Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label Daniel Taradash. Show all posts
Showing posts with label Daniel Taradash. Show all posts

6/04/2017

Film Excess' 4th birthday movie masterpiece: From Here to Eternity (1953) - Zinnemann, Taradash and Jones' Hawaii-set classic

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An expertly balanced, dramatic poster for Fred Zinnemann's From Here to Eternity


Oahu, Hawaii, 1941: A sergeant, who is tough but good at heart, falls for his captain's miserable wife, and they begin a secret romance. Meanwhile a newly arrived private gets put down forcefully, because he refuses to use his boxing skills in a match against anymore.

From Here to Eternity is a marvelously charming film, which simply has it all; it is one of those kind of films that just isn't done anymore. Furthermore, it must be among the best instances of love captured on film as well as one of the sexiest films of all time.
Burt Lancaster (The Leopard/Il Gattopardo (1963)) is young, strong and cuttingly handsome as the romantic sergeant; Deborah Kerr (The Journey (1959)) is beautiful as his torn love. Montgomery Clift (Freud (1962)) is phenomenal as the stubborn and loyal foot soldier; and Frank Sinatra (Tony Rome (1967)) is both funny and touching as the group's Italian-American drunkard. Donna Reed (The Far Horizons (1955), Clift's love interest, is beautiful and lovely, and Ernest Borgnine (Murder, She Wrote (1987), TV-series) is tremendous as the sadistic staff sergeant 'Fatso'.
The film blooms with Hawaiian flavor and runs on conflicts that to some degree come across as relatively small peace-time problems on a paradisaical, Pacific island, - although it is also clear why they are nevertheless considerable for the characters involved in them. SPOILER But all of that changes with the Pearl Harbor attack by the Japanese towards the film's end, which is staged impressively. 
SPOILER The very end is heartbreaking, adding additional weight to an already beautifully acted, directed and photographed (by Burnett Guffey (Some Kind of A Nut (1969)) and Floyd Crosby (Beach Blanket Bingo (1965))), absolutely unique pearl in cinema history. It was written by Daniel Taradash (Hawaii (1966)), based on the same-titled 1951 novel by James Jones (The Thin Red Line (1962)), and directed by Austrian-Hungarian master filmmaker Fred Zinnemann (Oklahoma! (1955)).

Related reviews:

Film Excess' 1st birthday movie masterpiece: Broadway Danny Rose (1984) or, Keep Your Heart
Film Excess' 2nd birthday movie masterpiece: The King's Speech (2010) - Hooper's soaring, royal masterpiece about overcoming human frailty

Film Excess' 3rd birthday movie masterpiece: Anatomy of a Murder (1959) - The courtroom movie to rule them all










Watch a teaser trailer for the film here

Cost: 2.5 mil. $
Box office: 30.5 mil. $
= Mega-hit
[From Here to Eternity premiered 5 August (New York) and runs 118 minutes. Shooting took  place from March - May 1953 on Oahu; on Waikiki Beach, the Royal Hawaiian Hotel, Halona Cove (for the iconic beach love scene), Diamond Head and the Schofield Barracks, among other places. It was rumored for years that Sinatra got his part as result of mob ties, a legend that gained momentum from the plot string in The Godfather (1972) that culminates with the severed horse's head found in a film producer's bed, said to be inspired by this, although the rumors have been denied by many, including Zinnemann. Kerr and Lancaster reportedly had an affair during filming. The film had to relinquish many things from the novel due to the strict censorship at the time, as well as to get the army's cooperation: Plot points related to homosexuality, venereal disease, prostitution and the army's discipline and image were honed away or changed for the film. It debuted to rave reviews and changed Sinatra into a respected actor as well as singer. It was one of the highest-grossing films of the year and of the decade overall, but the US Army and Navy were ultimately unhappy with it. In France, nearly 6.5 mil. people paid admission to it. It was nominated for 13 Oscars, winning for Best Picture, Supporting Actor (Sinatra), Supporting Actress (Reed), Director, Screenplay, Cinematography, Sound and Editing. It lost two Best Actor nominations (Clift and Lancaster) to William Holden for Stalag 17, Best Actress (Kerr) to Audrey Hepburn for Roman Holiday, Costumes to Roman Holiday and Score to Bronislau Kaper for Lili. The film also won 2 Golden Globes, a National Board of Review award, a special award at Cannes and a BAFTA nomination. From Here to Eternity is certified fresh at 92 % with an 8.2 critical average at Rotten Tomatoes.]

What do you think of From Here to Eternity?

2/21/2016

Don't Bother to Knock (1952) - Monroe as unstable allure in slight film

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One of the extremely salacious posters for Roy Ward Baker's Don't Bother to Knock, which makes Marilyn Monroe's sex appeal the main selling point

QUICK REVIEW:

A little girl is to be looked after in a big New York hotel by a young woman, SPOILER who invites a strange man inside and reveals herself as mentally utterly unstable.

Don't Bother to Knock presents a well-intentioned but inelegant story told with a noirish, post-WWII atmosphere. Marilyn Monroe (The Prince and the Showgirl (1957)) shows some versatility in the film as a woman SPOILER who may want to kill a child! Elisha Cook Jr. (Magnum , P.I. (1981-88)) is good as uncle Eddie, and Anne Bancroft (The Graduate (1967)) makes her unremarkable screen debut here.
Daniel Taradash (From Here to Eternity (1953)) wrote the screenplay, based on Charlotte Armstrong's (The Witch's House (1963)) 1951 novel Mischief, and the film is directed by Roy Ward Baker (The Snows of Kilimanjaro (1952), uncredited). It still holds some interest but isn't really good.





Watch the original trailer for the film here

Cost: Unknown
Box office: 1.5 mil. $ (North America only)
= Unknown
[Don't Bother to Knock was released July 18 and runs just 76 minutes. It is recorded as a B film, probably with a relatively low budget of less than 0.5 mil. $, which would make the film a hit just based on its domestic performance, - and Monroe's allure probably accounts for it. 4,186 Rotten Tomatoes users have rated the film 3.6/5.]

What do you think of Don't Bother to Knock?

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)