Eagerly anticipating this week ... (15-24)

Eagerly anticipating this week ... (15-24)
John Crowley's We Live in Time (2024)

4/29/2023

The Handmaiden/아가씨 (Agassi) (2016) - Get older slowly with Chan-wook's overrated softcore art cinema


A mix of alliances and power lines criss-cross on this poster for Park Chan-wook's The Handmaiden

A new handmaiden with an innocent face gets hired by an aristocratic woman in Japanese colonized Korea, but behind her face lies a deceitful mission. Nevertheless the desires of the two get in the way.


The Handmaiden is written by Chung Seo-kyung (Lady Vengeance/Chinjeolhan geumjassi (2005)) and co-writer/co-producer/director Park Chan-wook (Daleun... haega kkuneun kkum (1992)). It is a loose adaptation of Fingersmith (2002) by Sarah Waters (Tipping the Velvet (1998). The original Korean title translates to 'the lady'.

Again I fail to connect with a work of Chan-wook's, whom I seem to just not understand or whom I perhaps just don't share sensibilities with. The Handmaiden strikes me as a luxuriously produced and high-brow round of respectable soft-core lesbian art cinema porn. It is filled with mouth-smacking sounds and dialog about vulvas, - it is obsessed with the female genitals and BDSM, - and it bores me to death. It is unbearably neatly made, with 'advanced' twists galore, which bespectacled cinephile audiences gorge on and celebrate as modern cinema art (but is more accurately described as modern 'naughty' exoticism.) The knotty plot here rolls out of my disinterested hands.

The film is undeniably artistically photographed (by Chung-hoon Chung (Last Night in Soho (2021))) but the point gets lost in the unknown. And The Handmaiden is also way, way overlong.

 

Related posts:

Park Chan-wook: 2013 in films - according to Film Excess [UPDATED V]
2013 in films - according to Film Excess [UPDATED IV]
2013 in films - according to Film Excess [UPDATED III]
2013 in films - according to Film Excess [UPDATED II]  
2013 in films - according to Film Excess [UPDATED I]

Stoker (2013) - Chan-wook Park's over-styled American debut revolts and bores in turns  

2003 in films and TV-series - according to Film Excess [UPDATED II]  

Oldboy/올드보이 (Oldeuboi)(2003) or, Nuts in South Korea

 




 

Watch a trailer for the film here

 

Cost: Reportedly approximately 8.8 mil. $

Box office: 38.5 mil. $

= Big hit (returned 4.37 times its cost)

[The Handmaiden premiered 14 May (Cannes Film Festival, main competition) and runs 144 minutes. Shooting took place from June - October 2015 in South Korea and Japan. The film opened #39 to a 92k $ first weekend in 5 theaters in North America, where it peaked at #21 and in 123 theaters (different weekends), grossing 2 mil. $ (5.2 %). The film's biggest market was South Korea with 32.9 mil. $ (85.5 %). North America was the 2nd biggest, and France was the 3rd biggest with 1.9 mil. $ (4.9 %). The film won the Palme d'Or in Cannes, a BAFTA, a National Board of Review award, among tons of other honors. IMDb's users have rated the film in at #239 on the site's Top 250, sitting between Rebecca (1940) and Cool Hand Luke (1967). Chan-wook returned with The Little Drummer Girl (2018, miniseries), Life Is But A Dream (2022, short) and theatrically with Decision to Leave/Heojil kyolshim (2022). The Handmaiden is certified fresh at 96 % with an 8.30/10 critical average at Rotten Tomatoes.]


What do you think of The Handmaiden?

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