Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label 2023. Show all posts
Showing posts with label 2023. Show all posts

2/28/2024

The Boy and the Heron/君たちはどう生きるか (Kimitachi wa Dō Ikiru ka) (2023) - Magic dissipates in Miyazaki's universe

 

A strange, animated image of a boy who may be flying makes up this poster for Hayao Miyazaki's The Boy and the Heron

 

Mahito is a big boy when, during WWII, a major hospital blaze takes his mother from him. A new life in the countryside with his father and new stepmother follows, where Mahito goes exploring in a mysterious tower and befriends a bizarre heron.

 

The Boy and the Heron is written and directed by Japanese master filmmaker Hayao Miyazaki (Mirai shônen Konan (1979)), whose 14th feature it is. The original Japanese title translates to, 'how do you live?'.

The film is a departure from the whimsical, fantastical, gripping animation classics of Miyazaki's past, and the master's old age seems apparent in it and regrettably not as a good thing. Miyazaki is one of the greats whose films plummet in quality in his last years as a filmmaker. Despite the overwhelming praise for the film, - seemingly an automatic reaction to anything released by Miyazaki, - The Boy and the Heron is an unsatisfying film. It revels in its maker's childhood memories and idiosyncrasies in a free-form adventure that is too preoccupied to make the narrative sensible and meaningful for the viewer.

War, death, self-harm, hatred and universal destruction are some of the gloomy themes that this almost fun-free and often quiet film mulls over. The boy is hard to understand; the story, - which sees him searching for a lost stepmother in the tower with the big-nosed, heron-caped male companion, seemingly fall in love with a girl, and meet a kind of god figure, - is obscure and generally uninvolving.

The sound design is terrific, and the animation is striking but lacking in warmth, depth, sweetness and personality, - qualities that make Miyazaki's best films transcendent. The Boy and the Heron mostly leaves you cold and puzzled.

 

Related posts:

Hayao Miyazaki: The Wind Rises/風立ちぬ [Kaze Tachinu] (2013) - Miyazaki's beautiful but languid last film 

2008 in films and TV-series - according to Film Excess [UPDATED III] 

Ponyo/崖の上のポニョ (Gake no Ue no Ponyo) (2008) - Magical animation masterpiece from master Miyazaki

Top 10: Best fantasy movies reviewed by Film Excess to date 

Howl's Moving Castle/ハウルの動く城 [Hauru no Ugoku Shiro] (2004) - Miyazaki's hugely successful, gibberish fantasy
Spirited Away/千と千尋の神隠し [Sen to Chihiro no Kamikakushi] (2001) - Miyazaki's highly Japanese, enormously weird story of a girl 

Princess Mononoke/もののけ姫 (Mononoke-hime) (1997) - Miyazaki's grand, magical adventure masterpiece

1992 in films - according to Film Excess 

Porco Rosso/紅の豚 (Kurenai no Buta) (1992) - Childlike qualities help propel strange Miyazaki adventure 

 


 

Watch a trailer for the film here

 

Cost: Unknown

Box office: 167.2 mil. $ and counting

= Uncertain

[The Boy and the Heron was released 14 July (Japan) and runs 124 minutes. Miyazaki began working on it after he had announced his retirement in 2013. The production dragged out for years due to his slow working pace, making producer Toshio Suzuki claim that it is the most expensive film ever produced in Japan, - but failing to back the boast up with a specific cost figure. It was released without any marketing campaign in Japan besides a single poster. The film opened #1 to a 13 mil. $ first weekend in North America, where it spent one more weekend in the top 5 (#3) and grossed 45.8 mil. $ (27.4 % of the total gross). North America was the film's 2nd biggest market. Its biggest was Japan with 56.1 mil. $ (33.6 %), where more than 5.5 mil. paid admission, and South Korea was 3rd biggest with 14.9 mil. $ (8.9 %). It is nominated for the Best Animation Oscar. It has won a BAFTA, 1/2 Golden Globe nominations and a National Board of Review award, among other honors. Despite this being lauded as his career's last film, Miyazaki is reportedly working on another, yet to be announced film. The Boy and the Heron is certified fresh at 97 % with an 8.50/10 critical average at Rotten Tomatoes.]


What do you think of The Boy and the Heron?

1/17/2024

The Holdovers (2023) or, The New England Christmas Blues

♥♥

 

Three disparate characters around a sparse meal with a very far from straight Christmas tree in the background make up this humorous poster for Alexander Payne's The Holdovers

Paul Hunham is an aging bachelor and a teacher of classics and antic history at the Barton Academy boys' school in New England in 1970. This Christmas the sarcastic curmudgeon has been left with the duty of overseeing the long vacation for the handful of holdover students at the school who are forced to spend it there.


The Holdovers is written and co-produced by David Hemingson (The Adventures of Pete & Pete (1995-96)) and directed by Nebraskan master filmmaker Alexander Payne (The Passion of Martin (1991)), whose 9th feature it is.

Besides the acidic Hunham, played with zest and sense of character by Paul Giamatti (Jungle Cruise (2021)), the central two at the school are the troubled teen Angus Tully (Dominic Sessa in an impressive debut) and kitchen manager Mary Lamb (Da'Vine Joy Randolph (The Guilty (2021)) in an assertive and powerful performance), who is grieving her recently lost teenage son's demise in Vietnam. Crusty humor and maudlin backstories join hand in hand. Swept in snowy New England exteriors and various locations comprising the picturesque Barton school, Payne also unleashes copious amounts of period-appropriate soft rock and pop songs. All contributing to the soft, pleasant blues-ey ride that is The Holdovers.

We may not be up there with Payne's best films (About Schmidt (2002), Sideways (2004), The Descendants (2011) and Nebraska (2013)), or maybe we are? Time will tell. There is a brittle warmth and sweet underlying humanity to this narrative of the discovery of a much-needed father figure (and more than a few kicks in the ass for the belligerent Hunham's mostly unchallenged self), which makes it a doozy and likely to become a holiday favorite. Many of Hemingson's lines are dynamite. After the expansive time with this little company of individuals, I only wish I knew what would become of Paul Hunham after this.

 

Related posts:
 
Alexander Payne: 2013 in films - according to Film Excess [UPDATED I]   
Nebraska (2013) or, Father and Son

Top 10: Best dramedies reviewed by Film Excess to date 

2011 in films and TV-series - according to Film Excess [UPDATED III] 
Top 10: The best big hit movies reviewed by Film Excess to date
2011 in films and TV-series - according to Film Excess [UPDATED II]
2011 in films and TV-series - according to Film Excess [UPDATED I] 
2011 in films - according to Film Excess
The Descendants (2011) - Payne and Clooney score with a Hawaiian story of heartbreak, loss and family  

2009 in films and TV-series - according to Film Excess [UPDATED III]
2009 in films and TV-series - according to Film Excess [UPDATED II]
2009 in films and TV-series - according to Film Excess [UPDATED I] 

Hung - season 1 (2009) - Ray Drecker overcomes bad circumstances in mostly promising dramedy (executive producer/director) 

I Now Pronounce You Chuck & Larry (2007) - James and Sandler marry in Dugan's crude, wrongfully maligned buddy-comedy (co-writer) 

Paris, Je t'Aime (2006) - Short film anthology playground set in Paris (co-director)

2002 in films and TV-series - according to Film Excess 
About Schmidt (2002) or, Dear Ndugu ...  

Election (1999) - Payne's high school politics dramedy 

 

 How the Warm, Elegant Look of 'The Holdovers' Came Together | Vanity Fair


How the Warm, Elegant Look of 'The Holdovers' Came Together | Vanity Fair

 


Watch a trailer for the film here


Cost: Uncertain, projected 15 mil. $

Box office: 22.9 mil. $ and counting

= Too early to say

[The Holdovers premiered 31 August (Telluride Film Festival, US) and runs 133 minutes. Payne conceived the film upon seeing Marcel Pagnol's Merlusse (1935) and asked Hemingson to write the screenplay. Shooting took place from January - ? in Massachusetts. Focus Features bought the distribution rights for 30 mil. $ at the Toronto International Film Festival, breaking a record for highest amount paid in such a case at the festival. The release was eventually scheduled in North America as simultaneously theatrical and as VoD. The film opened #17 to a 211k $ first weekend in 6 theaters in North America, where it peaked at #6 and in 1,601 theaters (different weekends) and has grossed 18.6 mil. $ to date. The film has 15 scheduled opening markets yet to come, beginning with Italy and Mexico tomorrow, January 18th. It has won 2/3 Golden Globe nominations, is nominated for 4 Independent Spirit awards, has won 4 National Board of Review awards and an AFI award, among many other honors. Payne does not have his next film announced yet. Giamatti returned in Billions (2016-23) and Coins (2023, TV-series) and is set to make his theatrical return in San Andreas 2; Sessa does not have his next gig announced yet; and Randolph returned in Only Murders in the Building (2021-23) and is set to return theatrically in Bride Hard and Shadow Force. The Holdovers is certified fresh at 96 % with a 8.50/10 critical average at Rotten Tomatoes.]


What do you think of The Holdovers?

1/01/2024

2023 in films - according to Film Excess

The Top 6 of the Year

 


1. Killers of the Flower Moon - Martin Scorsese + Best American Movie of the Year + Best Epic of the Year + Best Oklahoma Movie of the Year + Best Shooting Star Actress of the Year: Lily Gladstone + Best True-Crime Movie of the Year + Most Expensive Flop of the Year: 137.52 mil. $ range + Most Undeserved Flop of the Year + Worst $ Return of the Year: 0.78 times the cost (shared with Underverden II)


2. Guardians of the Galaxy Vol. 3 - James Gunn + Best Action-Adventure of the Year + Best Villain of the Year: Chukwudi Iwuji as The High Evolutionary 

 


3. Oppenheimer - Christopher Nolan + Best Biopic of the Year + Best $ Return of the Year: 9.52 times the cost + Best Mega-hit of the Year + Most Profitable Movie of the Year: 280.8 mil. $ range



4. Napoleon - Ridley Scott + Best Romance of the Year + Best War Movie of the Year

 


5. Asteroid City - Wes Anderson + Best Poster of the Year + Best Sci-fi Comedy of the Year

 


6. Meg 2: The Trench - Ben Wheatley + Best Shark Movie of the Year 

 

The Bottom 3 of the Year

 


1. The Nun II - Michael Chaves + Most Undeserved Hit of the Year

 


2. Underverden II - Fenar Ahmad + Worst $ Return of the Year: 0.78 times the cost (shared with Killers of the Flower Moon)

 


3. Mission: Impossible - Dead Reckoning Part One - Christopher McQuarrie  


[9 titles in total]


Notes:

With just a few titles reviewed during the year, this is still a strong first annual list in terms of quality, with Martin Scorsese's monumental true-crime epic Killers of the Flower Moon reigning supreme. James Gunn's thrilling, original Guardians of the Galaxy Vol. 3 taking silver, and Christopher Nolan's massively successful nuclear biopic Oppenheimer bronze. The list goes on with Ridley Scott's thumping war biopic Napoleon, Wes Anderson's colorful, idiosyncratic Asteroid City and with Ben Wheatley's monster shark escapism The Meg 2: The Trench rounding off the list. The bottom list sees Michael Chaves' horrendous religious horror The Nun 2 take gold, with Fenar Ahmad's flawed Underverden II taking silver, and Christopher McQuarrie's overboard actioner Mission: Impossible - Dead Reckoning Part One bronze. 

The box office and in consequence cinemas have struggled in 2023 with audiences staying at home streaming first and foremost, and the commercial results are already in this update looking bleaker than the norm. Apple Studios roared into theaters with two huge prestige pictures (Killers of the Flower Moon and Napoleon), both later crowning their streaming service, but which, despite their high quality, failed to hit in cinemas. Another unusual big star in one of the year's big flops: Normal box office juggernaut Tom Cruise (Mission: Impossible - Dead Reckoning Part One). 

Later updates will include many more of the year's output.


Biggest flops of the year:

[The loss is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]

1. Killers of the Flower Moon - 137.52 mil. $ range

2. Napoleon - 120.56 mil. $ range

3. Mission: Impossible - Dead Reckoning Part 1 - 64 mil. $ range

4. Asteroid City - 3.48 mil. $ range

5. Underverden II - 3 mil. $ range

= Combined losses: 328.56 mil. $

 

Biggest hits of the year:

[The gain is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]
 
 

1. Oppenheimer - 280.8 mil. $ range

2. Guardians of the Galaxy Vol. 3 - 88.2 mil. $ range

3. The Nun II - 69.2 mil. $ range

4. The Meg 2: The Trench - 24 mil. $

= Combined profits: 462.2 mil. $
 

2023 titles currently on the watchlist:

Beau Is Afraid, The Last Voyage of the Demeter, A Storm Foretold, Plane, Superpower, Passages, You Hurt My Feelings, 20 Days in Mariupol, Jesus Revolution, The Holdovers, Barbie, No Hard Feelings, Slava Ukraini, Fool's Paradise, Monster, The Zone of Interest, About Dry Grasses, Wonka, Sound of Freedom, The Boy and the Heron, Saw X, The Promised Land, Ehrengard: The Art of Seduction, All of Us Strangers, Dream Scenario

 

Previous annual lists: 

    
2022 in films - according to Film Excess 

2021 in films - according to Film Excess 

2020 in films - according to Film Excess 

2019 in films - according to Film Excess [UPDATED I] 

2019 in films - according to Film Excess 
2018 in films - according to Film Excess [UPDATED I]
2018 in films - according to Film Excess  
2017 in films - according to Film Excess [UPDATED I]
2017 in films - according to Film Excess
2016 in films - according to Film Excess [UPDATED II]
2016 in films - according to Film Excess [UPDATED I] 
2016 in films - according to Film Excess

2015 in films and TV-series - according to Film Excess [UPDATED IV] 
2015 in films and TV-series - according to Film Excess [UPDATED III]
2015 in films and TV-series - according to Film Excess [UPDATED II] 
2015 in films and TV-series - according to Film Excess [UPDATED I]
2015 in films and TV-series - according to Film Excess  

2014 in films and TV-series - according to Film Excess [UPDATED IV]
2014 in films and TV-series - according to Film Excess [UPDATED III]
2014 in films and TV-series - according to Film Excess [UPDATED II] 
2014 in films and TV-series - according to Film Excess [UPDATED I]
2014 in films - according to Film Excess

2013 in films and TV-series - according to Film Excess [UPDATED VI] 
2013 in films - according to Film Excess [UPDATED V]
2013 in films - according to Film Excess [UPDATED IV]
2013 in films - according to Film Excess [UPDATED III]
2013 in films - according to Film Excess [UPDATED II]
2013 in films - according to Film Excess [UPDATED I] 
2013 in films - according to Film Excess    

2012 in films and TV-series - according to Film Excess [UPDATED V] 
2012 in films and TV-series - according to Film Excess [UPDATED IV]
2012 in films and TV-series - according to Film Excess [UPDATED III]
2012 in films and TV-series - according to Film Excess [UPDATED II]
2012 in films - according to Film Excess [UPDATED I]
2012 in films - according to Film Excess
2011 in films and TV-series - according to Film Excess [UPDATED III]
2011 in films and TV-series - according to Film Excess [UPDATED II]
2011 in films and TV-series - according to Film Excess [UPDATED I]
2011 in films - according to Film Excess

2010 in films and TV-series - according to Film Excess [UPDATED III]
2010 in films and TV-series - according to Film Excess [UPDATED II]
2010 in films and TV-series - according to Film Excess [UPDATED I]
2010 in films and TV-series - according to Film Excess  

2009 in films and TV-series - according to Film Excess [UPDATED IV] 
2009 in films and TV-series - according to Film Excess [UPDATED III]
2009 in films and TV-series - according to Film Excess [UPDATED II]
2009 in films and TV-series - according to Film Excess [UPDATED I]
2009 in films and TV-series - according to Film Excess   

2008 in films and TV-series - according to Film Excess [UPDATED III] 

2008 in films and TV-series - according to Film Excess [UPDATED II] 
2008 in films - according to Film Excess [UPDATED I]
2008 in films - according to Film Excess
2007 in films and TV-series - according to Film Excess [UPDATED II]
2007 in films - according to Film Excess [UPDATED I]
2007 in films - according to Film Excess

2006 in films and TV-series - according to Film Excess [UPDATED III] 

2006 in films and TV-series - according to Film Excess [UPDATED II] 
2006 in films and TV-series - according to Film Excess [UPDATED I]
2006 in films and TV-series - according to Film Excess   

2005 in films and TV-series - according to Film Excess [UPDATED I] 
2005 in films and TV-series - according to Film Excess  

2004 in films and TV-series - according to Film Excess [UPDATED I] 
2004 in films and TV-series - according to Film Excess

2003 in films and TV-series - according to Film Excess [UPDATED II] 

2003 in films and TV-series - according to Film Excess [UPDATED I] 
2003 in films and TV-series - according to Film Excess 

2002 in films and TV-series - according to Film Excess 

2001 in films and TV-series - according to Film Excess 

2000 in films and TV-series - according to Film Excess

1999 in films and TV-series - according to Film Excess  

1998 in films and TV-series - according to Film Excess 

1997 in films and TV-series - according to Film Excess 

1996 in films and TV-series - according to Film Excess 

1995 in films and TV-series - according to Film Excess
1994 in films and TV-series - according to Film Excess 

1993 in films and TV-series - according to Film Excess

1992 in films - according to Film Excess


What do you think of the 2023 lists?
Which 2023 films are your favorites and the bottom of the year in your opinion? 
What important 2023 title/s is/are missing on the watch-list?

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)