Escape from New York (1981) - Carpenter introduces Kurt Russell as action star in dystopic dream

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This terrific poster for John Carpenter's Escape from New York recalls the iconic images and posters for sci-fi classic Planet of the Apes (1968) of the beach-inundated Statue of Liberty

Snake Plissken is a prisoner for life in the near future of 1997, but he also possesses fantastic abilities that get him hired, when metropolis-turned-walled-in-prison Manhattan gets a new inhabitant, who wasn't supposed to crash-land there: The US President!

A seductive kind of dystopic air hangs over every part of the marvelous, character-driven Escape from New York, the 5th feature from New-Yorker master co-writer-director John Carpenter (The Thing (1982)), co-written with Nick Castle (Tap (1989), writer-director). It establishes its strong action-thriller concept well and remains compelling entertainment throughout.
Kurt Russell (Tango & Cash (1989)) is the very cool, chivalrous Plissken and is joined by a great cast that includes Lee Van Cleef (Lawman (1958-60)), Ernest Borgnine (Oliviero Rising (2007)), Isaac Hayes (Ninth Street (1999)), Harry Dean Stanton (Stars and Bars (1988)), Donald Pleasence (Eye of the Devil (1967)) and Adrienne Barbeau (The Fog (1980)). It is a film with lots of thrills and a dark beauty to it. It also has a great, electro-synth score, composed by Carpenter and Alan Howard (Boo (2005)), terrific costumes, visual effects and production design.

Related reviews:

John Carpenter: Cigarette Burns (2005, TV movie) - Carpenter burns out in weird, tiresome TV movie
Christine (1983) or, Bad Plymouth!
Top 10: The best action movies and TV-series reviewed by Film Excess to date
Assault on Precinct 13 (1976) - Solid action guerilla film-making

 

Watch the animated opening credits for the film here

 

Cost: 6 mil. $

Box office: 25.2 mil. $ (North America only)

= Huge hit

[Escape from New York was released 10 July and runs 99 minutes. Carpenter conceptualized the film based on Death Wish (1974), specifically its portrayal of New York City as a jungle-like crime center, and on the cynicism that resulted from the 1972-74 Watergate scandal that led to President Nixon's resignation. Big studios were not interested; Carpenter has said that they thought the script was too scary, weird and violent. A worn-down stand-in for a future New York was found in East St. Louis, Illinois, which was mainly rubble after a destructive 1976 fire, and St. Louis, Missouri, with additional shooting in California, Arizona and New York, where the mostly nightly shoot took place from August - November 1980. It involved the production buying a bridge for a dollar from the local government (for liability issues) and selling it back to them for a dollar again after shooting; shutting off electricity of up to ten blocks at night at a time, and the first night shoot on Liberty Island ever permitted. James Cameron (Titanic (1997)) worked as a photographer on the film and helped with the simulated computer-graphics rendition of NYC, which was accomplished with a miniature lined with reflective tape. The film became a summer hit in the US, where it was the year's 32nd highest-grossing film, and was also successful abroad, particularly in West Germany, where it reportedly grossed more than 10 mil. $ alone. The film led to a novelization, a video game, comic books and a less interesting sequel by Carpenter with Russell, Escape from LA (1996). A remake with Gerard Butler was proposed but didn't happen; it now seems a remake and possibly more than one film might be in the works at Fox. Escape from New York is certified fresh at 85 % with a 6.9 critical average at Rotten Tomatoes.]

What do you think of Escape from New York?

The Devil's Rain (1975) or, The Meltdown!

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It's not saying too much to remark that this incredibly colorful poster for Robert Fuest's The Devil's Rain promises more than the movie delivers

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A family's patriarch vanishes, and their son goes looking for him. This is somehow connected to a satanical church out in the desolate countryside, whose leader Corbis has lost a highly important book.

The Devil's Rain presents a hardly understandable story, which bounces out by having members of the satanic church melt to death at several occasions. SPOILER The title refers to the rain which melts them all, when their spooky soul-goblet gets smashed in the end.
The film is well photographed, by Álex Phillips Jr. (Bring Me the Head of Alfredo Garcia (1974)), and it has some scary sounds made as the purgatory lamentations of souls.
But its narrative drives in a kind of neutral gear for too long, and elements like Ernest Borgnine (The Wild Bunch (1969)) playing a goat make the experience more involuntarily funny than frightening. Another such grotesque element is that William Shatner (Big Bad Mama (1974)) has no eyes for most of the film... One hardly notices that John Travolta (Domestic Disturbance (2001)) makes his completely unimpressive debut here as one of the 'melters' - These and other things about Devil's Rain have nonetheless over time given it a notoriety to some as a film so strange it simply has to be seen.
The Devil's Rain is written by Gerald Hopman (Evilspeak (1981), associate producer), Gabe Essoe (The Adventures of Black Feather (1995)) and James Ashton, (whose only credit it is), and directed by Robert Fuest (The Abominable Dr. Phibes (1971)). Fuest, who had directed 6 features before this, went down with the ridiculed flop the film became and subsequently worked only on TV, except for the erotica Aphrodite (1982).

Watch a trailer for the film from a Danish video here

Cost: Unknown
Box office: Unknown
= Unknown
[The Devil's Rain was released June 20 and runs 86 minutes. The shoot was reportedly shortened from 8 to 6 weeks during production. Real-life satanist Anton LaVey was used as an adviser on the film and has a minor part in it. Borgnine reportedly swore never to be in another film with a satanic topic due to strange accidents during production. The film was panned upon release: Roger Ebert gave it just 1½ stars out of 4, which translates to a note harsher than this review. Australian critic Michael Adams has called The Devil's Rain 'the ultimate cult film', [because]: "It's about a cult, has a cult following, was devised with input from a cult leader, and saw a future superstar indoctrinated into a cult he'd help popularize." (Referring, of course, to Travolta, who is a prominent Scientology member.) The Devil's Rain is rotten at 20 % with a 3.9 critical average on Rotten Tomatoes.]

What do you think of The Devil's Rain?

The Dirty Dozen: Next Mission (1985) - McLaglen's shameless, redonkulous rip-off

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A dubious, pink-and-orange, Turkish DVD cover for Andrew V. McLaglen's The Dirty Dozen: Next Mission

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Lee Marvin (Gorky Park (1983)) must gather 12 new criminals later in 1944; this time to murder a Nazi general, who plans to assassinate Hitler...!!! (The idea is that the general would be such a powerful successor that it will be better to let Hitler continue his reign of misery to its end!)

Next Mission gets awarded its single ♥ here mainly because, as a TV movie, it doesn't have to live up to quite the same high standards that the silver screen demands.
Michael Kane (All the Right Moves (1983)) has scripted this preposterous, first sequel, 19 years after the great original, The Dirty Dozen (1967), in which Marvin and Ernest Borgnine (Barabbas (1961)) revisit their characters in a plot set just months after the first one! - Talk about trying to erase two decades of your life! - Talk about a midlife crisis! - Talk about living in the past, and forever young! - Talk about going downhill in a majorly embarrassing way!
The entire plot, right down to the black hero who dies in the end, is a cheap rip-off of the great original film. The fact that Marvin and Borgnine contributed to this predation is a sad fact.
It is directed by Andrew V. McLaglen (The Wild Geese (1978)), a veteran director of often dubious movies.

Related review:

Andrew V. McLaglen: Cahill U.S. Marshall/Cahill (1973) - John Wayne upholds the law in exciting late-career western

Watch a short TV trailer for the film here

Cost: Unknown
Box office: None - TV movie
= Uncertainty
[Even though Next Mission really sucks, two more Dirty Dozen TV sequels were devised, indicating that they were a good syndication business: The Dirty Dozen: The Deadly Mission (1988), with Telly Savales, Borgnine, Bo Svenson and others, and The Dirty Dozen: The Fatal Mission (1988), also with Savales and Borgnine. Dirty Dozen: The Series (1988-?), without any of the stars of the original, is also something that exists.]

What do you think of The Dirty Dozen: Next Mission?
If you've seen more of the sequels or the series how was/were it/they?

The Dirty Dozen (1967) - Aldrich's rough WWII super-entertainment

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The poster for Robert Aldrich's The Dirty Dozen is an example of a truly exciting, greatly detailed, marvelous ditto

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Lee Marvin (The Man Who Shot Liberty Valance (1962)) plays the undisciplined major, who gets a tough mission during World War II: Train 12 hardened criminals to storm a Nazi stronghold and kill everyone.

- Quite naturally, it seems to me, this great premise results in a fiercely entertaining piece of war suspense here in Long Islander Robert Aldrich's (What Ever Happened to Baby Jane? (1962)) The Dirty Dozen. The screenplay, by Nunnally Johnson (The Angel Wore Red (1960)) and Lukas Heller (The Flight of the Phoenix (1965)), is an adaptation of E. M. Nathanson's (Lovers and Schemers (2003)) 1965 novel of the same name.
Dozen is a joy from start to finish for anyone who likes brawling, military-centered action and great actors. - The ensemble cast truly is the core of the film:
Besides Marvin, who is perfect, Ernest Borgnine (The Wild Bunch (1969)) is priceless as the good-hearted general; Oscar-nominated John Cassavetes (Rosemary's Baby (1968)) is good as the rebel in the pack; and Charles Bronson (Once Upon a Time in the West/C'era una Volta il West (1968)) nails it as the good soldier. - Robert Ryan (The Wild Bunch) is a find as the intractable colonel. The only one I feel a little bad for is the great Jim Brown (Mars Attacks! (1996)), who, as the only black among the dozen, as the cliché seems to stipulate, of course dies... Brown was actually made to choose between his formidable football career and acting around the time of Dozen; at 29, already NFL's all-time greatest rusher at the time, he chose acting.
John Wayne (True Grit (1969)) and Jack Palance (The Silver Chalice (1954)) were approached to star in Dozen but ultimately declined due the fact that their characters were prone to adultery and racism, respectively.
Of the actors portraying the dozen, several were real WWII veterans, including Marvin, who fought with the US Marines in the Pacific.
In the world of today, Dirty Dozen serves as the acknowledged basis of David Ayer's coming superhero mega-movie Suicide Squad (2016), - make of that what you will ...

Lee Marvin leads the 12 untraditional warriors in Robert Aldrich's The Dirty Dozen

Watch the exciting trailer for the film here

Cost: 5.4 mil. $
Box office: 45.3 mil. $
= Huge hit
[Though many critics at the time took aim at Dozen's morally dubious heroes and its violence, the film was also Oscar-nominated 4 times: Aside from Cassavetes as Best Supporting Actor, it was nominated for Editing, Sound and Sound Effects, for which it won its only statuette. The film was a huge commercial success, making 24.2 mil. $ in the US alone, (53 % of the total gross); and also a big hit in European countries like France (4.6 mil. admissions) and Sweden (0.8 mil. admissions). It was the 5th highest-grossing film of '67 and MGM's biggest hit that year.]

What do you think of The Dirty Dozen?