1 Time Film Excess Award Winner:
Best Costumes: Ann Roth
4 Time Film Excess Nominee:
Best Actress: Kate Winslet (lost to Bérénice Bejo for The Artist)
Best Supporting Actor: Brían F. O'Byrne (lost to Michael Shannon for Boardwalk Empire S2)
Best Costumes: Ann Roth (won)
Best Production Design: Mark Friedberg, Peter Rogness, Ellen Christiansen (lost to Boardwalk Empire S2)
+ Best Miniseries of the Year
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| The great Kate Winslet portrays Mildred Pierce in Todd Haynes' miniseries |
Mildred Pierce is Todd Haynes' (Far from Heaven (2002)) five-part HBO miniseries, written by Haynes and Jonathan Raymond (Meek's Cutoff (2010)), based on James M. Cain's (The Postman Always Rings Twice (1934)) same-titled 1941 classic, previously adapted as Michael Curtiz's same-titled 1945 masterpiece.
Part-by-part rundown (contains SPOILERS):
Part 1: Los Angeles, 1931: Mildred has a fight with her unfaithful husband, who leaves her and their daughters: Small Ray and the spoiled and snobbish Veda. After a one-time passion, Mildred's desperation starts nagging, and she has to eat up the degradation of taking a waitress job to keep afloat. But Veda's condemnation lurks...
Part 2: 1931: Mildred keeps her head high and soon has a small pie-production going, as also her waitressing job leads to friendships and new knowledge. She finalizes their divorce, following lawyer Wally's advice, so that she can open her own chicken restaurant. After a showdown with naughty daughter Veda, she still puts great importance in the young girl's thoughts. An impulsive romantic outing following her last day as a waitress with rich, idle Monty ends in tragedy, as daughter Ray expires in the hospital from sudden illness. Mildred is now alone with Veda.
Part 3: 1931-1933: Mildred opens the restaurant after Ray's funeral, - with the help of a few friends, - and its opening exceeds all expectations. Her friend Lucy (Melissa Leo (Flight (2012))) gets booze into the place, and Mildred's relationship with ex-husband Bert has improved. Monty goes bankrupt and gets kept by Mildred, while he back-stabs her to Veda, who takes music lessons and puts her mother down, still unpunished. Mildred leaves Monty in a New Year's Eve storm ...
Part 4: 1937-1938: Veda is now a grown, young woman, and she and Mildred finally take a big fight with each other, which Evan Rachel Wood (The Ides of March (2011)), who enters the miniseries as Veda here, plays with some misplaced sentimentality. - Because the dialog is hard as slaps, as her deplorable extortion scheme now sees the light of day, to Mildred's shock. Veda gets kicked out by her miserable mother, who, nevertheless, goes searching for her again in Hollywood, lonely and sad. Bert locates her as a vocal talent on the radio, much to Mildred's elation.
Part 5: 1938-1940: Mildred, who has grown successful, meets Monty again and, more or less inexplicably, takes him back, and they get married, after he has made her buy a smaller mansion in Pasadena. Veda also resurfaces, and Mildred showers her with money and attention, SPOILER until she finds her and Monty in bed together... - And tries to strangle the harlot! Mildred's business is also lost, but Bert is there, and the two decide to get remarried. Veda returns for one last, unpleasant appearance at the nuptials. "To hell with her", the two parents finally agree, after she has run off to New York.
Haynes gives Mildred Pierce his very own spin here, as he subdues his hankering for production abundance instead of some Spartan 1930s feel and a camera that always rests on and probes tremendous Kate Winslet (Revolutionary Road (2008)), who is in virtually every shot and has stated that the 14 week shoot of the miniseries was her hardest since Titanic (1997).
As Part 1 ends, my feeling was that Caine's novel could be drawn out to these 336 minutes without problems, but by Part 4 I did feel that the story was getting stretched to some degree. The miniseries avoids most of the format's pitfalls very well, partly due to fine images that heighten a kind of simple beauty (by Edward Lachman (Carol (2015))), and partly due to some great actors: Besides Winslet, Morgan Turner (Quitters (2015)) as young Veda, Guy Pearce (The Adventures of Priscilla, Queen of the Desert (1994)) as Monty and especially Brían F. O'Byrne (Jimmy's Hall (2014)) as Bert is excellent.
In the final part, Mildred's trials do bend over into the soapish, unfortunately, and the sometimes pitiful Mildred Pierce of this reiteration is less heartbreaking than formidable Joan Crawford's portrayals in the 1945 movie version.
Haynes' Mildred Pierce is still a handsome and well-acted luxury to watch.
Best episode:
Part 1: Written by: Haynes, Raymond. Directed by: Haynes
Mildred becomes a single mother of two and has to take a job as a waitress, - which is shown in amusing, precise details.
Related posts:
2011 in films and TV-series - according to Film Excess [UPDATED III]
2011 in films and TV-series - according to Film Excess [UPDATED II]
2011 in films and TV-series - according to Film Excess [UPDATED I]
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| Evan Rachel Wood as adult Veda Pierce in Todd Haynes' Mildred Pierce |
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| Kate Winslet as Todd Haynes' Mildred Pierce |
Watch the trailer for the miniseries here
Cost: 20 mil. $
Box office: None (TV-miniseries)
= Uncertain
[Mildred Pierce's premiere ratings fell from a 1.2 mil. viewers to around a mil. in the following parts, which isn't too impressive. The miniseries did draw praise critically and a long list of Emmy nominations, winning 5; for Winslet, Pearce, Art Direction, Casting and Music Composition. Mildred Pierce is rotten at 50 % with a 6.7 critical average at Rotten Tomatoes, but note that this is only based on 6 reviews.]
What do you think of Mildred Pierce?
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