Take the Trash/Blå Mænd (2008) - Heide's Danish trash comedy

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The four main stars of Rasmus Heide's Take the Trash look ready to goof it up on this poster

An arrogant IT salesman commits a blunder and receives a community service sentence that is to be effected in a junkyard. Here he learns something about people and fellowship. And meets a sexy lady who for inscrutable reasons comes there quite often.

Take the Trash is written by Mick Øgendahl (All for One/Alle for Én (2011)) and debuting co-writer-director Rasmus Heide (All for Two/Alle for To (2013)).
The script tries to give us an acceptable presentation of its environments, but it seems like Øgendahl and Heide don't have a clue about them. The story is served with a semi-serious tone, but the material is so languid and caricatured that it seems very foolish to think that we would buy any of it.
Thure Lindhardt (Light Thereafter (2017)) is not very funny and far from convincing as the protagonist. Most of Take the Trash's light moments come from Sidse Babett Knudsen (Mona's World/Monas Verden (2001)), who goes all-in as a day-dreaming, lesbian character with a violent streak.
The film is ugly technically and has obvious problems of getting its running time up to a suitable length for a theatrical comedy. Take the Trash is a cheap and poor Danish attempt at nailing the modern farce with American influences. Near its ending the film lets out some extra-tasteless, unfunny gay jokes that stress Øgendahl and Heide's maturity level, which is about at level with a backwards 9 year-old.

Related posts:

Rasmus Heide: All for One/Alle for Én (2011) - Heide and Øgendahl's flawed but funny Danish crime comedy

2008 in films and TV-series - according to Film Excess [UPDATED III] 

2008 in films and TV-series - according to Film Excess [UPDATED II] 
2008 in films - according to Film Excess [UPDATED I]
2008 in films - according to Film Excess

Watch a trailer for the film here (regrettably without English subtitles)

Cost: 10 mil. DKK, approximately 1.56 mil. $
Box office: Unknown - but likely around 32.8 mil. DKK, approximately 5.11 mil. $
= Box office success (approximately 3.27 times the cost)
[Take the Trash was released 15 August (Denmark) and runs 85 minutes. Shooting took place in Denmark, including Copenhagen, from September - October 2007. The film was a hit in Denmark, its only release country, where it sold 438,047 tickets. If you multiply this by 75 DKK, which was around the average ticket prize in Denmark at the time, you get the 32.8 mil. DKK gross listed above. The film won 2/6 Robert awards (Danish Oscar) - both audience awards. Heide returned with The Christmas Party/Julefrokosten (2009). Lindhardt returned in Little Soldier/Lille Soldat (2008). 3,291 IMDb users have given Take the Trash a 5.8/10 average rating.]

What do you think of Take the Trash?

The Square (2017) - Östlund calls out hypocrisy and grabs the monkey in us with provocative, hilarious, bold masterpiece

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+ Best Big Flop Movie of the Year + Best Societal Critique of the Year + Best Stockholm Movie of the Year + Best Swedish Movie of the Year + Best Breakthrough Actor of the Year: Claes Bang

A striking and mysterious poster for Ruben Östlund's The Square

The Square it the 5th fiction feature from Swedish master writer-director Ruben Östlund (Force Majeure/Turist (2014)).

The curator of a prestigious, central Stockholm art museum feels his life come apart by its seems, as he acts upon becoming the victim of a trick theft, while also welcoming a foreign journalist and a new art installation into his life.

Claes Bang (Anna Pihl (2006-08)) gives an impressive performance as the Danish curator Christian, his greatest role yet, which may open an international breakthrough for him. It is a complex role that he succeeds in making sympathetic for the most part, which makes the character's bad decisions so much more cringe-worthy and objectionable. Bang acts as our guy here, and he couldn't do a better job. His mistakes constitute some of the questions the film asks of us: 
How do we personally deal with the less fortunate we come across in our daily lives? The homeless? The strangers?
Are we prejudiced and in which ways?
Do we truly interact with our family members, or are we miles apart? - And is that how we prefer things, at heart?
How do we treat the people we work with, and especially those serving under us?
Östlund's stance here on his countrymen, privileged Swedes and Scandinavians, and Westerners in general, I presume we can broaden his perspective to include, is quite gloomy: SPOILER The Square pitches us against our ancestor the ape more than once, and the implication seems to be that we are slightly evolved apes, who as modern people seem to have regressed socially, from, say, 50 years ago, to a crowd that today are more egotistical and hypocritical than ever.
Thank God the film is also very very funny. It gets its piercing societal and human critique across often through absurdly humorous scenes, and it is brimming with ambitious, often lengthy scenes that are outrageous, provocative, stressful, uncomfortable - and hilarious.
In supporting parts Elisabeth Moss (The Handmaid's Tale (2017-18)) is terrific as the visiting journalist, SPOILER and you can look forward to a strikingly well-made sex scene between her and Bang. Fredrik Wenzel's (The Ape/Apan (2009)) cinematography is apt here as throughout. Christopher Læssø (Scratch/Bagland (2003)) is very good in a key role as Christian's assistant, and Terry Notary (Dawn of the Planet of the Apes (2014)) is frightening and magnetic as a gorilla-imitating performance artist. While the music motif made me think of the works of another great Swedish cinema artist with a flair for both humor and societal critique, Roy Andersson, The Square has a clear connection to Östlund's own mission as also reflected in his startling, original Force Majeure, one that continually prods modern man and his institutions and exhibits hypocrisy and existential anxiety in many forms.
The Square is a rich experience that invites conversation and analysis, - besides the initial laughs and bouts of cold sweats. It even has a few things left unclear in the way that great films sometimes have, where they are not unexplained threads but conscious mysteries left in, seemingly, just to bother us and remind us that real life also can't all be explained. And The Square is probably most of all meant to do just that; bother us. It does so with rare, invigorating talent and drive.

Related post:

Ruben Östlund: 2017 in films - according to Film Excess [UPDATED I]
2017 in films - according to Film Excess
Force Majeure/Turist (2014) or, Swedes in Trouble

Watch a trailer for the film here

Cost: 5.5 mil. $
Box office: 2 mil. $ and counting
= Too early to say
[The Square premiered 20 May (Cannes) and runs 142 minutes. The film is a Swedish-German-Danish-French co-production of no less than 13 companies. Filming took place from June - October 2016 in Berlin, Germany and Sweden, including in Stockholm. Östlund for most of filming reportedly focused on one scene a day, doing each one up to 50 times. The film won the Palm d'Or in Cannes under jury president Pedro Almodóvar and is Sweden's entry for the 2018 Oscars. It opened the previous weekend in North America in 4 theaters to a 76k $ first weekend at #32. Whether Magnolia Pictures will broaden it now is unknown, (but they should.) The film opened #1 in Sweden with the biggest Swedish film's opening there of 2017 so far, selling 22k tickets. It is set to open in more European markets and Argentina in November and December with a UK release following in March 2018. The Square is certified fresh at 79 % with a 7.1/10 critical average at Rotten Tomatoes.]

What do you think of The Square?