Eagerly anticipating this week ... (15-24)

Eagerly anticipating this week ... (15-24)
John Crowley's We Live in Time (2024)

5/10/2021

The Goldfinch (2019) - Stars gleam in affected Crowley adaptation mishap

 

+ Career-Killer of the Year: John Crowley 

 

Young co-star Oakes Fegley in a jump in black space outlines this striking poster for John Crowley's The Goldfinch

13 year-old Theo gets taken in by a wealthy New-Yorker family, after his mother dies in a terrorist attack in an art museum. Theo goes on to have an unusual adolescence.

 

The Goldfinch is written by Peter Straughan (Sixty Six (2006)), adapting the same-titled 2013 novel by Donna Tartt (The Secret History (1992)), and directed by Irish master filmmaker John Crowley (Intermission (2003).

An impressive cast, - including but not limited to Nicole Kidman (Happy Feet (2006)) as the adopting mother and Jeffrey Wright (Monster (2018)) as an antique specialist/mentor to Theo, - lures, along with a plush production, into this literary universe. Theo meets us first as an incredibly depressed-looking teenage boy, (played by Oakes Fegley (Boardwalk Empire (2014, TV-series))), who is into classical literature and art (...), but Fegley later proves livelier and capable enough in scenes in Nevada. Here he has good scenes with Finn Wolfhard (It (2017)) and Luke Wilson (Henry Poole Is Here (2008)) and Sarah Paulson (Martha Marcy May Marlene (2011)), the latter two good as his bad father and his unappealing girlfriend. Ansel Elgort (Allegiant (2016)) does alright as the adult Theo, when the story takes a turn and becomes odder: Kidman speaks mysteriously to her now adult Theo, who was in her care for a very short period of time, and she talks to him as if they enjoyed many years together. 

Aneurin Barnard (Thirteen (2016, miniseries)) is a looker, but the story, which now circles around a stolen painting of the titular goldfinch, and their mission to steal it back, never becomes successful for the third act of the long film. The Goldfinch nevertheless still has plenty of drama and interesting performances to keep my attention perched over it.


Related posts:


John Crowley: 2019 in films - according to Film Excess [UPDATED I]

2015 in films and TV-series - according to Film Excess [UPDATED IV]

2015 in films and TV-series - according to Film Excess [UPDATED III]
2015 in films and TV-series - according to Film Excess [UPDATED II] 

Brooklyn (2015) - Ronan captivates in Crowley's exquisite, soaring period romance drama masterpiece 

 








Watch a trailer for the film here

 

Cost: 44-49 mil. $ (different reports)

Box office: 9.9 mil. $

= Box office disaster (returned between 0.22 - 0.20 times its cost)

[The Goldfinch premiered 8 September (Toronto International Film Festival) and runs 149 minutes. Wolfhard was paid 65k $ for his performance in the film. Shooting took place in New York, New Mexico and Amsterdam, the Netherlands, from January - April 2018. A test screening 6 months prior to the release gave theatrical distributor Warner Bros. fears the film might bomb, and its marketing budget was consequently cut "dramatically." It opened #8 to a 2.6 mil. $ first weekend in North America, where it grossed 5.3 mil. $ (53.5 % of the total gross). The 2nd and 3rd biggest markets were Russia with 1.1 mil. $ (11.1 %) and the UK with 0.9 mil. $ (9.1 %). Crowley is returning with TV-series Life after Life and does not have an announced feature in the pipeline yet. Fegley returned in The War with Grandpa (2020); Elgort in Tokyo Vice (2021, TV-series) and theatrically in West Side Story (2021). The Goldfinch is rotten at 25 % with a 4.60/10 critical average at Rotten Tomatoes.]


What do you think of The Goldfinch?

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