Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label Michael Lerner. Show all posts
Showing posts with label Michael Lerner. Show all posts

4/18/2022

Harlem Nights (1989) - Murphy in over his head as writer/director/co-star

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The two stars in contrasting suits are "up to something big" on this stylish poster for Eddie Murphy's Harlem Nights

A guy, who as a boy becomes a murderer for gambling nightclub owner Ray, as an adult works as his right-hand man, as a white man moves in to try to take their 'cake' away from them.

 

Harlem Nights is written and directed by debuting Eddie Murphy (Beverly Hills Cop II (1987, story)), who also co-stars as said right-hand man.

Harlem Nights is dead on arrival, an incredible bore and very long to sit through. The tone and genre is hard to define, - the public at the time would also likely have been confused by the poster above, which seems to recall such fare as George Roy Hill's masterpiece The Sting (1973) instead of anything resembling the comedies hitherto connected to Murphy's 1980s super-star status. In any case Harlem Nights is neither funny, touching nor exciting. Not Murphy, not Richard Pryor (Wild in the Streets (1968)), not Danny Aiello (Wilbur Falls (1998)) - nor any of the other stars in it raise matters.

Furthermore the language is extremely filthy and there are plenty of noisy but uninteresting shooting scenes. Just about the only quality to attribute Harlem Nights is the colorful visuals and the exterior street scenes, which have some nice visual texture to them.

 

Related posts:

 

Eddie Murphy: Tower Heist (2011) - Ratner's so-so financial crisis comedy (co-star) 

Shrek the Third (2007) - Declined quality but still loads of fun to be had with third Shrek (voice co-star)

Dreamgirls (2006) - Rousing star turns in unreal and sentimental musical (co-star)

Shrek 2 (2004) - Fun and adventure reign supreme in tremendous family animation romp (voice co-star)

Nutty Professor II: The Klumps (2000) - Murphy brings down the house (star)

Bowfinger (1999) or, Making Chubby Rain (co-star) 

Mulan (1998) - Another fine Disney animation (voice co-star)

Another 48 Hrs. (1990) - More of the same from your buddies Hill, Murphy & Nolte (co-writer/co-star) 

Coming to America (1988) - Landis and Murphy's second, amusing but less well-constructed collaboration (star/story) 

The Golden Child (1986) - Get silly with this! (star)

48 Hrs. (1982) or, Reluctant Partners! (co-star)

 



Watch a TV spot for the film here

 

Cost: 30 mil. $

Box office: 95 mil. $

= Box office success (returned 3.16 times its cost)

[Harlem Nights was released 17 November (USA) and runs 116 minutes. Shooting took place from April - July in California, including in Los Angeles. The film opened #1 to a 16 mil. $ first weekend in North America, where it spent another 2 weekends (#2-#3) in the top 5 and grossed 60.8 mil. $ (64 % of the total gross). It was nominated for the Best Costumes Oscar, lost to Henry V. Roger Ebert gave the film a 2/4 star review, translating to a notch over this one. Murphy said about the experience in 1990: "It wasn’t a pleasurable experience. I just wanted to direct—just to see if I can do it. And I found out that I can’t, and I won’t do it anymore. And the biggest thing is I didn’t enjoy doing it. The problem with Harlem Nights wasn’t the directing as much as it was the writing of it. It was just written fucked up, and that’s because I threw it together real quick. And then it was disappointing because Richard wasn’t the way I thought Richard was gonna be. I thought it would be like a collaborative thing where I would get to work with my idol, and then it would be like, “This is great.” But Richard would come to the set, say his line and leave, it wasn't like a collaborative thing." Pryor talked highly of Murphy around the time of the film's release but later in his autobiography stated: "People talked about how my work had influenced Eddie, and perhaps it did. But I always thought Eddie's comedy was mean. I used to say, "Eddie, be a little nice" and that would piss him off. I finished Harlem Nights thinking that Eddie didn't like me." Murphy never directed again but returned as a star in Another 48 Hrs. (1990). Pryor returned in Another You (1991). Harlem Nights is rotten at 23 % with a 3.90/10 critical average at Rotten Tomatoes.]

 

What do you think of Harlem Nights?

3/26/2017

Elf (2003) - Favreau and Ferrell supply belly laughs and Christmas magic

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+ Best Christmas Movie of the Year + Best Huge Hit of the Year 


Will Ferrell is strapped for hijinks inside a Christmas ball on this poster for Jon Favreau's Elf


Buddy is a human who is raised in the elf world, who now discovers his different origin and decides to travel to New York to find his father. - But life is hard in the big city for an elf!

Will Ferrell (Semi-Pro (2008)) lights up every scene like a Christmas lantern in the title role here in this wonderful family comedy. Elf flies high on his spirited performance, the strange and creatively accomplished elf world on the North Pole, and a great sense of absurd comedy coupled with genuinely sweet moments.
Ferrell receives enthusiastic backup from Zooey Deschanel (Our Idiot Brother (2011)), Michael Lerner (The Mod Squad (1999)), Peter Dinklage (Human Nature (2001)), James Caan (Viva Las Nowhere (2001)) and Mary Steenburgen (I Am Sam (2001)) in supporting parts.
Elf is written by David Berenbaum (The Haunted Mansion (2003)) and directed by great New-Yorker director Jon Favreau (The Jungle Book (2016)). It is handsomely produced, funny, thrilling and has Christmas magic in spades. It is a favorite with just about everyone.

Related posts:

Jon Favreau: 2016 in films - according to Film Excess

The Jungle Book (2016) - Favreau's great, widest appealing movie to date
2010 in films and TV-series - according to Film Excess [UPDATED I]
2010 in films and TV-series - according to Film Excess   

Iron Man 2 (2010) - Favreau and Theroux's boisterous, entertaining sequel

2003 in films and TV-series - according to Film Excess [UPDATED II] 

2003 in films and TV-series - according to Film Excess [UPDATED I]

 





Watch a trailer for the movie here

Cost: 33 mil. $
Box office: 220.4 mil. $
= Huge hit
[Elf premiered 9 October (Austin Film Festival) and runs 97 minutes. Jim Carrey was offered the role, but turned it down, and Terry Zwigoff was offered to direct but turned it down in preference for his Christmas movie, Bad Santa (2003). Shooting took place in Vancouver, Canada and in New York from December 2002 - March 2003. Buddy's (Ferrell) singing in Gimbel's' Santa-land wasn't scripted; Ferrell reportedly made it up on the spot. The film opened #2, behind The Matrix Revolutions, to a 31.1 mil. $ opening weekend in North America, where it rose to #1 in its second week (a substantially quieter week at the box office) and spent a total of 6 weeks in the top 5, grossing 173.3 mil. $ (78.6 % of the total gross). The 2nd and 3rd biggest markets were the UK with 28 mil. $ (12.7 %) and Australia with 6.1 mil. $ (2.8 %). Roger Ebert gave the film 3/4 stars, equal to a notch harder than this review. It has since its release been listed as one of the best Christmas films of all time by several respected publications. The film has spun a 2010 Broadway musical and a 2014 NBC special, with Jim Parsons playing Buddy. Elf is certified fresh at 84 % with a 7 critical average at Rotten Tomatoes.]

What do you think of Elf?

2/13/2015

Celebrity (1998) or, Stars in New York

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One simple poster for Woody Allen's Celebrity


QUICK REVIEW:

A travel journalist in New York leaves his wife through many years to explore. He subsequently looses his script for a novel and meets with different perplexing developments in his life. Meanwhile, his ex-wife changes her line of business quite happily.

It is certain that Celebrity is not among its master filmmaker Woody Allen's (Broadway Danny Rose (1984)) best films, but it isn't among his worst either. It has enough qualities to still be termed a good film in my opinion. But first the detracting elements:
Despite its master cinematographer Sven Nykvist (Persona (1966)), whose 4th and last collaboration with Allen this was, the visual side of Celebrity, which is shot in B/W, isn't completely satisfying, (among other things it has one truly horrible zoom.) The plot is a little scattershot, and the ceaseless parade of celebrities (Donald Trump, for instance) gives the film a smack of New York-centered show-off from Allen's then well-earned place as the city's King Kong of cinema.
But the lines and scenes of his script are again damned well-written, and Judy Davis (Barton Fink (1991)), Kenneth Branagh (Hamlet (1996)), Leonardo DiCaprio (Titanic (1997)) and Charlize Theron (In the Valley of Elah (2007)) are all excellent. Celebrity is a romantic dramedy that takes a fine look at celebrity, love and life, with some welcome humor.

Related reviews:

Woody Allen:  2014 in films - according to Film Excess
Magic in the Moonlight (2014) - Allen's irresistible French Riviera romance
2013 in films - according to Film Excess [UPDATED I] 
Fading Gigolo (2013) - Turturro's pleasant turn as a high-end NY prostitute  (as actor)
Blue Jasmine (2013) - Allen presents Blanchett, a woman under the influence
To Rome with Love (2012) - Woody Allen's slightest film to date   
Cassandra's Dream (2007) - Allen's well-laid but inconsequentiel English cul-de-sac  
Anything Else (2003) - Perfect contemporary relationship comedy  

The Curse of the Jade Scorpion (2001) - Allen's hypnotic, noirish shenanigans 

1998 in films and TV-series - according to Film Excess  

Broadyway Danny Rose (1984) or, Keep Your Heart   
Annie Hall (1977) or, My Relationship with Alvie Singer   
Bananas (1971) - Woody Allen's South American misadventure is still a barrel of laughs   
Casino Royale (1967) - The packed spy spoof frontrunner, a film very much of its time (as actor)






Instead of a trailer for the film, which was only available in French, here is Allen, talking about his personal experience of celebrity

Cost: 12 mil. $
Box office: 5 mil. $ (US only)
= Big flop
[Celebrity didn't spin gold internationally, either. Audiences weren't, like critics, wooed much by the look of Allen's film, (B/W might also have kept many from it), and the theme of celebrity is one that he has arguably tackled better before as in Stardust Memories (1980). Celebrity was, however, a minor hit once it arrived in Spain (for some reason) five years (!) after the US release, where it made 2.5 mil. € in 2005.]

What do you think of Celebrity?

11/25/2013

Barton Fink (1991) or, The Writer's Hell

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A mosquito is magnified against co-star John Turturro's forehead on this sepia-toned poster for Ethan and Joel Coen's Barton Fink

An impassioned New York playwright travels to the very commercially minded Hollywood in 1941, where he is employed to write a film that he can't seem to crack open. While things around him grow gradually worse, so does his writer's block.

 
Barton Fink is written by Minnesotan master filmmakers, co-writer/producer/co-editor Ethan Coen and his brother, co-writer/director/co-editor Joel Coen (Blood Simple (1984), both). It is the brothers' 4th feature.

I have warmed to Barton Fink, since first seeing it, and find that it grows on me. While first finding it a bit too smart for its own good, and disliking the ending for some reason, I have since found that I like it very much. It is unconventional and ambiguous and makes you think about stuff, - and that's a good thing.
The title character is played by the great John Turturro (The Big Lebowski (1998)) in perhaps his career's best part. He plays the moody intellectual with great resourcefulness, and particularly his dance scenes are memorable and fun. The film also has a wealth of great supporting performances: John Goodman (Storytelling (2001)) as Fink's likeable but insane murderer neighbor in the hellish Hotel Earle. Their scenes together are some of the best in the film. Tony Shalhoub (Monk (2002-2009)) is larger-than-life as a Hollywood producer, and Michael Lerner (Amos & Andrew (1993)) is even more hysterical as the slave-owner-like studio boss.

The photography (by Roger Deakins (Revolutionary Road (2008))) is entirely lovely, and  the film is also heightened by atmospheric, great sets by Dennis Gassner and Nancy Haigh (Road to Perdition (2002)). Barton Fink is filled with meanings, some symbolism and many great scenes. A very entertaining film.

Related posts:

Ethan and Joel Coen: Hail, Caesar! (2016) - The Coen brothers serve a whimsical, flashy letdown
Unbroken (2014) - Despite good elements, Jolie's Grand WWII Biopic is mostly distant and weak (co-writers)

2013 in films and TV-series - according to Film Excess [UPDATED VI] 

2013 in films - according to Film Excess [UPDATED V] 
2013 in films - according to Film Excess [UPDATED IV]
2013 in films - according to Film Excess [UPDATED III]
2013 in films - according to Film Excess [UPDATED II]
2013 in films - according to Film Excess [UPDATED I]
Inside Llewyn Davis (2013) or, The Man Who Wasn't Dylan  
True Grit (2010) - The Coens' grand western present

Top 10: Best dramedies reviewed by Film Excess to date 

2009 in films and TV-series - according to Film Excess [UPDATED IV] 

2009 in films and TV-series - according to Film Excess [UPDATED III] 

2009 in films and TV-series - according to Film Excess [UPDATED II] 
2009 in films and TV-series - according to Film Excess [UPDATED I] 
2009 in films and TV-series - according to Film Excess
A Serious Man (2009) - One of the Coens' best; a philo-religious serio-comedy
Burn After Reading (2008) or, Idiocy 2008

No Country for Old Men (2007) - Undigestible McCarthy adaptation lets you hang in midair 

Paris, Je t'Aime (2006) - Short film anthology playground set in Paris (segment)

O Brother, Where Art Thou? (2000) - Much to love in fabulous Coen music yarn 
Top 10: Best comedies reviewed by Film Excess to date
Top 10: The best big hit movies reviewed by Film Excess to date 
The Big Lebowski (1998) - The stoner comedy to reign over all

1996 in films and TV-series - according to Film Excess 

Top 10: Best crime movies reviewed by Film Excess to date 

Fargo (1996) - The Coen brothers make movie magic with dark-humored crime thriller 

1994 in films and TV-series - according to Film Excess 

The Hudsucker Proxy (1994) - The Coen's satirical firecracker mega-flop 

Top 10: Best Hollywood-set movies 

Top 10: Best films about filmmaking 

 



Watch a trailer for the film here

 

Cost: 9 mil. $
Box office: In excess of 11.64 mil. $
= Uncertain but likely a big flop (projected return of 1.66 times its cost)

[Barton Fink premiered 18 May (Cannes Film Festival, main competition) and runs 116 minutes. It was written during a 3-week hiatus from the difficult work of writing the script for the Coens' preceding film Miller's Crossing (1990). Shooting took place from June 1990 - ? in California, including in Los Angeles. The film opened #18 to a 268k $ first weekend in North America, where it peaked at #13 and grossed 6.1 mil. $. The international gross numbers have regrettably not been released. However, online sources list that the film made 821k £ in the UK (approximately 1.4 mil. $), and that it sold 720k tickets in France and Germany (double as many in the former), coming to approximately 3 mil. $. It sold 210k tickets in Spain, approximately 863k $. It sold 34k tickets in Denmark, coming to approximately 287k $. With the remaining markets added, the total gross should be at least 15 mil. $, which would nevertheless still result in a big flop categorization. The film was nominated for 3 Oscars: It lost Best Supporting Actor (Lerner) to Jack Palance for City Slickers, Art Direction/Set Decoration to Bugsy and Costume Design to Bugsy as well. It won the Palme d'Or, Best Director and Actor prizes at Cannes in a rare feat, a David di Donatello award and was nominated for a Golden Globe, among other honors. Roger Ebert gave the film a 3.5/4 star review, equal in rating to this one. The Coens returned with The Hudsucker Proxy (1994). Turturro returned in Brain Donors (1992); Goodman in Little Richard: Good Golly Miss Molly (1991, music video) and theatrically in Babe (1992). Barton Fink is certified fresh at 89 % with a 7.90/10 critical average at Rotten Tomatoes.]

 

What do you think of Barton Fink?

10/13/2013

Amos & Andrew (1993) - Frye's under-appreciated comedy dares laugh at America's race problems

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+ Best Huge Flop of the Year + Best Satire of the Year


Stars Nicolas Cage and Samuel L. Jackson look cheeky on this advanced poster for E. Max Frye's Amos & Andrew, in which Cage's hands moves through frames to steal Jackson's wrist watch

When a neighboring couple in a white, New England summerhouse area see black Andrew Sterling in the house next door, they react preemptively, and a kidnapping story develops, which reveals ingrained racism, hypocrisy and incompetence on a large scale.

 
Nicolas Cage (Leaving Las Vegas (1995)) plays the small time crook Amos, who gets mixed up in the affair to save the police chief's behind. His pairing with Samuel L. Jackson (Spiral (2021) works outstandingly, and the two are backed by enjoyable supporting actors like Brad Dourif (One Flew Over the Cuckoo's Nest (1975)) and Michael Lerner (Barton Fink (1991)) in this alternate crime comedy and race-themed farce.
Writer and director E. Max Frye's (Something Wild (1986), writer) script is smart and full of sharp dialog. The film's ending is no eye-popper, but the film is really entertaining, funny and precise, and it seems to stem from a different, less pretentious, yet ambitious time in American movie-making.

Related posts:

 

E. Max Frye: Foxcatcher (2014) - Fine performances in Miller's strange true-crime sports drama (co-writer)

1993 in films and TV-series - according to Film Excess

 



Watch a short TV spot for the film here


Cost: 17 mil. $
Box office: In excess of 9.7 mil. $ (North America only)
= Uncertain but likely a huge flop (projected return of 0.82 times its cost)

[Amos & Andrew was released 5 March (North America) and runs 96 minutes. The title is a riff on the classic American radio sitcom show Amos 'n' Andy (1928-60). Shooting took place from April - June 1992 in Massachusetts and North Carolina. The film opened #6 to a 3.6 mil. $ first weekend in North America, where it grossed 9.7 mil. $. The film only has listed releases in 5 other markets besides North America and given its very American themes was likely not a big seller abroad. Consequently I project a (very possibly too high) 14 mil. $ world gross as likely for the film, making it a huge flop. Roger Ebert gave the film a 2.5/4 star review, translating to 2 notches under this one. Frye never returned to directing, but his next credit as a screenwriter was Palmetto (1998). Jackson returned in Menace II Society (1993); Cage in Red Rock West (1993). Amos & Andrew is rotten at 17 % with a 4.00/10 critical average at Rotten Tomatoes.]

 

What do you think of Amos & Andrew?

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)