Eagerly anticipating this week ... (15-24)

Eagerly anticipating this week ... (15-24)
John Crowley's We Live in Time (2024)

12/15/2020

GoldenEye (1995) - Brosnan arrives in Campbell's dumb Bond mess

♥♥

 

Flanked by two sensual women and his steadfast Walter PPK gun, Pierce Brosnan's Bond hovers over a menagerie of action-promising elements on this fiery poster for Martin Campbell's GoldenEye

 

A space-based weapons system gets stolen by a Russian crime syndicate headed by a former colleague of MI6 agent 007, James Bond.


GoldenEye is written by Michael France (Hulk (2003)), Jeffrey Caine (Exodus: Gods and Kings (2014)) and Bruce Feirstein (The Best Legs in Eight Grade, TV movie (1984)) and directed by Martin Campbell (The Sex Thief (1973)). It is the 17th film in the Bond franchise and probably the stupidest of the lot.

There is no visible chemistry between Pierce Brosnan (Robinson Crusoe (1997)) as the new, 5th actor to play Bond, and Sean Bean (Sharpe (1993-08)) as villain, agent 006, Alec Trevelyan. Both Famke Janssen (Hide and Seek (2005)) and Minnie Driver (Big Night (1996)) impress me as unsexy Bond 'babes.' Alan Cumming (Nicholas Nickleby (2002)) appears as a bizarre hacker, who freezes to death.

The dialog seems to be wholly missing in long stretches of this debacle, and the plot is without mitigating qualities; among other things Bond trashes through an Eastern-European major city in a tank. Elegance is dead in this charmless stinker. Desmond Llewelyn (Thunderball (1965)) is one of few elements from previous Bond movies to reappear, and his scenes are among the film's few light moments.

 

Related posts:

Bond franchise: Spectre (2015) - Mendes' second Bond delivers 
Skyfall (2012) - Mendes elevates a slickly produced modern Bond to thrilling heights 
Die Another Day (2002) - Tamahori makes a thrilling, grand piece of Bond escapism 
A View to a Kill (1985) or, Once a Gentleman, Always a Gentleman! 
For Your Eyes Only (1981) - Glen debuts with wacky, action-packed Roger Moore Bond

Top 10: Best car chases in movies reviewed by Film Excess to date
Diamonds Are Forever (1971) - Connery's last Bond adventure is a colorful romp 

Goldfinger (1964) - The 007 template gets perfected in fabulously entertaining third spectacle 
From Russia with Love (1963) - Several remarkable elements make Young's 2nd Bond an enduring classic  
Dr. No (1962) - Bond # 1 is one attractive package

 







Watch a trailer for the film here

 

Cost: 60 mil. $

Box office: 352.1 mil. $

= Huge hit (returned 5.86 times its cost)

[GoldenEye premiered 13 November (New York) and runs 130 minutes. 6 years passed since the release of License to Kill (1989), before the 17th Bond film was released, primarily due to legal battles following the sale of MGM/UA to Pathé Entertainment in 1990. Prior Bond actor Timothy Dalton's 3-movie contract elapsed due to the long unproductive period, and though he was invited back to the role, he passed, as producer Albert R. Broccoli wanted him to only return for several more films and not just one last. Pierce Brosnan was cast over Paul McGann, after Mel Gibson, Hugh Grant and Liam Neeson had passed on the role. Brosnan was paid 1.2 mil. $ for his performance. The script was the first not directly linked to an Ian Fleming novel. Shooting took place in Skt. Petersburg, Russia, Monaco, Switzerland, Puerto Rico, France, England, including London, from January - June 1995. The film opened #1 to a 26.2 mil. $ first weekend in North America, where it spent another 3 weeks in the top 5 (#2-#2-#3) and grossed 106.4 mil. $ (30.2 % of the total gross). The film was the 4th highest-grossing in the market over-all of the year and the most successful Bond movie since Moonraker (1979). It was nominated for 2 BAFTAs. Roger Ebert gave it a 3/4 star review, translating to 2 notches higher than this one. Brosnan returned as Bond in Tomorrow Never Dies (1997). Campbell returned with The Mask of Zorro (1998). Brosnan returned first in The Disappearance of Kevin Johnson (1996). GoldenEye is certified fresh at 79 % with a 7.10/10 critical average at Rotten Tomatoes.]


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