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An impeccably dressed couple by a fireplace are elegantly inserted into this classy poster for Luchino Visconti's The Innocent |
In the Italian aristocracy of the 1890s, Tullio admits to his wife that he now loves his mistress more than he has ever loved anyone else in his life, - but where does this confession leave their marriage?
The Innocent is written by Suso Cecchi D'Amico (Panni Sporchi (1999)), Enrico Medioli (Tosca e Altre Due (2003)) and co-writer/director, Italian master filmmaker Luchino Visconti (Ossessione (1943)). It is an adaptation of the same-titled 1892 novel by Gabriele D'Annunzio (The Child of Pleasure/Il Piacere (1889)). The title is a literal translation of the original Italian one.
Delectable and uniquely Viscontian, The Innocent is a film you need a restored version of if you are a lover of cinema; because it is a visionary near masterpiece.
Giancarlo Giannini (Buon Lavoro (2018)) and Laura Antonelli (Rimini Rimini (1987)) are magnificent in the lead roles, and the film also spoils us with strikingly beautiful costumes and sets, along with subtly cinematic photography (cinematographer Pasqualino De Santis (Rigoletto (1987))), SPOILER which culminates in dramatic close-ups following the film's shocking conclusion: Giannini's shamelessly self-obsessed atheist finally reveals himself as a true monster.
The nature of love, infidelity and the creation of life, - but also the power games in a marriage, - these are central themes in this sensual, fantastic, fabulously scored (by Franco Mannino (The Ghost/Lo Spettro (1963))) farewell from the master.
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Watch a trailer for the film here
Cost: Unknown
Box office: In excess of 5.9 mil. $
= Uncertain but likely a box office success (projected return of 2.95 times its cost)
[The Innocent premiered 15 May (Cannes Film Festival, out of competition) and runs 125 minutes. Visconti did not get the stars he wanted initially; among others Alain Delon passed, reportedly due to being uncomfortable that the master's state was diminished following a stroke. Shooting took place around September 1975 in Italy, including in Rome. The release has an incomplete list of grosses at Box Office Mojo, which indicates that the film was met with small crowds, including in Italy, and that most of its gross came from France (5.5 mil. $), - the film is an Italian-French co-production. With a projected cost of 2 mil. $, the film would rank as a box office success. It won a David di Donatello award. Visconti passed away from a stroke prior to its release. Giannini returned in A Night Full of Rain/La fine del Mondo nel nostro Solito Letto in una Notte Piena di Pioggia (1978); Antonelli in Wifemistress/Mogliamante (1977). The Innocent is fresh at 79 % with a 7.80/10 critical average at Rotten Tomatoes.]
What do you think of The Innocent?
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