♥♥♥♥
1 Time Film Excess Nominee:
Best Sound (lost to Drive)
+ Best Romance of the Year
A gorgerously composed poster for Andrea Arnold's Wuthering Heights |
Wuthering Heights is an adaptation of Emily Brontë's same-titled 1847 English classic and only novel, written by Olivia Hetreed (Finding Altamira (2016)) and great English co-writer-director Andrea Arnold (Fish Tank (2009)).
The father in a poor, English country home takes pity on a young negro slave named Heathcliff and takes him into his home. But when the man dies, the strange boy is left completely to the whims of his violent, racist son, - and his own enormous affection for his dead benefactor's daughter Cathy.
SPOILER Whereas Heathcliff's change from boy to adult mostly involves his having grown wilder and more savage, Cathy's appearance alters completely in this version of the story, as they have an affair that becomes the downfall for them both.
Arnold's Wuthering Heights uses unusual, anachronistic fonts for its titles and credits, and Mumford & Sons have made two songs for it, one of which is an acoustic track that runs over the end credits, which is strange and a little off. But it is still a good film, impressing especially with its crackling sound design and its beautiful, unusual aesthetic, (cinematography by Robbie Ryan (Slow West (2015))), which frequently, - and consciously, - lets objects and characters slip in and out of focus.
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