It's All About Love (2003) - Young turk Vinterberg returns with Hindenburg-like disaster

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Steamy 'amour' in a pitch black and stylized space are teased on this poster for Thomas Vinterberg's It's All About Love

In the year 2021, John lands in New York, where people perish of poor hearts on a daily basis and are simply left in the streets. He goes there to finish his divorce from his celebrated, rich figure skating wife. The two still seem to love each other.

It's All About Love is written and directed by Danish master filmmaker Thomas Vinterberg (Sneblind (1990)), whose 4th film it is. Mogens Rukov (The Inheritance/Arven (2003)) contributed to the script.

More elements of the plot in It's All About Love: The figure skater has been cloned. Both her and her husband come from Poland. In Kenya people float. And Sean Penn (Hurlyburly (1998)) flies around (in airplanes) and philosophizes about life. There is a theme of snails and laboriously photographed scenes with many actors, who speak but say nothing. The close relationship at the heart of the film is suddenly disturbed by some Bergmanesque shouting arguments - and violence.

Everything rings false and seems static, fatally boring and utterly, horribly self-indulgent and pretentious, as if this was the grand, uncontrolled epic creation of a 17 year-old art cinema student. Joaquin Phoenix (Ladder 49 (2004)) and Claire Danes (The Flock (2007)) turn in jolting efforts, but they cannot change the fact that this if one of the most disastrous follow-ups to a global breakout success (Vinterberg's Dogme masterpiece sensation The Celebration/Festen (1998)) by a newly minted, celebrated filmmaker. Outrageously overrated locally (in Denmark's infamously self-congratulatory and nepotistic film and media industry), It's All About Love is a pure blood catastrophe.

 

Related posts:

 
Thomas Vinterberg: 2020 in films - according to Film Excess 

Another Round/Druk (2020) - A perfect gem, a wonderful film, Vinterberg's true celebration 

Far from the Madding Crowd (2015) - Vinterberg's plush but grating English adaptation

The Hunt/Jagten (2012) - Vinterberg's strongest film since 1998 is a reversed Celebration  

2010 in films and TV-series - according to Film Excess [UPDATED III]

2010 in films and TV-series - according to Film Excess [UPDATED II]

2010 in films and TV-series - according to Film Excess [UPDATED I]

Submarino (2010) - Vinterberg's elegant, downbeat Copenhagen-set social realism drama
Dear Wendy (2004) - Vinterberg and Von Trier's unpopular, gun-themed mega-flop  

1998 in films and TV-series - according to Film Excess 

The Celebration/Festen (1998) - Vinterberg's charged, stirring Dogme drama masterpiece

 

 

Watch a trailer for the film here

 

Cost: 10 mil. $

Box office: 1 mil. $

= Box office disaster (returned 0.1 times its cost)

[It's All About Love was released 10 January (Denmark) and runs 106 minutes. Vinterberg reportedly spent 2½ years writing the script. A stunning 23 companies and support bodies collaborated in the financing and production of the film. Shooting took place in Italy, Paris, France, Kenya, Sweden, Vancouver, British Columbia, New York, Copenhagen, Denmark, England and in Oslo, Norway. The film opened #110 to a 2k $ first weekend in 2 theaters in North America, its peak there where it grossed just 6k $ (0.006 % of the total gross). The film's biggest markets were its home market Denmark, where it sold 50k tickets, grossing 530k $ (53 %), Greece with 149k $ (14.9 %) and France with 123k $ (12.3 %). The film won 3 Robert awards, Denmark's Oscar. Vinterberg returned with Dear Wendy (2005). Phoenix returned with a voice performance in Brother Bear (2003) and a physical performance in The Village (2004); Danes in Terminator 3: Rise of the Machines (2003). It's All About Love is rotten at 19 % with a 3.90/10 critical average at Rotten Tomatoes.]

What do you think of It's All About Love?

I, Robot (2004) or, Robot Trouble!

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Will Smith looks extremely sour in a leather jacket on this metal-toned poster for Alex Proyas' I, Robot

Chicago 2035: A policeman starts investigating the death of an inventor who was central in the now widespread use of robots, and the implications become dangerous.

 

I, Robot is written by Akiva Goldsman (The Dark Tower (2017)) and Jeff Vintar (Final Fantasy: The Spirits Within (2001)) and directed by Alex Proyas (Spirits of the Air: Gremlins of the Clouds (1987)).

It is ironic that a film which displays the cold and eerie nature of robots itself seems robotic. Will Smith (Men in Black II (2002)) is the politically correct figurehead on this action picture that's so chockful of clichés that is almost hurts to watch it.

The vision of the future offered here is exceedingly optimistic, - the energy aspect alone is a joke. The performances and execution are generally sexless and lacking in flavor, as well as thoroughly cleansed of any semblance of movie magic. The quality that I, Robot does have going for it are the impressively created CG robots, which are frightening.

 

Related posts:

 

Alex Proyas: 1994 in films and TV-series - according to Film Excess

The Crow (1994) - Proyas' unpleasant, exploitative, shameless and ugly turkey 

 

 

Watch a trailer for the film here

 

Cost: 120 mil. $

Box office: 353.1 mil. $

= Box office success (returned 2.94 times its cost)

[I, Robot premiered 7 July (Los Angeles) and runs 115 minutes. Smith was paid 28 mil. $ for his performance in the film. Shooting took place from May - October 2003 in British Columbia, including in Vancouver, in California and in Chicago, Illinois. The film opened #1 to a 52.1 mil. $ first weekend in North America, where it spent another 2 weekends in the top 5 (#2-#4), grossing 144.8 mil. $ (41 % of the total gross). The 2nd and 3rd biggest markets were Japan with 33.8 mil. $ (9.6 %) and the UK with 32.9 mil. $ (9.3 %). The film was nominated for the Best Visual Effects Oscar, lost to Spider-Man 2, among other honors. Roger Ebert gave it a 2/4 star review, equal in rating to this one. Proyas returned with Fad Gadget by Frank Tovey (2006, video) and theatrically with Knowing (2009). Smith returned with a voice performance in Shark Tale (2004), Club Oscar (2005, short) and theatrically and physically in Hitch (2005). I, Robot is rotten at 57 % with a 6.0/10 critical average at Rotten Tomatoes.]

What do you think of I, Robot?

The Postman (1997) - Costner's colossal apocalyptic turkey

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Star/co-producer/director Kevin Costner walks around with a mule in a barren landscape under a desecrated US flag on this poster for his The Postman

In a post-apocalyptic future in the year 2013, America has collapsed, but a nomad in a postman's uniform that he has found is going to lead a rebellion against the tyrannical new leader!

 

The Postman is written by Brian Helgeland (A Nightmare on Elm Street 4: The Dream Master (1988)) and Eric Roth (Forrest Gump (1994)), adapting the same-titled 1985 novel by David Brin (Kiln People (2002)), and directed by co-producer/director/star Kevin Costner (Dances with Wolves (1990)).

It is incredible that Costner was given the huge budget for this even more unfathomable script after the then recent disaster of the Costner-starring action-adventure Waterworld (1995), which is a much better movie. Here he mourns his donkey, as said donkey gets boiled into a stew, and he keeps quoting Shakespeare to Will Patton's (Minari (2020)) irate General Bethlehem, when the general isn't decapitating unfortunate ones. Why the world has come to a place where it consists of a relatively small group of people in a gravel pit who yell for The Sound of Music, which is what we meet in The Postman, we never get an explanation. Nor do we get enlightened when it comes to the involuntarily comical, mysterious relationship with delivering the mail and being a postman, which Costner revels in here. The dialog about this point should be taken down as among the daftest in cinema history. 

The score (by James Newton Howard (Pain Hustlers (2023))) indicates knee-high adventure, and the photography (by Stephen F. Windom (Needle (2010))) is grand and good-looking, - but the story around these elements is utter rubbish. The Postman is endlessly awful.

 

Related posts:

Kevin Costner: Molly's Game (2017) - Chastain is luminous in Sorkin's great true-crime debut (co-star)

Man of Steel (2013) or, Superman v Zod: Sunset of Destruction (co-star)

2003 in films and TV-series - according to Film Excess [UPDATED II] 

Open Range (2003) - Costner impresses with fabulous classic western

Thirteen Days (2000) - Electrifying Cuban Missile Crisis thriller (actor/producer)  

Dances with Wolves (1990) - Costner's triumphant, simpatico western

 

Watch a 1-minute clip from the film here

Cost: 80 mil. $

Box office: 20.8 mil. $

= Mega-flop (returned 0.26 times its cost)

[The Postman premiered 12 December (California) and runs 177 minutes. Shooting took place from March - July 1997 in Oregon and Washington. Reportedly Costner refused to cut down the film's length at the studio's insistence, following two "disastrous" test screenings. The film opened #9 to a 5.2 mil. $ first weekend in North America, its highest rank there, where it grossed 17.6 mil. $ (84.6 % of the total gross). Roger Ebert gave the film a 1.5/4 star review, equal in rating to this one. Costner returned with Open Range (2003) as a filmmaker and in Message in a Bottle (1999) as an actor. The Postman is rotten at 10 % with a 4.20/10 average rating at Rotten Tomatoes.]

What do you think of The Postman?

The Purge (2013) - or, Depressive Violence in America

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A sinister mask in a murky darkness makes up this ill-boding poster for James DeMonaco's The Purge

 

In 2022 the US enjoys almost no unemployment or crime, because on one day of the year, all citizens are allowed to 'purge' all of their illegal tendencies unpunished.

 

The Purge is written and directed by James DeMonaco (Little New York (2009)).

If The Purge is built on deeper thoughts or insights into the human condition then the film doesn't reveal it. It drops us within a family who are in favor of the 'purge' ritual, but who get into trouble as a homeless person in danger is given shelter during the purge, and soon also a rich kind of fascist attack.

The concept here seems like something from a dubious 1970s exploitation flick, and DeMonaco has forgotten to add some fun or colors to the proceedings. The Purge is instead an endlessly murky ride into dour, violent ugliness, unmitigated aesthetically.

 

 

Watch a trailer for the film here

 

Cost: 3 mil. $

Box office: 91.2 mil. $

= Mega-hit (returned 30.4 times its cost)

[The Purge premiered 2 May (Stanley Film Festival, US) and runs 85 minutes. Ethan Hawke (Training Day (2001)) reportedly accepted the role for just 10k $ and slept on co-producer Jason Blum's couch during filming, later receiving 2 mil. $ in back-end compensation pay. Shooting took place around February 2012 in Los Angeles, California. The film opened #1 to a 34 mil. $ first weekend in North America, where it spent one more weekend in the top 5 (#5), grossing 64.4 mil. $ (70.6 % of the total gross). The 2nd and 3rd biggest market was the UK with 5.3 mil. $ (5.8 %) and Germany with 2.9 mil. $ (3.2 %). The film additionally made estimated 12.9 mil. $ on the North-American home video market alone. It spurred a franchise with 4 sequels and a 2 season (2018-19) TV-series. DeMonaco returned with the first sequel, The Purge: Anarchy (2014). Hawke returned in Getaway (2013). The Purge is rotten at 40 % with a 5.20/10 critical average at Rotten Tomatoes.]

What do you think of The Purge?

Top 10: Best future-set movies

 

 

1. A.I. Artificial Intelligence (2001) - Steven Spielberg

 

 

2. Back to the Future Part II (1989) - Robert Zemeckis 

 

3. Alien (1979) - Ridley Scott

 

 

4. Escape from New York (1981) - John Carpenter

 

5. A Clockwork Orange (1971) - Stanley Kubrick 

 

6. Blade Runner (1982) - Ridley Scott

 

7. Interstellar (2014) - Christopher Nolan

 

8. Demolition Man (1993) - Marco Brambilla  

 

9. Children of Men (2006) - Alfonso Cuarón

10. Looper (2012) - Rian Johnson

 

Selected from 41 titles labeled 'future'

 

Previous Top 10 lists:

Best action movies reviewed by Film Excess to date
Best adapted movies reviewed by Film Excess to date
Best adventure movies reviewed by Film Excess to date
Best big flop movies reviewed by Film Excess to date
Best B/W movies reviewed by Film Excess to date
Best true story movies reviewed by Film Excess to date
Best big hit movies reviewed by Film Excess to date
Best biopic movies reviewed by Film Excess to date
Best 'box office success' movies reviewed by Film Excess to date
Best car chases in movies reviewed by Film Excess to date
Best comedies reviewed by Film Excess to date
Best cop movies reviewed by Film Excess to date        
Best crime movies reviewed by Film Excess to date         
Best debut movies reviewed by Film Excess to date     
Best Danish movies reviewed by Film Excess to date
Best Disney movies reviewed by Film Excess to date     
Best documentaries reviewed by Film Excess to date  
Best dramas reviewed by Film Excess to date  
Best drama-thrillers reviewed by Film Excess to date 
Best dramedies reviewed by Film Excess to date

Best drug-themed movies reviewed by Film Excess to date 

Best UK movies reviewed by Film Excess to date

Best epic movies reviewed by Film Excess to date  

Best erotic movies reviewed by Film Excess to date 

Best family movies reviewed by Film Excess to date 

Best fantasy movies reviewed by Film Excess to date 

Best films about filmmaking 

Best first-of-franchise movies 

Top 10: Best 'flop' rank movies

Best Twentieth Century Fox titles 

Best French movies

Best franchise movies 

What do you think of the list?
Which future-set films would make your personal Top 10?

Her (2013) - Jonze's disheartening hipster sci-fi romance

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Star Joaquin Phoenix's giant face with hipster mustache and a red shirt against a pink background makes up this simple poster for Spike Jonze's Her

In the near future, urbanite Theodore  works his way towards finalizing his divorce, while he falls in love with an OS (an artificial intelligence operative system) by the name Samantha.

 

Her is written, co-produced and directed by New-Yorker master filmmaker Spike Jonze (Being John Malkovich (1999)), whose 4th feature it is.

Joaquin Phoenix (Signs (2002)) impresses again in a very intimate and sympathetic performance here; and Scarlett Johansson (Ghost in the Shell (2017)) is also outstanding in an unusually strong voice performance as Samantha. Chris Pratt (Passengers (2016)), Olivia Wilde (Life Itself (2018)) and Rooney Mara (Una (2016)) are fine, but it is especially Amy Adams (Lullaby (2014)) that one comes to care about here, although I enjoyed Phoenix and Adams as a couple more in Paul Thomas Anderson's The Master (2012).

Her relies on a distinctive and interesting story, which nevertheless has sides to it that bother me: Firstly it is, and continues to be, freaky to fall in love with a computer's voice, (even if Johansson does that voice.) The film shows friendship and romantic relationships incisively, - their weaknesses, frailties and misunderstandings especially, - which is implicitly why people in this really quite disheartening future turn away from each other. Jonze's version of the future is a well-dressed, smoothie-drinking, conflict-averse construction, - a hipster dream/nightmare, which seems incomplete to me: too slick and attractive. And the perspectives in previous Jonze films (his debut Being John Malkovich for one) simply reach farther.

 

Related posts:

 

Spike Jonze: The day after ... The Oscars 2014

Top 10: Best films about filmmaking 

2002 in films and TV-series - according to Film Excess 

Adaptation (2002) or, Charlie Kaufman's Fictional Life 

1999 in films and TV-series - according to Film Excess 

Top 10: Best fantasy movies reviewed by Film Excess to date

Being John Malkovich (1999) - Jonze, Kaufman and Malkovich's great triumph 

 

Watch a trailer for the film here

Cost: 23 mil. $

Box office: 48.5 mil. $

= Flop (returned 2.10 times its cost)

[Her premiered 12 October (New York Film Festival) and runs 126 minutes. Jonze had had the first idea for the film in the early 2000s when first encountering an early AI voice system. He later based much of the script on his divorce from Sofia Coppola in 2003. Shooting took place in 'mid 2012' in Shanghai, China and in California, including in Los Angeles. Samantha Morton voiced Samantha but was replaced with Johansson in post production. The film opened #23 to a 260k $ first weekend in 6 theaters in North America, where it peaked at #10 and in 1,729 theaters, grossing 25.5 mil. $ (52.6 % of the total gross). The 2nd and 3rd biggest markets were France with 3 mil. $ (6.2 %) and Italy with 2.7 mil. $ (5.6 %). It was nominated for 5 Oscars, winning for Best Original Screenplay. It lost Best Picture to 12 Years a Slave, Production Design to The Great Gatsby, Song (The Moon Song by Karen O and Jonze) to Let It Go from Frozen by Kristen Anderson-Lopez and Robert Lopez and Score (Will Butler, Owen Pallett) to Steven Price for Gravity. It also won an AFI award, 1/3 Golden Globe nominations, was nominated for a Grammy and won 2 National Board of Review awards, among many other honors. The film additionally made in excess of 4.9 mil. $ on home video copies in North America. Jonze has returned with 12 shorts, music videos, a documentary etc. but no feature since. Phoenix returned in Inherent Vice (2014); Adams in American Hustle (2013); and Johansson in Street of Dreams (2013, video) and HitRECord on TV (2014, TV-series) prior to her theatrical return in Chef (2014). Her is certified fresh at 94 % with a 8.50/10 critical average at Rotten Tomatoes.]

What do you think of Her?

Planet of the Apes (2001) - Some entertaining fun in Burton's mixed bag sci-fi actioner

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Star Mark Wahlberg fronts a group of human/simian characters looking our way on this gloomy and crowded poster for Tim Burton's Planet of the Apes

In 2029 an astronaut crash-lands on a planet where apes are the dominant race and humans are their subordinates.

 

Planet of the Apes is written by William Broyles Jr. (Cast Away (2000)), Lawrence Konner (The Many Saints of Newark (2021)) and Mark Rosenthal (Mighty Joe Young (1998)), adapting Pierre Boulle's (The Bridge Over the River Kwai (1952)) same-titled 1963 novel, previously adapted for the same-titled 1968 masterpiece by Franklin J. Shaffner and its 4 sequels. The film is directed by Californian master filmmaker Tim Burton (Pee-wee's Big Adventure (1985)), whose 9th feature it is.

It is an atypical venture for Burton, who fails to make a really good new interpretation of the fascinating source material. 

Mark Wahlberg (All the Money in the World (2017)) as Captain Leo Davidson, this version's human on the ape planet, doesn't muster what it takes to make his character anywhere near interesting. The fight scenes lack dynamic energy and don't bring anything new, which is a big problem for an action movie.

An important quality, however, are the good-looking ape costumes, prosthetics and makeup, which helps us to accept the simian supremacy surprisingly fast. Especially Tim Roth (Broken (2012)) and Paul Giamatti's (Win Win (2011)) ape performances are fun. The reversed world, where apes are in control (over us), is also still thrilling, and especially the film's first half is quite good.

 

Related posts:

The Apes franchise: War for the Planet of the Apes (2017) - Reeves and Co. astonish with truly spectacular film that finishes the Ape circle 

Rise of the Planet of the Apes (2011) or, Ape 3.1: Mad Apes!
Battle for the Planet of the Apes (1973) or, The Final Ape!  
Conquest of the Planet of the Apes (1972) or, The Ape Uprising   
Escape from the Planet of the Apes (1971) - The enjoyable if farfetched second Apes sequel
Beneath the Planet of the Apes (1970) - Decent follow-up to the SF milestone  
Tim Burton: Miss Peregrine's Home for Peculiar Children (2016) - Burton and a fine cast bond with auspicious material 

Dark Shadows (2012) - Fun, flamboyant vampire romp is a celebration of culture
2010 in films and TV-series - according to Film Excess [UPDATED III]
2010 in films and TV-series - according to Film Excess [UPDATED II]
2010 in films and TV-series - according to Film Excess [UPDATED I]
2010 in films and TV-series - according to Film Excess
Alice in Wonderland (2010) - Wasikowska is the perfect lead for Burton's visual wonderland 
2007 in films and TV-series - according to Film Excess [UPDATED II] 

Sweeney Todd: The Demon Barber of Fleet Street (2007) or, Tim Burton's Bloody Theatrics 
Corpse Bride (2005) - Impressive, loud, hollow, dark doll fairytale 
Ed Wood (1994) - Burton's sticky biopic with strenuous Depp 

Top 10: Best fantasy movies reviewed by Film Excess to date 
Batman Returns (1992) - Burton gives us the ultimate, Gothic spin on Gotham City and its sinister characters
Top 10: The best action movies and TV-series reviewed by Film Excess to date
Batman (1989) - A huge, glitzy, empty joker
Beetle Juice (1988) - Burton and team serve one of the best horror comedies ever   

 

 

Watch a trailer for the film here

 

Cost: 100 mil. $

Box office: 362.2 mil. $

= Big hit (returned 3.62 times its cost)

[Planet of the Apes was released 26 July (Hong Kong, Puerto Rico) and runs 120 minutes. Development of a new Apes movie had been ongoing since the late 1980s with a long list of talent involved including Adam Rifkin, Tom Cruise, Charlie Sheen, Peter Jackson, Sam Raimi, Oliver Stone, Arnold Schwarzenegger, Phillip Noyce, James Cameron, Roland Emmerich, Michael Bay and the Hughes brothers, - before Burton was finally hired. Wahlberg was paid 8 mil. $ for his performance. Production was rushed with shooting taking place from November 2000 - April 2001 in Australia, Arizona, Utah, California, including in Los Angeles, Washington D.C. and in Hawaii. Burton insisted that the apes be created with practical effects and not CGI. The film opened #1 to a 68.5 mil. $ first weekend in North America, where it spent another 2 weekends in the top 5 (#2-#5), grossing 180 mil. $ (49.7 % of the total gross). The 2nd and 3rd biggest markets were the UK with 24.7 mil. $ (6.8 %) and France with 20.2 mil. $ (5.6 %). It was the 10th highest-grossing film of the year in North America, and the 9th highest-grossing in the world overall of the year. The film was nominated for 2 BAFTAs and a Grammy, among other honors. Roger Ebert gave it a 2.5/4 star review, equal in rating to this one. The film earned an additional 40.8 mil. $ on video rentals in North America in 2001 alone. Plans for a sequel never came to fruition, - and Burton stated that he "would rather jump out a window" than direct a sequel to the film, - as the franchise was instead rebooted for a new trilogy starting with Rise of the Planet of the Apes (2011). Burton returned with The World of Stainboy (2000-01) and theatrically with Big Fish (2003). Wahlberg returned in Rock Star (2001). Planet of the Apes is rotten at 44 % with a 5.50/10 critical average at Rotten Tomatoes.]

What do you think of Planet of the Apes?