Eagerly anticipating this week ... (15-24)

Eagerly anticipating this week ... (15-24)
John Crowley's We Live in Time (2024)

7/31/2023

Oppenheimer (2023) - Nolan treats aficionados of history, politics, science - and cinema

 

Cillian Murphy as the titular haunted nuclear physicist before his horrific invention on this fiery poster for Christopher Nolan's Oppenheimer
 

J. Robert Oppenheimer studied nuclear physics in Europe before planting the new scientific discipline in America. With WWII underway and the nuclear race on to create the mightiest bomb the world had ever seen, the US government instructed him to invent and make them said weapon first.

 

Oppenheimer is written, co-produced and directed by English master filmmaker Christopher Nolan (Following (1998)), whose 12th feature it is. It is based on the real life Oppenheimer and the biography American Prometheus (2005) by Kai Bird (The Outlier (2021)) and Martin J. Sherwin (Gambling with Armageddon (2020)).

The film tells the awe-inspiring tale of the creation of the atomic bombs that ravaged Hiroshima and Nagasaki in 1945, effectively ending the last open tangent of the war, forcing the Japanese to surrender. It is focused on the scientific race, the many strong and opinionated minds involved; in the personal costs for Oppenheimer and his family for the 'greater cause', the mammoth undertaking and the haunting and world-changing result of all their efforts. A large portion of the film is also dedicated to understanding the detrimental aftermath of the invention and specifically the way in which the overwhelmingly leftist (Socialist and Communist) scientists became chains around Oppenheimer's feet in the following Cold War era.

Cillian Murphy (The Party (2017)) does a bang-up job as Oppenheimer, appearing emaciated and troubled, apparently lost in the role. Robert Downey Jr. (Wonder Boys (2000)) gives arguably the best performance of his career SPOILER as the chameleon-like admiral Lewis Strauss, a formidable portrayal of a paradoxical, vindictive man. The cast is a very long chain of notable talents, as most every actor in the world today dreams of working with Nolan. Especially worth highlighting are Benny Safdie (Good Time (2017)), Josh Hartnett (Inherit the Viper (2019)) and Tom Conti (StreetDance 2 (2012)) in the very small but pivotal role as Albert Einstein. Excellence is all around, and the film is also a thrilling work from a production standpoint, and the 70 mm IMAX color and B/W (the latter is a first) photography (by Hoyte Van Hoytema (Spectre (2015))) is uniquely cinematic. The film is gorgeous and piercing. 

The story is told in appropriate epic length with only appropriate flourishes, and the perspectives of the bomb in 1945 as well as today reverberate clearly for all who see Oppenheimer. It is a frightful (but great) historical and biographical film.  

 

Related posts:

Christopher Nolan:
2020 in films - according to Film Excess

Tenet (2020) - Nolan blows smoke up your ass 

Top 10: Best UK movies reviewed by Film Excess to date 

2017 in films - according to Film Excess [UPDATED I] 
2017 in films - according to Film Excess 
Dunkirk (2017) - Nolan champions cinema with masterful war movie  

Top 10: Best future-set movies
Interstellar (2014) - Nolan heads to space in opulent, exciting epic
2014 in films - according to Film Excess
The Dark Knight Rises (2012) or, Batman and the Storm, Darkness, Anarchy, Evil, Depression

2010 in films and TV-series - according to Film Excess [UPDATED III]
2010 in films and TV-series - according to Film Excess [UPDATED II]
2010 in films and TV-series - according to Film Excess [UPDATED I]
2010 in films and TV-series - according to Film Excess
 

Inception (2010) - Nolan's best is a grand piece of action sci-fi, perfectly awesome nonsense 

2008 in films and TV-series - according to Film Excess [UPDATED II]  
2008 in films - according to Film Excess [UPDATED I]
2008 in films - according to Film Excess
The Dark Knight (2008) - Nolan's best Batman 

The Prestige (2006) - Nolan's overrated magician picture 
Batman Begins (2005) or, Modern, Dark, Smooth Batman 

Memento (2000) - Nolan's overrated amnesia mindfuck   
Following (1998) - Nolan's ineffectual debut

 






 

Watch a trailer for the film here

 

Cost: 100 mil. $

Box office: 400.3 mil. $ and counting

= Too early to say (but already a big hit)

[Oppenheimer premiered 11 July (Paris) and runs 180 minutes. Nolan shopped his Oppenheimer script around to the big Hollywood studios due to his split from Warner Bros. after his anger at their streaming strategy for films during the China Virus pandemic, hurting the release of his Tenet (2020). Universal Pictures gave him an extraordinary deal that he took: A 100 mil. $ budget, another 100 mil. $ for the marketing of the finished film, a 90-120 day exclusive theatrical release 'window', a three week space before and after the film with no films released from the company, and a 20 % first-dollar gross payment. The film's 3 biggest name stars Matt Damon (All the Pretty Horses (2000)), Downey Jr. and Emily Blunt (Jungle Cruise (2021)) all accepted 4 mil. $ salaries and undisclosed back-end percentage deals. Shooting took place from September 2022 - February 2023 in Zurich, Switzerland, New Mexico, California, including in Los Angeles, and in New Jersey. The film's release alongside new offering Barbie inspired a viral social media meme, 'Barbenheimer', which increased interest for both films: Oppenheimer opened #2, behind Barbie, to a 82.4 mil. $ first weekend in North America, where it still ranks #2 in its 2nd weekend and has grossed 174 mil. $ at time of publishing. The film has yet to open in 5 markets in August, including South Korea, Italy and China. IMDb's users have rated the film in at #28 on the site's Top 250 list, sitting between Life Is Beautiful (1997) and The Green Mile (1999). Nolan does not have his next film announced yet. Murphy returns in Small Things Like These. Oppenheimer is certified fresh at 94 % with a 8.60/10 critical average at Rotten Tomatoes.]

 

What do you think of Oppenheimer

1993 in films and TV-series - according to Film Excess

The Top 10 of the Year

 


1. Farewell My Concubine/霸王別姬/Bàwáng Bié Jī - Chen Kaige + Best Historical Drama of the Year + Best Hong Kong Movie of the Year + Best Period Movie of the Year 

 

 

2. Mrs. Doubtfire - Chris Columbus + Best American Movie of the Year + Best Family Movie of the Year + Best Mega-hit Movie of the Year + Best Poster of the Year + Most Profitable Movie of the Year: 151.48 mil. $ range + Best San Francisco Movie of the Year  



3. Frasier - season 1 - David Angell, Peter Casey, David Lee + Breakthrough of the Year, Male: Kelsey Grammer + Best New TV-series of the Year + Shooting Star of the Year, Male: David Hyde Pierce + Best Sitcom of the Year + Best Washington Title of the Year

 

 

4. Three Colors: Blue/Trois Couleurs: Bleu - Krzysztof Kieslowski + Breakthrough of the Year, Female: Juliette Binoche + Best Drama of the Year + Best French Movie of the Year  




5. Falling Down - Joel Schumacher + Best Los Angeles Movie of the Year + Best Societal Critique of the Year + Best Thriller of the Year 

 


 

6. The Piano - Jane Campion + Best $ Return of the Year: 20 times the cost + Best Erotic Movie of the Year + Best New Zealand Movie of the Year + Best On-screen Couple of the Year: Holly Hunter & Harvey Keitel + Best Romance of the Year



7. Groundhog Day - Harold Ramis + Best Comedy of the Year + Most Deserved Hit of the Year + Best Pennsylvania Movie of the Year

 


 

8. Philadelphia - Jonathan Demme + Best Courtroom Movie of the Year + Best Ensemble of the Year: Tom Hanks, Denzel Washington, Antonio Banderas, Charles Napier, Jason Robards, Roger Corman, Mary Steenburgen + Best Huge Hit Movie of the Year + Best Philadelphia Movie of the Year + Best True-Story Movie of the Year 

 


9. Carlito's Way - Brian De Palma + Best Adaptation of the Year + Best Gangster Movie of the Year + Best New York Movie of the Year + Most Undeserved Flop of the Year  



10. Hot Shots! Part Deux - Jim Abrahams + Best Big Hit Movie of the Year + Best Spoof of the Year

 

Other great titles of the year (in alphabetical order):

 


 

Amos & Andrew - E. Max Frye + Best Huge Flop of the Year + Best Satire of the Year

 


Dazed and Confused - Richard Linklater + Best Texas Movie of the Year



The Scent of Green Papaya/Mùi đu đủ Xanh/L'Odeur de la Papaye Verte - Tran Anh Hung + Best Vietnamese Movie of the Year

 

Recommendable, good titles of the year (in alphabetical order):



Attack of the 50 Ft. Woman, TV movie - Christopher Guest + Best Arizona Movie of the Year + Most Under-appreciated Title of the Year



Demolition Man - Marco Brambilla + Best Action Movie of the Year 

 


Stolen Spring/Det Forsømte Forår - Peter Schrøder + Best Copenhagen Movie of the Year + Best Danish Movie of the Year + Best Youth Movie of the Year


The Bottom 5 of the Year



1. Body Snatchers - Abel Ferrera

 


 

2. Heaven & Earth - Oliver Stone + Most Expensive Flop of the Year: 28.6 mil. $ range + Worst $ Return of the Year: 0.33 times the cost 



3. The Firm - Sydney Pollack

 

 

4. The Fugitive - Andrew Davis + Most Overrated Movie of the Year


 

5. The Age of Innocence - Martin Scorsese + Most Deserved Flop of the Year 


[21 titles in total]

 

Notes:

 

A slim first list of the best and worst of 1993 includes 4 masterpieces and no grade zero slush.

The Top 10 opens with Chen Kaige's rare, beautiful historical drama, Farewell My Concubine. Chris Columbus' family dramedy favorite Mrs. Doubtfire takes silver, and David Angell, Peter Casey and David Lee's new sitcom masterpiece Frasier bronze. The list goes on with Krzysztof Kieslowski's grief drama masterpiece Blue, Joel Schumacher's modern angry man thriller Falling Down, Jane Campion's Maori period romance The Piano, Harold Ramis' high concept comedy masterpiece Groundhog Day, Jonathan Demme's stirring AIDS drama Philadelphia, Brian De Palma's thrilling gangster drama Carlito's Way; and with Jim Abrahams' spoof laugh-fest Hot Shots! Part Deux rounding off the list.

On the Bottom 5 list of the year, master filmmaker Abel Ferrera's Body Snatchers, an uncalled for and un-spectacular update of the sci-fi classic takes gold. Oliver Stone's dubious Vietnam prostitute drama Heaven & Earth gets silver, and Sydney Pollack's groan-worthy, epic-lengthed thriller The Firm bronze. Andrew Davis' massive hit actioner The Fugitive follows, and master filmmaker Martin Scorsese's marriage-inspecting period romance The Age of Innocence rounds off the list.

The year held spectacular hits for Robin Williams and Sally Field (Mrs. Doubtfire), Harrison Ford (The Fugitive), Tom Cruise (The Firm), Tom Hanks & Denzel Washington (Philadelphia), Charlie Sheen (Hot Shots! Part Deux), Jane Campion (The Piano) and Bill Murray (Groundhog Day).

The embarrassing flops of the year cling to Oliver Stone (Heaven & Earth), Nicolas Cage and Samuel L. Jackson (Amos & Andrew) and Martin Scorsese (The Age of Innocence).

Future updates will expand the number of titles on the lists.


Biggest flops of the year:

[The loss is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]
 
 


1. Heaven & Earth - 28.6 mil. $ range

2. The Age of Innocence - 14.04 mil. $ range

3. Amos & Andrew - 11.4 mil. $ range

4. Body Snatchers - 11.04 mil. $ range

5. Carlito's Way - 4.48 mil. $ range

6. Demolition Man - 4.36 mil. $ range

= Combined losses: 73.92 mil. $

 

Biggest hits of the year:

[The gain is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]

 

1. Mrs. Doubtfire - 151.48 mil. $ range

2. The Fugitive - 103.52 mil. $ range

3. The Firm - 66.08 mil. $ range

4. Philadelphia - 56.64 mil. $ range

5. The Piano - 49 mil. $ range

6. Hot Shots! Part Deux - 28.48 mil. $ range

7. Groundhog Day - 27.4 mil. $ range

8. Falling Down - 7.72 mil. $ range

= Combined profits: 490.32 mil. $ range

 

1993 titles currently on the watch-list:

 

Carnosaur, Hocus Pocus, M. Butterfly, The Man Without a Face, Body Melt, Fear of a Black Hat, The Good Son, Skinner, Lost in Yonkers, Skin Art, Red Rock West, Loaded Weapon 1

 

Previous annual lists: 

    
2022 in films - according to Film Excess 

2021 in films - according to Film Excess 

2020 in films - according to Film Excess 

2019 in films - according to Film Excess [UPDATED I] 

2019 in films - according to Film Excess 
2018 in films - according to Film Excess [UPDATED I]
2018 in films - according to Film Excess  
2017 in films - according to Film Excess [UPDATED I]
2017 in films - according to Film Excess
2016 in films - according to Film Excess [UPDATED II]
2016 in films - according to Film Excess [UPDATED I] 
2016 in films - according to Film Excess

2015 in films and TV-series - according to Film Excess [UPDATED IV] 
2015 in films and TV-series - according to Film Excess [UPDATED III]
2015 in films and TV-series - according to Film Excess [UPDATED II] 
2015 in films and TV-series - according to Film Excess [UPDATED I]
2015 in films and TV-series - according to Film Excess  

2014 in films and TV-series - according to Film Excess [UPDATED IV]
2014 in films and TV-series - according to Film Excess [UPDATED III]
2014 in films and TV-series - according to Film Excess [UPDATED II] 
2014 in films and TV-series - according to Film Excess [UPDATED I]
2014 in films - according to Film Excess

2013 in films and TV-series - according to Film Excess [UPDATED VI] 
2013 in films - according to Film Excess [UPDATED V]
2013 in films - according to Film Excess [UPDATED IV]
2013 in films - according to Film Excess [UPDATED III]
2013 in films - according to Film Excess [UPDATED II]
2013 in films - according to Film Excess [UPDATED I] 
2013 in films - according to Film Excess    

2012 in films and TV-series - according to Film Excess [UPDATED V] 
2012 in films and TV-series - according to Film Excess [UPDATED IV]
2012 in films and TV-series - according to Film Excess [UPDATED III]
2012 in films and TV-series - according to Film Excess [UPDATED II]
2012 in films - according to Film Excess [UPDATED I]
2012 in films - according to Film Excess
2011 in films and TV-series - according to Film Excess [UPDATED III]
2011 in films and TV-series - according to Film Excess [UPDATED II]
2011 in films and TV-series - according to Film Excess [UPDATED I]
2011 in films - according to Film Excess

2010 in films and TV-series - according to Film Excess [UPDATED III]
2010 in films and TV-series - according to Film Excess [UPDATED II]
2010 in films and TV-series - according to Film Excess [UPDATED I]
2010 in films and TV-series - according to Film Excess  

2009 in films and TV-series - according to Film Excess [UPDATED III]
2009 in films and TV-series - according to Film Excess [UPDATED II]
2009 in films and TV-series - according to Film Excess [UPDATED I]
2009 in films and TV-series - according to Film Excess   

2008 in films and TV-series - according to Film Excess [UPDATED II] 
2008 in films - according to Film Excess [UPDATED I]
2008 in films - according to Film Excess
2007 in films and TV-series - according to Film Excess [UPDATED II]
2007 in films - according to Film Excess [UPDATED I]
2007 in films - according to Film Excess

2006 in films and TV-series - according to Film Excess [UPDATED II] 
2006 in films and TV-series - according to Film Excess [UPDATED I]
2006 in films and TV-series - according to Film Excess   

2005 in films and TV-series - according to Film Excess [UPDATED I] 
2005 in films and TV-series - according to Film Excess  

2004 in films and TV-series - according to Film Excess [UPDATED I] 
2004 in films and TV-series - according to Film Excess

2003 in films and TV-series - according to Film Excess [UPDATED II] 

2003 in films and TV-series - according to Film Excess [UPDATED I] 
2003 in films and TV-series - according to Film Excess 

2002 in films and TV-series - according to Film Excess 

2001 in films and TV-series - according to Film Excess 

2000 in films and TV-series - according to Film Excess

1999 in films and TV-series - according to Film Excess  

1998 in films and TV-series - according to Film Excess 

1997 in films and TV-series - according to Film Excess 

1996 in films and TV-series - according to Film Excess 

1995 in films and TV-series - according to Film Excess
1994 in films and TV-series - according to Film Excess 
 
What do you think of Film Excess' 1993 lists?
What films would comprise your personal lists? 
Anything essential missing on the watch-list in your opinion?

Eagerly anticipating this week ... (14-24)

Eagerly anticipating this week ... (14-24)
Ali Abassi's The Apprentice (2024)