Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label Amanda Silver. Show all posts
Showing posts with label Amanda Silver. Show all posts

12/20/2022

Avatar: The Way of Water (2022) - Cameron outdoes himself with amazing adventure

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Central characters and a dazzling image of high adventure from the film make up this poster for James Cameron's Avatar: The Way of Water

Many years after US Marine Jake Sully joined the Na'vi people of Pandora in his Avatar body, he has built a family with Neytiri with 4 children. But now the human 'sky people' force them to leave their home and seek sanctum with the Metkayina 'reef people'.

 

Avatar: The Way of Water is written by Rick Jaffa, Amanda Silver (Eye for an Eye (1996), both) and Ontarian master filmmaker, co-writer/co-producer/director James Cameron (Piranha II: The Spawning (1981)), with Josh Friedman (The Black Dahlia (2006)) and Shane Salerno (Armageddon (1998)) contributing story elements. It is Cameron's 11th feature and the sequel to his Avatar (2009), still the highest-grossing film of all time (2.923 bil. $.)

One of the longest-anticipated films in history, Avatar: The Way of Water arrives at a critical time for the theatrical business, and hopefully it will reinvigorate it and bring some patrons back in the cinema seats. It is pretty much all you could have hoped for and actually a greater film than the first one. My history with Avatar is that it completely blew me away in 2009, but that I have later revisited it in more humbling home surroundings and found that its simplistic, cliched narrative politics worked against its visual magic.

That seems less the case in Way of Water, although the militaristic-industrial humans are still the villains. The simple romance story of the first film is now enlarged to be a family story with wider themes of parenthood, rebellion/coming-of-age, unity, loss and love giving meaning to most every minute of the film's epic span. The story, which echoes both Cameron's Aliens (1986) and Titanic (1997), is good, and it doesn't matter so much if you aren't clear the first time around at every turn who each blue character is, because more than a plot- or character-driven vehicle, Avatar movies are visual adventures. The 3D technology, accelerated frame rate and especially the completely amazing wonders of mechanical and natural designs that the film throws at us are exhilarating on a level that few films can match. You've simply gotta see Avatar: The Way of Water at the cinema to go to this new water world of Pandora.

It is hard to critique the performances of a film that's so much motion-capture and so little live-action. How do we know if the strong performances are really thanks to the actor and not a team of expert animators, basically? Sam Worthington's (Everest (2015)) Sully has less adventure in Way of Water as he wrestles with fatherhood and protecting his family. Zoe Saldana (Missing Link (2019)) is fierce as the more intuitive Neytiri. Jack Champion (Truck Slut (2018, short)) is a new, charismatic member as the caught-in-the-middle boy Spider. Edie Falco (Landline (2017)) is a welcome addition as General Ardmore and likely to return. And Stephen Lang (Death in Texas (2020)) is fantastic as the evil ex-Marine Quaritch.

The late James Horner's (Titanic (1997)) original theme is wonderful. The action is fabulous and thrilling, the sense of wonder is rare and powerful, and Avatar: The Way of Water also has moments of moving poignancy. 

You have no business doing anything but going to a cinema to see this movie! Off with you!

 

Related posts:

James Cameron: The 2000s in films and TV-series - according to Film Excess

2009 in films and TV-series - according to Film Excess [UPDATED III]
2009 in films and TV-series - according to Film Excess [UPDATED II]
2009 in films and TV-series - according to Film Excess [UPDATED I]

2009 in films and TV-series - according to Film Excess 
Top 10: The best action movies and TV-series reviewed by Film Excess to date
Top 10: The best adventure movies reviewed by Film Excess to date    

Avatar (2009) - Cameron's simplistic action-adventure wins with visuals 

Solaris (2002) - A suffering space question mark (co-producer)
Aliens (1986) or, Alien War

 






 

Watch a trailer for the film here

 

Cost: Reportedly 350-400 mil. $

Box office: 441.7 mil. $ and counting

= Too early to say

[Avatar: The Way of Water premiered 6 December (London) and runs 192 minutes. Production was announced in 2010. The release was delayed 8 times, as writing, visual effects technology, especially concerning shooting motion capture underwater, and other issues dragged out, until the corona pandemic hit and further complicated matters. Shooting took place from September 2017 - September 2020 in California, including in Los Angeles, and New Zealand, including in Wellington. The film opened #1 to a 134.1 mil. $ first weekend in North America. Cameron has stated that it will need to break 2 bil. $ globally to be considered a success. The film was shot back to back with Avatar 3, set to release in December 2024. The future of Cameron's further two planned sequels are as of yet uncertain due to their enormous costs. The film has won an AFI award, is nominated for 2 Golden Globes and won a National Board of Review award, among other honors. Cameron is returning with Avatar 3 (2024). Wortington returns in The Georgetown Project (2022); Saldana in Guardians of the Galaxy Vol. 3 (2023); and Lang in Avatar 3. Avatar: The Way of Water is certified fresh at 78 % with a 7.10/10 critical average at Rotten Tomatoes.]

 

What do you think of Avatar: The Way of Water? 

4/09/2022

The Hand That Rocks the Cradle (1992) or, The Nanny Terror!

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A harmonious family picture is menacingly cut in half with Rebecca De Mornay's blond-haired, wicked face staring out on this effective poster for Curtis Hanson's The Hand That Rocks the Cradle

A harmonious young couple with a daughter and a second on the way have recently been through a case in which the mother/wife was one sexual misconduct accuser against a gynecologist who consequently took his own life. Now the couple hire a beautiful, blond nanny...

 

The Hand That Rocks the Cradle is written by Amanda Silver (Eye for an Eye (1996)) and directed by Nevadan master filmmaker Curtis Hanson (Sweet Kill (1972)), whose 7th feature it is.

SPOILER The nanny turns out to be the late gynecologist's embittered, psychotic widow! The Hand That Rocks the Cradle is somewhat predictable but still a wildly effective, thrilling film with three great actress performances: Annabella Sciorra (The Maid's Room (2013)) as the unlucky wife/mother; Julianne Moore (Next (2007)) as her close friend and a real power woman; and Rebecca De Mornay (The Right Temptation (2000)) as the ice-cold nanny maniac.

Robert Elswit (Cadillac Dreams (1988, short)) gives solidity to the photography, - and the entire construction that is The Hand That Rocks the Cradle is in fact solid. It is a highly satisfying nail-biter erected around the transgressive idea of the callous, mad nanny.




 

Watch a short trailer for the film here

 

Cost: 11.9 mil. $

Box office: 140 mil. $

= Mega-hit (returned 11.76 times its cost)

[The Hand That Rocks the Cradle was released 10 January (USA) and runs 110 minutes. Shooting took place from April - July 1991 in Washington, including in Seattle. The film opened #1 to a 7.6 mil. $ first weekend in North America, where it remained #1 for another 3 weekends and then spent another 3 weekends (#2-#4-#5) in the top 5, grossing 88 mil. $ (62.9 % of the total gross). Hanson returned with The River Wild (1994). Sciorra returned in Whispers in the Dark (1992); De Mornay in Blind Side (1993, TV movie) and theatrically in Guilty As Sin (1993). The Hand That Rocks the Cradle is fresh at 65 % with a 6.30/10 critical average at Rotten Tomatoes.]


What do you think of The Hand That Rocks the Cradle?

6/23/2015

Rise of the Planet of the Apes (2011) or, Ape 3.1: Mad Apes!

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The face of the key chimpanzee in the Apes reboot, Caesar, on the poster for Rupert Wyatt's The Rise of the Planet of the Apes

QUICK REVIEW:

Fox's second reboot of its beloved Apes franchise, (after Tim Burton's less than favorably received Planet of the Apes (2001)):

An Alzheimer's scientist has developed a smart ape and experiments his new drug on his sick father. - But then all hell breaks loose!

The cast includes good forces such as John Lithgow (The Campaign (2012)) and Brian Cox (L.I.E. (2001)), but James Franco (Interior. Leather Bar. (2013)) leads the film, and he just seems like Franco throughout, instead of a real character. Tobey Maguire (Pawn Sacrifice (2015)) was in talks to play the part, but that unfortunately fell through.
Despite the fact that the big action scenes, - in particular the gorilla that sinks a helicopter! - are neat, it is disappointing to me, - a big fan of the original 5 Apes films, - that this new film doesn't have one doll or ape costume in it. (All the apes are CGI-designed, some of them based on motion captured actors.)
Rick Jaffa and Amanda Silver's (Jurassic World (2015)) script bows to the 1968 original film in references to it, and the plot of Rise proceeds without any big surprises. The film is directed by British director Rupert Wyatt (The Escapist (2008)).
Rise of the Planet of the Apes mostly left me hoping that the sequel would be better. Dawn of the Planet of the Apes (2014) is now a fact, and War of the Planet of the Apes (2017) is in pre-production.

Related reviews:

Rupert Wyatt: The Escapist (2008) or, Frank's Escape
The Apes franchise: Battle for the Planet of the Apes (1973) or, The Final Ape!
Conquest of the Planet of the Apes (1972) or, The Ape Uprising 
Beneath the Planet of the Apes (1970) - Decent follow-up to the SF milestone 




Watch the trailer for the film here

Cost: 93 mil. $
Box office: 481.8 mil. $
= Huge hit
[Rise was surprisingly successful; it opened #1 in North America with a 54.8 mil. $ opening weekend and stayed #1 for a second weekend as well, the 4th biggest August opening up until that point. It grossed 176.7 mil. $ in North America (37 % of the total gross) and was Oscar-nominated for its visual effects, losing to Hugo.]

What do you think of Rise of the Planet of the Apes?

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)