Eagerly anticipating this week ... (15-24)

Eagerly anticipating this week ... (15-24)
John Crowley's We Live in Time (2024)

5/29/2024

Intolerance (1916) - Griffith's incredible and mind-boggling epic accomplishment

 

A vile hand grabbing at a young mother holding her baby is the striking image on this chilling and somewhat mystifying poster for D.W. Griffith's Intolerance

Four stories about intolerance: Centuries before Christ, Babylon falls to Persia. Around the time of Christ. Unrest in the Medici Renaissance era in France between Catholics and Protestants. - And a contemporary story, of a falsely accused man and his girlfriend's desperate struggle for his liberation.

 

Intolerance is co-written, produced, directed and co-edited by D.W. Griffith (Seven Civil War (1911)), who co-wrote it with Hattie Grey Baker (An Odyssey of the North (1914)), Tod Browning (Inside Job (1946)), Anita Loos (When Ladies Meet (1941)), Mary H. O'Connor (The House Built Upon Sand (1916)) and Frank E. Woods (The Bad Boy (1917)).

The four stories briefly mentioned above are apparently all linked together by the theme of intolerance!

Intolerance is one of the weirdest films of all time; it is very funny and more curious than scores of other movies put together. It is failed in that it is overlong and has a rather feeble message, but it is still extremely impressive, not least from a production point of view. Despite the expansive length, the pace in its mad stories is actually high, - there is plenty of action, - and the fighting and major set piece scenes are outrageously opulent. This aspect makes Intolerance fantastic.

 

Related post:

 

D.W. GriffithThe Birth of a Nation/The Clansman (1915) - Griffith's unlovable work of epic cinema-historical proportions





 

Watch a trailer for the film here

 

Cost: Reportedly 385k $

Box office: 1.75 mil. $ (North America alone)

= Uncertain but at least a big hit (returned 4.54 times its cost in North America alone)

[Intolerance premiered 5 September (New York) and runs 210 minutes, though with most surviving versions today running 197 minutes. Griffith reportedly self-financed the film. Mae Marsh (Man's Genesis (1912)) was paid 85$ a week for her performance in the film. Shooting took place from October 1915 - April 1916 in France and Los Angeles, California. Thousands of extras were employed for central scenes in the film, and they reportedly became so involved in the battle scenes, so that they regularly injured each other. After one battle scene 60 people reportedly needed medical assistance. The Babylon story required a third of the film's budget, which has previously been erroneously reported as 2 mil. $. Details concerning the film's gross numbers are regrettably lost, but it was released in many foreign markets in the years following its domestic release. Griffith returned with A Day with Governor Whitman (1916, short) and theatrically with Her Condoned Sin (1917). Marsh returned in The Little Liar (1916); Robert Harron (The Great Love (1918)) also in The Little Liar. Intolerance is fresh at 98 % with an 8.10/10 critical average at Rotten Tomatoes.]


What do you think of Intolerance?

Last Year at Marienbad/L'Année Dernière à Marienbad/Last Year in Marienbad (1961) - Resnais' iconic castle-set love mystery

 

An avant-garde/artistic poster for Alain Resnais' Last Year at Marienbad

A man in a castle named Marienbad Hotel attempts to recall what happened between him and a beautiful woman there one year ago. - She remembers nothing.

 

Last Year at Marienbad is written by Alain Robbe-Grillet (La Jalousie (1972, TV movie)) and directed by Alain Resnais (Ouvert pour Cause d'Inventaire (1946)). The title is a literal translation of the original French title.

It is one of the foremost films ever to have given French cinema a reputation for being elitist, incomprehensible and dull, - and not without reason in this case. Last Year at Marienbad is funny in an absurd way.

The widescreen images of the castle (cinematography by Sascha Vierny (The Cook, the Thief, His Wife & Her Lover (1989))) are masterly, and the film works best as a visual and technical exercise of a rare breed.

Francis Seyrig's (Marie Soleil (1964)) organ music score is fatiguing, and the entire narrative side of the 'drama' is, of course, pretentious and deeply, deeply mystical. 

 

Related post:

 

Alain ResnaisHiroshima Mon Amour (1959) - Beauty and passion in the midst of devastation in Resnais' striking images

 



 

Watch a trailer for the movie here

 

Cost: Unknown

Box office: Unknown

= Uncertain

[Last Year at Marienbad premiered in July (Franse Film Week, Utrecht, Netherlands) and runs 94 minutes. 10 companies cooperated in the financing and production of the film. Shooting took place from September - November 1960 in France and Germany. Details concerning the film's budget and original release box office performances are regrettably not made public online. The film was chosen as France's nomination for the Oscars Best Foreign Film category but went without a nomination. It was instead nominated in the Best Original Screenplay category, lost to Ennio de Concini, Alfredi Giannetti and Pietro Germi for Divorce Italian Style. It was also nominated for a BAFTA and won the Golden Lion at the Venice Film Festival, among other honors. Roger Ebert gave the film a 4/4 star review, translating to 3 notches over this one. Resnais returned with Muriel (1963). Delphine Seyrig (Freak Orlando (1981)) returned in Muriel; Giorgio Albertazzi (La Rivale (1999, TV movie)) in Morte di un Bandito (1961). Last Year at Marienbad is certified fresh at 93 % with an 8.20/10 critical average at Rotten Tomatoes.]

 

What do you think of Last Year at Marienbad

5/26/2024

The Ice Pirates (1984) - MGM chaos results in space nonsense

 

Several merits of Stewart Raffill's The Ice Pirates are pointed out in tiny lettering on this teen-targeting poster for it

A 'space pirate' knocks out a farting alien.

 

The Ice Pirates is written by Stanford Sherman (Shalimar (1978)) and co-writer/director Stewart Raffill (The Tender Warrior (1971)).

The purple outline above gives a sense of the small and bewildering plot of The Ice Pirates, which is hard to recount as something that makes sense, (probably because it doesn't), but which also includes such elements as a factory that castrates men, an evil, fat dictator who is surrounded by women in bikinis, a beheading, (and the head then tickled under his nose with a feather.) Also a sort of sex scene with the line spoken; "It's so stiff. Your belt I mean". 

Popular sci-fi originals Mad Max (1979), Alien (1979) and Star Wars: Episode IV - A New Hope (1977) are here attempted copied in a haphazard way without much in the way of ideas or skills involved, and the result is the (colorful, sure, but little else) disaster that is The Ice Pirates

 



 

Watch a trailer for the film here

 

Cost: 9 mil. $

Box office: 14.2 mil. $ (North America alone); projected 19.2 mil. $ total gross

= Uncertain but likely a flop (projected return of 2.13 times its cost)

[The Ice Pirates was released 16 March (USA) and runs 91 minutes. It was reportedly envisioned first as a serious sci-fi movie with a 20 mil. $ budget. The indebted studio lowered this to 8 mil. $ (apparently it went over-budget by a million), and it was turned into a sci-fi comedy. Shooting took place around March 1983 in California, including in Los Angeles. The film opened #3, behind holdover hits Splash and Footloose, to a 4.3 mil. $ first weekend in North America, where it spent one more weekend in the top 5 (#4), grossing 14.2 mil. $. Its performance in a small list of foreign markets that only counts West Germany, Spain and Australia is not listed online and may likely have been limited, perhaps to 5 mil. $, which would result in a total gross of 19.2 mil. $, which would make the film a flop. Raffill returned with The Philadelphia Experiment (1984). Robert Urich (Clover Bend (2002)) returned in 4 TV credits prior to his theatrical return in Turk 182 (1985); Mary Crosby (Queen of the Lot (2010)) in 12 TV credits prior to her theatrical return in Johann Strauss: The King Without a Crown/Johann Strauss - Der König ohne Krone (1987). The Ice Pirates is rotten at 17 % with a 4.50/10 critical average at Rotten Tomatoes.]

 

What do you think of The Ice Pirates

The Inglorious Bastards/Quel Maledetto Treno Blindato (1978) - Castellari's WWII exploitation charmer

 

Nude women, explosions, war machinery and macho violence is vividly promised on this self-tooting poster for Enzo G. Castellari's The Inglorious Bastards

A small group of captured American soldiers are on their way to execution in France in 1944, when a flat tire allows them to alter their trajectory: Towards freedom in Switzerland, killing as many 'krauts' on their way as possible!

 

The Inglorious Bastards is written by Sandro Continenza (Sbirulino (1982)), Sergio Grieco (Il Sergente Klems (1971)), Franco Marotta (Lucia (2005, TV movie)), Romano Migliorini (Bandidos (1967)) and Laura Toscano (De Moda (2004-05)), with Alberto Piferi (Salomé (1986)) contributing dialog, and directed by Enzo G. Castellari (Payment in Blood/7 Winchester per un Massacro (1967)). The original Italian title translates to 'that damned armored train'.

How this many individuals could have written this film together is just one of the incredible things about it. The story is generally not the easiest to relate. 

Bo Svenson (Icarus (2010)) plays the 'bastards'' alpha leader, and he does so with a rapscallion charm, which really permeates the entire group, despite the dire war that they find themselves in. This is all part of the fun and ruckus, with plenty of gunpowder and bullets, and Italian film tricks of the era. The Inglorious Bastards is a real charmer.





 

Watch a trailer for the film here

 

Cost: Unknown

Box office: Unknown

= Uncertain

[The Inglorious Bastards was released 8 February (Italy) and runs 99 minutes. Shooting took place in Italy, including in Rome. The production reportedly suffered the trouble of having all of their weapons seized by the authorities halfway through production, due to the Italian Prime Minister's recent kidnapping and murder by the Red Brigade terrorists. New blank-fire prop weapons had to be created fast for the completion of the film. Details concerning the film's budget and box office performance are regrettably not online, but it was widely released in Europe and sold impressive 62k tickets in the small market Denmark, (approximately 453k $), indicating that it was likely a hit. It is not listed as having had a North-American release until 1981. Quentin Tarantino bought the rights to remake the film, although he only reused the title for his Inglorious Basterds (2009). Castellari returned with Sensività (1979). Svenson returned in Il Figlio dello Sceicco (1978); Fred Williamson (Boss Nigger (1974)) in 6 TV credits prior to his theatrical return in Il Cappotto di Legno (1981). 10k+ IMDb users have given The Inglorious Bastards a 6.5/10 average rating.]


What do you think of The Inglorious Bastards?

5/25/2024

In Good Company (2004) - Stars sparkle in Weitz's easy-to-take dramedy

 

Three stars strike different positions with vacant stares on this unfavorable poster for Paul Weitz's In Good Company

A middle-aged gentleman is demoted in his company and gets a new boss who's just 26 years old, - and who on top of this starts dating the man's college student daughter.

 

In Good Company is written, co-produced and directed by great New-Yorker filmmaker Paul Weitz (American Pie (1999)).

It is an office comedy that is also a 'little league' drama, since it actually does handle its characters' fates with seriousness. The film lives on some good actors: Dennis Quaid (Playing by Heart (1998)) as the father; Scarlett Johansson (Black Widow (2021)) as his daughter; and Topher Grace (War Machine (2017)); sweet but with an ugly hairdo here as the new boss/daughter's love interest. In supporting roles Philip Baker Hall (Bad Words (2013)), Selma Blair (Ordinary World (2016)) and Malcolm McDowell (A Clockwork Orange (1971)) brighten up scenes.

There's a couple of laughs here, but the script is still not really funny. It may be that it is a bit too sympathetic, and the characters too normal somehow.

 

Related posts: 

Paul WeitzAdmission (2013) - Despite messy script, Fey is hilarious in Weitz's romcom 

Nutty Professor II: The Klumps (2000) - Murphy brings down the house (co-writer) 

Top 10: Best high school titles 

Top 10: Best first-of-franchise movies 

1999 in films and TV-series - according to Film Excess

American Pie (1999) or, Losing It Before Prom 

 



 

Watch a trailer for the film here

 

Cost: 26 mil. $

Box office: 63.4 mil. $

= Minor flop (returned 2.43 times its cost)

[In Good Company premiered 6 December (Hollywood) and runs 110 minutes. Shooting took place around March 2004 in New York and Los Angeles, California. The film opened #31 to a 151k $ first weekend in 3 theaters in North America, where it peaked at #3, behind fellow new release Coach Carter and holdover hit Meet the Fockers, spending 2 weekends in the top 5 and grossing 45.8 mil. $ (72.2 % of the total gross). The 2nd and 3rd biggest markets were Australia with 2.9 mil. $ (4.6 %) and the UK with 2.3 mil. $ (3.6 %). The film won a National Board of Review award, among other honors. Roger Ebert gave the film a 3/4 star review, translating to a notch over this one. Weitz returned with Cracking Up (2004, TV-series) and theatrically with American Dreamz (2006). Johansson returned in Match Point (2005); Grace in Ocean's Twelve (2004); and Quaid in Flight of the Phoenix (2004). In Good Company is certified fresh at 82 % with a 7.00/10 critical average at Rotten Tomatoes.]

 

What do you think of In Good Company

Top 10: Best high school titles

 

 

1. Ferris Bueller's Day Off (1986) - John Hughes

 

 

2. Freaks and Geeks - season 1 (1999) - Paul Feig

 


3. Election (1999) - Alexander Payne

 


4. Dazed and Confused (1993) - Richard Linklater

 

 

5. High School Musical (2006, TV movie) - Kenny Ortega 

 


6. Back to the Future (1985) - Robert Zemeckis

 

 

7. The Breakfast Club (1985) - John Hughes 

 


8. American Pie (1999) - Chris and Paul Weitz

 

 

9. Carrie (1976) - Brian De Palma  



10. Glee - season 1 (2009) - Ian Brennan, Brad Falchuk, Ryan Murphy

 

Selected from 25 titles labeled 'high school'


Previous Top 10 lists:

Best action movies
Best adapted movies
Best adventure movies
Best 'big flop' movies
Best B/W movies
Best true story movies
Best 'big hit' movies
Best biopic movies
Best 'box office success' movies
Best car chases in movies
Best comedies
Best cop movies       

Best crime movies 
Best debut movies   
Best Danish movies
Best Disney movies 

Best documentaries 
Best dramas
Best drama-thrillers
Best dramedies

Best drug-themed movies

Best UK movies

Best epic movies

Best erotic movies

Best family movies

Best fantasy movies

Best films about filmmaking 

Best first-of-franchise movies 

Best 'flop' rank movies

Best Twentieth Century Fox titles 

Best French movies

Best franchise movies 

Best future-set movies 

Best gangster movies

Best gay-themed titles

Best German movies 

Best ghost horror movies 

Best gore movies

Top 10: Best HBO titles

Best heist movies

What do you think of the list?
Which high school movies would make your personal Top 10?

Ichi the Killer/ 殺し屋1(Koroshiya Ichi) (2001) - Miike's world-shocking yakuza splatter

♥♥

 

Pain, mutilation and pleasure seem to converge on this raw poster for Takashi Miike's Ichi the Killer

The boss of a Yakuza gang has gone missing with a lot of money. Needle enthusiast/psychopath Kakihara gets to a conclusion through the use of extensive torture: It is a brainwashed guy by the name of Ichi who has murdered the boss.

 

Ichi the Killer is written by Sakichi Sato (Doreiku: Boku to 23-nin no dorei (2014)), based on the same-titled 1998-01 manga by Hideo Yamamoto (Homunculus (2003-11)), and directed by Takashi Miike (Shinjuku kuroshakai: Chaina mafia sensô (1995)). The original Japanese title translates to 'hitman one'.

'The Japanese are nuts. Totally depraved.' - This could be one fair takeaway from watching Ichi the Killer

The story of the film is very strange, and it is mostly made up of torture and murder scenes, along with very long takes of things that are hard to comprehend, and a bit of dialog. Some of the setups are beautifully staged, and the sound side and special effects of the film are impressive.

Everything is aesthetic in this highly Japanese vision of horrific sadomasochism.

 

Related posts:

 

Takashi MiikeImprint (2006, TV movie) - Venture far, far abroad with Miike's hard-to-watch Masters of Horror entry

1999 in films and TV-series - according to Film Excess 

Audition/オーディション (Ōdishon) (1999) - Miike hamstrings your sleep 



 

Watch a trailer for the movie here

 

Cost: Estimated 1.4 mil. $

Box office: Unknown

= Uncertain

[Ichi the Killer premiered 14 September (Toronto International Film Festival) and runs 130 minutes. Shooting took place around August 2000 in Tokyo, Japan. Details surrounding its commercial performance in Japan and the few other markets it was released in (besides a long list of festival screenings) are regrettably hard to come by. The film was banned in Norway and Malaysia and cut in other countries. Miike returned with Agitator/Araburu tamashii-tachi (2001). Tadanobu Asano (Shogun (2024, TV-series)) returned in Mizu no onna (2002); Nao Ômori (First Love/Hatsukoi (2019)) in Quartet (2001). Ichi the Killer is fresh at 65 % with a 6.10/10 critical average at Rotten Tomatoes.]

 

What do you think of Ichi the Killer?

5/22/2024

Imprint (2006) - Venture far, far abroad with Miike's hard-to-watch Masters of Horror entry

♥♥♥

 

This poster for Takashi Miike's Imprint clearly indicates that the film is ripe with horrific, grueling images, gore and torture

An American journalist (Billy Drago (Supernatural (2008, TV-series))) is looking for his lost love on a cursed Japanese island, where torture-loving whores with gruesome abortion backgrounds have their home.


Imprint is written by Daisuke Tengan (The Eel/Unagi (1997)), adapting the 1999 novel Bokke e, kyōtē by Shimako Iwai (Rakuen (2003)), and directed by Takashi Miike (Shinjuku kuroshakai: Chaina mafia sensô (1995)). It is the 13th and last episode of the first season of TV movie anthology series Masters of Horror.

Without reservations this is a disgusting film, in fact so much so that one almost agrees with the series' executive producer Mick Garris and the executives at Showtime who decided to shelve it and never run it on TV as part of the anthology. But in the atmospheric, stylized universe conjured up here, and in the extreme imagery that goes along with it also lie the unshakable elements of the cultural clash that is Imprint.

 

Related posts:

 

Other Masters of Horror TV movies: 2006 in films and TV-series - according to Film Excess [UPDATED I]

Fair Haired Child (2006, TV movie) - Malone turns out another weak Masters of Horror TV movie 

Dance of the Dead (2005) - Hooper's ugly Masters of Horror nonsense
Chocolate (2005) - Flavors, visions and eroticism in Garris' TV movie thriller
Deer Woman (2005) - Landis and son's solid Masters of Horror entry 
Cigarette Burns (2005) - Carpenter burns out in weird, tiresome TV movie    

Haeckel's Tale (2006, TV movie) - Another bland Masters entry 

Pick Me Up (2006, TV movie) - Cohen's so-so Masters of Horror entry

Takashi Miike: 1999 in films and TV-series - according to Film Excess 

Audition/オーディション (Ōdishon) (1999) - Miike hamstrings your sleep 

 


 

Watch a clip from the film here

 

Cost: Unknown

Box office: None - TV movie

= Uncertain

[Imprint premiered 25 February (Yubari Interntational Film Festival) and runs 63 minutes. Shooting took place in Japan, including in Tokyo. Miike claims that he checked up during production and thought that he created something within the bounds of what could be screened on US TV, but the film was nevertheless denied screening when completed. Instead it was shown theatrically in Japan as well as through screenings in festivals in several other markets, along with on TV in yet other markets before getting a home video release broadly. It is the only film in the Masters of Horror series to get shelved due to its content. Miike returned with Waru: kenketsu-hen (2006, video) and theatrically with Taiyô no kizu (2006). Drago returned in Seven Mummies (2006). 7.7k+ IMDb users have given Imprint a 6.9/10 average rating.]


What do you think of Imprint?

I Confess (1953) - Hitch's great drama of a Father caught by the confessional vow

♥♥♥♥

 

A very dramatic rendering on a firetruck red background of a man seemingly assaulting a woman makes up most of this extremely text-heavy poster for Alfred Hitchcock's I Confess

In Quebec, Canada, the German Keller confesses to murder to a the young father Logan, who since himself becomes the main suspect in the case. And while Logan's life is ruined by this, he cannot break his confessional vow of silence.

 

I Confess is written by William Archibald (The Innocents (1961)) and George Tabori (No Exit (1962)), adapting the 1902 play Nos Deux Consciences by Paul Anthelme Bourde (La Fin de Veux Temps (1892)), and directed by English master filmmaker Alfred Hitchcock (The Pleasure Garden (1925)), whose 39th feature it was.

It is a very typical Hitchcock film about a wrongly accused man, who gets trapped in the judicial system. Thematically and religiously it is similar to Hitchcock's The Wrong Man (1956), of which nevertheless my preference probably goes to the latter film (due to its atmospheric New York setting and the score.)

The acting is formidable: Montgomery Clift (Wild River (1960)) across from the human scum in the guise of the German Keller, played by O.E. Hasse (Geliebter Lügner (1963, TV movie)). Anne Baxter (Columbo (1973, TV-series)) and Karl Malden (Nuts (1987)) also lend fine performances to the film. Technically also I Confess is a joy, as, among other finesses, it has some fine dreamy flashbacks.

 

Related posts:

Alfred HitchcockFrenzy (1972) - Hitchcock's great, morbid tie killer thriller 

The Birds (1963) - Hitchcock spearheads horror sub-genre and innovative special effects in great, odd film
Dial M for Murder (1954) - Hitchcock's 3D thriller is hindered by theatrics
The 39 Steps (1935) or, Murder and High Jinx!  



 

Watch a trailer for the film here

 

Cost: Unknown

Box office: 2 mil. $ (North America only)

= Uncertain

[I Confess premiered 12 February (Quebec) and runs 95 minutes. Controversial elements from the play had to be eliminated before production. Shooting took place from August - October 1952 in California and Quebec. Hitch had great difficulty catering to Clift's method acting technique, which he saw as inability to take direction. The film suffered many bad reviews domestically, but Variety reported it among 1953's biggest hits in a 1954 article, listing a 2 mil. $ domestic gross. Hitchcock returned with Dial M for Murder (1954). Clift returned in Terminal Station (1953); Baxter in The Blue Gardenia (1953). I Confess is fresh at 81 % with a 7.00/10 critical average at Rotten Tomatoes.]


What do you think of I Confess?

Eagerly anticipating this week ... (14-24)

Eagerly anticipating this week ... (14-24)
Ali Abassi's The Apprentice (2024)