Eagerly anticipating this week ... (14-24)

Eagerly anticipating this week ... (14-24)
Ali Abassi's The Apprentice (2024)

8/29/2020

Monsieur Ibrahim/Monsieur Ibrahim et les Fleurs du Coran (2003) - Actors shine in Dupeyron's sincere coming-of-age drama



+ Best Adaptation of the Year + Best Coming-of-age Movie of the Year + Best Paris Movie of the Year


A teenage boy and veteran star Omar Sharif walk in a street on this poster for François Dupeyron's Monsieur Ibrahim


Momo is a Jewish teenage boy in 1960s Paris, where he lives with his depression-plagued father in a prostitution street, as he develops a strong bond to the local shopkeeper, the Muslim monsieur Ibrahim.

Monsieur Ibrahim is written and directed by great French filmmaker François Dupeyron (Drôle d'Endroit pour une Rencontre (1988)), based on the same-titled novel by Éric-Emmanuel Schmitt (The Sect of the Egoists/La Secte des Égoïstes (1994)) and his screenplay based on it, entitled Coran.
It is an erotic coming-of-age drama with distinguished acting from Pierre Boulanger (Road Games (2015)) portraying the lovely boy Momo and from Omar Sharif (Mother/588 rue Paradi (1991)), who gives life to the wise, vivacious title character, which would have served as an exceptional end, had Sharif chosen to retire after it. (He instead had another 17 acting credits left in him.) Gilbert Melki (Mr. Average/Comme Tout le Monde (2006)) is also good as the reserved father.
There's much more to the film here than one thinks upon first sight. It has handsome, sensual photography (by Rémy Chevrin (Delicacy/La Délicatesse (2011))) and lots of wonderful music. 
Monsieur Ibrahim is truly touching, a film with (almost) everything, and surely among the year's best.

 

Related posts:

 

2003 in films and TV-series - according to Film Excess [UPDATED II] 

2003 in films and TV-series - according to Film Excess [UPDATED I]




Watch a trailer for the film here - regrettably without subtitles

Cost: 5.3 mil. €, approximately 6.31 mil. $
Box office: 12.3 mil. $
= Big flop (returned 1.94 times its cost)
[Monsieur Ibrahim premiered 29 August (Venice Film Festival) and runs 95 minutes. Shooting took place in Turkey. The film opened #50 to a 53k $ first weekend in North America, where it peaked at #24 and in 92 theaters (different weeks), grossing 2.8 mil. $ (22.8 % of the total gross). The film's biggest market was Germany with 3.5 mil. $ (28.5 %). North America was the 2nd biggest, and Italy was 3rd biggest with 2.2 mil. $ (17.9 %). The film was nominated for a Golden Globe, won a César award, was nominated for a Goya, won a National Board of Review award and a prize in Venice, among other honors. Roger Ebert gave it a 3/4 star review, translating to a notch harder than this one. Dupeyron returned with Inguélézi (2004). Sharif returned in Hidalgo (2004). Monsieur Ibrahim is certified fresh at 85 % with a 7.02/10 critical average at Rotten Tomatoes.]

What do you think of Monsieur Ibrahim?

8/27/2020

2000 in films and TV-series - according to Film Excess

The Top 10 of 2000


1. Gladiator - Ridley Scott + Best Adventure of the Year + Best American Movie of the Year + Best Big Hit of the Year + Best Comeback of the Year: Oliver Reed + Best Epic of the Year


2. Italian for Beginners/Italiensk for Begyndere - Lone Scherfig + Best Danish Movie of the Year + Best Low-budget Movie of the Year + Best Mega-hit Movie of the Year + Best $ Return of the Year: 16.3 Times the Cost + Best Romcom of the Year


3. In the Mood for Love/花樣年華/faa1joeng6 nin4waa4/huāyàng niánhuá - Wong Kar-Wai + Best Drama of the Year + Best Erotic Movie of the Year + Best Hong Kong Movie of the Year + Best Period Movie of the Year


4. Meet the Parents - Jay Roach + Best Comedy of the Year + Best Poster of the Year + Best Remake of the Year 


5. Erin Brockovich - Steven Soderbergh + Best Biopic of the Year + Best True-crime Movie of the Year


6. Ginger Snaps - John Fawcett + Best Box Office Disaster of the Year + Best Canadian Movie of the Year + Best Horror Comedy of the Year + Best Werewolf Movie of the Year + Worst $ Return of the Year: 0.12 Times the Cost


7. Malèna - Giuseppe Tornatore + Best Big Flop Movie of the Year + Best Coming-of-age Movie of the Year + Best Italian Movie of the Year 


8. Mission: Impossible 2 - John Woo + Best Action Movie of the Year + Best Sequel of the Year + Most Profitable Movie of the Year: 93.52 mil. $ range


9. The Beach - Danny Boyle + Best Adaptation of the Year


10. Thirteen Days - Roger Donaldson + Best Historical Drama of the Year + Best Huge Flop Movie of the Year 

Other great movie:


Dario Argento: An Eye for Horror, TV documentary - Leon Ferguson

Other good movies (in alphabetic order):


Battle Royale/バトル・ロワイアル (Batoru Rowaiaru) - Kinji Fukasaku


The Crimson Rivers/Les Rivières Pourpres - Mathieu Kassovitz


Charlie's Angels - McG


Dancer in the Dark - Lars Von Trier


A Fish Tale/Hjælp, Jeg Er en Fisk/Help! I'm a Fish - Stefan Fjeldmark, Greg Manwaring, Michael Donovan, Michael Hegner + Best Family Movie of the Year + Most Undeserved Flop of the Year


Nico and Dani/Krámpack - Cesc Gay + Best Barcelona Movie of the Year + Best Spanish Movie of the Year + Best Youth Movie of the Year

The Bottom 5 of 2000


1. Battlefield Earth - Roger Christian


2. Chocolat - Lasse Hallström + Most Overrated Movie of the Year


3. The Legend of Bagger Vance - Robert Redford + Most Deserved Flop of the Year + Most Expensive Flop of the Year: 64.24 mil. $ range


4. The King Is Alive - Kristian Levring


5. 2001: A Space Travesty, video - Allan A. Goldstein + Worst Poster of the Year

Other failed, poor and/or mediocre movies (in alphabetic order):

American Psycho - Mary Harron
Amores Perros - Alejandro Gonzáles Iñárritu + Best Mexican Movie of the Year + Best Mexico City Movie of the Year
Final Destination - James Wong
Frasier - season 8 - David Angell, Peter Casey, David Lee
The Ladies Man - Reginald Hudlin
Memento - Christopher Nolan
Miss Congeniality - Donald Petrie

[29 titles in total]

Biggest flops of the year:

[The loss is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]  


1. The Legend of Bagger Vance - 64.24 mil. $ range
2. Battlefield Earth - 61.12 mil. $ range
3. Thirteen Days - 53.4 mil. $ range
4. The Ladies Man - 18.52 mil. $ range
5. A Fish Tale - 14.36 mil. $ range
6. Ginger Snaps - 4.27 mil. $ range
7. Malèna - 4.24 mil. $ range

Combined losses: 220.15 mil. $


Biggest hits of the year:

[The gain is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]


1. Mission: Impossible 2 - 93.52 mil. $ range
2. Gladiator - 81.2 mil. $ range
3. Meet the Parents - 77.16 mil. $ range
4. Erin Brockovich - 50.48 mil. $ range
5. Miss Congeniality - 40.08 mil. $ range
6. Chocolat - 36.04 mil. $ range
7. Final Destination - 22.12 mil. $ range
8. Italian for Beginners - 16.3 mil. $ range
9. Charlie's Angels - 12.64 mil. $ range
10. The Beach - 11.6 mil. $ range

= Combined profits: 441.14 mil. $

Notes:

The first edition of the lists for the year 2000 are based on regrettably few titles, (later editions will boom the title count), but the Top 10 does have 3 of the year's greatest masterpieces at its very top:
Ridley Scott's grand, thrilling adventure epic Gladiator reigns, with Lone Scherfig's bubbling, hilarious, romantic Dogme comedy Italian for Beginners taking silver and Wong Kar-Wai's sensual, erotic period romance In the Mood for Love bronze.
The Top 10 goes on with Jay Roach's gut-busting comedy remake Meet the Parents, Steven Soderbergh's true-crime biopic Erin Brockovich, John Fawcett's sexuality-probing werewolf horror Ginger Snaps, Giuseppe Tornatore's picturesque, erotic coming-of-age drama Malèna, John Woo's fiery action spectacle Mission: Impossible 2, Danny Boyle's dramatic utopia adaptation The Beach and finally Roger Donaldson's flawed but thrilling historical drama Thirteen Days.
Among the year's other noteworthy films is Cesc Gay's tender, humorous coming-out drama Nico and Dani.
In the Bottom list of the year, which yet only comprises 5 worthy titles, Roger Christian's wildly panned sci-fi disaster Battlefield Earth takes gold, Lasse Hallström's gooey, anti-Christian confection romance Chocolat silver, and Robert Redford's race-ignoring period golf drama The Legend of Bagger Vance bronze. The remaining two titles are Kristian Levring's depressing Dogme desert drama The King Is Alive and Allan A. Goldstein's spoof comedy trainwreck 2001: A Space Travesty.
Besides the big-scale, hugely expensive flops for stars John Travolta (Battlefield Earth), Will Smith, Matt Damon and Robert Redford (The Legend of Bagger Vance), other noteworthy events of the year includes the first not-stellar Frasier season (season 8 is only mediocre) and the breakthroughs of two major filmmakers (Alejandro González Iñárritu's Amores Perros and Christopher Nolan's Memento).

2000 films currently on the watch-list:

The Journey of Jared Price, Our Lady of the Assassins, Stygian, Come Undone, Burnt Money, The Yards, The Independent, Barking Dogs Never Bite

Previous annual lists:
  
 

2019 in films - according to Film Excess 
2018 in films - according to Film Excess [UPDATED I]
2018 in films - according to Film Excess  
2017 in films - according to Film Excess [UPDATED I]
2017 in films - according to Film Excess
2016 in films - according to Film Excess [UPDATED II]
2016 in films - according to Film Excess [UPDATED I] 
2016 in films - according to Film Excess

2015 in films and TV-series - according to Film Excess [UPDATED III]
2015 in films and TV-series - according to Film Excess [UPDATED II] 
2015 in films and TV-series - according to Film Excess [UPDATED I]
2015 in films and TV-series - according to Film Excess  

2014 in films and TV-series - according to Film Excess [UPDATED IV]
2014 in films and TV-series - according to Film Excess [UPDATED III]
2014 in films and TV-series - according to Film Excess [UPDATED II] 
2014 in films and TV-series - according to Film Excess [UPDATED I]
2014 in films - according to Film Excess

2013 in films - according to Film Excess [UPDATED V]
2013 in films - according to Film Excess [UPDATED IV]
2013 in films - according to Film Excess [UPDATED III]
2013 in films - according to Film Excess [UPDATED II]
2013 in films - according to Film Excess [UPDATED I] 
2013 in films - according to Film Excess    

2012 in films and TV-series - according to Film Excess [UPDATED V] 
2012 in films and TV-series - according to Film Excess [UPDATED IV]
2012 in films and TV-series - according to Film Excess [UPDATED III]
2012 in films and TV-series - according to Film Excess [UPDATED II]
2012 in films - according to Film Excess [UPDATED I]
2012 in films - according to Film Excess
2011 in films and TV-series - according to Film Excess [UPDATED III]
2011 in films and TV-series - according to Film Excess [UPDATED II]
2011 in films and TV-series - according to Film Excess [UPDATED I]
2011 in films - according to Film Excess

2010 in films and TV-series - according to Film Excess [UPDATED III]
2010 in films and TV-series - according to Film Excess [UPDATED II]
2010 in films and TV-series - according to Film Excess [UPDATED I]
2010 in films and TV-series - according to Film Excess  

2009 in films and TV-series - according to Film Excess [UPDATED III]
2009 in films and TV-series - according to Film Excess [UPDATED II]
2009 in films and TV-series - according to Film Excess [UPDATED I]
2009 in films and TV-series - according to Film Excess   

2008 in films - according to Film Excess [UPDATED I]
2008 in films - according to Film Excess
2007 in films and TV-series - according to Film Excess [UPDATED II]
2007 in films - according to Film Excess [UPDATED I]
2007 in films - according to Film Excess
2006 in films and TV-series - according to Film Excess [UPDATED I]
2006 in films and TV-series - according to Film Excess   
2005 in films and TV-series - according to Film Excess  

2004 in films and TV-series - according to Film Excess
2003 in films and TV-series - according to Film Excess 

2002 in films and TV-series - according to Film Excess 

2001 in films and TV-series - according to Film Excess 
 
What do you think of the 2000 lists?
Which 2000 titles are at the top and bottom of your lists?
Which worthwhile 2000 titles are missing on the watch-list?

8/24/2020

Miss Congeniality (2000) - Caine, Bullock and Shatner shine in low-brow romp



Star Sandra Bullock looks radiant on this poster for Donald Petrie's Miss Congeniality

FBI's agent 'Dirty Harriet' Grace Hart is tasked with infiltrating the Miss America pageant in order to avert an attack from the mysterious 'citizen' killer.

Miss Congeniality is written by Marc Lawrence (Noelle (2019)), Katie Ford (Little House on the Prairie (2005, miniseries)) and Cary Lucas (Pride & Joy (1995, TV-series)) and directed by Donald Petrie (Mystic Pizza (1988).
The high-concept idea that runs Miss Congeniality doesn't have much in terms of unpredictability or plausibility to its credit, and especially the FBI environment it conjures up seems grotesquely improbable. The sincerity of the film's morale and the inevitable kisses are also very slight.
But if you can accept Miss Congeniality with the appropriate low-brow expectations, it offers something besides these deficiencies:
Sandra Bullock (Forces of Nature (1999)) is as endearing as ever, (although some of her comedy misses the mark); Benjamin Bratt (Snitch (2013)) is handsome and fine as her romantic interest; William Shatner (Barbary Coast (1975-76)) is a bowl of laughs as the pageant show's host, a ham part that's not far from Shatner's own celebrity persona. And then there's also Michael Caine (The Wrong Box (1966)), who is phenomenal and hilarious; his scenes are generally the film's best. Miss Congeniality esteems itself as gay-friendly, satirical, decent popcorn-munching fun fare.






Watch a short trailer for the film here

Cost: 45 mil. $
Box office: 212.7 mil. $
= Big hit (returned 4.72 times its cost)
[Miss Congeniality premiered 14 December (Hollywood) and runs 110 minutes. Shooting took place from May - July 2000 in Texas, including San Antonio and Austin, and in New York City. The film opened #5, behind fellow new release Cast Away, holdover hits What Women Want and How the Grinch Stole Christmas and fellow new release The Family Man, to a 10 mil. $ first weekend in North America, where it peaked at #3 and spent a total of 6 consecutive weekends in the top 5, grossing 106.8 mil. $ (50.2 % of the total gross). The film's Box Office Mojo international sheet is regrettably incomplete, but its 2nd and 3rd biggest markets appear to have been Germany with 17 mil. $ (8 %) and the UK with 14.1 mil. $ (6.6 %). The film was nominated for 2 Golden Globes, among a few other honors. Roger Ebert gave it a 2/4 star review, translating to a notch harder than this one. Bullock returned as star in sequel Miss Congeniality 2: Armed & Fabulous (2005) with John Pasquin directing. Petrie returned with How to Lose a Guy in 10 Days (2003)). Bullock returned first in Murder by Numbers (2002). Miss Congeniality is rotten at 42 % with a 5.12/10 critical average at Rotten Tomatoes.]

What do you think of Miss Congeniality?

8/23/2020

Meet the Parents (2000) - Roach, Stiller, De Niro and Co. make comedy gold



The hilarious polygraph test scenario from the film makes up this great poster for Jay Roach's Meet the Parents

Greg is a male nurse who is about to propose to his girlfriend. But before that he'll have to go through her parents, which is easier said than done.

Meet the Parents is written by Jim Herzfeld (Meet the Deedles (1998)) and John Hamburg (Safe Men (1998)) and directed by great New-Mexican filmmaker Jay Roach (Austin Powers: International Man of Mystery (1997)). It is a remake of the same-titled 1992 independent comedy by Greg Glienna (Desperation Boulevard (1998)), co-written with May Ruth Clarke.
Meet the Parents is a classical broad family comedy that works, creating mirth and eventual successful feel-good affect from feel-bad, anxiety-driven situations, as Ben Stiller's (School for Scoundrels (2006)) sympathetic Gaylord 'Greg' Focker has to pass through terrible ordeals to get his bride. Stiller and Robert De Niro (Everybody's Fine (2009)) as the intimidating ex-CIA operative father-in-law both give very accurate and highly amusing performances in many scenes in the film, where they successfully play against each other.
Meet the Parents is a rare treat of a comedy full of bizarre scenes and major laughs.

Related posts:

Jay RoachBombshell (2019) - Toxic US culture laid bare in Roach's great drama 

Trumbo (2015) - Good actors and a thrilling true story make this biopic work 
Dinner for Schmucks/Dinner with Schmucks (2010) - Carell carries Roach's flawed but utterly hilarious comedy  





Watch a short trailer for the film here

Cost: 55 mil. $
Box office: 330.4 mil. $
= Huge hit (returned its cost 6 times)
[Meet the Parents was released 6 October (USA) and runs 108 minutes. Steven Soderbergh, Steven Spielberg and Jim Carrey were in talks to head a new big-studio version of the 1992 film, before Roach and Co. got the gig. De Niro got 13.5 mil. $ for his performance. Shooting took place from November 1999 - February 2000 in New York, including New York City, and in Illinois, including Chicago. The film reportedly had a 33.9 mil. $ marketing budget. It opened #1 to a 28. 6 mil. $ first weekend in North America, a new October opening record and De Niro's career's biggest opening up to that point. The film remained #1 in the following 4 weekend and then spent another 2 weekends in the top 5 (#2-#4), grossing 166.2 mil. $ (50.3 % of the total gross). The film's international earnings sheet is regrettably not complete at Box Office Mojo, but its 2nd and 3rd biggest markets appear to have been the UK with 21.5 mil. $ (6.5 %) and Germany with 17.5 mil. $ (5.3 %). The film was nominated for the Best Song Oscar for A Fool in Love by Randy Newman, lost to Things Have Changed by Bob Dylan from Wonder Boys. It was also nominated for a Golden Globe, among other honors. Roger Ebert gave the film a 3/4 star review, translating to a notch harder than this one. The film enjoyed tremendous video sales, generating reportedly 200 mil. $ in North America. It inspired reality show Meet My Folks (2001) and sit-com The In-Laws (2001), and 2 sequels were made; Meet the Fockers (2004) and Little Fockers (2010). Roach returned with Austin Powers in Goldmember (2004). De Niro returned in 15 Minutes (2001); Stiller in Mission: Improbable (2000, TV short), P. Diddy feat. Black Rob & Mark Curry: Bad Boys for Life (2001, music video) and theatrically in Zoolander (2001). Meet the Parents is certified fresh at 84 % with a 6.93/10 critical average at Rotten Tomatoes.]

What do you think of Meet the Parents?

Eagerly anticipating this week ... (13-24)

Eagerly anticipating this week ... (13-24)
Jason Reitman's Saturday Night (2024)