Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label 1926. Show all posts
Showing posts with label 1926. Show all posts

5/03/2020

The General (1926) - One of the wildest comedies and best train movies ever made

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Buster Keaton looks only slightly unnerved as the hapless title character on this drawn and painted poster for Clyde Bruckman and Buster Keaton's The General

The American Civil War breaks out, and Johnny attempts to enlist in the Confederate Army, but there he is thought to be more vital in his current job as a train engineer. But then Union spies steal Johnny's train, the General - with his girl on it! And so starts a wild chase.

The General is written by Californian master co-writer/co-director Clyde Bruckman (The Fatal Glass of Beer (1933, short)) and Kansan master co-writer/co-producer/co-director/star/co-editor Buster Keaton (Boom in the Moon (1946)), with Paul Gerard Smith (It's a Joke, Son! (1947)) contributing elements, and Al Boasberg (The Fuller Gush Man (1934, short)) and Charles Henry Smith (Nobody (1921)) contributing with the adaptation process: The film adapts William Pittenger's (Daring and Suffering, A History of the Great Locomotive Adventures (1963)) account of his experiences in the actual Great Locomotive Chase of 1862.
Keaton's enormous comedic talent and derring-do is on full display in The General, which is also a technically deeply impressive film, for example for its many high-speed traveling shots of Keaton and his not exactly petite sweetheart (played by Marion Mack (The Carnival Girl (1926))) fooling around.
The seemingly endless traps and gags are smartly incorporated into the story, which culminates in a panorama of war, which in terms of firepower, gunpowder, bombs and stunts is nothing short of awe-inspiring. There is simply no way in which The General does not lift its audience's spirits.

Related posts:

Clyde BruckmanFor Heaven's Sake (1926) - Lloyd's antics unleashed in a missionary setting (co-writer)
Buster KeatonThe Electric House (1922, short) - Keaton introduces electricity with hilarious results in great short (co-writer/co-director/star)











Watch  a recent HD trailer for the film here

Cost: 750k $
Box office: Reportedly 1 mil. $
= Big flop (returned 1.33 times its cost)
[The General premiered 25 December (El Paso, Texas) and runs around 75 minutes, (some versions are shorter.) Keaton was a train history fan and attempted to rent the real General locomotive to use in the film but was refused. He instead bought 3 locomotives for use in the film, and was initially given a 400k $ budget. Keaton and Bruckman traveled to Oregon in 18 freight cars with cannons, stagecoaches, houses, three 33 mm cameras and the cast and crew. Shooting took place in Oregon and California from June - September 1926. A press release stated that the film had 3,000 people on the pay roll and cost 400 $ an hour to make. On-set accidents contributed to the ballooning costs: Keaton getting knocked unconscious; an assistant director getting shot in the face with a blank cartridge; a train wheel running over a brakeman's foot; and the train's wood-burning engine causing numerous haystack fires. The town Cottage Growe declared a local holiday on the day of the shooting of the climactic train wreck scene, and 3-4,000 curious locals showed up, including 500 extras from the Oregon National Guard in uniforms. The shot took hours to prepare and carry out and cost 42k $, thus becoming the costliest single shot in silent film history. However, the later shot from The General of the Texas locomotive crashing into the river from a burning bridge was as expensive. The wreckage was left in the river but salvaged for scrap metal during WWII. A large fire broke out during shooting of a major fight scene, costing the production 50k $, as everyone went back to Los Angeles for a few weeks, while the heavy smoke cleared! Several of the shots in the film that features Keaton himself were extremely dangerous and could have easily turned deadly, had anything gone wrong. The general US release of the film was delayed due to the success of Flesh and the Devil (1926). It made just 474k $ in the US and became Keaton's biggest flop, though he took great pride in The General and called it his best film. The failure meant that Keaton lost his artistic independence and accepted a restrictive deal with MGM. The film fell into public domain in the US in 1954 and can be seen free and legally right here. It may have turned a profit since with several re-releases in many countries. IMDb's users have voted the film in at #196 on the site's Top 250, sitting between Catch Me If You Can (2002) and Mr. Smith Goes to Washington (1939). Keaton returned in College (1927), for which his co-direction received no credit; Bruckman returned with Horse Shoes (1927). The General is certified fresh at 93 % with a 9.09/10 critical average at Rotten Tomatoes.]

What do you think of The General?

4/02/2019

For Heaven's Sake (1926) - Lloyd's antics unleashed in a missionary setting

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A very glass-eyed and stiff-looking young lady stands beside a merry Harold Lloyd on this drawn and colorized poster for Sam Taylor's For Heaven's Sake

A loaded uptown man accidentally finances a missionary house and falls head over heels in love with a girl he meets during this entanglement.

For Heaven's Sake is written by Ted Wilde (The Freshman (1925)), John Grey (How's About It (1943)) and Clyde Bruckman (Three Hams on Rye (1950)) and directed by Sam Taylor (Skyline (1931)). It is one of silent era comedic superstar Harold Langdon's (Heap Big Chief (1919, short)) so-called 'gag pictures'.
Langdon tends to divide people, and I am not among his greatest fans. His slapstick routines become tired for me fairly quickly, when there is no fabulous overlying story, as is the case in this outing.
For Heaven's Sake does still have its funny moments and incredible stunts; particularly the bus scene towards the end is genuinely impressive.








Watch a video of clips of Langdon's slapstick from the film here

Cost: Unknown
Box office: Reportedly 2.6 mil. $
= Uncertain (but certainly a major hit)
[For Heaven's Sake premiered 4 April (USA) and runs 58 minutes. Shooting took place in Los Angeles, California. The production was reportedly troubled, and an underworld section was cut out. Langdon was unhappy with the result and considered shelving the film. Instead it became one of his biggest hits and, according to a 1932 Variety article, the 12th highest-grossing film of the silent era. Taylor returned with Exit Smiling (1926). Langdon returned in The Kid Brother (1927). 1,280 IMDb users have given For Heaven's Sake a 7.5/10 average rating.]

What do you think of For Heaven's Sake?

5/16/2018

Faust/Faust – Eine Deutsche Volkssage (1926) - Murnau's grand, religious, Germanic folktale adaptation

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An original, Gothic-styled, chilling poster for F.W. Murnau's Faust


Faust, an old alchemist, who is attempting to make gold, becomes the object of a bet between God and Satan: If the devil can corrupt Faust, he is entitled to everything!

Faust is written by Gerhart Hauptmann (Der Biberpelz (1971), TV movie) and Hans Kyser (Arabella/Arabella. Der Roman eines Pferdes (1924)), based on the legendary Faust tale and on Johann Wofgang von Goethe's (The Sorcerer's Apprentice/Der Zauberlehrling (1797), poem) same-titled two-part play (1808; 1832), and directed by German master filmmaker F.W. Murnau (Tartuffe/Herr Tartüff (1925)).
As the plague sweeps across his town, Faust welcomes the devil's messenger, Mephisto, - in the grotesquely overacting, menacing figure of Emil Jannings (Husbands or Lovers/Nju - Eine Unverstandene Frau (1924)), - and later he fully enters a pact to reclaim his youth. SPOILER Contrary to the original ending of the myth, here God is in the end proved right, because the devil doesn't know of ... Liebe! [love] This provides a fine and moving ending that has a grandeur about it that matches the rest of the film's.
Faust is most impressive because of its striking images, compositions and lighting, (cinematography by Carl Hoffmann (The Girl from Fano/Das Mädchen von Fanö (1941))); its sets, costumes and effects, (among them are Faust and Mephisto's flying on the latter's cape to Italy!), and its iconography, as is also apparent in the photos from the film below.

 

Related post:

 

Top 10: Best German movies










Watch a trailer for the film here

Cost: 2 mil. marks, different sources determine this to have been approximately 0.47 - 0.9 mil. $ at the time - a very substantial budget at the time
Box office: Unknown
= Uncertain - but reportedly the film recouped only half of its costs in admissions, which would decidedly suggest that it was a huge flop
[Faust was first released 20 September (in Denmark!) and runs 106 minutes, - though running times may vary from version to version, as at least 5 versions of the film have been located. Murnau was not initially meant to direct the film, but after he - with Janning's backup - sought the job, he got it. And due to his success with The Last Laugh/Der Letzte Mann (1924), he was given a reportedly unlimited budget. Kyser's first script was reportedly so disliked by the studio that they hired Hauptmann, whose script was even less liked, and Kyser's was reportedly the one finally used. Filming lasted 6 months in UFA's Berlin studio, where Murnau challenged convention with two cameras filming simultaneously and innovative detail and effects orientation. The details surrounding the film's theatrical performance are not known. Murnau had relocated to Hollywood, when the film came out in Germany, and he was already busy making his first film there, Sunrise/Sunrise: A Song of Two Humans (1927). Jannings returned in The Way of All Flesh (1927), also in Hollywood, now a lost film. Roger Ebert has given Faust a 4/4 review, translating to two notches better than this one. A version of the film has entered the public domain and can be seen and downloaded free and legally here. Faust is fresh at 94 % with an 8.4/10 critical average at Rotten Tomatoes.]

What do you think of Faust?

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)