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11/25/2018

The Limits of Control (2009) - Jarmusch hits career low with idea-bereft embarrassment



+ Most Deserved Flop of the Year

A 1970's styled poster for Jim Jarmusch's The Limits of Control


A suit-wearing foreign man lands in Madrid, Spain. Always well-dressed, day by day, he meets mysterious people and does mysterious things, following an inscrutable agenda.

The Limits of Control is the 10th feature from Ohioan master writer/director Jim Jarmusch (Dead Man (1995)). As an admirer of Jarmusch's body of work, one goes along for a while here with cool Isaach De Bankolé (The Fifth Patient (2007)) to a Madrid café, to zen atmosphere and hipster-philosophizing strangers.
The film becomes involuntarily comical, as Jarmusch introduces Paz de la Huerta (Nail Polish (2006)) as an eternally nude sex kitten, - whatever is he going with this element? And from there The Limits of Control walks into deeper and deeper waters of embarrassment and the mindnumbingly boring. Small fragments of ideas are drawn out under a guitar-milling soundscape, as an abundance of stars appear for someone they greatly admire despite his project lacking any real structure or backbone here.
Stagnant shots that idolize Madrid fill out repetitive scenes, which promote Jarmusch's musician-ishly thin, existential philosophies. The Limits of Control is a very vaguely spun, pretentious double espresso of sleep-inducing hipster porridge, which hurts to watch for Jarmusch fans, as it is his worst film up to its release.

Related posts:

Jim Jarmusch
2009 in films and TV-series - according to Film Excess [UPDATED IV]

2009 in films and TV-series - according to Film Excess [UPDATED III]
2009 in films and TV-series - according to Film Excess [UPDATED II]
Broken Flowers (2005) - Hip search for son and self with Jarmusch and Murray
Coffee and Cigarettes (2003) - Pleasant, precious vignette sit-down with some wonderful people  
 
Ghost Dog: The Way of the Samurai (1999) - Whitaker serves ancient samurai justice in Jarmusch's cool treat   
Dead Man (1995) - Jarmusch's bold, poetic, rich Americana masterpiece 
Top 10: The best B/W movies reviewed by Film Excess to date  

Down by Law (1986) - Jarmusch's jailbreak movie is an independent character gem







Watch a trailer for the film here

Cost: Unknown
Box office: 1.9 mil. $
= Uncertain - but almost certainly a flop, and likely a mega-flop
[The Limits of Control was released 1 May (USA) and runs 116 minutes. Shooting took place in Spain, including Madrid. The film opened #41 to an 18k $ first weekend in 3 theaters in North America, its 3rd biggest market, where it widened to 27 cinemas but never attained a higher rank, grossing 426k $ (22.4 % of the total gross). The biggest and 2nd biggest markets were Germany with 812k $ (42.7 %) and France with 302k $ (15.9 %). If the film was made on a small 5 mil. $ budget, it only returned 0.38 times its cost, making it a mega-flop. Roger Ebert gave the film a ½/4 star review, equal to its rating here. Jarmusch returned with Only Lovers Left Alive (2013). Bankolé returned in White Material (2009). The Limits of Control is rotten at 42 % with a 5.2/10 critical average at Rotten Tomatoes.]

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