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A poster for David Michôd's The Rover that reflects the film's gritty, often open-air setting |
In a post-apocalyptic future in Australia, a hard, merciless man gets his car stolen. He teams up with a brother to one of the robbers on a killing spree to get it back.
Gritty, taciturn, violent and sprinkled with the familiar Australian trademark of hopelessness as its general tone is the universe in which The Rover drags itself through. Watching it, it is hard to accept that the Guy Pearce (Lockout (2012)) here is the same man who 20 years in the past was such a thrilling, enthusiastic presence in The Adventures of Priscilla, Queen of the Desert (1994), - a very different, and infinitely more lovable kind of animal.
Robert Pattinson (Little Ashes (2008)) is the strongest card on The Rover's hand: He is impressive and very credible as the somewhat retarded brother of the robber. It is hard to get engaged in The Rover, SPOILER which is essentially about a murdering bastard and his stupid 'partner', who also becomes a (child-)killer.
We are given no information about the causes of the world's decline, and I also find no satisfaction in the reveal of the ending: SPOILER Pearce apparently wanted the car back so badly throughout the film, so that he could bury his dog, which was in its trunk.
The film is written and directed by David Michôd (Animal Kingdom (2010)) with Joel Edgerton (The Gift (2015)) contributing story elements. The Rover is a technically fine but desert-like dry film. For a much better apocalyptic film, watch The Road (2009).
Related posts:
David Michôd: 2014 in films and TV-series - according to Film Excess [UPDATED IV]
2014 in films and TV-series - according to Film Excess [UPDATED III]
2014 in films and TV-series - according to Film Excess [UPDATED II]
Animal Kingdom (2010) - Ruthless Aussies in tight debut
Hesher (2010) - Susser's immature, rebel-centered debut (co-writer)
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