Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label Nazism. Show all posts
Showing posts with label Nazism. Show all posts

4/20/2025

Come and See/Ідзі і глядзі/Иди и смотри (Idi i smotri) (1985) - Klimov's soul-searing war film

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A frightening, zombie-like appearance in the weather-beaten, catatonic face of a young man makes up this intense poster for Elem Klimov's Come and See

During World War II the Nazis march into Belarus to exterminate Communists. Here the big lad Flyora has his life unrooted permanently. 

 

Come and See is written by Ales Adamovich (Synovya ukhodyat v boy (1971)) and Russian master filmmaker, co-writer/director Elem Klimov (Welcome, or Nor Trespassing/Dobro pozhalovat, ili Postoronnim vkhod vospreshchen (1964)), whose 6th feature it was. It is based on the true story of the Nazi's burning down of more than 600 villages in Belarus during the war, as well as the books Khatyn and I Am from the Fiery Village by Adamovich. The title is a quote from Chapter 6 in the Bible's Book of Revelation.

Perhaps the greatest anti-war film of all time, Come and See is a deeply transfixing experience, related with a towering authority: A voluminous, 'forgotten' chapter of horror from WWII: How the Nazis exterminated and burnt down 628 Belarusian villages.

Aleksey Kravchenko (Jacked$ (2004)) is unforgettable as Flyora; he utilizes his face muscles to deliver some of the most intense and frightening expressions of human terror and despair in cinema history. Photographed (by Aleksey Rodionov (The Party (2017))) incredibly beautifully and inventively, with camera travelings that precurse work which Emmanuel Lubezki and other fine cinematographers would later be heralded for (such as found in The Revenant (2015)).

Some of the most unpleasant sequences in cinema history are here combined with surreal images (the stork, the burnt man) and an expressive portrait of the crimes of the Nazis. The evil is unfathomable. SPOILER The scene in which the building full of people gets burned down is horrifying as few others before or after it. 

Come and See, for most who dare, is a film you watch once and never forget.

 





 

Watch a trailer for the film here

 

Cost: Unknown

Box office: Reportedly 20.9 mil. $

= Uncertain but likely a mega-hit (projected return of 20.9 times its cost)

[Come and See premiered 9 July (Moscow Film Festival) and runs 142 minutes. It took Klimov 8 years to make it, most of them spent in pre-production since the Soviet authorities would not allow the production for years. When at last they did, all he had to change was the work title Kill Hitler. Shooting took place chronologically for 9 months in the Soviet Union. All of the portrayed events did reportedly occur. Klimov utilized hypnosis and autogenic training to shape the performance of Kravchenko, who was also put on a minimal diet. Live bullets were fired, at times just 10 centimeters from Kravchenko's head, he has alleged, and security measures were generally few and primitive. 28.9 mil. reportedly paid admission to the film, an incredible number that is impossible to verify. It was reportedly #6 at the annual USSR box office in 1986. Roger Ebert gave the film a 4/4 star review, equal in rating to this one. It has additionally made in excess of 1.2 mil. $ on the North-American home video market alone. IMDb's users have voted the film in at #91 on the site's Top 250, sitting between Singin' in the Rain (1952) and Requiem for a Dream (2000). Klimov retired from directing after the film. Kravchenko returned in Melkiy bes (1995). Come and See is certified fresh at 89 % with an 8.6/10 critical average at Rotten Tomatoes.]

 

What do you think of Come and See? 

7/21/2024

Ilsa, She Wolf of the SS (1975) - Edmonds' notorious Nazisploitation sensation

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Promises of sensational sex and violence feature prominently on this no-holds-barred exploitative poster for Don Edmonds' Ilsa, She Wolf of the SS

In SS commandant Ilse's small concentration camp in Nazi-era Germany, women are rotting their lives away or getting trained in pain to be prepared as prostitute slaves for the German soldiers, while the male prisoners are used - and castrated. But a rebellion smoulders ...


Ilsa, She Wolf of the SS is written by Jonah Royston (The Starlost (1973, TV-series)) and John C.W. Saxton (Blackout (1978)) and directed by Don Edmonds (Wild Honey (1972)).

This sensationalistic and entirely sleazy and tasteless film is elevated by good camera-work (cinematography by Glenn Roland (First Strike (1984))) and a thoroughly sadistic performance by Dyanne Thorne (Hellhole (1985)) as the title character. The story is titillating (for the right audience) and the tension builds slowly despite possible confusion as to who is supposed to be the 'hero' of the tale.

 

 

Watch a clip from the film here

 

Cost: Unknown, projected 100k $

Box office: Unknown, projected 5 mil. $

= Uncertain but likely a mega-hit (projected return of 50 times its cost)

[Ilsa, She Wolf of the SS premiered in January (Boston) and runs 96 minutes. The story is loosely inspired by the Buchenwald camp commander's wife Ilse Koch, who was imprisoned following WWII for her crimes. Shooting took place in Los Angeles, California on the left-over set from Hogan's Heroes (1965-71), which the production was allowed to use on the condition that they demolish it after. The film was released to derisive reviews, bans in Australia, Germany and Norway, - and thunderous audience interest. Regrettably the gross numbers are not public information, but they were likely huge: The film sold 186,204 tickets in the small market of Denmark, one of its relatively few markets, coming to approximately 400k $. It may well have grossed more than 5 mil. $. It inspired three sequels, all with Thorne, and none that logically made sense in relation to each other, the first one being Ilsa, Harem Keeper of the Oil Sheiks (1976), which was Edmonds' return. Thorne first returned in The Swinging Barmaids (1975). Ilsa, She Wolf of the SS is rotten at 36 % with a 4.60/10 critical average at Rotten Tomatoes.]


What do you think of Ilsa, She Wolf of the SS?

5/11/2024

Indiana Jones and the Last Crusade (1989) - The nostalgic last of the 'original' Indy movies

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Striking new and familiar characters and thrilling situations are teased on this expert poster for Steven Spielberg's Indiana Jones and the Last Crusade

It is 1938, and Indiana Jones' estranged father has gone missing in a search for the Holy Grail. Up against the ruthless Nazis once again, Indiana must save his father and obtain the Grail.

 

Indiana Jones and the Last Crusade is written by Jeffrey Boam (The Phantom (1996)), with George Lucas (American Graffiti (1973)) and Menno Meyjes (The Siege (1998)) contributing story elements, and directed by Ohioan master filmmaker Steven Spielberg (The Sugarland Express (1974)), whose 10th feature it is. It is the 3rd in the Indiana Jones franchise.

The weakest in the 'original trilogy' in my opinion, Last Crusade is still a terrific adventure film. Many have expressed that its strength is its father/son story-line and the scenes of Harrison Ford (Indiana Jones and the Dial of Destiny (2023)) and Sean Connery (The League of Extraordinary Gentlemen (2003)) in this capacity. I would only partially agree: Although Connery - and Denholm Elliott (Keys to Freedom (1988)) as another endearing geezer, the character Marcus Brody, - are good fun, I still think that Ford's interplay with Karen Allen (in Raiders of the Lost Ark (1981)) and Kate Capshaw (in Indiana Jones and the Temple of Doom (1984)) is more potent.

The pace is decreased, especially from the wonderfully hectic Temple of Doom, but there are many fun moments along the way. Best, however, may be the opening minutes, which introduces us to Indiana Jones as a boy, in the guise of the fantastic River Phoenix (Little Nikita (1988)), in a fabulous sequence on horseback and circus train (!) across the gorgeous Utah plains.

 

Related posts:

Indiana Jones franchise: Indiana Jones and the Temple of Doom (1984) - The ultimate thrill ride for a child (and many adults too!) 

Raiders of the Lost Ark (1981) - Spielberg reasserts himself with tremendous boyish adventure
Steven Spielberg: The Fabelmans (2022) or, My Wonderful Upbringing

2017 in films - according to Film Excess [UPDATED I]
The Post (2017) - Spielberg returns to mastery with a thrilling salute to the virtues of real, critical, brave journalism
2012 in films and TV-series - according to Film Excess [UPDATED V]

Lincoln (2012) - Spielberg's inspiring presidential portrait stands tall 
War Horse (2011) - Spielberg visits WWI with problematic horse drama  

The Adventures of Tintin/The Adventures of Tintin: The Secret of the Unicorn (2011) - Affinities for Tintin, earlier Spielberg and film will decide your experience of this 3D mo-cap adventure
Super 8 (2011) - Abrams' nostalgic family crowdpleaser (producer)

The 2000s in films and TV-series - according to Film Excess 

2005 in films and TV-series - according to Film Excess [UPDATED I] 

2005 in films and TV-series - according to Film Excess 

Munich (2005) - Spielberg wrings a brilliant spy thriller from fraught real-life massacre and its aftermath

Top 10: Best HBO titles 

2001 in films and TV-series - according to Film Excess 
Band of Brothers - TV mini-series (2001) - WWII-sacrifice and -comradeship portrayed with skill and integrity (producer) 

Top 10: Best future-set movies 
A.I. Artificial Intelligence (2001) - A robot fairy tale with both heart and mind
Amistad (1997) or, Must... Free... Slaves! 

Hook (1991) - Arr, Spielbergian folly 
Empire of the Sun (1987) - Spielberg's grand production of boy-in-China-during-WWII is a misfire

The Goonies (1985) - Sweet child performances drive Donner's beloved, uneven adventure (story)  

Indiana Jones and the Temple of Doom (1984) - The ultimate thrill ride for a child (and many adults too!)
Twilight Zone The Movie (1983) - Fear takes many forms in tragedy-struck anthology

Top 10: Best family movies reviewed by Film Excess to date 
E.T. the Extra-Terrestrial (1982) - Spielberg's greatest accomplishment

Raiders of the Lost Ark (1981) - Spielberg reasserts himself with tremendous boyish adventure 
1941 (1979) - Spielberg's bizarre 'comedy spectacular' sinks like a rock  

Top 10: Best car chases in movies reviewed by Film Excess to date
Duel (1971) - Spielberg's truck terror is ideal afternoon fare

 




Watch a trailer for the film here


Cost: 48 mil. $

Box office: 474.2 mil. $

= Mega-hit (returned 9.87 times its cost)

[Indiana Jones and the Last Crusade was released 24 May (North America) and runs 128 minutes. Several story-lines were developed into scripts before getting thrown out in the years leading up to the production for various reasons. Ford was paid 4.9 mil. $ for his performance in the film. Shooting took place from May - September 1988 in England, including in London, Jordan, Spain, Italy, Germany, California, including in San Francisco, Utah, Texas, Colorado and New Mexico. The film opened #1 to a 29.3 mil. $ first weekend in North America, where it stayed #1 for another weekend and spent another 5 in the top 5 (#2-#2-#4-#5-#5), grossing 197.1 mil. $ (41.6 % of the total gross). It was the highest-grossing film of the year globally but the 2nd highest-grossing of the year in North America, behind Batman, selling approximately 49 mil. tickets domestically. It was nominated for 3 Oscars, winning for Best Sound Effects Editing. It lost Best Score (John Williams) to Alan Menken for The Little Mermaid and Best Sound to Glory. It was also nominated for 3 BAFTAs, a Golden Globe and a Grammy, among other honors. Roger Ebert gave it a 3.5/4 star review, translating to a notch over this one. IMDb's users have rated the film in at #117 on the site's Top 250, sitting between A Separation (2011) and Die Hard (1988). Indiana Jones returned in Indiana Jones and the Kingdom of the Crystal Skull (2008) with returning star and filmmakers. Spielberg first returned with Always (1989). Ford returned first in Presumed Innocent (1990); Connery in Family Business (1989). Indiana Jones and the Last Crusade is certified fresh at 84 % with an 8.00/10 critical average at Rotten Tomatoes.]


What do you think of Indiana Jones and the Last Crusade?

4/28/2024

Raiders of the Lost Ark (1981) - Spielberg reasserts himself with tremendous boyish adventure

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The wonderfully crafted poster with lots of details and the irresistible title art for Steven Spielberg's Raiders of the Lost Ark

Archeologist, teacher and adventurer Indiana Jones is briefed by US intelligence services that Nazis are searching for the mythical Lost Ark in Egypt, believing that it will make their army invincible. - But not if Jones finds it first!

 

Raiders of the Lost Ark is written by Lawrence Kasdan (Dreamcatcher (2003)), with Philip Kaufman (Rising Sun (1993)) and George Lucas (Star Wars: Episode VI - Return of the Jedi (1983)) contributing story elements, and directed by Ohioan master filmmaker Steven Spielberg (The Sugarland Express (1974)), whose 5th feature it is.

It is a pure breed of film, a rare experience in excitement, fun and imagination; thrilling, colorful and crammed with fantastical action sequences and magnificent music (score by John Williams (The Post (2017))), as well as unforgettable, charismatic performances by Harrison Ford (Ender's Game (2013)), Karen Allen (Year by the Sea (2016)) as Marion Ravenwood and Ronald Lacey (Valmont (1989)) as the ultra-evil German Toht. 

The scenes that will etch themselves into your memory for all their unique charms, ingenuity and general awesomeness are pretty much standing in line in Raiders of the Lost Ark.


Related posts:

Steven Spielberg: The Fabelmans (2022) or, My Wonderful Upbringing

2017 in films - according to Film Excess [UPDATED I]
The Post (2017) - Spielberg returns to mastery with a thrilling salute to the virtues of real, critical, brave journalism
2012 in films and TV-series - according to Film Excess [UPDATED V]

Lincoln (2012) - Spielberg's inspiring presidential portrait stands tall 
War Horse (2011) - Spielberg visits WWI with problematic horse drama  

The Adventures of Tintin/The Adventures of Tintin: The Secret of the Unicorn (2011) - Affinities for Tintin, earlier Spielberg and film will decide your experience of this 3D mo-cap adventure
Super 8 (2011) - Abrams' nostalgic family crowdpleaser (producer)

The 2000s in films and TV-series - according to Film Excess 

2005 in films and TV-series - according to Film Excess [UPDATED I] 

2005 in films and TV-series - according to Film Excess 

Munich (2005) - Spielberg wrings a brilliant spy thriller from fraught real-life massacre and its aftermath

Top 10: Best HBO titles 

2001 in films and TV-series - according to Film Excess 
Band of Brothers - TV mini-series (2001) - WWII-sacrifice and -comradeship portrayed with skill and integrity (producer) 

Top 10: Best future-set movies 
A.I. Artificial Intelligence (2001) - A robot fairy tale with both heart and mind
Amistad (1997) or, Must... Free... Slaves! 

Hook (1991) - Arr, Spielbergian folly 
Empire of the Sun (1987) - Spielberg's grand production of boy-in-China-during-WWII is a misfire

The Goonies (1985) - Sweet child performances drive Donner's beloved, uneven adventure (story) 
Twilight Zone The Movie (1983) - Fear takes many forms in tragedy-struck anthology

Top 10: Best family movies reviewed by Film Excess to date 
E.T. the Extra-Terrestrial (1982) - Spielberg's greatest accomplishment
1941 (1979) - Spielberg's bizarre 'comedy spectacular' sinks like a rock  

Top 10: Best car chases in movies reviewed by Film Excess to date
Duel (1971) - Spielberg's truck terror is ideal afternoon fare
 

 




 

Watch a trailer for the film here

 

Cost: 18-20 mil. $ (different accounts)

Box office: 389.9 mil. $

= Blockbuster (returned 20.52 times its cost)

[Raiders of the Lost Ark was released 12 June (North America) and runs 115 minutes. Spielberg was reportedly paid 1.5 mil. $ for directing, while Lucas got reportedly 2.5 mil. $ for his inputs, plus a gross percentage for Spielberg and a profit participation for Lucas, likely running into a huge multi-million dollar back-end payment for both. Ford was paid 5.9 mil. $ for his performance, while Alfred Molina received 2.5k $ per week. Shooting took place from June - September 1980 in England, France, Tunisia, Arizona, Hawaii and California, including in San Francisco. The film opened #1 to an 8.3 mil. $ first weekend in North America, where it climbed the charts again after a few weeks and regained #1 in its 6th week, spending most of the following 9 weeks at #1 and a total of 40 weeks in the Top 10. It was the highest-grossing film of the year, grossing 212.2 mil. $ in North America (54.4 % of the total gross). Several re-releases continued to increase the total gross, and VHS and later DVD and Blu-ray releases further grew the feature's amazing profitability. The film was nominated for 9 Oscars, winning 5; for Best Art Direction-Set Decoration, Sound, Editing, Visual Effects and a Special Achievement Oscar for Sound Effects Editing. It lost Best Cinematography (Douglas Slocombe (Nijinski (1980))) to Vittorio Storaro for Reds, Director to Warren Beatty for Reds, Score to Vangelis for Chariots of Fire and Picture also to Chariots of Fire. It also won 1/7 BAFTA nominations, was nominated for a César award, a Golden Globe, and won a Grammy and a National Board of Review award, among other honors. Roger Ebert gave it a 4/4 star review, translating to a notch over this one. The film spun a franchise with the next film, - with Ford, Spielberg and others returning, - being Indiana Jones and the Temple of Doom (1984). IMDb's users have rated the film in at #60 on the site's Top 250 list, sitting between Wall-E (2008) and The Lives of Others (2006). Spielberg first returned with E.T. the Extra Terrestrial (1982). Ford first returned in Blade Runner (1982). Raiders of the Lost Ark is certified fresh at 93 % with a 9.0/10 critical average at Rotten Tomatoes.]


What do you think of Raiders of the Lost Ark?

5/11/2022

Hamsun (1996) - Sydow towers in overlong biopic

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The two big Scandinavian stars are set against a handwritten page on this poster for Jan Troell's Hamsun

Norwegian national author and recipient of the Nobel prize for literature Knut Hamsun develops, with support from his alienated wife, from a nationalist to a Nazi in the period leading up to, during - and after - World War II, which comes with grave consequences for the two.

 

Hamsun is written by Per Olov Enquist (Pelle the Conqueror/Pelle Eroberen (1987)) and co-writer/director/co-cinematographer, Swedish master filmmaker Jan Troell (Here Is Your Life/Här Har Du Ditt Liv (1966)), whose 10th feature it is. It is an adaptation of Thorkild Hansen's (Coast of Slaves/Slavernes Kyst (1967)) non-fiction book Processen mod Hamsun (1978).

The deeply illusory, Norwegian madness that the couple live in in Hamsun is frustrating in a way that makes the viewer want to physically grab them and shake them out of their delusions. Max von Sydow (The Final Enquiry (2006)) is masterly and very credible here, whereas Ghita Nørby (Ulvetid (1981)) by his side seems to have troubles portraying the Nazi wife, and in my opinion Nørby lays too much of her sympathetic self into this part.

Hamsun is especially valuable for historically interested and for those interested in portrayals of troubled, great artists. It is a bit overlong: SPOILER Hamsun waits to die throughout the film, and in the end we also want it for him, if only so the whole ordeal would end. Hamsun is a serious but not emotionally overpowering film from Troell.

 

Related post:

 

1996 in films and TV-series - according to Film Excess

 




 

Watch a trailer for the film here

 

Cost: 40 mil. SEK, approximately 3.99 mil. $

Box office: Unknown

= Uncertain (but most likely a sizable flop)

[Hamsun was released 19 April (Norway) and runs 159 minutes. The film had been in development many years earlier but failed to find support in Norway due to its controversial topic. It was Danish company Nordisk Film's involvement that finally got Hamsun into production. Shooting took place in the Spring and Summer of 1995 in Norway, including in Oslo. The most expensive scene shot, in which Hamsun's wife Marie witnesses the sinking of the German cruiser Blücher in Oslo Fjord in 1940, was eventually cut from the film. 147,148 paid admission to the film in Denmark, one of its 4 co-producing countries (the other being Norway, Sweden and Germany). It made 50k $ in North America, where it debuted #24 to a 7k $ first weekend in 1 theater. Other release details are regrettably scarce, and this makes it impossible to determine its theatrical status, though I suspect it was a sizable flop. It won a Robert (Danish Oscar) and 4 Guldbagge (Sweden's Oscar), among other honors. It became Denmark's Oscar entry of the year but did not get nominated. Troell returned with 2 documentaries and a documentary short prior to his theatrical return with Så Vit Som En Snö (2001). Sydow returned in Jerusalem (1996); Nørby in Bryggeren (1997, miniseries) and theatrically in Sekten (1997). 1.6k+ IMDb users have given Hamsun a 7.2/10 average rating.]


What do you think of Hamsun?

1/13/2022

The Heroes of Telemark (1965) - Excitement abounds in boy's dream K. Douglas war adventure

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A fabulous painted poster full of scenes of drama and action for Anthony Mann's The Heroes of Telemark


The story of how the German lead on the nuclear front during World War II in their hydro plant in Norway was stopped in the last second by Norwegian resistance fighters and British soldiers.

 

The Heroes of Telemark is written by Ben Barzman (Oasis (1955)), Ivan Moffat (Giant (1956)) and Harold Pinter (Reunion (1989)), based on the novels Skis Against the Atom (1953) by Knut Haukelid and But for These Men (1962) by John Drummond, and directed by Anthony Mann (Dr. Broadway (1942)).

Kirk Douglas (Spartacus (1960)) is a fantastic scientist/old pig here, who only thinks of himself, but who (of course) transforms into the greatest hero of the Telemark nonetheless. (Telemark is a region in Southern Norway.) As a Norwegian he is, naturally, incredibly unbelievable, and his greased-up hairdo doesn't move a quarter of an inch throughout the truth-based action adventure.

At one moment black and white footage of planes are placed in the film in what comes off as a silly ploy. But otherwise this is a highly thrilling war movie in the vein of The Guns of Navarone (1961) and Where Eagles Dare (1968). It may be second to those films, but The Heroes of Telemark has a rare and exciting cross-country skiing chase that puts the nerves on alert!

 

Related posts:

Anthony Mann: El Cid (1961) - Charlton Heston unites Spain in Mann's glorious epic 

Cimarron (1960) - A fine epic western settler adaptation 

 



 


Watch a trailer for the film here

 

Cost: 5-5.6 mil. $ (different reports)

Box office: 1.65 mil. $ (North-American rentals; according to Variety, 1967)

= Uncertain

[The Heroes of Telemark premiered 23 November (London) and runs 130 minutes. Shooting took place from November 1964 - ? in England and Norway, including in Oslo. The North-American rental gross listed above says little about the actual box office gross. The film was among the 15th highest-grossing of the year in the UK. William Darby's Anthony Mann biography records that the film made "modest box office business". Mann returned with A Dandy in Aspic (1968). Douglas returned in The Lucy Show (1966, TV-series) and theatrically in Cast a Giant Shadow (1966); Richard Harris (Ravagers (1979)) in The Bible: In the Beginning... (1966). 7.1k+ IMDb users have given The Heroes of Telemark a 6.5/10 average rating.]

 

What do you think of The Heroes of Telemark? 

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)