Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label Jean Dujardin. Show all posts
Showing posts with label Jean Dujardin. Show all posts

9/23/2020

An Officer and a Spy/J'Accuse (2019) - Polanski's sober historical drama of scandal and principles

♥♥♥♥


+ Best Historical Drama of the Year + Best Huge Flop Movie of the Year


Two uniformed army men in old-time France stand face to face on this poster for Roman Polanski's An Officer and a Spy


In 1894 a swift military court condemns Jewish captain Dreyfuss as a traitor and sends him to reclusion for life on Devil's Island, relying on the scrambled evidence gathered by an intelligence director ill with syphilis. His replacement digs deeper and discovers that a miscarriage of justice has occurred.

An Officer and a Spy is written by Robert Harris (Fatherland (1994, TV movie), based on his novel), adapting his own same-titled 2013 novel, and French/Polish master co-writer/director Roman Polanski (Knife in the Water/Nóz w Wodzie (1962)), whose 22nd feature it is.
The film may well become the last in the master filmmaker's body of work, as he is 87 years now and just about castigated from today's moralistic, blood-thirsty film community for his 1977 sex case (he pleaded guilty to unlawful sex with a minor in Los Angeles, 13 year-old Samantha Geimer, but fled punishment). The film is not among Polanski's career's tallest achievements, but as a historical drama about one of the most talked about scandals in modern Western history, An Officer and a Spy is sober, well-made and fully engaged. But the sad implicit context - that Polanski feels similar to the wrongfully convicted, disgraced Dreyfuss, - cannot but leave an invisible shadow over An Officer and a Spy.
Jean Dujardin (Ca$h (2008)) is superb as the admittedly antisemitic Picquart, who comes to lead the small Paris intelligence bureau and champion the effort to establish the actual truth - and exonerate Dreyfuss. His fencing duel with his antagonistic right-hand man Henry (a great Grégory Gadebois (Goodbye Morocco (2012))) is terrific. Louis Garrel (Love Songs/Les Chansons d'Amour (2007)) portrays the vulnerability and agony of the 'wrong man' convictee, Dreyfuss with fervor and empathy. And Emmanuelle Seigner (Giallo (2009)) is exquisite as Picquart's secret love.
The serious approach by Harris/Polanski is far from the vivid plot game of their previous collaboration, thriller masterpiece The Ghost Writer (2011), leaving little room for Alexandre Desplat's (Unbroken (2014)) classical Polanski-style score. An Officer and a Spy is especially for those historically interested audiences and plays out like a 19th century-set John le Carré novel, but its themes of treason, lies, deceit, a conspiracy in the intelligence and military top, as well as prejudice, racial hatred and injustice are as relevant today as they were in the 1890s.

Related posts:

Roman Polanski:
2019 in films - according to Film Excess [UPDATED I] 

2011 in films - according to Film Excess
Carnage (2011) - Polanski castigates modern parents in great play adaptation
2010 in films and TV-series - according to Film Excess  

The Ghost Writer/The Ghost (2010) - A master at work 
Chinatown (1974) - Polanski's masterpiece 

Film Excess' 7th birthday movie masterpiece: The Fearless Vampire Killers/Dance of the Vampires (1967) - Witness Polanski's incredible, underrated Gothic horror comedy 
Cul-de-Sac (1966) - Edge-of-the-world island tale meanders at times, but is ultimately a winner  

Two Men and a Wardrobe/Dwaj Ludzie z Szafą (1958, short) - Polanski's remarkable, surreal short






Watch a trailer for the film here

Cost: 24-28 mil. $ (different reports)
Box office: 18.8 mil. $ and counting
= Too early to say for sure, but looks like a huge flop (has returned around 0.78 times its cost for now)
[An Officer and a Spy premiered 30 August (Venice Film Festival) and runs 132 minutes. No less than 15 companies and governmental and European support bodies were involved in the financing and production of the film. Filming was scheduled for 2014 in Warsaw, Poland, when Polanski's sex case came in the way, as Poland officially deliberated whether they would extradite him to face justice in the US. Shooting with a lavish 60 mil. € budget in Paris in 2016 was also delayed due to the unavailability of a star. Shooting eventually took place in France, including Paris, from November 2018 - March 2019. The film is not set to release in North America, where distributors are wary of offending the politically correct in power, as well as the masses, who oppose Polanski, - and the demand for this type of film is regrettably likely small there in any case. The release has also been ruined by the China-virus pandemic. Its 3 biggest markets to date are France with 11.9 mil. $ (63.3 % of the total gross to date), Italy with 3.7 mil. $ (19.7 %) and Spain with 1.3 mil. $ (6.9 %). The film won 3/12 César award nominations, is nominated for a David di Donatello award, 4 European Film awards, and won 4 prizes in Venice, among other honors. Polanski does not have an announced next film. Dujardin returns in OSS 117: Alerte Rouge en Afrique Noire (2021). An Officer and a Spy is fresh at 77 % with a 6.80/10 critical average at Rotten Tomatoes.]

What do you think of An Officer and a Spy?

10/02/2013

The Artist (2011) - Hazanavicius' magical french-kissing with Old Hollywood

♥♥♥♥♥♥

2 Time Film Excess award winner:

Best Actress: Bérénice Bejo
Best Editing: Anne-Sophie Bion, Michel Hazanavicius

8 Time Film Excess nominee:


Best Film (lost to The Descendants)
Best Director: Michel Hazanavicius (lost to Agnieszka Holland for In Darkness)
Best Actor: Jean Dujardin (lost to Jack Black for Bernie)
Best Actress: Bérénice Bejo (won)
Best Supporting Actor: John Goodman (lost to Michael Shannon for Boardwalk Empire S2)
Best Cinematography: Guillaume Schiffman (lost to Phedon Papamichael for The Descendants)
Best Editing: Anne-Sophie Bion, Michel Hazanavicius (won)
Best Score: Ludovic Bource (lost to Cliff Martinez for Drive) 

+ 2nd Best Movie of the Year
+ Best Los Angeles Movie of the Year  
+ Best B/W Movie of the Year  
+ Best Music Movie of the Year 
+ Best Dog Movie of the Year 
+ Best Mega-hit Movie of the Year

Old-timey movie romance is promised on the elegant, mostly black poster for Michel Hazanavicius' The Artist


Hollywood silent movie star George Valentin is the grand darling of the audience of his day, when he loans some stardust to a young hopeful girl, who is then established as Tinseltown's new sensation, Peppy Miller. But when sound (in films) really conquers the town in 1929, Valentin is suddenly ditched as an old sock and vanishes for his own personal downfall.

This romantic silent comedic drama that's both silent and in B/W took the world by storm in 2011 and was beloved everywhere for its immediate and universally appealing qualities. The Artist is packed with silent and 'talkie' film references and is formed as a tribute to the fantastic, silent Hollywood-shenanigans and cinematic techniques. The film's main origin is French, which is curious, too. Hollywood-enamored Frenchmen also came up with the 'film noir' term for particular American films from the 40s and 50s, which has become integrated film vernacular.
The entire film is even shot in the old 4:3 format, and it sticks vehemently to its denial of diegetic sound, talking and color. It was shot entirely in Hollywood in splendid B/W-attuned photography by Guillaume Schiffman (The Search (2014)).
The inventiveness and enthusiasm in storytelling characterizes virtually every scene in the film; the acting between leads Jean Dujardin (Welcome to the Roses/Bienvenue chez les Rozes (2003)) and Bérénice Bejo (The Great Role/Le Grand Rôle (2004)), and supporting Americans actors such as John Goodman (Red State (2011)) and James Cromwell (Citizen Baines (2001, TV-series)) and British Malcolm McDowell (The Gardener (1998)), is infectious in its emotional intensity and serenity. SPOILER Particularly the scene in which Valentin is burning his films and is saved by his dog is moving and unforgettable for any audience-member to The Artist.
The all-around marvel that is The Artist reminds us of the construction of films, how they're made, and why we love them. It is written and directed by French master filmmaker Michel Hazanavicius (Mes Amis (1999)), whose 4th feature it is.

Related posts:

Michel Hazanavicius: Top 10: Best Hollywood-set movies

Top 10: Best French movies

2011 in films and TV-series - according to Film Excess [UPDATED III]
2011 in films and TV-series - according to Film Excess [UPDATED II]
Top 10: The best big hit movies reviewed by Film Excess to date 
2011 in films and TV-series - according to Film Excess [UPDATED I] 
2011 in films - according to Film Excess




 



Watch a trailer for the film here

Cost: 15 mil. $
Box office: 133.4 mil. $
= Mega-hit (returned 8.89 times its cost)
[The Artist premiered 15 May (Cannes Film Festival) and runs 100 minutes. Writing took 4 months, inspired in particular by the film Show People (1928). Shooting took place in California, including Los Angeles, for 35 days from October - November 2010. Dujardin and Bejo spent 5 months learning tap dancing for the film's closing scene. The film opened #28 to a 204k first weekend in 4 theaters in North America, where it peaked at #11 and in 1,756 theaters, grossing 44.6 mil. $ (33.4 % of the total gross). The 2nd and 3rd biggest markets were France with 26.2 mil. $ (19.6 %) and the UK with 15.7 mil. $ (11.8 %). It was nominated for 10 Oscars, winning 5: For Best Picture, Actor (Dujardin became the first French actor to win the honor), Director, Costume Design and Score (Ludovic Bource (OSS 117: Lost in Rio/OSS 117: Rio ne Répond Plus (2009))). It lost Best Actress (Bejo) to Meryl Streep for The Iron Lady, Original Screenplay to Woody Allen for Midnight in Paris, Cinematography to Robert Richardson for Hugo, Art Direction also to Hugo and Editing to The Girl with the Dragon Tattoo. It also won 3/6 Golden Globes, 7/12 BAFTA nominations, an AFI award, 2 prizes in Cannes, 6/10 César award nominations, was nominated for a David di Donatello award, 1/5 European Film award nominations, 4/6 Independent Spirit award nominations, was nominated for a Grammy, a National Board of Review award, among many other honors. Roger Ebert gave the film a 4/4 star review, in line with this review. Hazanavicius returned with a segment in The Players/Les Infidèles (2012) and with his own feature with The Search (2014). Dujardin returned in Touch of Evil (2011, short), Saturday Night Live (2012, TV-series) and theatrically in The Players; Bejo in Populaire (2012). The Artist is certified fresh at 95 % with an 8.82/10 critical average at Rotten Tomatoes.]

What do you think of The Artist?

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)