Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label boarding school. Show all posts
Showing posts with label boarding school. Show all posts

1/15/2025

If.... (1968) - Anderson's landmark provocative youth revolt picture

♥♥♥♥

 

Militant-looking but spiffily dressed young men against dramatic scenes inserted into the alarming nexus of a hand grenade makes up this effective poster for Lindsay Anderson's If....

We follow the strictly disciplined, odd life in a English public boarding school, where three older students resist the teachings of the institution, led by the rebel Travis.

 

If.... is written by David Sherwin (Wet Gold (1984, TV movie)), with John Howlett (Touch and Die (1992, TV movie)) contributing story elements, and co-produced and directed by great Indian-born British filmmaker Lindsay Anderson (This Sporting Life (1963)). 

The film sparkles with freshness to this day in lovely images (cinematography by Miroslav Ondrícek (Amadeus (1984))), with an abundance of funny and striking scenes. It is a powerful and provocative and violently revolutionary, subversive film. It idolizes Mick Travis, the leading character which Malcolm McDowell (Moving On (2022)) portrays with an awards-worthy turn.

SPOILER Despite the temptation to mostly shake one's head at the perverse school traditions of the English, this film presents contradicting 'heroes' that are just as, - if not a lot more, - terrible, because they finally arrive to the dubious conclusion that the systems faults are sufficient grounds to justify shooting every one in it!

If.... may be the strongest youth revolt film of all, which however also clearly shows the wave's unsympathetic, anarchisticly violent backside. It is odd that Martin Scorsese's Taxi Driver mass murderer nearly a decade later, in another pivotal cinematic examination of violence in young males, is also named Travis. Perhaps the lack of a heroic glow around the later Travis character reflects a development towards a more critical stance in the general perception of the societal revolt, led by the young, in the intermediate years. 




 

Watch a trailer for the movie here

 

Cost: 500k $

Box office: In excess of 5.75 mil. $

= Uncertain but surely a mega-hit (projected return of 14 times its cost)

[If.... was released 19 December (UK) and runs 111 minutes. McDowell was paid 90 £ a week for his performance. Shooting took place from January - March 1968 in England, including in London. For the North American release, male nudity was cut out in order for the film to receive an R rating. Variety reported in January 1970 that the film had earned rentals of 2.3 mil. $, likely from North America alone, which suggests a gross of 5.75 mil. $. The film is described as a hit in the UK, but its actual gross and numbers from other markets are not recorded online regrettably: It didn't attract audiences in Denmark (just 825 tickets sold). A cautious projected total gross of 7 mil. $ is not unlikely. The film was nominated for 2 BAFTAs, won the Palme d'Or in Cannes and was nominated for a Golden Globe. Anderson brought McDowell's Travis character back in two later films, again portrayed by McDowell: O Lucky Man! (1973), - he only directed an episode of Play for Today (1972) in the years between, - and Britannia Hospital (1982). McDowell first returned in The Wednesday Play (1969, TV-series) and theatrically in Figures in a Landscape (1970). If.... is certified fresh at 90 % with a 7.90/10 critical average at Rotten Tomatoes.]


What do you think of If....?

1/17/2024

The Holdovers (2023) or, The New England Christmas Blues

♥♥

 

Three disparate characters around a sparse meal with a very far from straight Christmas tree in the background make up this humorous poster for Alexander Payne's The Holdovers

Paul Hunham is an aging bachelor and a teacher of classics and antic history at the Barton Academy boys' school in New England in 1970. This Christmas the sarcastic curmudgeon has been left with the duty of overseeing the long vacation for the handful of holdover students at the school who are forced to spend it there.


The Holdovers is written and co-produced by David Hemingson (The Adventures of Pete & Pete (1995-96)) and directed by Nebraskan master filmmaker Alexander Payne (The Passion of Martin (1991)), whose 9th feature it is.

Besides the acidic Hunham, played with zest and sense of character by Paul Giamatti (Jungle Cruise (2021)), the central two at the school are the troubled teen Angus Tully (Dominic Sessa in an impressive debut) and kitchen manager Mary Lamb (Da'Vine Joy Randolph (The Guilty (2021)) in an assertive and powerful performance), who is grieving her recently lost teenage son's demise in Vietnam. Crusty humor and maudlin backstories join hand in hand. Swept in snowy New England exteriors and various locations comprising the picturesque Barton school, Payne also unleashes copious amounts of period-appropriate soft rock and pop songs. All contributing to the soft, pleasant blues-ey ride that is The Holdovers.

We may not be up there with Payne's best films (About Schmidt (2002), Sideways (2004), The Descendants (2011) and Nebraska (2013)), or maybe we are? Time will tell. There is a brittle warmth and sweet underlying humanity to this narrative of the discovery of a much-needed father figure (and more than a few kicks in the ass for the belligerent Hunham's mostly unchallenged self), which makes it a doozy and likely to become a holiday favorite. Many of Hemingson's lines are dynamite. After the expansive time with this little company of individuals, I only wish I knew what would become of Paul Hunham after this.

 

Related posts:
 
Alexander Payne: 2013 in films - according to Film Excess [UPDATED I]   
Nebraska (2013) or, Father and Son

Top 10: Best dramedies reviewed by Film Excess to date 

2011 in films and TV-series - according to Film Excess [UPDATED III] 
Top 10: The best big hit movies reviewed by Film Excess to date
2011 in films and TV-series - according to Film Excess [UPDATED II]
2011 in films and TV-series - according to Film Excess [UPDATED I] 
2011 in films - according to Film Excess
The Descendants (2011) - Payne and Clooney score with a Hawaiian story of heartbreak, loss and family  

2009 in films and TV-series - according to Film Excess [UPDATED III]
2009 in films and TV-series - according to Film Excess [UPDATED II]
2009 in films and TV-series - according to Film Excess [UPDATED I] 

Hung - season 1 (2009) - Ray Drecker overcomes bad circumstances in mostly promising dramedy (executive producer/director) 

I Now Pronounce You Chuck & Larry (2007) - James and Sandler marry in Dugan's crude, wrongfully maligned buddy-comedy (co-writer) 

Paris, Je t'Aime (2006) - Short film anthology playground set in Paris (co-director)

2002 in films and TV-series - according to Film Excess 
About Schmidt (2002) or, Dear Ndugu ...  

Election (1999) - Payne's high school politics dramedy 

 

 How the Warm, Elegant Look of 'The Holdovers' Came Together | Vanity Fair


How the Warm, Elegant Look of 'The Holdovers' Came Together | Vanity Fair

 


Watch a trailer for the film here


Cost: Uncertain, projected 15 mil. $

Box office: 22.9 mil. $ and counting

= Too early to say

[The Holdovers premiered 31 August (Telluride Film Festival, US) and runs 133 minutes. Payne conceived the film upon seeing Marcel Pagnol's Merlusse (1935) and asked Hemingson to write the screenplay. Shooting took place from January - ? in Massachusetts. Focus Features bought the distribution rights for 30 mil. $ at the Toronto International Film Festival, breaking a record for highest amount paid in such a case at the festival. The release was eventually scheduled in North America as simultaneously theatrical and as VoD. The film opened #17 to a 211k $ first weekend in 6 theaters in North America, where it peaked at #6 and in 1,601 theaters (different weekends) and has grossed 18.6 mil. $ to date. The film has 15 scheduled opening markets yet to come, beginning with Italy and Mexico tomorrow, January 18th. It has won 2/3 Golden Globe nominations, is nominated for 4 Independent Spirit awards, has won 4 National Board of Review awards and an AFI award, among many other honors. Payne does not have his next film announced yet. Giamatti returned in Billions (2016-23) and Coins (2023, TV-series) and is set to make his theatrical return in San Andreas 2; Sessa does not have his next gig announced yet; and Randolph returned in Only Murders in the Building (2021-23) and is set to return theatrically in Bride Hard and Shadow Force. The Holdovers is certified fresh at 96 % with a 8.50/10 critical average at Rotten Tomatoes.]


What do you think of The Holdovers?

11/12/2022

Evil/Ondskan (2003) - Håfström impresses with forceful Guillou adaptation

 

+ Best Period Movie of the Year + Best Swedish Movie of the Year

 

A fresh-faced young man in a boarding school uniform against a clouded sky makes up this poster for Mikael Håfström's Evil

Erik Ponti is a young violent thug, made so by his tyrannical, abusive step-father, who in 1958 sends him off to a boarding school for sons of Sweden's elite, where violence also plays a central role.

 

Evil is written by Hans Gunnarsson (King of Ping Pong/Ping-Pongkingen (2008)), Klas Östergren (Gentlemen (2014)) and great Swedish filmmaker, co-writer/director Mikael Håfström (Vendetta (1995)). It is an adaptation of the same-titled 1981 semi-autobiographical bestseller by Jan Guillou (The Road to Jerusalem/Vägen till Jerusalem (1998)). The English title is a literal translation of the original Swedish title.

The scenes of violence are staged with convincing power, and the acting performances, - with an intense, dogged Andreas Wilson (The Italian Key (2011)) in front as Erik, - are uniformly good in this well-made film of Guillou's school-time recollections, fantasies and traumas.

Evil has a fine width to its narrative, is a splendid production and edited to perfection. A compelling and exciting film.

 

Related posts:
 

 



 

Watch a short clip from the film here

 

Cost: 20-22 mil. SEK, (different reports), approximately 1.92-2.11 mil. $

Box office: Approximately 7.48 mil. $

= Big hit (returned 3.54-3.89 times its cost)

[Evil premiered 16 May (Cannes Film Festival, out of competition) and runs 113 minutes. The adaptation had been envisioned as a TV-series, but Håfström convinced the producers to allow him to make it as a film. Shooting took place in 30 days from October - November 2002 in Stockholm. The film opened #102 to a 2k $ first weekend in North America, where it did not achieve a higher position although it widened to 4 theaters, grossing 15k $ (0.2 % of the total gross). The film was a huge hit in Sweden, where it sold 959,223 tickets, coming to approximately 6.45 mil. $ (86.2 %). It sold 50,776 tickets in Denmark, its 2nd biggest market, coming to approximately 510k $ (6.8 %). The 3rd biggest market was Norway with 280k $ (3.7 %). The film was nominated for the Best Foreign Film Oscar, lost to The Barbarian Invasions. It won 3/7 Guldbagge nominations (Sweden's Oscar), among other honors. Håfström returned with Drowning Ghost/Strandvaskaren (2004). Wilson returned in Animal (2005). Evil is fresh at 68 % with a 6.5/10 critical average at Rotten Tomatoes.]

 

What do you think of Evil?

3/13/2015

The Chorus/Les Choristes (2004) - The inspiring-teacher masterpiece



+ Best Movie of the Year

+ Best Family Movie of the Year + Best French Movie of the Year + Best Mega-Hit of the Year + Best Music Movie of the Year


The rustic, original poster for Christophe Barratier's The Chorus


QUICK REVIEW:

Our hero arrives to a wretched boys school with uncouth kids and unappealing teachers. As an assisting teacher there, he questions the punitive methods of the place and starts a chorus.

The Chorus is a glorious film from beginning to end, which is narratively as well as visually elegant, as it relays its story in an increasingly pleasing aesthetic, while the lives of the boys and their institution also improves. The result of deft cinematography by Jean-Jacques Bouhon (The World of Hemmingway (2012)), Dominique Gentil (Kandisha (2008)) and Carlo Varini (The Big Blue/Le Grand Bleu (1988)).
The film features wonderful acting performances, especially from the protagonist played by Gérard Jugnot (Paris 36/Faubourg 36 (2008)), whose shoulders carry the film and do so with compassionate splendor. The boys, headed by striking wunderkind Jean-Baptiste Maunier (Hellphone (2007)), were found from laborious auditioning (out of reportedly 2,000 heads), and they really are movingly good.
It is refreshing that so much actually succeeds for the teacher hero. - We have seen quite a few inspiring-teacher school films like this before The Chorus, - and also some good ones, - but this film transcends the lot because of its extra dimension; the beauty which can, and here is, expressed in singing. With music by Bruno Coulais (Song of the Sea (2014)).
This touching masterpiece is co-written by director Christophe Barratier (Paris 36) and Philippe Lopes-Curval (War of the Buttons/La Nouvelle Guerre des Boutons (2011)), based on the story A Cage of Nightingales/La Cage aux Rossignols, which was the basis of a popular French film with the same title from 1945.

Related posts:


Top 10: Best French movies

2004 in films and TV-series - according to Film Excess [UPDATED I] 

Top 10: The best adaptations reviewed by Film Excess to date





Watch the US trailer for the film here

Cost: 5.5 mil. €
Box office: 71 mil. €
= Huge hit
[The Chorus was Oscar-nominated as Best Foreign Film and for Best Song. It made 3.6 mil. $ (just 4 % of its total gross) in North America, 2 mil. $ (2 %) in the UK and a stunning 48.7 mil. $ (59 % of the total gross) in its native France, where 8.5 mil. people paid admission. It was also a big hit in Spain, where it made 7.2 mil. €.]

What do you think of The Chorus?
Is this the best inspiring-teacher movie ever made?

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)