♥♥♥
+ Strangest Movie of the Year
An ethereal, appealing poster for Jonathan Glazer's Under the Skin |
A young, beautiful brunette drives through Scotland, seeking out man after man, whom she lures with her body to go with her and then lets drown in a mysterious tar-like substance. But a change is coming in the 'woman'.
Incredibly, watching Under the Skin, we are very fast convinced, without the use of any visual effects, that Scarlett Johansson (Lost in Translation (2003)) is not human here, simply through her unperson-like, empty portrayal and the chilly, observational photography by Daniel Landin (Sixty Six (2006)).
Under the Skin is the third feature from Londoner co-writer-director Jonathan Glazer (Sexy Beast (2000)), and it is a very strange art film with an oppressive sound universe and ditto score by Mica Levi (Jackie (2016)). The film's biggest strength is its images, which are pictorially beautiful and striking throughout. Unfortunately some shots are held for too long, and our attraction to the story becomes too vague. It gets boring. And the pace gives plenty of room for us to wonder whether the disfigured man in the film is really a disfigured man, (he is; Adam Pearson (The Ugly Face of Disability Hate Crime (2015, TV movie)) has neurofibromatosis, no prosthetics are involved); how Johansson was cast and so on, - which we don't have time to wonder about in a truly successful film.
Under the Skin is co-written with Walter Campbell and based on the same-titled 2000 novel by Michel Faber (The Book of Strange New Things (2014)). Particularly its ending does have something undeniably scary about it, and though not exactly good, it is certainly a highly unusual film.
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