Hello, Dolly! (1969) - Effervescent, grand musical entertainment from some of the greats

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A very late 1960s and supremely stylish poster for Gene Kelly's Hello, Dolly!

Dolly Levi is an effervescent widow who can afford just about anything. For her own future she targets the wealthy merchant of Yonkers, Mr. Vandergelder.

 

Hello, Dolly! is written and produced by Ernest Lehman (The Sound of Music (1965)), based on the same-titled 1964 Broadway play by Michael Stewart (Bring Back Birdie (1981)), which in turn was based on Thornton Wilder's (The Merchant of Yonkers (1938)) play The Matchmaker (1954). It is directed by Pennsylvanian master filmmaker Gene Kelly (On the Town (1949)), whose 9th feature it was.

Barbra Streisand (The Mirror Has Two Faces (1996)) is radiant comically, musically and motion-wise (as well as erotically) as never before in the festive title role, and Walter Matthau (Charade (1963)) is formidably funny as the square Vandergelder. With tremendous guys as Vandergelder's underlings, his clerks (in particular the young Danny Lockin (Gypsy (1962)) is irresistible), as well as Joyce Ames (The Todd Killings (1971)) and Tommy Tune (The Boy Friend (1971)) as the in-love Ermengarde and Ambrose and flyingly fresh and keen dialog. Perhaps the length stretches a bit comfortably, but a musical lover can't but fall in love with this grand, beautifully photographed (by Harry Stradling Sr. (Island of Love (1963))) master class. The costumes, which has the elegant meeting the gaudy in a whirl of colors, and the dance acts, - along with a couple of the songs, - simply don't come more attractive or impressive.

 

 

Watch a trailer for the film here

 

Cost: 25.3 mil. $

Box office: 33.2 mil. $ (North America alone)

= Uncertain, likely even

[Hello, Dolly! was released 16 December (USA) and runs 146 minutes. Streisand was paid 750k $ for her performance; Matthau 500k $. Shooting took place from April - August 1968 in Pennsylvania, New York and in Los Angeles, California. The release was delayed due to a contractual issue that it would not be allowed release before the Broadway show of Hello, Dolly! ended. Fox eventually paid 1-2 mil. $ to secure a release before the contract had stated. The film opened #3, behind On Her Majesty's Secret Service and Easy Rider, in North America, where it grossed 33.2 mil. $, making it one of the year's 5 highest-grossing films domestically. The film reportedly earned Fox 26 mil. $ globally, - enough that it ranks here as 'even' or 'box office success' status, but reportedly still incurring a 10 mil. $ loss for the studio, likely due to big marketing and print expenses which are not calculated into the theatrical status of a film's performance here. The film was nominated for 7 Oscars, winning 3: For Best Art Direction/Set Decoration, Sound and Musical Picture Score (Lennie Hayton (The Virginian (1963, TV-series)) and Lionel Newman (The Pleasure Seekers (1964)). It lost Best Cinematography to Conrad L. Hall for Butch Cassidy and the Sundance Kid, Costumes to Anne of the Thousand Days, Editing to Z and Picture to Midnight Cowboy.  The film was also nominated for 3 BAFTAs and 5 Golden Globes, among other honors. Kelly returned with The Cheyenne Social Club (1970). Streisand returned in On a Clear Day You Can See Forever (1970); Matthau in A New Leaf (1971); and Michael Crawford (Condorman (1981)) in The Games (1970). Hello, Dolly! is rotten at 45 % with a 6.00/10 critical average at Rotten Tomatoes.]

 

What do you think of Hello, Dolly!?

The Guilt Trip (2012) - Rogen/Streisand buoy low-fuel road dramedy

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Barbra Streisand pinches Seth Rogen's cheek in a car on this poster for Anne Fletcher's The Guilt Trip

A physicist inventor plans a pitching trip through several American states, and when he learns that he was named after his mother's great lost love, who resides in San Francisco, he invites her to join him on the trip.

 

The Guilt Trip is written by Dan Fogelman (Tangled (2010)) and directed by Anne Fletcher (Step Up (2006)).

As you may realize from the plot outline above, this film's title may be catchy, but it isn't very pertinent to the actual film, since it is curiosity and love more than guilt which fuels this trip. Barbra Streisand (The Owl and the Pussycat (1970)) and Seth Rogen (Neighbors (2014)) fit each other as mother and son like a glove, and her sweet and intrusive interference in his life reaps chuckles and is (for me at least) easily recognizable.

The Guilt Trip is a sweet and good-natured film, although it gets near to the inconsequential in nature; both its dramatic and humorous elements could have benefited from a gear or two more. Still the stars make up to some degree and make this an enjoyable pastime.

 

Watch a trailer for the film here

 

Cost: 40 mil. $

Box office: 41.8 mil. $

= Huge flop (returned 1.04 times its cost)

[The Guilt Trip was released 19 December (North America) and runs 95 minutes. The script was based on a real-life trip Fogelman took with his mother from New Jersey to Las Vegas. Shooting took place around May 2011 in Arizona, New Mexico, Memphis, Tennessee, Las Vegas, Nevada and in California, including Los Angeles. The film opened #6 to a 5.2 mil. $ first weekend in North America, where it grossed 37.1 mil. $ (88.8 % of the total gross). The 2nd and 3rd biggest markets were Australia with 1.6 mil. $ (3.8 %) and the UK with 1.5 mil. $ (3.6 %). Fletcher returned with Hot Pursuit (2015). Streisand retired from acting again after the film; she has only since turned in a voice performance on an episode of Modern Family (2016); Rogen returned in 4 short and TV-series credits prior to his theatrical return in This Is the End (2013). The Guilt Trip is rotten at 37 % with a 5.10/10 critical average at Rotten Tomatoes.]

What do you think of The Guilt Trip?

What's Up, Doc? (1972) - Screwball comedy revived for a wonderful show

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Even the credits and poster work is brimming with spirit and right on the money for Peter Bogdanovich's What's Up, Doc?

Four highly important plaid overnight bags get mixed up in San Francisco around a musicologist doctor, who is in town with his fiancee Eunice to compete for a grant.

Barbra Streisand (Funny Girl (1968)) is the sprawling stranger who begins to impersonate the doctor's wife, hilariously played by master comedienne Madeline Kahn (Blazing Saddles (1974)). Ryan O'Neal (Barry Lyndon (1975)) is the very cute and confused Doc in the middle. Both Streisand and O'Neal look sweet as pie, and they also have great screen chemistry. They are sexy and funny in What's Up, Doc?, often at the same time.
But this is not merely a mix-up romcom, but also an homage to all the old, classic screwball comedies as made by Howard Hawks (Bringing Up Baby (1938)), Frank Capra (Arsenic and Old Lace (1944)), Preston Sturges (The Lady Eve (1941)) etc. in the high days of Old Hollywood. Gender-related mix-ups with gags of all kinds involved, it is a genre I have sometimes thought too silly to be really funny, but in great New York filmmaker Peter Bogdanovich's (Targets (1968)) able and very enthusiastic vision, I am laughing and rejoicing in the calamities again and again.
Great Hungarian cinematographer László Kovacs (Easy Rider (1969)) supplies great crips pictures, and Bogdanovich has cast an incredible supporting cast to one outrageously funny character after the other. It all concludes in a memorable and quite elaborate chase through San Francisco and then a court room scene that simply puts the capital H in Hilarity.
The Streisand character is especially cartoonish, deliberately, SPOILER and the film's ending pays appropriate homage to Warner Bros.' Looney Tunes.
What's Up, Doc? will make you laugh and make you happy and perhaps also a bit nostalgic. It is written by Buck Henry (Catch-22 (1970)), David Newman (Superman (1978)) and Robert Benton (Kramer vs. Kramer (1979)), based on Bogdanovich's story. It is one of my all-time favorite comedies and one that I can watch again and again and fall in love with all over every single time.
Bogdanovich is a somewhat under-appreciated American filmmaker and actor. He has made several good films, especially The Last Picture Show (1971), which, - on the other hand, - is an incredibly depressing film. He has also made many film documentaries, montages and books on filmmakers and actors. I just finished reading his Who the Hell's In It, which is an incredible joy to read for anyone who loves film and film stars. It features chapters on Bogdanovich's encounters/relationships with stars like John Wayne, Marlene Dietrich, James Stewart, James Cagney, Charlie Chaplin, Lillian Gish etc., including comments on their major achievements. - A great book from a great guy.

Related posts:

Peter Bogdanovich: Corman's World: Exploits of a Hollywood Rebel (2011) - Stapleton's Corman doc. is among the year's best films (interview subject) 
The Wild Angels (1966) - Young biker rebels deliver a counter-culture punch in Corman's hands (co-writer)

Watch the very unorthodox, unpretentious and funny trailer for the hilarious comedy, What's Up, Doc? here

Cost: 4 mil. $
Box office: 66 mil. $ + 3 mil. in 1973 re-run rentals (North America only)
= Mega-hit (returned at least 17.25 times the cost)
[What's Up, Doc? premiered 9 March (New York) and runs 94 minutes. It was shot in New Jersey and California, including Los Angeles and San Francisco, from August - December 1971. It became the 3rd highest grossing film of the year in North America, behind The Godfather and The Poseidon Adventure. The only international figure I have available is from Sweden, where the film was also a major hit with 1.1 mil. admissions there. The film's success closely tails the subsequent major hits Jaws (1975) and Star Wars: Episode VI - A New Hope (1977), said to have started the blockbuster term. The 1982 video release of the film garnered another 28.5 mil. $ in rentals. Bogdanovich returned with Paper Moon (1973). Streisand returned in Up the Sandbox (1972), O'Neal in The Thief Who Came to Dinner (1973). What's Up, Doc? is fresh at 90% with a 7.4/10 critical average on Rotten Tomatoes.]

What do you think of What's Up, Doc??