Eagerly anticipating this week ... (15-24)

Eagerly anticipating this week ... (15-24)
John Crowley's We Live in Time (2024)

6/29/2019

The Sea Inside/Mar Adentro (2004) or, Death Wish: Spain

♥♥

Javier Bardem looks pensive against a sea surface on this poster for Alejandro Amenábar's The Sea Inside


Following an unfortunate diving accident as a young man, our protagonist is left quadriplegic for 28 years with a wish to die. - But is that for him to decide?

The Sea Inside is written by Mateo Gil (The Laws of Thermodynamics/Las Leyes de la Termodinámica (2018)) and its great Chilean co-writer/co-producer/director/composer/editor Alejandro Amenábar (The Others (2001)). The two tackle a difficult story here, which is the true story of Ramón Sampedro, one which presents the ethical dilemma of euthanasia.
The bedridden state of our hero is cinematically overcome with a handsome, recurring dream of floating. Javier Bardem (Live Flesh/Carne Trémula (1997)) acts well, - but at some point his character becomes too much for me to take, and the film's idolization of him as a determined, Oscar-worthy paralyzed role becomes too one-sided. It starts getting unclear why he is afforded such enormous care and attention, when his only wish, expressed loudly and often, is to die.
Atheistic, warm advocates of euthanasia may respond with deeper feeling to The Sea Inside than I did.

 

Related post:

 

2004 in films and TV-series - according to Film Excess [UPDATED I]



Watch a trailer for the film with English subtitles here

Cost: 10 mil. €, equaling approximately 11.38 mil. $
Box office: 38.5 mil. $
= Box office success (returned 3.38 times its cost)
[The Sea Inside premiered 2 September (Madrid, Spain) and runs 125 minutes. Sampedro's story was also the subject of Condenado a Vivir (2001, TV movie). Shooting took place in Spain, including Madrid, from October - December 2003. The film opened #39 to a 55k $ first weekend in 23 theaters in North America, where it peaked at #29 and in 99 cinemas and grossed 2.1 mil. $ (5.5 % of the total gross). The film's biggest markets were its main production country Spain, where it was a massive hit with a 26.1 mil. $ gross (67.8 %), Germany with 2.1 mil. $ (5.5 %), a bit bigger than its 3rd biggest, North America. The film was nominated for 2 Oscars, winning for Best Foreign Film, and losing Best Makeup to Lemony Snicket's A Series of Unfortunate Events. It won 1/2 Golden Globe nominations, was nominated for a César award, won a David di Donatello award, 2/5 European Film award nominations, an Independent Spirit award, 14/15 Goya award nominations, 2 National Board of Review awards, 3 awards at Venice Film Festival and several other honors. Roger Ebert gave the film a 3/4 star review, translating to a notch better than this one. Amenábar returned with Agora (2009). Bardem returned in Goya's Ghosts (2006). The Sea Inside is certified fresh at 84 % with a 7.59/10 critical average at Rotten Tomatoes.]

What do you think of The Sea Inside?

6/28/2019

Machuca (2004) - Great personal investment and heart beats behind Wood's riveting coming-of-age drama

♥♥♥♥


+ Best Big Flop Movie of the Year + Best Chilean Movie of the Year + Best Coming-of-Age Movie of the Year + Best Political Movie of the Year  


The three excellent child actors in Andrés Wood's Machuca peak up from, for some reason, a piece of cardboard on this poster for the film

  
Gonzalo is a boy from the better part of the middle class in Santiago, Chile in 1973, when the situation in the country under its Socialist president Salvador Allende becomes so bad that the boy's private school takes in some students from poor backgrounds, - among them a new friend named Machuca.

Machuca is written by Mamoun Hassan (The Good Life/La Buena Vida (2008)), Roberto Brodsky (El Brindis (2007)), Eliseo Altunaga (Between Two Hurricanes/Entre Ciclones (2003)) and its great Chilean co-writer/co-producer/director Andrés Wood (Historias de Fútbol (1997)). It is a film that is auspicious for older children (age 12 and up) and adults alike.
The context is complicated and heated politically, but the core narrative of friendship in spite of outer circumstances, and of life as an 11 year-old, is simple and compelling. Gonzalo, Machuca and Silvana, the girlfriend of Gonzalo, are played with distinguished empathy by Matías Quer, Ariel Mateluna (The Magician/El Mago (2014)) and Manuela Martelli (My Last Round/Mi Último Round (2011)), and among the adult actors especially Ernesto Malbran (Sub Terra (2003)) as the idealistic Father McEnroe does a memorable job. 
With very credible staging, the story builds tension steadily; SPOILER the audience member familiar with the period will be able to predict how the school and the boys' friendship will develop towards a very sad precipice.
Machuca powerfully shows the results of excessive political enmity and racism. It is an outstanding film.

 

Related post:

 

Andrés Wood: 2004 in films and TV-series - according to Film Excess [UPDATED I]




Watch a 3-minute clip from the film with English subtitles here

Cost: 1.7 mil. $
Box office: 3.1 mil. $
= Big flop (returned 1.82 times its cost)
[Machuca premiered 24 February (Switzerland) and runs 121 minutes. Wood rehearsed with the child amateur actors for 7 months prior to filming. Shooting took place in Santiago, Chile. Wood has stated that shooting took place only on sundays, - due to the small budget. The film opened #73 to a 4k $ first weekend in 1 theater in North America, where it peaked the following week at #67, never widened to more theaters and only grossed 26k $ (0.8 % of the total gross). Its biggest markets were production country 2.2 mil. $ (71 %), Spain with 338k $ (10.9 %) and the UK with 213k $ (6.9 %). The film was Chile's official Oscar entry of the year but went unnominated. It was nominated for a Goya award, among other honors. Wood returned with The Good Life/La Buena Vida (2008). Mateluna returned in La Vida Es una Lotería (2002, TV-series), JPT: Justicia para Todos (2004, TV-series) and theatrically in Pega Martín Pega! (2007); Martelli in Like a Crashed Plane/Como un Avión Estrellado (2005)). Machuca is fresh at 89 % with a 7.54/10 critical average at Rotten Tomatoes.]

What do you think of Machuca?

6/26/2019

2005 in films and TV-series - according to Film Excess

The Top 10 of the Year



1. The Death of Mr. Lazarescu/Moartea domnului Lăzărescu - Cristi Puiu + Best Romanian Movie of the Year + Most Undeserved Flop of the Year + Best Huge Flop of the Year + Best Drama of the Year + Best Societal Critique of the Year + Best Feel-Bad Movie of the Year + Best Low-Budget Movie of the Year



2. Enron: The Smartest Guys in the Room, documentary - Alex Gibney + Best American Movie of the Year



3. The Chronicles of Narnia: The Lion, the Witch and the Wardrobe - Andrew Adamson
 + Best Family Movie of the Year + Best Fantasy of the Year + Best Adaptation of the Year + Best Blockbuster of the Year + Best Poster of the Year 



4. Hidden/Caché - Michael Haneke + Best French Film of the Year + Best Mystery of the Year



5. A History of Violence - David Cronenberg + Best Indiana Movie of the Year



6. Brokeback Mountain - Ang Lee + Best Mega-hit Movie of the Year + Best Western of the Year + Best LGBT Movie of the Year + Comeback Actor of the Year: Jake Gyllenhaal



7. The Constant Gardner - Fernando Meirelles + Best Thriller of the Year + Best Political Movie of the Year + Most Deserved Hit of the Year



8. Lord of War - Andrew Niccol + Best Villain of the Year: Nicolas Cage as Yuri Orlog + Best War Movie of the Year



9. Munich - Steven Spielberg + Best Period Movie of the Year + Best Spy Movie of the Year + Best Revenge Movie of the Year



10. Fierce People - Griffin Dunne + Best Shooting Star Actor of the Year: Anton Yelchin + Most Under-Appreciated Movie of the Year + Best Box Office Disaster of the Year + Worst Distribution of the Year + Best Youth Movie of the Year 

Other great 2005 movies (in alphabetical order):



The 40 Year-Old Virgin - Judd Apatow + Best Debut Movie of the Year + Best Comedy of the Year + Best Los Angeles Movie of the Year



Broken Flowers - Jim Jarmusch + Best Road Movie of the Year



C.R.A.Z.Y. - Jean-Marc Vallée + Best Canadian Movie of the Year + Best Coming-of-Age Movie of the Year



Dark Water - Walter Salles + Best Remake of the Year



Hard Candy - David Slade + Best Independent Movie of the Year + Best Shooting Star Actress of the Year: Ellen Page

Other good, recommendable movies of the year (in alphabetical order):



Allegro - Christoffer Boe



 Batman Begins - Christopher Nolan + Best Superhero Movie of the Year



 Capote - Bennett Miller + Best Biopic of the Year



Coach Carter - Thomas Carter + Best Sports Movie of the Year



Deadwood, season 2 - David Milch, creator + Best TV-series of the Year + Most Excruciating Scene of the Year: Al Swearengen's gallstone operation, ep. 3: New Money



Deer Woman - John Landis + Best TV movie of the Year



The Descent - Neil Marshall + Best Horror of the Year + Best Monster Movie of the Year + Best Gore Movie of the Year + Best British Movie of the Year



Elizabethtown - Cameron Crowe + Best Big Flop Movie of the Year + Best Romance of the Year + Best Feel-Good Movie of the Year + Best Kentucky Movie of the Year



Match Point - Woody Allen + Best London Movie of the Year



The Method/El Método - Marcelo Piñeyro



Murk/Mørke - Jannik Johansen + Best Mega-flop of the Year

The Bottom 10 of the Year



1. Day of the Dead 2: Contagium - Ana Clavell, James Glenn Dudelson



2. Everything Is Illuminated - Liev Schreiber + Most Overrated Movie of the Year



3. Dance of the Dead (TV movie) - Tobe Hooper



4. Accused/Anklaget - Jacob Thuesen + Most Deserved Flop of the Year



5. Derailed - Mikael Håström + Most Undeserved Hit of the Year



6. Domino - Tony Scott + Worst Poster of the Year  



7. Cigarette Burns (TV movie) - John Carpenter



8. Fragile/Frágiles - Jaume Balagueró



9. Madagascar - Eric Darnell, Tom McGrath + Most Profitable Hit of the Year (138.04 mil. $ range)



10. Corpse Bride - Tim Burton, Mike Johnson

Other failed, mediocre and/or poor movies of the year (in alphabetical order):

2001 Maniacs - Tim Sullivan
A Year Without Love/Un Año Sin Amor - Anahí Berneri
The Brothers Grimm - Terry Gilliam + Most Expensive Flop of the Year (45.88 mil. $ range)
Chocolate (TV movie) - Mick Garris
Colour Me Kubrick: A Tru...ish Story/Color Me Kubrick - Brian W. Cook
Dear Wendy - Thomas Vinterberg
The Devil's Rejects - Rob Zombie + Craziest Movie of the Year
The Dukes of Hazzard - Jay Chandrasekhar + Best Car Movie of the Year
The Exorcism of Emily Rose - Scott Derrickson
Flightplan - Robert Schwentke
Fun with Dick and Jane - Dean Parisot + Best On-Screen Couple of the Year: Téa Leoni & Jim Carrey
Land of the Dead - George A. Romero
The Longest Yard - Peter Segal
The Matador - Richard Shepard
Weeds, season 1 - Jenji Kohan, creator

[51 titles in total]

Notes:

Two masterpieces from 2005 have been reviewed at Film Excess thus far: The year's best film, and first Romanian movie to ever make the top 10, is Cristi Puiu's revelatory death-drama The Death of Mr. Lazarescu. The other is the year's 2nd best, Alex Gibney's enraging, shocking documentary Enron: The Smartest Guys in the Room.
The Top 10 continues with 8 sensational films: Rounding out the top 3 is Andrew Adamson's amazing family fantasy adaptation The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. Following are: Michael Haneke's unsettling thriller Hidden, David Cronenberg's fascinating and brutal thriller A History of Violence, Ang Lee's mainstream-breaching, grand cowboy romance tragedy Brokeback Mountain, Fernando Meirelles' vivid, beautiful thriller adaptation The Constant Gardner, Andrew Niccol's chilling, thrilling weapon's dealer war drama Lord of War, Steven Spielberg's controversial, elegant and suspenseful period thriller Munich and finally Griffin Dunne's mismanaged coming-of-age gem Fierce People.
Among the other great films of the year are David Slade's unpleasant thriller Hard Candy, - so that so far 2005 looks like a strong year for thrillers.
Other great titles are Judd Apatow's hilarious debut The 40 Year-Old Virgin, Jean-Marc Vallée's vibrant youth movie C.R.A.Z.Y. and Walter Salles' great J-horror remake Dark Water. Other good entries of 2005 include the filthy 2nd season of Deadwood, Christopher Nolan's first Batman movie Batman Begins, the perhaps ultimate meet-cute, Elizabethtown, a nerve-wrecking claustrophobic cave horror, The Descent, and a weird but highly entertaining TV movie, Deer Woman.
The worst of the year are first and foremost low-budget fare: Day of the Dead 2: Contagium by Ana Clavell and James Glenn Dudelson may rank among the decade's worst, a travesty in the zombie genre. It is followed by Liev Schreiber's pretentious, dull and overrated Everything Is Illuminated and Tobe Hooper's Masters of Horror TV movie entry, Dance of the Dead as the year's 2nd and 3rd bottom of the barrel slush.
Following them are Jacob Thuesen's cloying pedophilia drama Accused, Mikael Håfström's ugly, pointless Derailed, Tony Scott's massive money-losing action dud Domino, John Carpenter's unimpressive TV movie Cigarette Burns, Jaume Balagueró's UK-Spanish horror flunk Fragile, Eric Darnell and Tom McGrath's cynical cash-grab Madagascar and finally Tim Burton and Mike Johnson's loud and empty stop-motion animation Corpse Bride.
Among the other great filmmakers who churned out sub-par efforts in 2005 we find Terry Gilliam (The Brothers Grimm), Thomas Vinterberg (Dear Wendy) and George A. Romero (Land of the Dead). 

Biggest flops of the year:

[The loss is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account] 


1. The Brothers Grimm - 45.88 mil. $ range
2. Domino - 40.84 mil. $ range
3. Elizabethtown - 24.2 mil. $ range
4. Lord of War - 20.96 mil. $ range
5. Fun with Dick and Jane - 19.2 mil. $ range
6. Munich - 17.88 mil. $ range
7. Dark Water - 10.24 mil. $ range
8. Fierce People - 7.89 mil. $ range
9. A History of Violence - 7.72 mil. $ range
10. Dear Wendy - 7.6 mil. $ range
= Combined losses: 202.41 mil. $

Biggest hits of the year:

[The gain is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]


1. Madagascar - 138.04 mil. $ range
2. The Chronicles of Narnia: The Lion, the Witch and the Wardrobe - 118 mil. $ range
3. Brokeback Mountain - 57.2 mil. $ range
4. Flightplan - 39.32 mil. $ range
5. The Exorcism of Emily Rose - 37.68 mil. $ range
6. Match Point - 19.12 mil. $ range
7. The Descent - 17.83 mil. $ range
8. Capote - 12.68 mil. $ range
9. Broken Flowers - 8.68 mil. $ range
10. The Constant Gardner - 7.96 mil. $ range
= Combined profits: 456.51 mil. $ 

Previous annual lists:
  

2018 in films - according to Film Excess  
2017 in films - according to Film Excess [UPDATED I]
2017 in films - according to Film Excess
2016 in films - according to Film Excess [UPDATED II]
2016 in films - according to Film Excess [UPDATED I] 
2016 in films - according to Film Excess

2015 in films and TV-series - according to Film Excess [UPDATED III]
2015 in films and TV-series - according to Film Excess [UPDATED II] 
2015 in films and TV-series - according to Film Excess [UPDATED I]
2015 in films and TV-series - according to Film Excess
 

2014 in films and TV-series - according to Film Excess [UPDATED IV]
2014 in films and TV-series - according to Film Excess [UPDATED III] 
2014 in films and TV-series - according to Film Excess [UPDATED II] 
2014 in films and TV-series - according to Film Excess [UPDATED I]
2014 in films - according to Film Excess

2013 in films - according to Film Excess [UPDATED V]
2013 in films - according to Film Excess [UPDATED IV]
2013 in films - according to Film Excess [UPDATED III]
2013 in films - according to Film Excess [UPDATED II]
2013 in films - according to Film Excess [UPDATED I] 
2013 in films - according to Film Excess
   

2012 in films and TV-series - according to Film Excess [UPDATED V] 
2012 in films and TV-series - according to Film Excess [UPDATED IV] 
2012 in films and TV-series - according to Film Excess [UPDATED III]
2012 in films and TV-series - according to Film Excess [UPDATED II]
2012 in films - according to Film Excess [UPDATED I]
2012 in films - according to Film Excess

2011 in films and TV-series - according to Film Excess [UPDATED III]
2011 in films and TV-series - according to Film Excess [UPDATED II]
2011 in films and TV-series - according to Film Excess [UPDATED I]
2011 in films - according to Film Excess

2010 in films and TV-series - according to Film Excess [UPDATED III]
2010 in films and TV-series - according to Film Excess [UPDATED II]
2010 in films and TV-series - according to Film Excess [UPDATED I]
2010 in films and TV-series - according to Film Excess  

2009 in films and TV-series - according to Film Excess [UPDATED II]
2009 in films and TV-series - according to Film Excess [UPDATED I]
2009 in films and TV-series - according to Film Excess 
 

2008 in films - according to Film Excess [UPDATED I]
2008 in films - according to Film Excess
2007 in films - according to Film Excess [UPDATED I]
2007 in films - according to Film Excess
2006 in films and TV-series - according to Film Excess [UPDATED I]
2006 in films and TV-series - according to Film Excess   


2005 titles still on the watch-list:

Forty Shades of Blue, Shadowboxer, Keeping Mum, Kinky Boots, Do You Like Hitchcock?, Fateless, Dominion: Prequel to the Exorcist, Melissa P. Maestro, West Bank Story, One Too Many, The Saviour, Water, Looking for Comedy in the Muslim World

What do you think of the 2005 list?
Which 2005 titles would make to your top and bottom lists?
Which worthwhile 2005 titles are missing on the watch-list?  

Eagerly anticipating this week ... (14-24)

Eagerly anticipating this week ... (14-24)
Ali Abassi's The Apprentice (2024)