Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label Lorene Scafaria. Show all posts
Showing posts with label Lorene Scafaria. Show all posts

1/27/2024

Hustlers (2019) or, Strip and Rob, Go Girl!

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A string of sexually charged stills of the scantily clad female stars of the film makes up most of this poster for Lorene Scafaria's Hustlers

After the 2008 financial crisis tightened the belt around New York's surviving Wall Street elite, a group of strippers who depended economically on these men decided to go to extremes to keep - and accelerate - their luxurious lifestyles...


Hustlers is written and directed by Lorene Scafaria (Seeking a Friend for the End of the World (2012)), based on the 2015 New York magazine article The Hustlers at Scores by Jessica Pressler.

Can one use stripping as a means to female emancipation, or is the discipline per definition degrading? Scafaria's superficial, consumeristicly fixated bubble of a film asks that question. Hustlers attempts to work as a runaway train that one boards and becomes seduced by, - probably against one's better judgment, - just as the woman characters around Jennifer Lopez's (Out of Sight (1998)) veteran stripper leader do in the movie. Men on Wall Street screw the world over, and women strippers then screw over these men, - that's the story here. Go look in the phonebook for additional depth, if you require it. - It isn't available in Hustlers.

The plot unfolds in snappy, short, unmemorable scenes with lots of sleazy, accompanying hit songs. Hustlers doesn't teach its (presumably mostly young) audience anything; nothing edifying at least. Offensively and decidedly unedifyingly, however, it teaches its viewers that one can get away with a wealth of crime by being a smiling, laughing, over-consuming, attractive stripper, who believes that anything goes in the 'holy' name of women's liberation.

 

Related post:

 

Lorene Scafaria: The Meddler (2015) - Stars elevate Scafaria's mother-daughter romcom



 

Watch a 1-minute clip from the film here

 

Cost: 20.7 mil. $

Box office: 157.5 mil. $

= Huge hit (returned 7.60 times its cost)

[Hustlers premiered 7 September (Toronto International Film Festival) and runs 110 minutes. Lopez was paid 9 mil. $ for her performance. Shooting took place from March - May 2019 in New York. The film opened #2, behind It Chapter Two, to a 33.1 mil. $ first weekend in North America, where it remained in the top 5 for another 3 weekends (#5-#2-#4), grossing 104.9 mil. $ (66.6 % of the total gross). The 2nd and 3rd biggest markets were the UK with 9.4 mil. $ (6 %) and Australia with 6.5 mil. $ (4.1 %). The studio reportedly spent 38 mil. $ promoting the film. It was nominated for a Golden Globe and 3 Independent Spirit awards, among many other honors. It additionally made a reported 5.5 mil. $ on the North-American home video market. Scafaria returned with Succession (2021-23) but has has yet to make her theatrical return. Lopez returned in 6 short and music video credits prior to her theatrical return in Marry Me (2022); Constance Wu (Lyle, Lyle, Crocodile (2022)) in Fresh off the Boat (2015-20)), with a voice performance in Wish Dragon (2021) and with a physical theatrical performance in I Was a Simple Man (2021). Hustlers is certified fresh at 87 % with a 7.30/10 critical average at Rotten Tomatoes.]


What do you think of Hustlers?

10/12/2020

The Meddler (2015) - Stars elevate Scafaria's mother-daughter romcom

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The two central stars in front of a purple-pink background with palm tree contours makes up this poster for Lorene Scafaria's The Meddler

 

Marnie has, after she has also become a widow, moved to Los Angeles, where her adult daughter lives, but she meddles a bit much in her life.


The Meddler is written and directed by Lorene Scafaria (Seeking a Friend for the End of the World (2012)). Scafaria's own personal relationship with her mother is the basis of this warm, bright film.

The drama may be in the lightweight category, but The Meddler is an enjoyable time that leaves you with a smile on your face, which is always welcomed.

Rose Byrne (Take Away (2003)) and a delightful Susan Sarandon (Little Women (1994)) elevate the film with depth and comedic knack, and the story gets sound backup from J.K. Simmons (3 Geezers! (2013)), Cecily Strong (Staten Island Summer (2015)) and Jerrod Carmichael (Ferdinand (2017)) as the Apple guy.

The Meddler is a soft present.






 Watch a trailer for the film here

 

Cost: 3.2 mil. $

Box office: 5.4 mil. $

= Big flop (returned 1.68 times its cost)

[The Meddler premiered 14 September (Toronto International Film Festival) and runs 100 minutes. Shooting took place in New York and California, including Los Angeles. The film opened #35 to a 57k $ first weekend in 4 theaters in North America, where it peaked at #12 and in 464 theaters, grossing 4.2 mil. $ (77.8 % of the total gross). The 2nd and 3rd biggest markets were Australia with 372k $ (6.9 %) and Spain with 354k $ (6.6 %). Scafaria returned with This Is Heaven (2018, TV movie) and theatrically with Hustlers (2019). Sarandon returned in Hell and Back (2015) with a voice performance and physically in The Other Side of the Lake the Purple Girl: Episode IV - The New Visitor (2015); Byrne in Neighbors 2: Sorority Rising (2016); Simmons in Ultimate Spider-Man (2012-15) and theatrically in Worlds Apart (2015). The Meddler is certified fresh at 85 % with a 7.03/10 critical average at Rotten Tomatoes.]


What do you think of The Meddler?

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)