Eagerly anticipating this week ... (14-24)

Eagerly anticipating this week ... (14-24)
Ali Abassi's The Apprentice (2024)

3/29/2022

Belfast (2021) - Strong childhood memories become a fabulous film

 

Jude Hill is the boy running joyously brandishing a toy sword and a garbage can lid for a shield on this delightful poster for Kenneth Branagh's Belfast

Buddy is a 9 year-old boy in Belfast, Northern Ireland, whose friendships, family bonds and local anchoring comes into question, as the Troubles bring violence, hatred and chaos into his otherwise loving if hard-pressed family's lives.

 

Belfast is written and directed by Irish master filmmaker Kenneth Branagh (Henry V (1989)), who draws on his own Belfast upbringing and memories for the story. It is his 18th feature.

The cinematography, which mixes colors, - used in short, bookend style present day sequences and for pieces of escapist fiction enjoyed by the characters in the cinema and on the stage, (highlighting the magical power of imagination, fantasy and joyful escapism), - and black and white, by Haris Zambarloukous (Sleuth (2007)), is gorgeous: The film opens with fabulous snapshots of present-day Belfast, an impressive modern metropolis with awesome art landmarks and industry, and we then descend into the city as it was some 50 odd years earlier, a seemingly small-townish harmony, but one that is immediately broken by the advent of the Troubles. It is a powerful drop into this reality, and through the anchor of Jude Hill's (Magpie Murders (2022, TV-series)) vivacious Buddy we are at once aligned with him and his family's situation in Belfast.

Hill is impossible not to fall in love with and seems a natural actor. The film has terrific performances across the board: Caitriona Balfe (Money Monster (2016)) and Jamie Dornan (New Worlds (2014, miniseries)) are a ravishing couple and they have great chemistry. He looks like a leader but is in fact a loving father and husband who lets his wife have the last word, (an arrangement that's seen more often than not both in the past and present it seems.) The way they are both incomplete without the other is just a beautiful thing to behold. Their scenes of affection and deep love in the face of trials and hardships are mirrored in the grandparents played by Ciarán Hinds (Munich (2005)) and Judi Dench (Detective (1964, TV-series)), who is again amazing. Van Morrison (Lamb (1985)), also a Belfast native, has made a soulful and deeply moving score for the film, which has warmth, humor and nostalgia yet still maintains a fresh and potent immediacy.

Branagh may idealize here and exaggerate there, but only in small measures, and it is clear that these are essentially treasured boyhood memories, - a source that is always a matter of perspective, - which have been carefully elaborated into a feature film. There have been many films about the Troubles, but this is one boy's experience of the time and his community and family during that time. Belfast is a deeply poignant and encouraging piece of cinema and tightly edited, tremendous storytelling that deserves to be seen far and wide.

 

Related posts:

Kenneth BranaghTenet (2020) - Nolan blows smoke up your ass (actor)

Murder on the Orient Express (2017) - Branagh's star-studded Christie match is auspicious (director/co-star)

2017 in films - according to Film Excess [UPDATED I]
Dunkirk (2017) - Nolan champions cinema with masterful war movie (actor)
My Week with Marilyn (2011) or, The Prince, the Showgirl and Me (actor)

Harry Potter and the Chamber of Secrets (2002) - Potter and Co. return for handsome if overlong first sequel (co-star)
Celebrity (1998) or, Stars in New York (actor) 

 






 

Watch a trailer for the film here

 

Cost: 10-15 mil. $

Box office: 44.9 mil. $ and counting

= Box office success, possibly even a big hit (has returned between 2.99-4.49 times its cost)

[Belfast premiered 2 September (Telluride Film Festival) and runs 97 minutes. Branagh began work on the film in March 2020. Shooting took 7 weeks from September - October 2020 in Belfast, Northern Ireland and in London, England. The film opened #7 to a 1.7 mil. $ first weekend in North America, where it declined from there, grossing 9.2 mil. $ to date. The film's biggest market has been the UK with 19.9 mil. $ to date, especially from Ireland; North America the 2nd biggest, and then Australia with 3.2 mil. $ to date. The film has 1 market left to open in: Kazakhstan on 31 March. It was nominated for 7 Oscars, winning one, for Best Original Screenplay. It lost Best Picture to CODA, Supporting Actor (Hinds) to Troy Kotsur for CODA, Supporting Actress (Dench) to Ariana DeBose for West Side Story, Director to Jane Campion for The Power of the Dog, Sound to Dune and Original Song (Down to Joy by Van Morrison) to No Time to Die by Billie Eilish and Finneas O'Connell from No Time to Die. It won 1/6 BAFTAs, an AFI award, was nominated for 11 British Independent Film awards, won 1/7 Golden Globe nominations, 2 National Board of Review awards and many other honors. Branagh returned with Death on the Nile (2022). Dornan returned in The Tourist (2022, TV-series) and theatrically is set to return in Heart of Stone; Balfe in Outlander (2014-22) and theatrically yet to be announced. Belfast is certified fresh at 86 % with a 7.90/10 critical average at Rotten Tomatoes.]


What do you think of Belfast?

3/26/2022

Top 10: Best 'flop' rank movies

 


1. Donnie Darko (2001) - Richard Kelly

 

 

2. Let the Fire Burn (2013, documentary) - Jason Osder 

 

3. Citizen Kane (1941) - Orson Welles

 

 

4. Stan & Ollie (2018) - Jon S. Baird

 

 

5. The Great Beauty/La Grande Bellezza (2013) - Paolo Sorrentino  



6. Somewhere (2010) - Sofia Coppola

 

 

7. Black Snake Moan (2006) - Craig Brewer

 

 

8. Embrace of the Serpent/El Abrazo de la Serpiente (2015) - Ciro Guerra  

 


9. Far from Heaven (2002) - Todd Haynes



10. I Saw the Devil/악마를 보았다/惡魔를 보았다 (Agmareul boatda) (2010) - Kim Jee-Woon


Selected from 98 reviews labeled 'flop'

 

Previous Top 10 lists:

Best action movies reviewed by Film Excess to date
Best adapted movies reviewed by Film Excess to date
Best adventure movies reviewed by Film Excess to date
Best big flop movies reviewed by Film Excess to date
Best B/W movies reviewed by Film Excess to date
Best true story movies reviewed by Film Excess to date
Best big hit movies reviewed by Film Excess to date
Best biopic movies reviewed by Film Excess to date
Best 'box office success' movies reviewed by Film Excess to date
Best car chases in movies reviewed by Film Excess to date
Best comedies reviewed by Film Excess to date
Best cop movies reviewed by Film Excess to date        

Best crime movies reviewed by Film Excess to date         
Best debut movies reviewed by Film Excess to date     
Best Danish movies reviewed by Film Excess to date
Best Disney movies reviewed by Film Excess to date     

Best documentaries reviewed by Film Excess to date  
Best dramas reviewed by Film Excess to date  
Best drama-thrillers reviewed by Film Excess to date 
Best dramedies reviewed by Film Excess to date

Best drug-themed movies reviewed by Film Excess to date 

Best UK movies reviewed by Film Excess to date

Best epic movies reviewed by Film Excess to date  

Best erotic movies reviewed by Film Excess to date 

Best family movies reviewed by Film Excess to date 

Best fantasy movies reviewed by Film Excess to date 

Best films about filmmaking 

Best first-of-franchise movies


What do you think of the list?
Which flop movies would make your personal Top 10?

3/25/2022

Home Alone (1990) - Columbus, Hughes, Culkin and co. take Christmas and home defense to the next level

 

The charm and instant likability of Macauley Culkin sells the whole movie on this poster for Chris Columbus' Home Alone

Kevin McCallister's monstrously large family forget him in Chicago, when they head off for Christmas in Paris; meanwhile two mean crooks plan a mass-burglary scheme in their neighborhood!

 

Home Alone is written by John Hughes (Pretty in Pink (1986)) and directed by great Pennsylvanian filmmaker Chris Columbus (Adventures in Babysitting (1987)).

Macauley Culkin's (Richie Rich (1994)) charm and talent as a performer makes this otherwise somewhat grotesque film a celebration of entertainment for all ages, and particularly for the young. The slapstick humor that becomes dark comedy strikes some, but it is funny!

Joe Pesci (Raging Bull (1980)), Daniel Stern (Viva Las Nowhere (2001)), John Candy (Splash (1984)) (hilarious as the leader of a polka band that Kevin's mother comes into contact with) and Roberts Blossom (Always (1989)) as Marley, the old next-door neighbor are also terrific. Probably unintentionally the Home Alone films also show that meaning is best found outside of the family bonds, a point which I rather like. This is especially because Kevin's family is so awful, and his parents so negligent and stressed out as to virtually prick adult viewers in their eyes.

Home Alone is wildly unrealistic. - But jump on anyway. This wacky contraption is a ball!

 

Related posts:

 

Home Alone franchise: Home Alone 2: Lost in New York (1992) - The coolest kid in the world incites kiddie bellylaughs once again

Chris ColumbusHarry Potter and the Chamber of Secrets (2002) - Potter and Co. return for handsome if overlong first sequel

Top 10: Best family movies reviewed by Film Excess to date

Top 10: Best dramedies reviewed by Film Excess to date 
Mrs. Doubtfire (1993) - Columbus and Robin Williams score with a truly great family jewel

Home Alone 2: Lost in New York (1992) - The coolest kid in the world incites kiddie bellylaughs once again 

The Goonies (1985) - Sweet child performances drive Donner's beloved, uneven adventure (writer)
Gremlins (1984) - Dante's 1980s puppetry classic (writer)

 






 

Watch a trailer for the film here

 

Cost: 18 mil. $

Box office: 476.6 mil. $

= Blockbuster (returned 26.47 times its cost)

[Home Alone premiered 10 November (Chicago) and runs 103 minutes. Hughes had promised Warner Bros. that he could make the film for 10 mil. $. When it turned out to be impossible, he had made a secret deal with Fox already, and they went in and paid for finishing the film - and thereby snatched the extremely lucrative distribution rights for the Home Alone franchise before a competing studio that must have regretted their refusal to pay up for years after. Culkin was paid 110k $ for his performance. Shooting took place from February - May 1990 in Paris, France and in Illinois, including in Chicago. Candy did his cameo as a favor to Hughes and shot his scenes in one 23 hour-long day for just 414 $. The film opened #1 to a 17 mil. $ first weekend in America, where it remained #1 for 11 consecutive weekends and then stayed in the top 5 for another 4 weekends (#3-#4-#4-#5), grossing 285.7 mil. $ (59.9 % of the total gross). It was the highest-grossing film of the year in North America, where it sold 67.7 mil. tickets, and the 3rd highest-grossing of all time (at the time), after E.T. the Extra-Terrestrial and Star Wars. It was also the highest-grossing live-action comedy until The Hangover Part II (2011) and highest-grossing Christmas movie until Dr. Seuss' The Grinch (2018). It was nominated for 2 Oscars: Best Score (John Williams), lost to John Barry for Dances with Wolves, and Song (Somewhere in My Memory, Williams and Leslie Bricusse), lost to Sooner or Later (I Always Get My Man) by Stephen Sondheim from Dick Tracy. It was also nominated for 2 Golden Globes and a Grammy, among other honors. Roger Ebert gave it a 2.5/4 star review, translating to a notch under this one. It also made 150 mil. $ on video sales in North America initially. The film spun a franchise which continued with the same filmmakers and cast in Home Alone 2: Alone in New York (1992). Columbus returned first with Only the Lonely (1991). Culkin returned first in Only the Lonely; Pesci in The Super (1991)); and Stern in The Simpsons (1991, TV-series)) and theatrically in City Slickers (1991). Home Alone fresh at 67 % with a 5.80/10 critical average at Rotten Tomatoes.]

 

What do you think of Home Alone?

3/23/2022

Home Alone 2: Lost in New York (1992) - The coolest kid in the world incites kiddie bellylaughs once again

 

The popular trio from the first film reappear around a skyscraper on this amusing poster for Chris Columbus' Home Alone 2: Lost in New York

Kevin's McCallister's family is heading to Florida for a Christmas vacation, but at the airport Kevin gets into the wrong plane and ends up in New York, and there he is reunited with the ugly crooks from the first Home Alone!

 

Home Alone 2: Lost in New York is written and produced by John Hughes (Beethoven (1992)) and directed by great Pennsylvanian filmmaker Chris Columbus (Adventures in Babysitting (1987)). It is the sequel to runaway hit Home Alone (1990) by the same filmmakers with an also returning cast.

Very, very unoriginal, Home Alone 2 almost feels like a remake of the original film, - but then that film was also so bloody good that it doesn't matter much. Macauley Culkin (Saved! (2004)) is still the cutest, coolest kid in the universe here, although we this time around have no patience with his unacceptably aloof, stressed-out parents. As characters they basically deserve a slow suffocation death for their negligence to their kid.

Luckily Kevin's a go-getter and a tough cookie. SPOILER His friendship with the pigeon lady of Central Park and the moving ending to Home Alone 2 melts hearts as butter, again some movie magic that is largely due to Hughes' script and Culkin's performance and over-all angelic appearance.

Home Alone 2: Lost in New York is well staged with funny bits also from Tim Curry (The Secret Moonacre (2008)) and Rob Schneider (Noah (2012)) at the Plaza Hotel where Kevin takes residence, - and lots of violent slapstick gags which are fairly tasteless but nevertheless get me chuckling mirthfully every time.

 

Related posts:

 

Chris ColumbusHarry Potter and the Chamber of Secrets (2002) - Potter and Co. return for handsome if overlong first sequel

Top 10: Best family movies reviewed by Film Excess to date

Top 10: Best dramedies reviewed by Film Excess to date 
Mrs. Doubtfire (1993) - Columbus and Robin Williams score with a truly great family jewel

The Goonies (1985) - Sweet child performances drive Donner's beloved, uneven adventure (writer)
Gremlins (1984) - Dante's 1980s puppetry classic (writer)

 





 

Watch a trailer for the film here

 

Cost: 28 mil. $

Box office: 358.9 mil. $

= Mega-hit (returned 12.81 times its cost)

[Home Alone 2: Lost in New York premiered 15 November (California) and runs 120 minutes. The script was part of Hughes' 6-picture deal with Fox. Culkin was paid 4.5 mil. $ for his performance, 40 times the 110k $ he got for the first film - plus 5% of the film's gross (17.94 mil. $ if the world gross was the gross decided on/8.67 mil. $ if it was the North-American gross alone); a new record pay for a child actor of only 11 years old. Daniel Stern (City Slickers (1991)) was paid 1 mil. $. Shooting took place from December 1991 - May 1992 in New York, California and Illinois, including in Chicago. Donald Trump got himself a cameo in the film in exchange for letting the shoot take place at his Plaza Hotel. The film opened #1 to a 31.1 mil. $ first weekend in North America, where it stayed #1 for another 2 weekends and remained in the top 5 for another 4 weeks (#2-#3-#3-#3), grossing 173.5 mil. $ (48.3 % of the total gross). The film was the 2nd highest-grossing of the year in North America, behind The Bodyguard, and the 3rd highest-grossing of the year worldwide, behind The Bodyguard and Aladdin. Roger Ebert gave it a 2/4 star review, translating to 2 notches under this one. The Home Alone franchise was cemented with Home Alone 3 (1997) with a script by Hughes but a new director and cast. Columbus returned with Mrs. Doubtfire (1993). Culkin returned in Darlene Love: All Alone on Christmas (1992, music video) and theatrically in The Good Son (1993); Joe Pesci (The Death Collector (1976)) in A Bronx Tale (1993); and Stern in The Wonder Years (1988-93) and theatrically in Rookie of the Year (1993). Home Alone 2: Lost in New York is rotten at 35 % with a 4.50/10 critical average at Rotten Tomatoes.]

 

What do you think of Home Alone 2: Lost in New York

3/22/2022

Hannah and Her Sisters (1986) or, Manhattan Struggles and Wonders

 

Mia Farrow, Barbara Hershey and Dianne Wiest look very fashionable and lovely on this poster for Woody Allen's Hannah and Her Sisters, which calls to mind a beauty magazine cover

Hannah is the center of her extended family and the coordinator for her parents and two sisters: One of them is a recovered alcoholic, who ventures on an affair with Hannah's husband; the other is a flighty creative with poor self-confidence.

 

Hannah and Her Sisters is written and directed by New-Yorker master filmmaker Woody Allen (What's Up, Tiger Lilly? (1966)), whose 15th feature it is.

Allen hits the bull's eye with this moving romance dramedy, served with intertitles that give the entire ordered story a vivid, intelligent distance. The film has strong characters and amazing performances: Mia Farrow (Guns at Batasi (1964)) towers with assuredness and irony in what is likely a role that she later looked back upon with some anguish, (as her partner at the time, Allen used their personal life in the script and would later leave her for Farrow's Korean-adopted daughter.) Also fantastic in Hannah and Her Sisters are Barbara Hershey (Frogs for Snakes (1998)), Michael Caine (The Quiet American (2002)), Dianne Wiest (Rabbit Hole (2010)); Max von Sydow (Judge Dredd (1995)) is grand - and Allen himself, of course.

How does the film transcend many of Allen's other great films? In a classical way, you may say, through a simple case of raised stakes: There's really something at stake in the several strong scenes here. Allen shows great curiosity, interest in and knowledge of life, religion and first and foremost love, - the capricious and the flighty kind in particular, - while he himself is divinely funny yet again.

 

Related posts:
 

Woody Allen:
2016 in films - according to Film Excess

Café Society (2016) - The greatest living American filmmaker hands us another splendid gem

Irrational Man (2015) - Allen's pleasant morality tale divertisement

2014 in films - according to Film Excess

Magic in the Moonlight (2014) - Allen's irresistible French Riviera romance

2013 in films - according to Film Excess [UPDATED III]

2013 in films - according to Film Excess [UPDATED I]
Blue Jasmine (2013) - Allen presenets Blanchett, a woman under the influence

Fading Gigolo (2013) - Turturro's pleasant turn as a high-end NY prostitute  (as actor)

To Rome with Love (2012) - Woody Allen's slightest film to date  

2011 in films - according to Film Excess

Midnight in Paris (2011) - Allen's zany (and a little depressing) crowd-pleaser  

Cassandra's Dream (2007) - Allen's well-laid but inconsequentiel English cul-de-sac  

Match Point (2005) - Allen takes London with pensive thriller hit 

2003 in films and TV-series - according to Film Excess [UPDATED I] 

2003 in films and TV-series - according to Film Excess

Top 10: The best big flop movies reviewed by Film Excess to date  
Anything Else (2003) - Perfect contemporary relationship comedy 

The Curse of the Jade Scorpion (2001) - Allen's hypnotic, noirish shenanigans 
Celebrity (1998) or, Stars in New York

Crimes and Misdemeanors (1989) - Sin and guilt up for laughs and rumination in unspectacular Allen work 
Broadyway Danny Rose (1984) or, Keep Your Heart   

Top 10: Best comedies reviewed by Film Excess to date
Annie Hall (1977) or, My Relationship with Alvie Singer   

Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) (1972) - Allen's curious sex comedy is a riot
Bananas (1971) - Woody Allen's South American misadventure is still a barrel of laughs   
Casino Royale (1967) - The packed spy spoof frontrunner, a film very much of its time (as actor)   

 




 

Watch a trailer for the film here

 

Cost: 6.4 mil. $

Box office: 40 mil. $ (North America alone)

= Uncertain, but at least a huge hit (returned 6.25 times its cost domestically alone) and more likely a mega-hit (projected return of at least 8.59 times its cost)

[Hannah and Her Sisters premiered 25 January (Sundance Film Festival) and runs 106 minutes. Inspirations for the film include Ingmar Bergman's Fanny and Alexander (1982) and Luchino Visconti's Rocco and His Brothers (1960) as well as Leo Tolstoy's novel Anna Karenina (1878). Farrow criticized the script to Allen, calling it "self-indulgent and dissolute" and felt that it "was wordy but it said nothing". Shooting took place from October 1984 - ? in Italy, New York and California, including in Los Angeles. Many of Hannah's scenes were shot in Farrow's actual New York apartment. Farrow later elaborated on her and her mother's reaction to Allen's script; he "had taken the ordinary stuff of our lives and lifted it into art. We were honored and outraged." The film opened #10 to a 1.2 mil. $ first weekend in 54 theaters in North America, where it peaked at #5, behind new releases Pretty in Pink and House and holdover hits Down and Out in Beverly Hills and The Color Purple, and in 761 theaters (different weekends), grossing 35.3 mil. $ on its original release in North America, which was boosted with a re-release the following year by impressive 4.6 mil. $. Regrettably the foreign numbers are not made public. A very conservative world gross of 55 mil. $ (the real number may well be 65 mil. $ or beyond) would result in a return ratio of at least 8.59 and elevate the film's status to that of a mega-hit. It was nominated for 7 Oscars, winning 3: For Best Supporting Actor (Caine), Supporting Actress (Wiest) and Original Screenplay. It lost Best Art Direction/Set Decoration to A Room with a View, Director to Oliver Stone for Platoon, Editing to Platoon, which also took Best Picture. It also won 2/8 BAFTA nominations, was nominated for a César award, won 1/2 David di Donatello awards, 1/5 Golden Globe nominations, 3 National Board of Review awards and many other honors. Roger Ebert gave the film a 4/ 4 star review, equal in rating to this one. Allen returned with Radio Days (1987). Farrow returned in Radio Days; Hershey in Hoosiers (1986); and Wiest in Radio Days. Hannah and Her Sisters is certified fresh at 91 % with an 8.40/10 critical average at Rotten Tomatoes.]

 

What do you think of Hannah and Her Sisters?

3/21/2022

The Firemen's Ball/Hoří, Má Panenko (1967) - Forman and Co. slice up communism to hilarious effect in outright masterpiece

 

A bodacious young woman removes her dress before a man wiping sweat from his forehead on this Soviet-colored poster for Milos Forman's The Firemen's Ball

The Firemen's Ball centers on a festive ball for volunteer firemen and their wives in a small town in Czechoslovakia at the town hall, where a beauty pageant is attempted to be carried out, as gifts are stolen, and an old man's house burns down.

 

The Firemen's Ball is written by Jaroslav Papusek (Black Peter/Cerný Petr (1964)), Ivan Passer (Silver Bears (1977)) and Czech master filmmaker, co-writer/director Milos Forman (Black Peter), with Václav Sasek (Muka Obraznosti (1990)) contributing story elements. The original title translates to, 'fire, my lady'.

The film is an eminent exhibition of human blunder and stupidity. It is terrifically comical. Here the art of putting acting amateur 'real people' in front of a camera for a feature-length period has one of its most impressive, fantastic results ever: Forman and Co. succeed in lifting a simple premise up to becoming a social-realist allegory about dysfunction and incompetence in a communist-run system, and the portrayal clearly hit its mark.

The Firemen's Ball is Forman's arrival as a master filmmaker. An incredible film you shouldn't miss!


Related posts:

Milos Forman
2006 in films and TV-series - according to Film Excess [UPDATED II]

Goya's Ghosts (2006) - Forman's under-appreciated last major picture  

Top 10: The best biopic movies reviewed by Film Excess to date
Top 10: The best big hit movies reviewed by Film Excess to date
Amadeus (1984) or, The Fool Genius and his Teacher

Hair (1979) - Reflect on 1960s youth counter-culture in Forman's infectious musical 

One Flew Over the Cuckoo's Nest (1975) - Forman's 1970s gold-rimmed classic








 

Roger Ebert presents the film in this 14-minute video

 

Cost: 65k $

Box office: Unknown

= Uncertain - but certainly a box office success of some sort

[The Firemen's Ball was released 15 December (Czechoslovakia) and runs 73 minutes. Forman, Passer and Papusek were not able to concentrate on writing after the success of Loves of a Blonde (1965) and headed to the little town of Vrchlabí for quiet. Here they attended a firemen's ball for the fun of it. According to Forman; "What we saw was such a nightmare that we couldn't stop talking about it. So we abandoned what we were writing on to start this script." Shooting took place in Vrchlabí, Czechoslovakia, now Northern Czech Republic. Most of the actors were amateurs, and many of the local firemen volunteers appeared. The film was highly controversial upon release: The Italian co-producer Carlo Ponti withdrew his support for the film upon seeing it, thereby risking Forman a 10-year prison sentence in Czechoslovakia for "economic damage to the state". Forman drove to Paris and found support from Francois Truffaut, who bought the international distribution rights and saved him. Firemen across Czechoslovakia were also outraged by their portrayal, and Forman toured the country to try to calm them down and describe the film's true aim. It sold 750k tickets in Czechoslovakia before the Soviet invasion of the country in 1968 and subsequent ban. The film was released in North America in a subtitled version and a dubbed version, and was also released in many other Western markets. It was nominated for the Best Foreign Film Oscar, lost to War and Peace from the USSR. Roger Ebert gave it a 4/4 star review, equal in rating to this one. Forman left for America after the film's release, and it impressed Michael Douglas enough to hire him for One Flew Over the Cuckoo's Nest (1975). Forman first returned with Taking Off (1971). The Firemen's Ball is fresh at 91 % with a 7.90/10 critical average at Rotten Tomatoes.]


What do you think of The Firemen's Ball?

Eagerly anticipating this week ... (13-24)

Eagerly anticipating this week ... (13-24)
Jason Reitman's Saturday Night (2024)