according to Film Excess 
Band of Brothers - TV mini-series (2001) - WWII-sacrifice and -comradeship portrayed with skill and integrity (producer) 

Top 10: Best future-set movies 
A.I. Artificial Intelligence (2001) - A robot fairy tale with both heart and mind
Amistad (1997) or, Must... Free... Slaves! 
Empire of the Sun (1987) - Spielberg's grand production of boy-in-China-during-WWII is a misfire

The Goonies (1985) - Sweet child performances drive Donner's beloved, uneven adventure (story) 
Twilight Zone The Movie (1983) - Fear takes many forms in tragedy-struck anthology

Top 10: Best family movies reviewed by Film Excess to date 
E.T. the Extra-Terrestrial (1982) - Spielberg's greatest accomplishment
1941 (1979) - Spielberg's bizarre 'comedy spectacular' sinks like a rock  
Top 10: Best car chases in movies reviewed by Film Excess to date
Duel (1971) - Spielberg's truck terror is ideal afternoon fare 

 

Watch a trailer for the film here

 

Cost: 40 mil. $

Box office: 42.2 mil. $ and counting

= Huge flop (returned 1.05 times its cost)

[The Fabelmans premiered 10 September (Toronto International Film Festival) and runs 151 minutes. As far back as 1999 Spielberg was thinking about making the film. His sister Anne Spielberg's script I'll Be Home was a basis for the project. Only when their parents passed away in 2017 and 2020 did serious development begin. Shooting took place from July - September 2021 in Arizona and California. The film opened #16 to a 161k $ first weekend in 4 theaters in North America, where it peaked at #7 and in 1,962 theaters (different weeks), grossing 17.3 mil. $ (41 % of the total gross). The 2nd and 3rd biggest markets were France with 6 mil. $ (14.2 %) and the UK with 4.2 mil. $ (10 %). The film was nominated for 7 Oscars, winning none. It lost Best Picture to Everything Everywhere All at Once, Actress (Williams) to Michelle Yeoh in Everything Everywhere All at Once, Supporting Actor (Hirsch) to Ke Huy Quan in Everything Everywhere All at Once, Director to Daniel Kwan and Daniel Scheinert, Original Screenplay to Kwan & Scheinert for Everything Everywhere All at Once again, Production Design to All Quiet on the Western Front and Score (John Williams) to Volker Bertelmann for All Quiet on the Western Front. The film was also nominated for a BAFTA, won an AFI award, 2/5 Golden Globe nominations and 3 National Board of Review awards, among many other honors. Spielberg is set to return with an untitled Frank Bullitt project. LaBelle returned in American Gigolo (2022, TV-series) and theatrically in The Snack Shack; Williams in Fever; and Dano in Pantheon (2022, TV-series) and theatrically in Spaceman (2023). The Fabelmans is certified fresh at 92 % with an 8.20/10 critical average at Rotten Tomatoes.]

What do you think of The Fabelmans?

Mammoth (2009) or, Modern Life Misery

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Intimacy and depressive shell-shock appearance clash on this dropped-in-space poster for Lukas Moodysson's Mammoth

 

A nurse in New York has her hands in life and death situations at work, while her daughter is taught words by a Filipino nanny/maid who has two sons of her own, who miss her. The father in the New York family is off on a contract-signing job in Thailand.

Mammoth is written and directed by great Swedish filmmaker Lukas Moodysson (Show Me Love/Fucking Åmål (1998)). The title refers to a mammoth ivory pen that the man receives in the film as well as a line from one of Moodysson's poetry collections: "Our Savior buried like a Mammoth."

The film starts alright, and one senses quickly that here is an emotional drama with high stakes involved. But the very Swedish family drama, relocated to New York, or so it feels, gets too labored and sharpened in that every story in Mammoth seemingly must move towards misery. At the same time Michelle Williams (Wendy and Lucy (2008)) and Gael García Bernal's (The King (2005)) lead couple, - who seem like the filmmaker's exponents for the competent modern day parents, who still feel lost in the world, (because they lack a resting-place in faith/religion), - are wearying. - Especially Bernal, whose character is thoroughly insufferable in Thailand, where he by turns lectures on (Swedish) equality philosophy, makes promises voraciously as some 16 year-old, gets what he wants and then takes off.

SPOILER The impact of a couple of the tragedies in Mammoth (a boy passes away in the hospital; the nanny/maid's son is raped in the Philippines) is also lessened, because we see them arriving in advance. Moodysson's well-meaning and often well-acted fate-crossing drama can with a bit of harshness be described as misery porn, and it also seems very inspired by Alejandro Gonzáles Iñárritu's masterpiece Babel (2006), though it (also) lacks that film's striking visuals. Mammoth is overrated.

Moodyson presents the film here in a 2-minute clip

Cost: 10 mil. $

Box office: 2 mil. $

= Box office disaster (returned 0.2 times its cost)

[Mammoth premiered 19 January (Stockholm, Sweden) and runs 125 minutes. Shooting took place in Thailand, the Philippines, New York and Sweden from November 2007 - ?. Williams learned that her fiancee, star actor Heath Ledger had passed away in his sleep while filming Mammoth. The film opened #83 to a 4k $ first weekend in 1 theater in North America, its only release in the country, where it grossed just 9k $ (0.5 % of the total gross). The 3 biggest markets were Sweden with 1.5 mil. $ (75 %), Spain with 182k $ (9.1 %) and Finland with 113k $ (5.7 %). The film won a Guldbagge (Sweden's Oscar). Roger Ebert gave it a 3/4 star review, translating to 2 notches higher than this one. Moodysson returned with We Are the Best!/Vi Är Bäst! (2013). Bernal returned in The Limits of Control (2009); Williams in Blue Valentine (2010). Mammoth is rotten at 45 % with a 5.18/10 critical average at Rotten Tomatoes.]

What do you think of Mammoth?

Manchester by the Sea (2016) - Heavy stuff in Lonergan's Big Drama

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+ Best Massachusetts Movie of the Year 

 

Two star actors in an emotional moment by a waterfront surrounded by seagulls make up this poster for Kenneth Lonergan's Manchester by the Sea

A janitor with a terrible tragedy behind him is tasked with taking care of his late brother's teenage son.

 

Manchester by the Sea is written and directed by Kenneth Lonergan (You Can Count on Me (2000)).

It is a potent, heavy drama about unbearable loss, guilt and the life around a situation like this, (which always moves on perfectly disregarding those personal facts.)

If audiences are out of sync with the story, the film's funereal score will let us know, where we are. And the Massachusetts locale adds an evocative setting to the almost epic drama, which centers around a protagonist, who seems to go in a circle around his past as well as major emotional outbreaks. - SPOILER Instead he explodes in unmotivated violence in bars from time to time, (as a true Irish Catholic?) Casey Affleck (Drowning Mona (2000)) inhabits the character, and yet there is still something about the actor's cool expression that rubs me the wrong way. Young Lucas Hedges (Honey Boy (2019)) as Patrick, the teenage son, is really good, and Michelle Williams (Deception (2008)) is masterly in a supporting part. Gretchen Mol (Celebrity (1998)) is also fine as the overly nervous, alienated mother to the boy.

Manchester by the Sea is a worthwhile, heavily loaded drama with an open ending, a dose of implicit humor and the trace of hope.

 

Related post:

 

2016 in films - according to Film Excess [UPDATED III]

Watch a trailer for the film here

Cost: 9 mil. $

Box office: 78.9 mil. $

= Mega-hit (returned 8.76 times its cost)

[Manchester by the Sea premiered 23 January (Sundance Film Festival) and runs 137 minutes. Lonergan has said of his motivation for writing and making the film;
"Some people can't get over something major that's happened to them at all; why can’t they have a movie too?" Matt Damon was initially supposed to star. Shooting took place in Massachusetts from February - May 2015. Amazon bought the US distribution right to the film for 10 mil. $ at Sundance. The film opened #21 to a 256k $ first weekend in 4 theaters in North America, where it peaked at #6 and in 1,213 theaters (different weeks), grossing 47.6 mil. $ (60.3 % of the total gross). The 2nd and 3rd biggest markets were the UK with 4.5 mil. $ (5.7 %) and France with 3.2 mil. $ (4.1 %). The film was nominated for 6 Oscars, winning for Best Original Screenplay and Actor (Affleck). It lost Best Picture to Moonlight, Supporting Actor (Hedges) to Mahershala Ali in Moonlight, Supporting Actress (Williams) to Viola Davis in Fences and Director to Damien Chazelle for La La Land. It also won 1/5 Golden Globe nominations, 2/6 BAFTAs nominations, an AFI award, was nominated for a César award and a David di Donatello award, won 1/5 Independent Spirit award nominations, 4 National Board of Review awards, and countless other honors. Lonergan has not announced another feature since. Affleck returned in The Finest Hours (2016); Williams in Certain Women (2016); and Hedges in Pigeonhearts (2017, short) and theatrically in Lady Bird (2017). Manchester by the Sea is certified fresh at 96 % with an 8.82/10 critical average at Rotten Tomatoes.]

What do you think of Manchester by the Sea?

Synecdoche, New York (2008) - Kaufman's depressing, pretentious debut, eerily tied to Hoffman's tragic real-life end

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A bizarre, manipulated version of a Manhattan cityscape - with a Zeppelin floating through its overcrowded sky, - makes up this interest-building poster for Charlie Kaufman's Synecdoche, New York

New York theater director Caden experiences that his wife leaves him to go to Berlin with their daughter. He ventures on new relationships and a mammoth play set in a warehouse, which he works on for 40 years!

Synecdoche, New York is written and directed by Charlie Kaufman (Being John Malkovich (1999, screenwriter)) in his directorial debut.
The debacle of Synecdoche, New York starts with Philip Seymour Hoffman's (Red Dragon (2002)) insufferably anguished performance as Caden, which in an uncanny way presages the great actor's own real-life drug-fueled death in 2014: Caden is staging Death of a Salesman, which is the devastating play that Hoffman was actually acting in, when he let his demons get the best of him, resulting is his drug-fueled death in 2014. Furthermore Caden's therapist in Synecdoche, New York asks him, why he killed himself: "I don't know", he answers. Hoffman's lead character is also a hypochondriac, highly involved in his own bowel movements and seemingly incapable of experiencing joy.
Synecdoche, New York is a long row of absurdist scenes, (Samantha Morton (Sweet and Lowdown (1999)) lives in a burning house, for instance), where actors overtake each others' roles, - which is understandably confusing, - while audiences like me will find themselves either zoning out or downright falling asleep.
An impressive amount of work has been done to erect this blown-up pile of ideas, which never becomes a satisfying whole. It is a film about death and death anxiety, essentially, but Kaufman breaks his nose on Synecdoche, New York and looks pretentious.

Related posts:

Charlie Kaufman: 2015 in films and TV-series - according to Film Excess [UPDATED III] 2015 in films and TV-series - according to Film Excess [UPDATED II]
Anomalisa (2015) or, Depressed Adult Male

2008 in films and TV-series - according to Film Excess [UPDATED III] 

2008 in films and TV-series - according to Film Excess [UPDATED II]  
Adaptation (2002) or, Charlie Kaufman's Fictional Life (writer)
Confessions of a Dangerous Mind (2002) or, The Gong Show Killer (writer)
Being John Malkovich (1999) - Jonze, Kaufman and Malkovich's great triumph (writer)

Watch a trailer for the film here

Cost: 20 mil. $
Box office: 4.3 mil. $
= Box office disaster (returned 0.21 times its cost)
[Synecdoche, New York premiered 23 May (Cannes Film Festival, France, in competition) and runs 123 minutes. Kaufman started the project with past collaborator Spike Jonze as an untraditional horror film project, which drew on the things that scare the two artists. The title is a play on Schenectady, New York, where much of the film is set. Shooting took place in New York from May - August 2007. The film opened #30 to a 172k $ first weekend in 9 theaters in North America, where it peaked at #21 and in 119 theaters, grossing 3 mil. $ (69.8 % of the total gross). The 2nd and 3rd biggest markets were the UK with 875k $ (20.3 %) and Italy with 187k $ (4.3 %). The film won 2/3 Independent Spirit nominations among other honors. Roger Ebert gave it a 4/4 star review, translating to 5 notches higher than this one. He later made it his #1 film of the 00's, and even said it was a strong contender for his all-time Top 10 list. Kaufman returned with How and Why (2014, TV movie) and theatrically with Anomalisa (2015). Hoffman returned in Doubt (2008); Morton in The Daisy Chain (2008); Michelle Williams (Suite Francaise (2014)) in Mammut (2009); Catherine Keener (The Real Blonde (1997)) in A Summer in Genoa (2008). Synecdoche, New York is fresh at 68 % with a 6.75/10 critical average at Rotten Tomatoes.]

What do you think of Synecdoche, New York?

The Station Agent (2003) - A little star is born

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+ Best Independent Movie of the Year + Best Dramedy of the Year + Best Shooting Star Actor of the Year: Peter Dinklage

Sundance awards and critical praise helps sell this poster's promise of decent, good, bright, grown-up company, for Tom McCarthy's The Station Agent

Fin's boss at the model train shop passes away and leaves a closed up train station in New Jersey to Fin, who decides to move there, where he encounters two new friends.

The Station Agent is written and directed by great New-Jerseyite filmmaker Tom McCarthy (The Cobbler (2014)), whose debut it is.
It is a small, 'good time' story with 4 delightful actors. Peter Dinklage (A Case of You (2013)) is excellent as Fin, and the film gives insight into the life as a little person. It also deals with train fascination and friendships. Bobby Cannavale's (Blue Bloods (2010-11)) character lacks some information; namely, how does he survive on selling hotdogs and coffee in virtual no-man's-land?
The Station Agent is built with warm humor and pleasant scenes with something at stake. It is a fine little picture.

Related posts:


Tom McCarthy: 2015 in films and TV-series - according to Film Excess [UPDATED III]
2015 in films and TV-series - according to Film Excess [UPDATED II]
2015 in films and TV-series - according to Film Excess [UPDATED I]  
The day after the day after ... the Oscars 2016
Spotlight (2015) - McCarthy puts an admirably bright and sober light on one of the major crimes of modern history

2003 in films and TV-series - according to Film Excess [UPDATED II] 

2003 in films and TV-series - according to Film Excess [UPDATED I]

 

Watch a trailer for the film here

Cost: 0.5 mil. $
Box office: 8.6 mil. $
= Mega-hit (returned 17.2 times its cost)
[The Station Agent premiered 26 January (Sundance Film Festival, Utah) and runs 90 minutes. Shooting took place in Pennsylvania and New Jersey in August 2002. The film opened 55 to a 57k $ first weekend in 3 theaters in North America, where it peaked at #20 and in 198 theaters (different weeks), grossing 5.7 mil. $ (66.3 % of the total gross). The 2nd and 3rd biggest markets were the UK with 0.9 mil. $ (10.5 %) and New Zealand with 0.5 mil. $ (5.8 %). The film won a BAFTA, 3/4 Independent Spirit award nominations, 2 National Board of Review awards and 3 prizes at Sundance. Roger Ebert gave it a 3.5/4 star review, translating to a notch better than this one. McCarthy returned with The Visitor (2007). Dinklage returned in Tiptoes (2003), Cannavale in 3 TV credits before Shortcut to Happiness (2003); Michelle Williams (Lassie (1994)) in Dawson's Creek (1998-03)) and theatrically in A Hole in One (2004); and Patricia Clarkson (The East (2013)) in Dogville (2003). The Station Agent is certified fresh at 94 % with a 7.97/10 critical average at Rotten Tomatoes.]

What do you think of The Station Agent?

I Feel Pretty (2018) - God bless Amy Schumer

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+ Best Comedy of the Year + Best New York Movie of the Year

Amy Schumer looking great but more importantly looking as if she feels like a million bucks fills out the poster for Abby Kohn and Marc Silverstein's I Feel Pretty

Renee is a young woman in New York, who works on the online side of a major, upscale cosmetics company and struggles with low self-confidence. When she hits her head in a spinning class accident, the result is a booming self-confidence, as Renee is certain that her looks have suddenly drastically improved.

I Feel Pretty is the feature directing debut for writer-directors Abby Kohn and Marc Silverstein (Never Been Kissed (1999)), who have been writing partners for over 20 years. The film is a high concept comedy (think Freaky Friday (2003), Shallow Hal (2001), Trading Places (1983) or Big (1988), the latter of which is actually used actively in two very funny scenes in the film), which seems like it could have come from a typical joke from the film's propellant star Amy Schumer (Snatched (2017)).
But whereas Schumer's on-stage act would have made crude payoffs off of the 'fat girl in the spinning class' accident', the filmmakers wisely create sympathetic characters with issues that ring true here, present them with sincerity and never ridicule. I Feel Pretty feels like the perfect film for Schumer, who is terrific, and whose character's body insecurity reflects feelings and problems that so many will identify with the world over. There is a sorry irony in the fact that Schumer's wildly hyped first film Trainwreck (2015) was cruder and less meaningful but a bigger hit, while I Feel Pretty is a more buoyant, rounded and resounding film - but also a much more criticized and less commercially successful one.
Renee builds a romantic relationship with Rory Scovel (Good at Life (2015), TV movie), who also feels very real as Ethan, who does zumba and has his own self-image insecurity. Renee leaves her crummy office existence with funny co-worker Adrian Martinez (Focus (2015)) to rule the company's reception with a surplus of positive energy that baffles its privileged, attractive CEO Michelle Williams (A Hole in One (2004)) and brother Tom Hopper (Leopard (2013)). In her free time, Renee also injects a new vivacity into her group of friends played by the very affable pair, Aidy Bryant (The Big Sick (2017)) and Busy Philipps (Vice Principals (2016-17)).
I Feel Pretty is a great time out whether you go by yourself or with friends, it is a real crowd-pleaser; it has many infectious laughs and an uplifting message of self-appreciation and a wider understanding of what can be pretty and attractive, which it hits home with a wealth of 
charm. Don't miss it.

Related posts:

2018 in films - according to Film Excess [UPDATED I]
2018 in films - according to Film Excess

Watch Schumer present the film and a trailer for it on Ellen here in this video

Cost: 32 mil. $
Box office: 88.4 mil. $ and counting
= Box office success (2.76 times the cost)
[I Feel Pretty premiered 19 April (Australia, Israel, Lebanon, Singapore) and runs 110 minutes. STX Entertainment bought the North-American distribution rights at the 2017 Cannes Film Festival for 15 mil. $. The film opened #3, behind holdover hits A Quiet Place and Rampage, for a 16 mil. $ first weekend in North America, where it spent another 2 weeks in the top 5 (#3-#4) and grossed 48.7 mil. $ (55.1 % of the total gross). The 2nd and 3rd biggest markets were the UK with 7.1 mil. $ (8 %) and Australia with 6.8 mil. $ (7.7 %). The film gets no French release, as the French rights have been sold to Netflix, who debuted it on their streaming platform there on 20 July. It has one market left to open in: Italy on 22 August. Kohn/Silverstein do not have an announced next project yet. Schumer is set to star with Steve Carell and Nicole Kidman in Rebecca Miller's upcoming She Came to Me, which has no production or release dates out yet. I Feel Pretty is rotten at 34 % with a 5.1/10 critical average at Rotten Tomatoes.]

What do you think of I Feel Pretty?

The Greatest Showman (2017) - Stars soar in spirit-rousing musical

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Hugh Jackman promises joy, magic and show on this poster for Michael Gracey's The Greatest Showman

P.T. Barnum grew up in poverty but had a family and a dream to dazzle, which made him create the New York circus with a multitude of American oddities, winning him renown the world over.

The Greatest Showman is written by Jenny Bicks (Sex and the City (1998-2004)) and Bill Condon (Dreamgirls (2006)), based on the life of P.T. Barnum, and directed by debuting Michael Gracey (Ned Kelly (2003), digital compositor).
Although based on reality, The Greatest Showman offers glittering fantasy from beginning to end, it seems, or more accurately, it wraps the reality it loans from in bright colors and costumes, eye-popping visuals and, most crucially, a barrage of pop songs, stars and upbeat showmanship with current themes of inclusion and diversity underpinning its plot.
It is a film it is easy to scoff at, - indeed its effervescent, unreal glamour and style nears the ridiculous and phony at times, - but it nevertheless bound to make your feet go ticking to the rhythms of its catchy songs and your heart race at its audacity and pathos-packed stretches, unless it is carved of stone. Because this imaginative take on Barnum is fueled with an undeniably likable sincerity, enthusiasm and spirit.
It is delivered through the engaged, sympathetic performance by Hugh Jackman (Logan (2017)), a performer with tremendous skill and range. Michelle Williams (Species (1995)) plays his mighty pretty housewife, who puts him right, while Zendaya (Spider-Man: Homecoming (2017)) and Zac Efron (High School Musical (2006), TV movie) enjoy sweet chemistry and both have a luminescence that rockets their scenes upwards. Rebecca Ferguson (Life (2017)) is excellent in the dramatic part as opera singer Jenny Lind, lip-syncing her swelling Never Enough convincingly, while Keala Settle (Ricki and the Flash (2015)) as the bearded lady sings for real and has the film's best song, the truly fantastical This Is Me.
The music is a box of delights, and the costumes, hair and makeup help make the film's wealth of characters come to boisterous life. Seamus McGarvey's fluid cinematography is a joy, and the film is ripe with visual knockouts, unhindered by constraints of realism or convention.
Musical fans will adore The Greatest Showman with glee for although modern and hip, it is also a throw-back to some of the genre's greats from many decades ago. The Greatest Showman is a big, loud, infectious - and rare - spectacle, brimming with heart and soul.

Watch a trailer for the film here

Cost: 84 mil. $
Box office: 104.9 mil. $
= Too early to say
[The Greatest Showman premiered 20 December (Taiwan, South Korea and North America) and runs 105 minutes. The project was announced with Jackman in the lead in 2009. Gracey was chosen to direct in 2011. Lyricists Pasek and Paul were hired in 2013. Jackman has revealed that the long development process was due to the studio being reluctant to finance an original musical. Shooting took place from November 2016 - ? in New York. Veteran filmmaker James Mangold was credited as an executive producer and directed re-shoots for the film. The film opened #4, behind holdover hit Star Wars: The Last Jedi and fellow new releases Jumanji: Welcome to the Jungle and Pitch Perfect 3 to an 8.8 mil. $ first weekend in North America, where it rose to a 15.5 mil. $ second weekend, still at #4, one of the biggest second week increases for a wide release ever, testifying to its great word-of-mouth among audiences. The film is still missing a Chinese release date, but it is set to open in Norway, Finland, France and the Philippines later in January and in Japan in February. It is nominated for 3 Golden Globes. Gracey is set to return as director with ninja-adventure Naruto. The Greatest Showman is rotten at 56 % with a 6/10 critical average at Rotten Tomatoes.]

What do you think of The Greatest Showman?