Humørkort-stativ-sælgerens Søn (2002) - Danish laughs in small-scope relationship comedy

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Naughty hijinks with popular stars seems to be the promise from this poster for Peter Bay's Humørkort-stativ-sælgerens Søn

A Copenhagen publishing house editor is under pressure from his broody girlfriend, meanwhile he gets a new Swedish boss, who wants him to cut ties with his poet friend, alcoholic Jack.

 

Humørkort-stativ-sælgerens Søn is written by Mads Brenøe (Surferne Kommer (1998)), Dunja Gry Jensen (Terribly Happy/Frygtelig Lykkelig (2008)) and co-writer/director Peter Bay (Fede Tider (1996)). The original Danish title translates to, 'the humor card mount salesman's son'.

Hella Joof (Normalerweize (2004-11)) walks determinedly into a very funny role here, which exposes some of the strategies of modern women in relationships, and Thomas Bo Larsen (The Hunt/Jagten (2012)) is good as an atypical, modern pushover man with an ugly haircut. Philip Zandén (Micke & Veronica (2014)) also acts as the Swedish boss with comedic brilliance.

The plot is rife with unlikely and clearly constructed occurrences, and co-star Anette Støvelbæk (Speed Walking/Kapgang (2014)) is given a flat character who's just a sweet veterinarian and that's it. The minuscule budget also becomes conspicuous, as when a scene that clearly calls for extras has no extras, - and in the animated opening credits, which are so primitive that they appear to come from an American 1960s film. 

So the sum and the width in Humørkort-stativ-sælgerens Søn leaves something to be desired, but the film is fun to watch, although for Danes primarily.

 

Related post:

 

Peter Bay: Kun en Pige (1995) - Schrøder's lavish Lise Nørgaard biopic (co-writer)

 

 

Cost: Unknown, projected 1.43 mil. $

Box office: Approximately 740k $

= Uncertain but likely a huge flop (projected return of 0.51 times its cost)

[Humørkort-stativ-sælgerens Søn was released 28 June (Denmark) and runs 85 minutes. Shooting took place in Copenhagen, Denmark. The film sold 69,999 tickets in Denmark (the only theatrical release market), coming to around 5.18 mil. DKK or 0.74 mil. $. With a projected cost of 10 mil. DKK, the film ranks as a huge flop. It was nominated for 1 Robert, Denmark's Oscar. Bay only returned with a short, Striber (2003). Joof returned in Det Brune Punktum: Far Brugte Ikke Noget (2002, video) and theatrically in Someone Like Hodder/En Som Hodder (2003); Larsen in Hjerteafdelingen (2002, TV-series)), with a voice performance in The Boy Who Wanted to Be a Bear/Drengen Der Ville Gøre Det Umulige (2002) and with a physical theatrical performance in It's All About Love (2003). 311 IMDb users have given Humørkort-stativ-sælgerens Søn a 3.6/10 average rating.]

 

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Kun en Pige (1995) - Schrøder's lavish Lise Nørgaard biopic

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A uniformed young woman caught in a sea of bright dilemmas (or so it appears) on this poster for Peter Schrøder's Kun en Pige

The childhood and early adult life of Danish cultural icon Lise Nørgaard as the daughter of a wholesaler in province town Roskilde is laid out: Her passion for writing and being free to make her own decisions, her rebellion against the time and the consequences it had for her.

 

Kun en Pige is written by Peter Bay (Kaj's Fødselsdag (1990)) and Jørgen Kastrup (Vi Er Både Rigtige og Kloge (1975)), adapting Lise Nørgaard's (Stjernevej (1981)) same-titled 1992 autobiography and her follow-up De Sendte en Dame (1993), and directed by Peter Schrøder (Det Forsømte Forår (1993)). The Danish title translates to, 'just a girl'.

For a Danish film, Kun en Pige is an enormous production, - think The Godfather (1972) and Once Upon a Time in America (1984), - but Nørgaard's story has trouble supporting that weight. The film is incredibly long and first and foremost of local-national interest. Furthermore there are loose ends to the plot (the polyps; the chilling dream of Germany), but Kun en Pige is nevertheless a worthwhile picture.

Periods of it recall Nørgaard's Roskilde chronicle, Danish cultural cornerstone Matador (1978-82), (which may tire some Matador fans), but it is handsomely and cinematically done; the crew deserve acknowledgment for the skilled lighting and many fine images, (cinematography by Dirk Brüel (Flugten (1973)).)

Waage Sandøe (Krøniken (2004-07)), Kristian Halken (Speed Walking/Kapgang (2014)), Amalie Dollerup (Badehotellet (2013-)), Inge Sofie Skovbo (Sunes Familie (1997)) and Puk Sharbau (Terribly Happy/Frygtelig Lykkelig (2008)) all give good performances. The protagonist's persistent bouts of rage and her angry contrariness may wear on one's patience, but the film still has a lot of good to offer.

 

Related post:

Peter Schrøder: Stolen Spring/Det Forsømte Forår (1993) or, The Lost Days of School 

 

 

Watch a trailer for the film here

 

Cost: 28 mil. DKK, approximately 3.85 mil. $

Box office: Approximately 2.57 mil. $

= Huge flop (returned 0.66 times its cost)

[Kun en Pige was released 15 December (Denmark) and runs 170 minutes. The budget was reportedly the biggest ever for a Danish film at the time. Shooting took place in Denmark. It sold impressive 456,718 tickets in Denmark, the film's only recorded release market, where it was the highest-grossing film of the year, which was nevertheless far from enough to recoup the big cost of production. (The average ticket prize in Denmark was 41 DKK in 1995.) The film won 4/4 Robert nominations (Denmark's Oscar). Schrøder returned with Nikolaj og Julie (2003, TV-series) and theatrically with Lotto (2006). Scharbau returned in Bryggeren (1997, TV-series) and theatrically in Afmagt (1998). 387 IMDb users have given Kun en Pige a 6.4/10 average rating.]

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