Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label Department Q. Show all posts
Showing posts with label Department Q. Show all posts

6/08/2021

Marco Effekten (2021) - China Virus cinema hell ends with Zandvliet's unmemorable, murky thriller

 

The faces of the two new star police partners hover above an incinerating person on a hospital bed on this dark poster for Martin Zandvliet's Marco Effekten

Following a shortened down period Danish veteran police investigator Carl Mørch comes back to work. With his investigator partner Assad he follows clues from an unaccompanied minor gypsy boy in custody, which leads to a suspicious pedophile case and development aid in Africa, which has to be revisited.


Marco Effekten is written by Anders Frithiof August (Camping (2009)) and Thomas Porsager (Sjit Happens (2013-16)), adapting the same-titled 2012 novel by Jussi Adler-Olsen (Alfabethuset (1997)) from his Department Q/Afdeling Q crime novel series, and directed by Martin Zandvliet (Applaus/Applause (2009)). The Danish title translates to 'the Marco effect'.

This reboot of the Department Q movie series, with the rights having changed hands from Zentropa to Nordisk Film, attempts what is a very difficult task: Tossing an established and (locally in Denmark) spectacularly popular universe up in the air, just to try to put it all back together successfully again with an entirely new cast.

The new film doesn't feel like a continuation or a match-for-match of the beats that made up the 4 hit Zentropa films. Zandvliet goes for another tone and look, and Ulrich Thomsen (Allegro (2005)) is a different Mørch; less abrasive, more ... Thomsen. The actor is fascinating to look at with his seen-it-all stoic features, but we don't get deep or see development in his character. Even less so for the new Rosa, and not much character background for Assad, either, although Zaki Youssef (Rita (2015, TV-series)) seems solid for the part.

The restrictive script approach, - perhaps out of excessive loyalty or closeness to the protective author Adler-Olsen, who was instrumental in taking the rights from Zentropa for another take on his novels, - is coupled with a restrictive visual concept: The big almost stock shots of the police headquarter from above, other 'flashy' location shots, - but also shots that define character-setting locales such as Mørch's residence, - are scrapped in Marco Effekten. The result is that the film's first hour or so mostly consists of one or more characters in a (mostly dimly lit) room, mostly in a discussion or interview. With the humor, sex appeal, popular star (Nikolaj Lie Kaas) and action gone for the film's first hour, it predictably loses many of the fans' support that the filmmakers were hoping for.

The plot, as indicated, is a complicated mess which is never fully illuminated. SPOILER A gypsy boy (the title's Marco) caught up in a murderous debacle about a falsely accused man, later killed, who was alerted to some big money scandal involving development aid and pedophilia in Africa. The particulars as to the meaning of the title is also never defined. It is all in the shadows. This nevertheless works pretty well, because this limited level of knowledge must be presumed to be what Mørch and Assad also can gather at the time of the case, and we can put the bricks together well enough ourselves. Anders Matthesen (Rene Hjerter (2006)) and Caspar Phillipson (Mission: Impossible - Fallout (2018)) as the film's main villains are also good and clear enough as antagonists.

Marco Effekten fails to reinvigorate the franchise in a way that its fans will appreciate, and so may likely instead put it is in its grave, but it is a good time as a solid, well-made, somewhat misanthropic thriller.

 

Related posts: 

Martin Zandvliet: Teddy Bear/10 Timer til Paradis (2012) - Matthiesen's little gem of intercontinental romance (co-writer)

A Funny Man/Dirch (2011) - Kaas shines in serious biopic of Danish national treasure comedian 

2011 in films and TV-series - according to Film Excess [UPDATED III]
Applause/Applaus (2009) - Paprika Steen's struggling Thea

Previous Department Q franchise entries: Department Q: The Absent One/The Absent One/Fasandræberne (2014) - Nørgaard's second Q movie picks up some slack

The Keeper of Lost Causes/Kvinden i Buret (2013) or, Grumpy and Ethnic Find a Woman in a Pressure Chamber 



Thomsen talks about taking over the role here


Cost: 56 mil. DKK, approximately 9.16 mil. $

Box office: Approximately 11.7 mil. DKK and counting, approximately 1.91 mil. $

= Uncertain - but looking to become a mega-flop, expecting a final gross of around 25 mil DKK/4.09 mil. $

[Marco Effekten was released 27 May (Denmark) and runs 125 minutes. Shooting took place in Denmark and the Czech Republic, including Prague, and was interrupted by the China Virus pandemic. The film has sold 117,736 tickets in just under two weeks release in Denmark, much lower than the previous Department Q entries opened to. The film is set to release in Iceland and Russia on June 16 and 17, respectively. Zandvliet is announced to return as director of US space drama Challenger. Thomsen returns in Ire (2021); Youssef in Wild Men/Vildmænd (2021). 307 IMDb users have given Marco Effekten a 5.2/10 average rating.]


What do you think of Marco Effekten?

1/30/2020

Department Q: The Absent One/The Absent One/Fasandræberne (2014) - Nørgaard's second Q movie picks up some slack

♥♥♥

At least three elements are ominously superimposed on this dark poster for Mikkel Nørgaard's Department Q: The Absent One

Special investigator Carl and his work partner Assad get engaged in a 20 year-old double murder case, as new evidence makes indicate that the wrong individual was punished.

Department Q: The Absent One is written by Nikolaj Arcel and Rasmus Heisterberg (Fighter (2007), both), with great Danish director Mikkel Nørgaard (Klown Forever/Klovn Forever (2015)) supplying concept elements, adapting The Absent One/Fasandræberne (2008) by Jussi Adler-Olsen (The Scarred Woman/Selfies (2016)).
It is the second in the Department Q franchise, which spans 4 films so far, and as such another loud crime thriller without psychological or thematic depths worth mentioning.
Nikolaj Kaas (Parterapi (2010)), Fares Fares (Fakiren fra Bilbao (2004)) and Danica Curcic (Nobel (2016, miniseries)) do well, and the plot is a good deal better than the one from the first film, Department Q: The Keeper of Lost Causes/Kvinden i Buret (2013).
The big problem is again that we get no explanation of Carl's enormous personal investment in his job and in the case in this film. The film draws on cliches: The new secretarial colleague to Carl and Assad is a well-organized and caring younger woman; Carl smokes like a chimney nonstop; and one of the rich, evil villains is into bondage and is a violent psychopath. The original Danish title translates to 'the pheasant killers', a title which is pointless and silly: No pheasants are killed in the film, and what should be egregious about it, if there were?

Related posts:

Mikkel Nørgaard: 2015 in films and TV-series - according to Film Excess

Klown Forever/Klovn Forever (2015) - A raunchy laugh smash
The Keeper of Lost Causes/Kvinden i Buret (2013) or, Grumpy and Ethnic Find a Woman in a Pressure Chamber
2010 in films and TV-series - according to Film Excess [UPDATED III]
2010 in films and TV-series - according to Film Excess [UPDATED II]
2010 in films and TV-series - according to Film Excess [UPDATED I]
2010 in films and TV-series - according to Film Excess     

Klown/Klovn - The Movie (2010) - Nørgaard, Hvam and Christensen strike comedy gold





Watch a teaser for the film here

Cost: 5.2 mil. €, approximately 5.72 mil. $
Box office: 11.5 mil. $
= Flop (returned 2.01 times its cost)
[Department Q: The Absent One premiered 18 September (Austin Fantastic Fest, Texas) and runs 120 minutes. 7.15 mil. DKK, or approximately 1.05 mil. $, was awarded the film as co-financing from the Danish Film Institute; total financing came from 14 companies. Shooting took place in Germany and Denmark, including Copenhagen, from September 2013-?. The film had a simultaneous  limited theatrical and VOD release in North America in 2016 but all of its gross numbers are from European markets: In main production country Denmark the film set a new opening record for a Danish film and sold 753,837 tickets in total, the year's best-selling movie in the country, making up the vast majority of the gross, 11.1 mil. $ (96.5 % of the total gross). The 2nd and 3rd biggest markets were Poland with 120k $ (1 %) and Norway with 118k $ (1 %). It won 2/13 Robert nominations. The Department Q franchise returned with Department Q: A Conspiracy of Faith (2016) by Hans Petter Moland, with returning stars Kaas and Fares. Nørgaard returned with Klown Forever/Klovn Forever (2015). Kaas returned first in Men & Chicken/Mænd & Høns (2015)); Fares in Child 44 (2015)). Department Q: The Absent One is fresh at 92 % with a 6.5/10 critical average at Rotten Tomatoes.]

What do you think of Department Q: The Absent One?

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)