Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label Roger Donaldson. Show all posts
Showing posts with label Roger Donaldson. Show all posts

8/20/2022

Species (1995) - Hokey fun in Donaldson's erotic alien actioner

♥♥♥

 

A great tag-line, which starts over the freaky alien fetus image and ends underneath the title, resounds on this poster for Roger Donaldson's Species

DNA from an alien organism is combined with human DNA, and a very attractive blond alien monster, - who will do anything for sex, - results! Naturally she must be killed!

 

Species is written by Dennis Feldman (The Golden Child (1986)) and directed by Australian master filmmaker Roger Donaldson (Sleeping Dogs (1977)).

The film revolves around an exceedingly silly Hollywood-nurtured plot, but unfortunately the comical opportunities inherent in it are far from explored enough. Generally Feldman instead has taken his own wacky idea a bit too seriously here.

A standardized score and clichés are to be found, - but also entertainment value, secured with Michael Madsen's (The Hateful Eight (2015)) badass hitman character with all kinds of cool lines, such as; "Let's go, motherfucker!" Species also has special effects that are at times frightening and at other times hilarious.

 

Related posts:

Roger Donaldson:
2003 in films and TV-series - according to Film Excess [UPDATED I]

The Recruit (2003) - Farrell and other factors buoy Donaldson's uninspired CIA thriller 

2000 in films and TV-series - according to Film Excess 

Thirteen Days (2000) - Electrifying Cuban Missile Crisis thriller 
Cocktail (1988) - Cruise an iconic stand-out in Donaldson's masterful drama

 



 

Watch a trailer for the movie here

 

Cost: 35 mil. $

Box office: 113.3 mil. $

= Box office success (returned 3.23 times its cost)

[Species was released 7 July (North America) and runs 108 minutes. Natasha Henstridge (The Christmas Switch (2014)) was paid 100k $ for her performance. Shooting took place from August - November 1994 in Puerto Rico, Utah and in California, including in Los Angeles. Creature design artist H.R. Giger paid 100k $ of his own money to shoot the 'nightmare train' sequence, which would otherwise have been cut to lower costs. The film opened #2, behind holdover hit Apollo 13, to a 17.1 mil. $ first weekend in North America, where it spent another 2 weekends in the top 5 (#4-#5), grossing 60 mil. $ (53 % of the total gross). Roger Ebert gave the film a 2/4 star review, translating to a notch under this one. Sequel Species II was released in 1998, and 2 TV movie sequels followed, none by Donaldson, who returned with Dante's Peak (1997). Henstridge returned in Adrenalin: Fear the Rush (1996); Madsen in Free Willy 2: The Adventure Home (1995). Species is rotten at 43 % with a 5.30/10 critical average at Rotten Tomatoes.]


What do you think of Species?

8/27/2020

2000 in films and TV-series - according to Film Excess

The Top 10 of 2000


1. Gladiator - Ridley Scott + Best Adventure of the Year + Best American Movie of the Year + Best Big Hit of the Year + Best Comeback of the Year: Oliver Reed + Best Epic of the Year


2. Italian for Beginners/Italiensk for Begyndere - Lone Scherfig + Best Danish Movie of the Year + Best Low-budget Movie of the Year + Best Mega-hit Movie of the Year + Best $ Return of the Year: 16.3 Times the Cost + Best Romcom of the Year


3. In the Mood for Love/花樣年華/faa1joeng6 nin4waa4/huāyàng niánhuá - Wong Kar-Wai + Best Drama of the Year + Best Erotic Movie of the Year + Best Hong Kong Movie of the Year + Best Period Movie of the Year


4. Meet the Parents - Jay Roach + Best Comedy of the Year + Best Poster of the Year + Best Remake of the Year 


5. Erin Brockovich - Steven Soderbergh + Best Biopic of the Year + Best True-crime Movie of the Year


6. Ginger Snaps - John Fawcett + Best Box Office Disaster of the Year + Best Canadian Movie of the Year + Best Horror Comedy of the Year + Best Werewolf Movie of the Year + Worst $ Return of the Year: 0.12 Times the Cost


7. Malèna - Giuseppe Tornatore + Best Big Flop Movie of the Year + Best Coming-of-age Movie of the Year + Best Italian Movie of the Year 


8. Mission: Impossible 2 - John Woo + Best Action Movie of the Year + Best Sequel of the Year + Most Profitable Movie of the Year: 93.52 mil. $ range


9. The Beach - Danny Boyle + Best Adaptation of the Year


10. Thirteen Days - Roger Donaldson + Best Historical Drama of the Year + Best Huge Flop Movie of the Year 

Other great movie:


Dario Argento: An Eye for Horror, TV documentary - Leon Ferguson

Other good movies (in alphabetic order):


Battle Royale/バトル・ロワイアル (Batoru Rowaiaru) - Kinji Fukasaku


The Crimson Rivers/Les Rivières Pourpres - Mathieu Kassovitz


Charlie's Angels - McG


Dancer in the Dark - Lars Von Trier


A Fish Tale/Hjælp, Jeg Er en Fisk/Help! I'm a Fish - Stefan Fjeldmark, Greg Manwaring, Michael Donovan, Michael Hegner + Best Family Movie of the Year + Most Undeserved Flop of the Year


Nico and Dani/Krámpack - Cesc Gay + Best Barcelona Movie of the Year + Best Spanish Movie of the Year + Best Youth Movie of the Year

The Bottom 5 of 2000


1. Battlefield Earth - Roger Christian


2. Chocolat - Lasse Hallström + Most Overrated Movie of the Year


3. The Legend of Bagger Vance - Robert Redford + Most Deserved Flop of the Year + Most Expensive Flop of the Year: 64.24 mil. $ range


4. The King Is Alive - Kristian Levring


5. 2001: A Space Travesty, video - Allan A. Goldstein + Worst Poster of the Year

Other failed, poor and/or mediocre movies (in alphabetic order):

American Psycho - Mary Harron
Amores Perros - Alejandro Gonzáles Iñárritu + Best Mexican Movie of the Year + Best Mexico City Movie of the Year
Final Destination - James Wong
Frasier - season 8 - David Angell, Peter Casey, David Lee
The Ladies Man - Reginald Hudlin
Memento - Christopher Nolan
Miss Congeniality - Donald Petrie

[29 titles in total]

Biggest flops of the year:

[The loss is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]  


1. The Legend of Bagger Vance - 64.24 mil. $ range
2. Battlefield Earth - 61.12 mil. $ range
3. Thirteen Days - 53.4 mil. $ range
4. The Ladies Man - 18.52 mil. $ range
5. A Fish Tale - 14.36 mil. $ range
6. Ginger Snaps - 4.27 mil. $ range
7. Malèna - 4.24 mil. $ range

Combined losses: 220.15 mil. $


Biggest hits of the year:

[The gain is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]


1. Mission: Impossible 2 - 93.52 mil. $ range
2. Gladiator - 81.2 mil. $ range
3. Meet the Parents - 77.16 mil. $ range
4. Erin Brockovich - 50.48 mil. $ range
5. Miss Congeniality - 40.08 mil. $ range
6. Chocolat - 36.04 mil. $ range
7. Final Destination - 22.12 mil. $ range
8. Italian for Beginners - 16.3 mil. $ range
9. Charlie's Angels - 12.64 mil. $ range
10. The Beach - 11.6 mil. $ range

= Combined profits: 441.14 mil. $

Notes:

The first edition of the lists for the year 2000 are based on regrettably few titles, (later editions will boom the title count), but the Top 10 does have 3 of the year's greatest masterpieces at its very top:
Ridley Scott's grand, thrilling adventure epic Gladiator reigns, with Lone Scherfig's bubbling, hilarious, romantic Dogme comedy Italian for Beginners taking silver and Wong Kar-Wai's sensual, erotic period romance In the Mood for Love bronze.
The Top 10 goes on with Jay Roach's gut-busting comedy remake Meet the Parents, Steven Soderbergh's true-crime biopic Erin Brockovich, John Fawcett's sexuality-probing werewolf horror Ginger Snaps, Giuseppe Tornatore's picturesque, erotic coming-of-age drama Malèna, John Woo's fiery action spectacle Mission: Impossible 2, Danny Boyle's dramatic utopia adaptation The Beach and finally Roger Donaldson's flawed but thrilling historical drama Thirteen Days.
Among the year's other noteworthy films is Cesc Gay's tender, humorous coming-out drama Nico and Dani.
In the Bottom list of the year, which yet only comprises 5 worthy titles, Roger Christian's wildly panned sci-fi disaster Battlefield Earth takes gold, Lasse Hallström's gooey, anti-Christian confection romance Chocolat silver, and Robert Redford's race-ignoring period golf drama The Legend of Bagger Vance bronze. The remaining two titles are Kristian Levring's depressing Dogme desert drama The King Is Alive and Allan A. Goldstein's spoof comedy trainwreck 2001: A Space Travesty.
Besides the big-scale, hugely expensive flops for stars John Travolta (Battlefield Earth), Will Smith, Matt Damon and Robert Redford (The Legend of Bagger Vance), other noteworthy events of the year includes the first not-stellar Frasier season (season 8 is only mediocre) and the breakthroughs of two major filmmakers (Alejandro González Iñárritu's Amores Perros and Christopher Nolan's Memento).

2000 films currently on the watch-list:

The Journey of Jared Price, Our Lady of the Assassins, Stygian, Come Undone, Burnt Money, The Yards, The Independent, Barking Dogs Never Bite

Previous annual lists:
  
 

2019 in films - according to Film Excess 
2018 in films - according to Film Excess [UPDATED I]
2018 in films - according to Film Excess  
2017 in films - according to Film Excess [UPDATED I]
2017 in films - according to Film Excess
2016 in films - according to Film Excess [UPDATED II]
2016 in films - according to Film Excess [UPDATED I] 
2016 in films - according to Film Excess

2015 in films and TV-series - according to Film Excess [UPDATED III]
2015 in films and TV-series - according to Film Excess [UPDATED II] 
2015 in films and TV-series - according to Film Excess [UPDATED I]
2015 in films and TV-series - according to Film Excess  

2014 in films and TV-series - according to Film Excess [UPDATED IV]
2014 in films and TV-series - according to Film Excess [UPDATED III]
2014 in films and TV-series - according to Film Excess [UPDATED II] 
2014 in films and TV-series - according to Film Excess [UPDATED I]
2014 in films - according to Film Excess

2013 in films - according to Film Excess [UPDATED V]
2013 in films - according to Film Excess [UPDATED IV]
2013 in films - according to Film Excess [UPDATED III]
2013 in films - according to Film Excess [UPDATED II]
2013 in films - according to Film Excess [UPDATED I] 
2013 in films - according to Film Excess    

2012 in films and TV-series - according to Film Excess [UPDATED V] 
2012 in films and TV-series - according to Film Excess [UPDATED IV]
2012 in films and TV-series - according to Film Excess [UPDATED III]
2012 in films and TV-series - according to Film Excess [UPDATED II]
2012 in films - according to Film Excess [UPDATED I]
2012 in films - according to Film Excess
2011 in films and TV-series - according to Film Excess [UPDATED III]
2011 in films and TV-series - according to Film Excess [UPDATED II]
2011 in films and TV-series - according to Film Excess [UPDATED I]
2011 in films - according to Film Excess

2010 in films and TV-series - according to Film Excess [UPDATED III]
2010 in films and TV-series - according to Film Excess [UPDATED II]
2010 in films and TV-series - according to Film Excess [UPDATED I]
2010 in films and TV-series - according to Film Excess  

2009 in films and TV-series - according to Film Excess [UPDATED III]
2009 in films and TV-series - according to Film Excess [UPDATED II]
2009 in films and TV-series - according to Film Excess [UPDATED I]
2009 in films and TV-series - according to Film Excess   

2008 in films - according to Film Excess [UPDATED I]
2008 in films - according to Film Excess
2007 in films and TV-series - according to Film Excess [UPDATED II]
2007 in films - according to Film Excess [UPDATED I]
2007 in films - according to Film Excess
2006 in films and TV-series - according to Film Excess [UPDATED I]
2006 in films and TV-series - according to Film Excess   
2005 in films and TV-series - according to Film Excess  

2004 in films and TV-series - according to Film Excess
2003 in films and TV-series - according to Film Excess 

2002 in films and TV-series - according to Film Excess 

2001 in films and TV-series - according to Film Excess 
 
What do you think of the 2000 lists?
Which 2000 titles are at the top and bottom of your lists?
Which worthwhile 2000 titles are missing on the watch-list?

8/15/2019

The Recruit (2003) - Farrell and other factors buoy Donaldson's uninspired CIA thriller

♥♥♥

Al Pacino and Colin Farrell look mysterious in black in a cold hallway on this dark poster for Roger Donaldson's The Recruit


James Clayton is a young man who gets recruited by the CIA; he is trained at their facility 'the Farm' and his recruiter enlists him to look for a mole there.

The Recruit is written by Roger Towne (The Natural (1984)), Kurt Wimmer (The Thomas Crown Affair (1999)) and Mitch Glazer (A Very Murray Christmas (2015, TV special)) and directed by Australian master filmmaker Roger Donaldson (Sleeping Dogs (1977)), whose 14th feature it is.
SPOILER Al Pacino (Bobby Deerfield (1977)) stars as the fairly predictable wolf in sheep's clothing, giving a routine performance that frankly feels a bit burnt out.
The Recruit gambles on a monotonous ploy of 'dynamic' photography, (nearly no shot is horizontally balanced), and dialog that seems like taglines; everything is a test, and so on and so forth.
What works in the film still are its interrogation scenes, a car chase and Colin Farrell (Fright Night (2011)), who is very watchable as the young recruit. The film is fast forgotten.

Related posts:

Roger Donaldson:
2003 in films and TV-series - according to Film Excess [UPDATED II] 

2003 in films and TV-series - according to Film Excess [UPDATED I]

Thirteen Days (2000) - Electrifying Cuban Missile Crisis thriller 
Cocktail (1988) - Cruise an iconic stand-out in Donaldson's masterful drama




Pacino and Farrell dine at a crab restaurant in this clip from the film

Cost: 46 mil. $
Box office: 101.1 mil. $
= Flop (returned 2.19 times its cost)
[The Recruit premiered 25 January (Febio Film Festival, the Czech Republic) and runs 115 minutes. Shooting took place in Virginia, Washington DC, and in Ontario, including Toronto, from December 2001 - March 2002. The film opened #1 to a 16.3 mil. $ first weekend in North America, where it spent another week in the top 5 (#4) and grossed 52.8 mil. $ (52.2 % of the total gross). The 2nd and 3rd biggest markets were the UK with 7 mil. $ (6.9 %) and Spain with 4.3 mil. $ (4.3 %). Due to its big stars and spy pedigree, the film likely turned profitable with home video sales and TV sales later on. Roger Ebert gave the film a 2.5/4 star review, equal in rating to this one. CIA employees reviewed the film in 2009, finding it 'entertaining' but 'ridiculous'. Donaldson returned with The World's Fastest Indian (2005). Pacino returned in Gigli (2003); Farrell in Daredevil (2003). The Recruit is rotten at 43 % with a 5.55/10 critical average at Rotten Tomatoes.]

What do you think of The Recruit?

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)