Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label Kris Kristofferson. Show all posts
Showing posts with label Kris Kristofferson. Show all posts

2/10/2022

Heaven's Gate (1980) - Much to admire in Cimino's incredible western epic disaster

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An incredibly dramatic sky and the three central stars set against a frayed Stars and Stripes make up most of this impressive poster for Michael Cimino's Heaven's Gate

Two men fight over the same woman and a bloody plan to murder 125 immigrants in Wyoming's Johnson County in the 1890s.

 

Heaven's Gate is written and directed by great New-Yorker filmmaker Michael Cimino (Thunderbolt and Lightfoot (1974)).

Kris Kristofferson (Blade (1998)), Christopher Walken (Kiss Toledo Goodbye (1999)) and Isabelle Huppert (White Material (2009)) are the three actors who form the center of this possibly the - financially speaking - most spectacular flop in cinema history. Heaven's Gate is full of lavish and incredible images (cinematography by Vilmos Zsigmond (Deliverance (1972))) and a production width and beauty of rare fabric. The problem is more with the narrative and the grotesquely prolonged, detached, abstract structure of it all, and with dialog scenes in which the dialog is nearly unaudible. 

 

Related post:

 

Michael Cimino: The Deer Hunter (1978) - Cimino's great, colossal Vietnam epic

 










Watch a trailer for the film here

 

Cost: 44 mil. $

Box office: 3.4 mil. $ (North America only)

= Box office disaster (returned around 0.11 times its cost)

[Heaven's Gate premiered 18 November (New York) and runs 219 minutes. Though the plot has historical basis, several things are invented and changed for the film. Cimino had submitted the original Heaven's Gate script in 1971 but failed to find support for it until after the runaway success of Deer Hunter (1978). He was given an 11.6 mil. $ budget and carte blanche. Shooting took place from April 1979 - April 1980 in England, Montana, Idaho, Massachusetts and Rhode Island. At the 6th day of shooting, legend says, the shoot had already fallen 5 days behind on the schedule. An entire street was built and then taken down to be re-assembled, because Cimino thought it should be 6 feet wider. An irrigation system was devised and placed underground for a central battle scene so that the grass would be freshly green and contrast, as intended, with the red blood. Cimino demanded up to 50 takes of the same scene. John Hurt waited around so long on the shoot that he was able to fly away and star in The Elephant Man (1980) and come back to continue work on Heaven's Gate. Though United Artists considered firing Cimino many times, they ultimately never set the foot down. Nearly 220 hours of footage was shot, a new record. Cimino's first cut ran five hours and 25 minutes, 15 minutes longer than the final cut should, Cimino informed the baffled executives. Unsurprisingly, the studio executives refused to release the film at that length, and Cimino cut it down to 3 hours 39 minutes. This version was shortly released but then pulled back. Months later UA released a 149 minute cut, which played for a few weeks, before it was also pulled. It made 3.4 mil. $ in North America. Regrettably the gross numbers from foreign markets are not public, but the 0.11 time return above figures on a 5 mil. $ projected final world gross, - which is likely set too high. The film was nominated for the Best Set Decoration/Art Direction Oscar, lost to Indiana Jones and the Raiders of the Lost Ark. It was shown in competition in Cannes. Roger Ebert gave the film a 1.5/4 star review, translating to 2 notched under this one. The film's flop was deciding in United Artists getting bought up by MGM and thereby losing autonomy and their status as a successful independent studio. It was also instrumental in the Hollywood power change away from young New Hollywood directors such as Cimino, Steven Spielberg, Martin Scorsese, Francis Ford Coppola and others, and back to tighter controlled studio pictures and high concept 'package' arrangements. Finally the controversy concerning animal cruelty on the production of Heaven's Gate, - involving horses, cows and chicken killed for scenes, - gained the American Humane Society the momentum to become standard monitors of animal safety on all major American productions. Cimino in his own words was after Heaven's Gate never again able to make the films he wanted to make, - but he did continue making films. Though critically smashed at the time, the film has grown in esteem since and was hailed as a masterpiece at a 2012 Venice Film Festival restoration screening, much to Cimino's delight. Cimino returned with Year of the Dragon (1985). Kristofferson returned in Rollover (1981). Heaven's Gate is rotten at 59 % with a 6.70/10 critical average at Rotten Tomatoes.]


What do you think of Heaven's Gate?

6/14/2015

Dolphin Tale (2011) - A potentially great story wobbles in poor production

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Some celebrities, a couple of kids and a dolphin float around in the water on the poster for Charles Martin Smith's Dolphin Tale

Dolphin Tale is the 9th film from Californian director Charles Martin Smith (Air Bud (1997)). It is a family film based on a true story.

In Florida, a boy without a father finds a dolphin on a beach, entangled in a crab case, and helps to rescue it to a marine facility, where the creature and its rehabilitation becomes his main priority.

There's a very fine story at play in Dolphin Tale. A humanistic story of not giving up hope, of living with a disability and of the bond between an animal and a person.
Unfortunately, the writing of Dolphin Tale is all but imaginative, and although the film tackles serious issues, it still feels like it is wrapped in Styrofoam. - I get that the makers have decided that this should be child-friendly and uplifting, but it has gotten the best of them here, because Dolphin Tale, though based on a true story, doesn't feel very real. It feels like a polished Disney Channel-version of reality, where people always have nice hair and walk around in up key lighting and smile with their teeth at all times. (Disney didn't make Dolphin Tale though.) It is written by Karen Janszen (A Walk to Remember (2002)) and Noam Dromi (Road to Hollow (2013), TV-series). Smith's direction of Dolphin Tale is unsure and uninspired.
The boy (Nathan Gamble (The Mist (2007))) mostly acts well, but the girl opposite him (debuting Cozi Zuehlsdorff (Sofia the First (2013-15))) acts poorly and is annoyingly written. Some of this is, of course, Smith as the director's fault.
The adult members of the cast, Harry Connick Jr. (Hope Floats (1998)), Ashley Judd (Tooth Fairy (2010)), Kris Kristofferson (The Motel Life (2012)), Morgan Freeman (Lucky Number Slevin (2006)), Austin Stowell (Whiplash (2014)) and Frances Sternhagen (Misery (1990)), all pass the buck, but neither of them are memorable or get any real space to shine here.
The film's use of 3D is a cheap selling ploy more than anything else, and in light of the film's other deficiencies, bad taste.
SPOILER Dolphin Tale ends with a segment of clips from the real-life dolphin's story, which are moving, but they shouldn't erase the fact that the film before it was far from all it could have been.
The dolphin Winter is the real star of Dolphin Tale, and anyone who loves dolphins should at least take pleasure in the scenes with Winter and her remarkable story.

Related posts:
 

2011 in films and TV-series - according to Film Excess [UPDATED III] 
2011 in films and TV-series - according to Film Excess [UPDATED II]
2011 in films - according to Film Excess 


Watch the trailer for the movie here

Cost: 37 mil. $
Box office: 95.4 mil. $
= Even Steven
[Dolphin Tale opened #3 in the US, behind the re-release of The Lion King (1994) and Moneyball. In its second week, it climbed to #1 on an extremely fatigued movie weekend with just 13.9 mil. $. It ended up making 72.2 mil. $ in North America (76 % of the total gross). The film was generally well-reviewed in America, and Dolphin Tale 2 (2014) is also already a fact.]

What do you think of Dolphin Tale?
What other movies about dolphins have you seen?

11/18/2013

Blade: Trinity (2004) or, The Vampire Ass-Kicker 3

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Star Wesley Snipes looks bad-ass and is accompanied by two attractive younger stars on this poster for David S. Goyer's Blade: Trinity

'The Daywalker' is again necessary to protect humans, as Dracula and a mass of vampires go for the jugular, this time in a new alliance with two human vampire hunters.
 
Blade: Trinity is written, co-produced and directed by David S. Goyer (Zig Zag (2002)). It is the third and last in the Blade trilogy, based on the Marvel character. Goyer had written the two previous films from 1998 and 2002.
 
The budding Blade franchise dies with the third Blade-film, thus instead forming a trilogy, to some degree due to the limited directorial abilities of Goyer.
The atmosphere, coolness, wild special effects and music-related strengths of the first Blade in particular are gone completely in Trinity, where instead we get new characters that are better described as fighting underwear models, machine guns and a Dracula, who looks like is costumed to resemble, bizarrely, a butch drag queen:

Terrible costumes in Blade: Trinity - especially for Dominic Purcell's (Abandoned (2015)) 'Drag-ula' here

Hannibal King (Ryan Reynolds (Free Guy (2021))) and Abigail Whistler (Jessica Biel (Hitchcock (2012)) are the new, hunky vampire hunters. The former with an endless string of 'comedic' lines. Not once did they make me even smile. The shallow newcomers are mixed with a hodgepodge of comedic actors and a former wrestler as if to perfect the confusion.
The following story is paper-thin, and it is a sorry end to something that started off so well in 1998.
Parker Posey (Kicking and Screaming (1995)) is one of the only light points of Trinity in a hot vampire role. Below is a look at her 'subtle' acting in the flick.
 
Related posts:

 
 
 

 
 
 

Watch a short teaser for the film here

Cost: 65 mil. $
Box office: 131.9 mil. $
= Flop (returned 2.02 times its cost)
[Blade: Trinity premiered 7 December (Hollywood) and runs 113 minutes. Snipes was paid 13 mil. $ for his performance in the film. Shooting took place from September 2003 - January 2004 in Vancouver, British Columbia, Montreal, Quebec and in Toronto, Ontario. Before, during and after the production, problems were rife, especially stemming from Snipes being dissatisfied with co-stars, the director and other aspects of the film. Reports of racial slurs (from Snipes), unprofessional behavior, one instance of violence against Goyer and marijuana use during production were shared with the media. The film opened #2, behind fellow new release Ocean's Twelve, to a 16.1 mil. $ first weekend in North America, where it spent one more weekend in the top 5 (#5), grossing 52.4 mil. $ (39.7 % of the total gross. The 2nd and 3rd biggest markets were the UK with 12.9 mil. $(9.8 %) and Germany with 10.3 mil. $ (7.8 %). Roger Ebert gave the film a 1.5/4 star review, translating to a notch under this one. Snipes was later sued by his agency for failing to pay their commission of his salary. And he sued New Line Cinema for breach of contract and racism in a 5 mil. $ suit that was eventually settled out of court. Goyer later reflected; “I don’t think anyone involved in that film had a good experience on that film, certainly I didn’t. I don’t think anybody involved with that film is happy with the results. It was a very tortured production.” Marvel has regained the rights to the character and is working on a new movie starring Mahershala Ali as Blade. Goyer returned with Threshold (2005, TV-series), Snow Patrol: You're All I Have (2006, music video) and theatrically with The Invisible (2007). Snipes returned in 7 Seconds (2005, video), The Marksman (2005, video) and theatrically in Chaos (2005). Blade: Trinity is rotten at 24 % with a 4.40/10 critical average at Rotten Tomatoes.]
 
What do you think of Blade: Trinity?

11/16/2013

Blade II (2002) or, The Vampire Ass-Kicker 2

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+ Best Monster Movie of the Year


Intense-looking, black-dressed Wesley Snipes flashes his long sword on the poster for Guillermo del Toro's Blade II


The vampires have shifted around in their power structure, and a new, threatening virus is out. Half-human/half-vampire Blade aka 'the Daywalker' will have to go vampire-berserk once again to put things straight!

 

Blade II is written by David S. Goyer (Terminator: Dark Fate (2019)) and directed by great Mexican filmmaker Guillermo del Toro (Cronos (1992)). It is the 2nd film in the Blade trilogy, coming after Blade (1989) and before Blade: Trinity (2004), based on the Marvel Comics character.
Del Toro has made the sequel to Stephen Norrington's amazing first film very worth watching, - and yet it is far from the originality that made the first movie so special. Blade II is clearly a post-Matrix (1999) action film for better and for worse: Blade flies around now, and a good deal of innovative gore effects have been pushed out to make room for fight scenes. - A lot of fight scenes!
The visuals are less red and atmospheric, but there are still incredible sets; the sewers, the vampire castle and the house of pain. (Nice work by production designer Carol Spier (Eastern Promises (2007)).)

Wesley Snipes (Drop Zone (1994)) still slays vampires with a steely expression, but the new cast also includes a few welcome fresh faces: Ron Perlman (Drive (2011)) is a human, Nazi-reminiscent vampire-killer, and Thomas Kretschmann (The Pianist (2002)) is the new vampire lord.
But perhaps the most memorable thing about Blade II is its new virus-plagued vampire monsters. These 'reapers' look seriously scary. Talk about cleft palate issues! (See evidence below)
The eclectic hiphop/rock/electronica pumping score (by Marco Beltrami (Deep Water (2022))) makes no real impression besides being loud, and the characters have less particulars and flesh (no pun intended) to them than in Blade. Lastly, the ending of Blade II is annoyingly sentimental, something that is often the case in del Toro's films.

 

Related posts:

 

Other Blade trilogy entries: Blade: Trinity (2004) or, The Vampire Ass-Kicker 3

Blade (1998) or, The Vampire Ass-Kicker
Guillermo del Toro: Scary Stories to Tell in the Dark (2019) - Øvredal's ascent to big budget moviemaking gets by on weird horror sequences (co-writer)

The day after the day after ... the 2018 Oscars 

The Shape of Water (2017) - Toro's strange monster romance is mostly an amusing fantasy 
Pacific Rim (2013) or, The Monster Resistance
The Hobbit: An Unexpected Journey (2012) - Jackson's megalomania gives birth to the first third of an enormous fantasy whopper (co-writer) 
Don't Be Afraid of the Dark (2010) or, What Creeps in the Dark (co-writer) 
Julia's Eyes/Los Ojos de Julia (2010) - Decent Spanish horror with good craftsmanship, little else (co-producer) 

Pan's Labyrinth/El Laberinto del Fauno (2006) - Horrors of Franco era in Del Toro fantasy ride 

Hellboy (2004) - Del Toro's super-antihero is a tiring blast

2002 in films and TV-series - according to Film Excess [UPDATED I] 

2001 in films and TV-series - according to Film Excess 
Top 10: The best big flop movies reviewed by Film Excess to date
The Devil's Backbone/El Espinoza del Diablo (2001) - The excellent Gothic genre-mix that is Del Toro's best film so far

 

 

 







Watch a 5-minute clip from the film here


Cost: 54 mil. $
Box office: 155 mil. $
= Box office success (returned 2.87 times its cost)

[Blade II premiered 21 March (USA) and runs 117 minutes. Shooting took place from March - July 2001 in London, England, Toronto, Ontario and in Prague, Czech Republic. The film opened #1 to a 32.5 mil. $ first weekend in North America, where it spent another 2 weekends in the top 5 (#4-#5), grossing 82.3 mil. $ (53.1 % of the total gross). The 2nd and 3rd biggest markets were the UK with 13.1 mil. $ (8.5 %) and Germany with 10.3 mil. $ (6.6 %). Roger Ebert gave it a 3.5/4 star review, translating to 2 notches over this one. Blade returned in Blade: Trinity (2004). Del Toro returned with Hellboy (2004). Snipes returned in Undisputed (2002). Blade II is rotten at 57 % with a 6.00/10 critical average at Rotten Tomatoes.]

 

What do you think of Blade II?

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)