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Hair (1979) - Reflect on 1960s youth counter-culture with Forman's infectious musical

 

Bright colors and youthful energy bounces from this poster for Milos Forman's Hair
 

A young man from Oklahoma arrives in New York and is immediately enchanted by a long-haired hippie group of youths in Central Park. He falls in love with a young fallen-from-grace debutante, but he is drafted for the military and subsequent service in the war in Vietnam.

 

Hair is written by Michael Weller (Lost Angels (1989)), adapting the successful 1967 Broadway musical by Gerome Ragni and James Rado, and directed by Czech-born American master filmmaker Milos Forman (Black Peter/Cerný Petr (1964)), whose 6th film it was.

The essence of Hair is in many ways incomprehensibly stupid: It appears to believe fully and wholly in favor of its young heroes' carefree approach to life, which allows robbery, deserting one's children, permanent laziness, disintegration of families and taking lots of drugs. Many of the songs are on some level dumb, - but also ridiculous and comical, the hair and clothes contributing greatly to this quality. The many uses of the n-word also grinds in one's ears today.

The ending, - changed from the stage musical, - is smart, SPOILER as Treat Williams' (What Happens in Vegas (2008)) hippie leader character Berger meets the gravity of life, when he, due to a case of a draft-dodging plan misfiring and mistaken identity, is sent away to fight in Vietnam.

Hair has undeniably catchy songs, - the funny White Boys/Black Boys number is worth highlighting, and the excellent rendition of Flesh Failures (Let the Sunshine In), arguably the film's climax. Despite its criticizable outlook, the film is entertaining and very valuable as a historical document that brings insight about the strife and youth revolts of the 1960s and 70s. There's also a unique energy and radiance in Hair, which simply has to be seen to be understood.

 

Related posts:

Milos Forman
2006 in films and TV-series - according to Film Excess [UPDATED II]

Goya's Ghosts (2006) - Forman's under-appreciated last major picture  

Top 10: The best biopic movies reviewed by Film Excess to date
Top 10: The best big hit movies reviewed by Film Excess to date
Amadeus (1984) or, The Fool Genius and his Teacher  

One Flew Over the Cuckoo's Nest (1975) - Forman's 1970s gold-rimmed classic









Watch a trailer for the film here

 

Cost: 11 mil. $

Box office: 38 mil. $

= Box office success (returned 3.45 times its cost)

[Hair premiered 14 March (California, New York) and runs 121 minutes. Shooting took place in October 1977 in Washington, D.C., New York and California. The film made 15.3 mil. $ (40.3 % of the total gross) in North America. It was nominated for a César award, 2 Golden Globes and won 2 David di Donatello awards, among other honors. Roger Ebert gave it  a 4/4 star review, translating to 3 notches over this one. Ragni and Rado publicly bashed the film. Forman returned with Ragtime (1981). John Savage (Beverly Hills Christmas (2015)) returned in The Onion Field (1979); Williams in 1941 (1979); and Beverly D'Angelo (Accidental Love (2015)) in Coal Miner's Daughter (1980). Hair is certified fresh at 82 % with a 7.80/10 critical average at Rotten Tomatoes.]


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