Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label Elsebeth Steentoft. Show all posts
Showing posts with label Elsebeth Steentoft. Show all posts

9/20/2018

A Fortunate Man/Lykke-Per (2018) - Smed is terrific in August's magnificent production, though haunted by miniseries structure

♥♥♥

+ Best Shooting Star Actor of the Year: Esben Smed

The sensational romance at the film's heart is the center for this erotic poster for Bille August's A Fortunate Man

Peter Andreas is a young man with an uncommon drive, ambition and contempt for his Christian family, as he takes a small room in Copenhagen in the late 19th century and intensifies his engineer studies, pushing forth a revolutionary project for Jutland.

A Fortunate Man is written by Anders Frithiof August (Key House Mirror/Nøgle Hus Spejl (2015)) and Danish master co-writer/director (and father of his co-writer), Bille August (Pelle the Conqueror/Pelle Erobreren (1987)), adapting the 8 (!) classic, semi-autobiographical Lykke-Per novels (1898-1904) from Henrik Pontoppidan (De Dødes Rige I-II (1917).
A Fortunate Man is a marvelous experience for someone with a penchant for grand period dramas and 19th century adaptations. The production is exquisite, never boastful but impressive and lovely in its portrayal of old Copenhagen, the Danish countrysides as well as trips to Austria and Germany. Falling into this world of yore is a treat.
Esben Smed (Denmark 92/Sommeren '92 (2015)) leads the film impressively. He is great as the complex Peter, whose surroundings name him 'Lykke-Per', meaning a fortune-seeker, a man who is led by his towering ambitions, ruthlessness and arrogance. He is also, perhaps, and at least in his own mind, a genius. And a very handsome character in Smed's figure. He succeeds in making Peter's rise and fall seem probable and natural.
Surrounding Smed is an ensemble of fine Danish actors: Especially joyous is it to have funny-men Tommy Kenter (The Passion of Marie/Marie Krøyer (2012)) and Rasmus Bjerg (Nothing's All Bad/Smukke Mennesker (2010)) in serious roles as patriarchs stunted by youthful passion, but also Elsebeth Steentoft (Small Town Killers/Dræberne fra Nibe (2017)) is formidable as Peter's mother. Good performances also flow from Julie Christiansen (While We Live/Mens Vi Lever (2017)), Tammi Øst (The Woman Who Dreamed About a Man/Kvinden Der Drømte Om en Mand (2010)), Claus Flygare (Danny's Doomsday/Dannys Dommedag (2014)), Jens Albinus (Portland (1996)), Paul Hüttel (1864 (2014), miniseries) and Katrine Rosenthal (Kursk (2018)) SPOILER as the tremendously big-hearted, intelligent Jewish Jacobe, whom Peter seduces and later ditches, when his immature focus shifts back to his Jutlandic roots.
The film is sometimes funny, involving and romantic, SPOILER but it loses its shape, as Peter makes his radical move away from Copenhagen and his betrothed, who, unknown to him, is carrying his child. A Fortunate Man has epic length, but it feels more like a miniseries, as this shift occurs at such a natural place to end a long and fine film. Indeed A Fortunate Man is also envisioned to serve as an elongated miniseries on Danish TV shortly after its theatrical release, and this commercially dictated logic, which broadens the audience and therefore the revenue for the project, doesn't serve the film well. Unfamiliar with Pontoppidan's novels, A Fortunate Man's last act makes us very aware that the story is vast, and that August's wrapping up of it is somewhat haphazard.
SPOILER Peter starts a family in Jutland and abandons them in favor of strange solitude, while managing to gather considerable funds, (we don't learn exactly how.) Smed's attractive, boyish looks also clash somewhat with his seemingly having become much older.
A Fortunate Man is a fine film and treat, not least for Danes, but it should have been a two-parted film, and it is the latter part of the story that seems raced through here, as August speeds up to get to the finishing drone shot of Peter, alone and awaiting death in the 
Jutlandic heath landscape.

Related posts:

2018 in films - according to Film Excess [UPDATED I]
2018 in films - according to Film Excess






 Watch a trailer for the film here, without English subtitles regrettably

Cost: 55 mil. DKK, approximately 8.6 mil. $
Box office: Unknown - but likely not exceeding 20 mil. DKK yet
= Still uncertain - but so far a theatrical mega-flop
[A Fortunate Man premiered 20 August (Jutland, Denmark) and runs 162 minutes. A newly formed Public Service fund supported the production with 22 mil. DKK. 1 mil. DKK came from Den Vestdanske Filmpulje, requiring some shooting to take place in Fyen. Shooting took place in Denmark, including Copenhagen, and in Austria. The film has been well received in its production country Denmark, where 218k have paid admission to it so far. Unfortunately the film is part of 'Biografklub Danmark', which means that a large portion of the audiences pay only half price for admission. The miniseries version is to be shown on Danish TV2 at a later date. The film is shortlisted as one of three candidates to become the Danish Oscar bid of the year. August is set to return with Danish-Italian The Emperor of Dreams: Gianni Versace and Belgian A War of Their Own, both only announced. Smed returns in Ditte & Louise (2018), Rosenthal in Kursk (2018). 235 IMDb users have given A Fortunate Man a 7.8/10 critical average at Rotten Tomatoes.]

What do you think of A Fortunate Man?

11/19/2016

Teddy Bear/10 Timer til Paradis (2012) - Matthiesen's little gem of intercontinental romance

♥♥♥♥

 

The original Danish poster for Mads Matthiesen's Teddy Bear has a lovely photo from a beach in Thailand

 

Lonely bodybuilder Dennis of age 35 leaves his mother, whom he lives with in Rødovre, Denmark, to go on a trip by himself to Thailand to find himself a girlfriend.


Kim Kold (Fast & Furious 6 (2013)) is deeply sympathetic as Dennis, and Elsebeth Steentoft (Klown/Klovn: The Movie (2010)) and Lamaiporn Sangmanee Hougaard as his mother and new-found love are also very good.

Teddy Bear is a finely observed, underplayed, pleasant film. Its more poetic and better original title translates to '10 hours till paradise'. The depiction of the tyrannical mother opposite the good Dennis is a bit one-sided but it doesn't hurt the film much overall. It is written by Martin Zandvliet (The Model (2016)) and co-writer-director Mads Matthiesen (The Model) as his auspicious feature debut, based on his short Dennis (2007), also starring Kold as Dennis.





Matthiesen and Kold give an interview about the film at Sundance here


Cost: Unknown

Box office: Unknown

= Unknown (but likely a huge flop)

[Teddy Bear premiered January 22 (Sundance) and runs 93 minutes. It was filmed in Denmark and Thailand. The film was released for 3 weeks in North America, where it topped at #76 in 2 theaters and grossed 16k $. Its only other publicized gross is in Poland, where it made 5k $. In its native Denmark, it sold 27,077 tickets, equal to approximately 270k $. These numbers together make it likely that the film should count as a huge flop theatrically at least. The film won the World Cinema - Drama directing award at Sundance. Teddy Bear is fresh at 93 % with a 7.6 critical average at Rotten Tomatoes.]


What do you think of Teddy Bear?

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)