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A gathering of nude middle-aged men on a city square on a sunny day makes up this strange poster for Lone Scherfig's Just Like Home |
In a Danish province town, a digging up of the city hall square is disturbed by the appearance of a nude man at night, who creates scandal in the small society.
Just Like Home is written by Niels Hausgaard (Der Kan Man Bare Se (1989, TV-series)) and Danish master filmmaker, co-writer/director Lone Scherfig (The Birthday Trip/Kaj's Fødselsdag (1990)), whose 5th feature it is. The original Danish title translates to 'homesick'.
Reportedly written on a day-to-day basis during production (!) in a cooperation between anecdotal comedian Hausgaard and Scherfig, the film also very much feels like a mass of curious Hausgaard anecdotes pushed together, - and to a very small degree it feels as a solid and in any way authentic narrative. The unnatural odors of the premise culminate in a contrived, awkward ending, SPOILER where the town's men protest in nude on the city hall square, which falls flat, and also in the film's original title; the meaning or relation to the narrative is never touched upon. The photography (by Anthony Dod Mantle (Trance (2013))) is downright ghastly, often accompanied by a light vignette effect and with pointless reflections in the image, (even outdoors!) so that much of the film has slightly reflected superimpositions. Head-shakingly poor.
The casting and tone makes it appear that the film is Scherfig's attempt to make another Italian for Beginners/Italiensk for Begyndere (2000), her massive romcom hit, and in that light Just Like Home almost looks like a disaster, and it is easily understood why she decided to move to England after this debacle. What ultimately saves the film from total disgrace nonetheless are a suitable amount of fun moments that are especially thanks to bravura comediennes Bodil Jørgensen (Julefeber (2020, TV-series)) and Mia Lyhne (Klovn the Final (2020)), but also Peter Gantzler (Tinka og Kongespillet (2019, TV-series)) and Peter Hesse Overgaard (Kakerlak (2021, short)) make one chuckle from their grotesque characterizations, saving the film from utter disgrace in the process.
Related posts:
Lone Scherfig: 2016 in films - according to Film Excess [UPDATED II]
2016 in films - according to Film Excess [UPDATED I]
Their Finest (2016) or, Catrin's Fight
An Education (2009) - Scherfig, Hornby and Barber's tender and intelligent coming-of-age charmer
2000 in films and TV-series - according to Film Excess
Top 10: Best Danish movies reviewed by Film Excess to date
Top 10: The best adaptations reviewed by Film Excess to date
Italian for Beginners/Italiensk for Begyndere (2000) - A perfect gem of a Dogme romcom
Scherfig, Hausgaard and actress Ann Eleonora Jørgensen are interviewed about the film at great length in this video (in Danish)
Cost: Unknown, projected 18 mil. DKK, approximately 2.64 mil. $
Box office: 683k $
= Uncertain but likely a mega-flop (projected return of 0.25 times its cost)
[Just Like Home was released 30 March (Denmark) and runs 97 minutes. Shooting took place in Denmark. The film opened #4 to a 118k $ first weekend in Denmark, where it spent one more weekend in the top 5 (#4) and grossed 683k $. This was the film's only general release market. The performance is a sharp contrast to Scherfig's previous Danish film Italian for Beginners, which sold 828k tickets in the small country. If made on a realistic 18 mil. DKK budget, approximately 2.64 mil. $, the film would rank as a mega-flop. The film was nominated for 1 Robert award, Denmark's Oscar. Scherfig returned with Jeg Er Bare den Logerende (2008, short) and theatrically with An Education (2009). Lars Kaalund (Accused/Anklaget (2005)) returned in Daisy Diamond (2007); Jørgensen in Mig & Che (2007, short) and theatrically in The Early Years: Erik Nietzsche Part 1/De Unge År: Erik Nietzsche Sagaen Del 1 (2007). 428 IMDb users have given Just Like Home a 5.4/10 average rating.]
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