Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label John Saxon. Show all posts
Showing posts with label John Saxon. Show all posts

2/17/2021

The Girl Who Knew Too Much/La Ragazza che Sapeva Troppo/The Evil Eye (1963) - Bava begins giallo genre with preposterous, sexy, Rome-set romance mystery

♥♥♥

 

A delectably designed and painted French poster for Mario Bava's The Girl Who Knew Too Much

An American tourist in Rome gets attacked and witnesses a murder, - or did she?

 

The Girl Who Knew Too Much is written by Ennio De Concini (The Twist/Folies Bourgeoises (1976)), Sergio Corbucci (Goliath and the Vampires/Maciste contro il Vampiro (1961)) and Eliana De Sabata (The Attic/L'Attico (1963)), with Mino Guerrini (Commando/Marcia o Crepa (1962)), Francesco Prosperi (Slave of Rome/La Schiava di Roma (1961)) and co-writer/director/cinematographer Mario Bava (Lust of the Vampire/I Vampiri (1957)) contributing elements.

It has a trashy/silly plot, which seems loose not only because the protagonist is an Italian-speaking 'American' with an aunt in Rome and no American characteristics, SPOILER but also from the killer turning out to be a madwoman, who slays in alphabetical order ... John Saxon (Wes Craven's New Nightmare (1994)) and Letícia Román (Who Wants to Sleep?/Das Liebeskarussell (1965)) are sexy, and Bava thankfully manages to get a lot of the eternal city into his film, which is beautiful to behold, and so for the Italophile The Girl Who Knew Too Much is acceptably entertaining. It is also of interest as the ostensibly first giallo movie, the particularly Italian dime-novel adaptation thriller mystery genre, and it certainly is premier giallo nonsense.


Related posts:

Mario Bava: Blood and Black Lace (1964) or, The Fashionista Killer!

Black Sabbath/I Tre Volti Della Paura (1963) - Bava and Karloff's great, gothic anthology 
Hercules Unchained (1959) - Spaghetti decadence never fades (cinematographer)

 






Watch the opening 3 minutes of the film in the French version here


Cost: Unknown
Box office: Unknown

= Uncertain

[The Girl Who Knew Too Much premiered 14 February (Turin, Italy) and runs 86 minutes. Bava was convinced to not leave directing for good and do the film by its American executive producers from American International Pictures, Samuel Arkoff and Jim Nicholson. Shooting took place in Italy, including Rome, from June - August 1962. One source says the film made 27k $ in its opening and only weekend, likely in Italy, but this collides with another information that it opened in different regions of the country in February, June and July of 1963. In North America it was edited with scenes cut, a new score and another ending and more comedic elements and given the title The Evil Eye, playing on a likely highly lucrative double bill with Bava's Black Sabbath (1963). Bava later disparaged the film, calling it "too preposterous." He returned with Black Sabbath (1963). Saxon returned in The Cardinal (1963); Román in The Reunion/La Rimpatriata (1963). 3,982 IMDb users have given The Girl Who Knew Too Much a 7.1/10 average rating.]

 

What do you think of The Girl Who Knew Too Much?

2/20/2014

Black Christmas/Stranger in the House/Silent Night, Evil Night (1974) - Dark Canadian slasher frontrunner

♥♥♥

One morbid anti-Christmas-y poster for Bob Clark's Black Christmas

QUICK REVIEW:

A girl in a sorority house goes missing, until the alcoholic lady of the house finds her in the attic and ends her own life there as well. A homicidal sex maniac is at play!
Black Christmas distinguishes itself with its cast of characters, who are all awful in each their own way, making the title of the film extra pertinent. Especially the youths in the film are selfish and deprived of values.
The phone calls in Christmas are really scary.

A scary still from Bob Clark's Black Christmas

Despite quite a few innovations, the SPOILER murder-less ending is deeply unsatisfying, I thought.
Black Christmas is a Canadian independent film. It is sometimes called the first slasher ever, (not counting Psycho (1960)). It was either inspired by a Quebec Christmas serial killer or the urban legend of The Babysitter and the Man Upstairs, or a mix of the two.
It is directed by Bob Clark (Porkys (1982)), who has also directed the inadmissibly horrid Baby Geniuses (1999) and Superbabies: Baby Geniuses 2 (2004), the latter as the last film he made before his demise in 2007.

Related reviews:


John Saxon: A Nightmare on Elm Street 3: Dream Warriors (1987) or, Your Kids and the Bastard Son of 100 Maniacs
A Nightmare on Elm Street (1984) or, Don't Fall Asleep!

Cool, scary poster for the film, - click to enlarge

Watch the original, horrific, great trailer here, - it's long! But worthwhile

Budget: 0.6 mil. $
Box office: 4 mil. $ (North America only)
= Big hit

What do you think of Black Christmas?
What is your favorite slasher movie?

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)