Eagerly anticipating this month ... (6-25)

Eagerly anticipating this month ... (6-25)
Joachim Trier's Sentimental Value (2025)
Showing posts with label Benedict Cumberbatch. Show all posts
Showing posts with label Benedict Cumberbatch. Show all posts

2/07/2015

The Imitation Game (2014) - Great Cumberbatch, good movie



Benedict Cumberbatch stares you right in the face on the poster for Morten Tyldum's The Imitation Game

The Imitation Game is the much-hyped top-grossing independent movie of 2014, 8 times Oscar-nominated and starring one of the most happening actors alive right now, England's Benedict Cumberbatch (Hawking (2004), TVM).

Alan Turing is the arrogant, quaint mathematician, who claims that he will build a machine that can crack the Germans' enigma code during the distressful time of WWII. As Turing fights for his project, there is another code to be broken as well: the code of Turing himself.

I'll let it be said right off that the film is another Oscar favorite this year (like Birdman (2014)), which doesn't live up to its hype, and if it isn't clear to most people now, perhaps, then I think it will be clear in a few years, once the awards season dust has settled, so to speak.
The Imitation Game is a good period war movie that lives on mainly two qualities: Firstly, the great story at its core: Turing. Secondly, Cumberbatch's serious, transmorphing performance as him. While lots in the man's life has been polished and made easier to understand for a mass audience in 114 minutes' time, Cumberbatch has on the other hand been allowed to run wild with a deep-felt and unabashed characterization, which is the film's main selling point, and will quite likely earn him his first Oscar statuette in a couple of weeks' time. [Post-note: It didn't: Eddie Redmayne instead won for portraying Stephen Hawking in The Theory of Everything (2014).]
Other distinguished performers here include secondaries Rory Kinnear (Cuban Fury (2014)) as the detective that gets a whiff of Turing's secrets, Mark Strong (Tinker Tailor Soldier Spy (2011)) as his superior Menzies and young Alex Lawther (X+Y (2014)) as young Turing, who is stunningly close to Cumberbatch's portrait.
In the up-played part as Turing's friend Joan Clarke, Keira Knightley (Pride & Prejudice (2005)) does well but is basically second banana. - Her Oscar-nomination for this supporting performance (her second after Pride & Prejudice) is a bit hard to understand, and definitely shouldn't wind up giving her her first statuette.

Benedict Cumberbatch by the cinematically enlarged, redesigned 'Bombe' decode machine for Morten Tyldum's The Imitation Game

The details:

The film is based on the first sold feature script of young screenwriter Graham Moore (Pirates vs. Ninjas (2005), short), who also, amazingly, has been Oscar-nominated for this job. (The script was a Blacklist favorite in 2011.) The complexity of Turing and his math gets washed over here and cooked down to a kind of motto which is repeated by different characters at different times in the film. But the story of the film and its success is so good that scores of audiences and critics won't recognize its dubious reconstruction of Turing, which you can read about towards the bottom of this page.
Together with a visual and score side (by Alexander Desplat, also Oscar-nominated) that both are neat but nothing particularly outstanding, Imitation Game comes off somewhat dusty and old-fashioned, perhaps also because it follows the towering Oscar-winner of last year, the sensuous, emotionally overpowering masterpiece 12 Years a Slave (2013).
But even comparing it to more related fare like Ron Howard's great mathematician biopic A Beautiful Mind (2001) or the recent British home run period biopic The King's Speech (2010), The Imitation Game simply falls short.
It is the English-language debut of Norwegian director Morten Tyldum (Headhunters/Hodejegerne (2011)), who should have given more of a damn of all the well-meaning forces undoubtedly securing that he "got it right" here with this heavy, important material, and instead have given us a bit wilder version of Turing's life. Incredibly, though, even Tyldum is Oscar-nominated for his direction.
At its core, the film presents a startling and incredible story; at its best, it is about how much of the 'great war' and the fate of much of Europe was controlled by mathematicians and statistics in a room in England. - That is new to the screen and mind-bending 'news' to boot. Turing's sad end, condemned for his homosexuality, ending his own life, becomes a a tragic end-note instead of a serious aftermath, the natural 3rd act for the film about his life, which might have made it excell. This doesn't happen.


Oscar-nominated, beautiful Keira Knightley, second banana in Morten Tyldum's The Imitation Game


Watch the trailer here

Cost: 14 mil. $
Box office: 134.6 mil. $ (and counting)
= Huge hit
[The Weinstein Company struck gold once again by purchasing the movie for 7 mil. $ for US distribution (the reportedly biggest sum paid for a foreign film ever), where it has made 69.8 mil. $ so far (52 % of the total gross). It premiered at Telluride, played at Toronto, and premiered in Europe at the BFI London Film Festival. It still has just over a dozen countries yet to premiere in, including, most prominently, Japan.]

What do you think of The Imitation Game?

11/26/2013

Star Trek Into Darkness (2013) or, Star Trek It Before You Wreck It



An amazing image of the SS Enterprise about to crash-land makes up this poster for J.J. Abrams' Star Trek Into Darkness
 

Captain Kirk's disciplinary difficulties are landing him in trouble. But with deadly attacks from an ex Starfleet officer with superhuman capabilities, Kirk and his spaceship Enterprise team are sent to seek out and kill the renegade Harrison on the enemy planet Kronos. Complications ensue.

 

Star Trek Into Darkness is written and co-produced by Alex Kurtzman (The Mummy (2017)), Damon Lindelof (World War Z (2013)) and Roberto Orci (People Like Us (2012)) and co-produced and directed by great New-Yorker filmmaker J.J. Abrams (Mission: Impossible III (2006)). It is the sequel to Abrams' Star Trek (2009) reboot of the Star Trek franchise and the 12th film in the franchise.
With the for many familiar core characters firmly re-established in the first film, the sequel has room to play around with them some more, and especially the scenes between Kirk and Mr. Spock are enjoyable. Chris Pine (Poolman (2023))is still dead-on right as the face of humanity. Zachary Quinto's (Margin Call (2011)) head may have grown a bit fatter in the four years since the last Star Trek, but his Spock hasn't grown a millimeter in any direction. - Still the dorky, cerebral ol' Spockerino, quite amusing at times. I didn't object any longer to Zoe Saldana's (Avatar (2009)) Uhura loving him here, and overall I enjoyed her performance more in this film, especially when she spoke Klingon.
Anton Yelchin's (Fierce People (2005)) strained Russian-accented Tintin-like freshman of the crew Chekov has had his role reduced in Into Darkness (thank God), and instead we have more time with the likeable, funny characters played by Karl Urban (The Lord of the Rings: The Two Towers (2002)) and Simon Pegg (Shaun of the Dead (2004)). SPOILER Benedict Cumberbatch (The Imitation Game (2014)) plays the Harrison character that is later revealed to actually be the major Star Trek mythology villain Khan. Cumberbatch makes a bland substitute for Ricardo Montalban's colorful, campy, sexually magnetic performance in the original series and Star Trek II: The Wrath of Khan (1982). SPOILER Peter Weller (Naked Lunch (1991)) plays a character you first think is good, but then... - Unless you guess by seeing Weller's very face that this is a no-good son-of-a-bitch. He is a welcome addition in Into Darkness to be sure.
Into Darkness does go for a darker, almost oppressive tone that I don't think it succeeds with, which is a shame after the very promising, more adventure-focused first Abrams Star Trek venture.
Michael Giacchino (Up (2009)) has again made a fine, thundering score. The special effects are beautiful and exciting to look at, as in the first film. The adventure and action of deep space exploration are some of the main attractions of the films, - not so much the super-dark villains, - but Into Darkness has both, and is over-all a fairly suspenseful film experience.
Whereas the previous Abrams' Star Trek took its time getting started but then turned out highly satisfying, Into Darkness begins to wobble in its third act: SPOILER Bruce Greenwood's (The Sweet Hereafter (1997)) character Pike dies at the beginning, which I thought was a shame. He and Kirk had good scenes together, and he would have been a great actor to keep in the films. Kirk later gives Pegg's Scotty the responsibility to watch over Khan, a man he has just acknowledged is a kind of super-man. This seems too stupid for any good captain, no matter how upstanding Scotty appears. Later, the self same Khan, who is at least two or three steps ahead of everyone else for the entire film, could not have imagined that the torpedoes carrying his people also could be armed torpedoes. Again, it seems like a flawed, easy writing solution, instead of a likely mistake made by the character.  

SPOILER - At the very last climax, Kirk fixes the 'warp core' by kicking it a few times. This is both anticlimactic and a little silly. On the plus side, Spock gets the last fight against Khan, instead of the macho Kirk, which I rather liked.

 

Related posts:

 

More Star TrekStar Trek Beyond (2016) - Lin's adventurous, foundation-honoring entry
J.J. Abrams2019 in films - according to Film Excess [UPDATED I] 

2019 in films - according to Film Excess 
Star Wars: The Rise of Skywalker/Star Wars: Episode IX - The Rise of Skywalker (2019) - An insanely awesome saga ending 

2015 in films and TV-series - according to Film Excess [UPDATED IV] 
2015 in films and TV-series - according to Film Excess [UPDATED III]
2015 in films and TV-series - according to Film Excess [UPDATED II]
2015 in films and TV-series - according to Film Excess [UPDATED I]  

2015 in films and TV-series - according to Film Excess
Star Wars: The Force Awakens (2015) - Abrams scores big time, makes beautiful space opera blockbuster
2013 in films - according to Film Excess 
Super 8 (2011) - Abrams' nostalgic family crowdpleaser

Star Trek (2009) - Abrams' imperfect but awesome reboot
Cloverfield (2008) or, It Tore Her Head Off! (co-producer)   
 

Mission: Impossible III (2006) - Cruise steers Abrams' flawed MacGuffin debut 




Watch a trailer for the film here


Cost: 185-190 mil. $ (different sources)
Box office: 467.3 mil. $
= Even

[Star Trek Into Darkness premiered 2 May (London) and runs 132 minutes. Pine was paid 1.5 mil. $ plus a 500k $ "if the film proved profitable" for his performance. Shooting took place from January - May 2012 in Iceland and California, including in Los Angeles. The film opened #1 to a 70.1 mil. $ first weekend in North America, where it remained in the top 5 another 2 weekends (#3-#4), grossing 228.7 mil. $ (48.9 % of the total gross). The 2nd and 3rd biggest markets were China with 57 mil. $ (12.2 %) and the UK with 39.2 mil. $ (8.4 %). The film was nominated for the Best Visual Effects Oscar, lost to Gravity. It was also nominated for 2 BAFTAs, among other honors. The film additionally made an estimated 80.8 mil. $ on the North-American home video market alone. The Star Trek franchise returned with Justin Lin's Star Trek Beyond (2016). Abrams returned with Star Wars: Episode VII - The Force Awakens (2015). Pine returned in Paul McCartney: Queenie Eye (2013, music video) and theatrically in Jack Ryan: Shadow Recruit (2014); Quinto in We'll Never Have Paris (2014); and Cumberbatch in 12 Years a Slave (2013). Star Trek Into Darkness is certified fresh at 84 % with a 7.40/10 critical average at Rotten Tomatoes.]

 

What do you think of Star Trek Into Darkness?

Eagerly anticipating this month ... (5-25)

Eagerly anticipating this month ... (5-25)
Kleber Mendonca Filho's The Secret Agent (2025)