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5/07/2024

Indiana Jones and the Temple of Doom (1984) - The ultimate thrill ride for a child (and many adults too!)

 

Vivid characters and dramatic situations in wild colors adorn this spectacular poster for Steven Spielberg's Indiana Jones and the Temple of Doom


Years prior to the events in Raiders of the lost Ark (1981), archeologist/explorer Indiana Jones is escaping a volatile situation in Shanghai, as he finds himself, along with two companions, recruited to help an impoverished Indian village whose children have been stolen ...

 

Indiana Jones and the Temple of Doom is written by Willard Huyck and Gloria Katz (American Graffiti (1973), both), with George Lucas (Star Wars: Episode V - The Empire Strikes Back (1980)) contributing story elements, - and directed by Ohioan master filmmaker Steven Spielberg (The Sugarland Express (1974)), whose 7th feature it is. It is the second film in the Indiana Jones franchise and a prequel to the first film.

My personal favorite in the beloved series, although widely discarded as "too dark" and "less comedic", I say that Temple of Doom is the ultimate adventure movie: A maddeningly paced spectacle that feels like one long delicious chase. It is stuffed with evil Chinese and Indians, mystical elements, horror, action and wonderful performances: Harrison Ford (The Fugitive (1993)) is tremendous as the exemplary man hero; Kate Capshaw (Love Affair (1994)) is terrific as the nightclub singer tag-along who is not well equipped for India; but it is Ke Huy Quan (Encino Man (1992)) who takes the cake and enriches the film most profoundly throughout as the fresh-faced mirth-maker 'Short Round'. 

Spiced with unforgettable set pieces such as the mine scene, the dinner scene, - but perhaps most unforgettable, the bug scene, which stands tall as among the grossest scenes in cinema history. Indiana Jones and the Temple of Doom also has a hugely fulfilling ending. It is a complete masterpiece.

 

Related posts:

Indiana Jones franchise: Raiders of the Lost Ark (1981) - Spielberg reasserts himself with tremendous boyish adventure
Steven SpielbergThe Fabelmans (2022) or, My Wonderful Upbringing

2017 in films - according to Film Excess [UPDATED I]
The Post (2017) - Spielberg returns to mastery with a thrilling salute to the virtues of real, critical, brave journalism
2012 in films and TV-series - according to Film Excess [UPDATED V]

Lincoln (2012) - Spielberg's inspiring presidential portrait stands tall 
War Horse (2011) - Spielberg visits WWI with problematic horse drama  

The Adventures of Tintin/The Adventures of Tintin: The Secret of the Unicorn (2011) - Affinities for Tintin, earlier Spielberg and film will decide your experience of this 3D mo-cap adventure
Super 8 (2011) - Abrams' nostalgic family crowdpleaser (producer)

The 2000s in films and TV-series - according to Film Excess 

2005 in films and TV-series - according to Film Excess [UPDATED I] 

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Munich (2005) - Spielberg wrings a brilliant spy thriller from fraught real-life massacre and its aftermath

Top 10: Best HBO titles 

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Band of Brothers - TV mini-series (2001) - WWII-sacrifice and -comradeship portrayed with skill and integrity (producer) 

Top 10: Best future-set movies 
A.I. Artificial Intelligence (2001) - A robot fairy tale with both heart and mind
Amistad (1997) or, Must... Free... Slaves! 

Hook (1991) - Arr, Spielbergian folly 
Empire of the Sun (1987) - Spielberg's grand production of boy-in-China-during-WWII is a misfire

The Goonies (1985) - Sweet child performances drive Donner's beloved, uneven adventure (story) 
Twilight Zone The Movie (1983) - Fear takes many forms in tragedy-struck anthology

Top 10: Best family movies reviewed by Film Excess to date 
E.T. the Extra-Terrestrial (1982) - Spielberg's greatest accomplishment
1941 (1979) - Spielberg's bizarre 'comedy spectacular' sinks like a rock  

Top 10: Best car chases in movies reviewed by Film Excess to date
Duel (1971) - Spielberg's truck terror is ideal afternoon fare
 

 




 

Watch a trailer for the film here

 

Cost: 28.17 mil. $

Box office: 333.1 mil. $

= Blockbuster (returned 11.82 times its cost)

[Indiana Jones and the Temple of Doom premiered 8 May (California) and runs 118 minutes. Ford was reportedly paid 4.5 mil. $ for his performance, mysteriously less than the 5.9 mil. $ he reportedly commanded for the first film. Shooting took place from April - September 1983, with reshoots in January 1984, in England, California, Arizona, Washington, Florida, Sri Lanka and China. The film opened #1 to a 25.3 mil. $ first weekend in North America, where it spent another 5 weeks in the top 5 (#2-#3-#3-#3-#5), grossing 179.8 mil. $ (54 % of the total gross). It was the highest-grossing film of the year globally and the 3rd highest-grossing in North America, behind Beverly Hills Cop and Ghostbusters, where it sold 53.5 mil. tickets. Due to critique of the film's PG-rating and at the insistence of Spielberg, also influenced by the release two weeks later of the Spielberg executive-produced Gremlins (1984), the MPAA created the PG-13 rating for similarly intense, violent fare appropriate for older children. The film was nominated for 2 Oscars, winning for Best Visual Effects. It lost Best Score (John Williams) to Maurice Jarre for A Passage to India. It also won 1/4 BAFTA nominations, among other honors. Roger Ebert gave the film a 4/4 star review, equal in rating to this one. Spielberg later distanced himself from the film, whereas Lucas and Ford have spoken lovingly about it. Indiana Jones returned in Indiana Jones and the Last Crusade (1989) with returning star and filmmakers. Spielberg first returned with Strokes of Genius (1984, miniseries, segments), Amazing Stories (1985, TV-series) and theatrically with The Color Purple (1985). Ford returned in Witness (1985). Indiana Jones and the Temple of Doom is certified fresh at 77 % with a 7.40/10 critical average at Rotten Tomatoes.]

 

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