7/02/2022

1997 in films and TV-series - according to Film Excess

Top 10 of the Year



1. Good Will Hunting - Gus Van Sant + Best American Movie of the Year + Best Drama of the Year + Best Massachusetts Movie of the Year 



2. Happy Together/春光乍洩 (Chun gwong cha sit) - Wong Kar-Wai + Best Buenos Aires Movie of the Year + Best On-Screen Couple of the Year: Tony Leung & Leslie Cheung + Best Rainbow Movie of the Year + Best Romance of the Year

 


3. Bean/Bean: The Ultimate Disaster Movie/Bean: The Movie - Mel Smith + Breakthrough Actor of the Year: Rowan Atkinson + Best Comedy of the Year + Best Family Movie of the Year + Best Los Angeles Movie of the Year + Best Mega-Hit Movie of the Year 

 

 

4. As Good As It Gets - James L. Brooks + Best Huge Hit of the Year + Best Romcom of the Year 



5. Donnie Brasco - Mike Newell + Best Big Hit Movie of the Year + Best Gangster Movie of the Year + Best New York Movie of the Year + Best Period Movie of the Year



6. Boogie Nights - Paul Thomas Anderson + Shooting Star Actor of the Year: Mark Wahlberg

 

 

7. The Full Monty - Peter Cattaneo + Best Dance Movie of the Year + Best English Movie of the Year + Most Profitable Movie of the Year: 99.66 mil. $ range

 


8. Austin Powers: International Man of Mystery - Jay Roach + Best New Franchise of the Year + Best Poster of the Year + Best Spoof Movie of the Year

 

 

9. Anastasia - Don Bluth, Gary Goldman  + Best Musical of the Year



10. The Big One, documentary - Michael Moore + Best Political Movie of the Year

 

Other great movies (in alphabetical order):

 

 

The Boxer - Jim Sheridan + Best Boxing Movie of the Year + Best Irish Movie of the Year



Frasier - season 5 - David Angell, Peter Casey, David Lee + Best Returning TV-series of the Year + Best Sitcom of the Year 



The Game - David Fincher + Best Big Flop Movie of the Year + Best Thriller of the Year + Costliest Flop of the Year: 26.24 mil. $ range


Other good, recommendable movies (in alphabetic order):



Chinese Box - Wayne Wang + Best Hong Kong Movie of the Year



Cop Land - James Mangold + Best Crime Drama of the Year

 

 

East Side Story, documentary - Dana Ranga 



The Eel/うなぎ (Unagi) - Shôhei Imamura + Best Japanese Movie of the Year

 

 

Live Flesh/Carne Trémula - Pedro Almodóvar + Best Erotic Movie of the Year + Best Spanish Movie of the Year


The Bottom 10 of the Year



1. Contact - Robert Zemeckis + Most Deserved Flop of the Year + Most Overrated Movie of the Year



2. The Brave - Johnny Depp + Worst $ Return of the Year: 0.16 times the cost

 

 

3. Flubber - Les Mayfield

 


4. Alien: Resurrection - Jean-Pierre Jeunet

 

 

5. The Fifth Element/Le Cinquième Élément - Luc Besson + Most Undeserved Hit of the Year  

 

 

6. Chasing Amy - Kevin Smith  + Best $ Return of the Year: 60.4 times the cost

 

 

7. Con Air - Simon West



8. Absolute Power - Clint Eastwood + Worst Poser of the Year 



9. Fireworks/Hana-bi/はなび - Takeshi Kitano



10. Amistad - Steven Spielberg

 

Other failed, mediocre and/or poor films (in alphabetic order):

 

Anaconda - Luis Llosa 

Breakdown - Jonathan Mostow 

The Devil's Advocate - Taylor Hackford 

Face/Off - John Woo

G.I. Jane - Ridley Scott 

Hercules - Ron Clements, John Musker 

Home Alone 3 - Raja Gosnell + Best Chicago Movie of the Year 


[35 titles in total]


Notes

 

1997 gets its first lists here, which cover one masterpiece of the year and one grade zero film. 

The Top 10 list kicks off with the year's to date only reviewed masterpiece, Gus Van Sant's globally beloved young scholar drama Good Will Hunting. Taking silver and bronze are Wong Kar-Wai's remarkable expat romance Happy Together and Mel Smith's crowd-pleasing family comedy smash, Bean.

The top 10 goes on with James L. Brooks' delightful romcom As Good As It Gets; Mike Newell's solid gangster period drama Donnie Brasco; Paul Thomas Anderson's legendary porn business portrayal Boogie Nights; Peter Cattaneo's sensationally popular strip romp The Full Monty; Jay Roach's shag-a-delic spy spoof Austin Powers: International Man of Mystery; Don Bluth and Gary Goldman's splendid animated adventure Anastasia and finally Michael Moore's outraged - and hugely entertaining - documentary The Big One.

Among the other remarkable films of the year are another towering Daniel Day-Lewis performance in Jim Sheridan's The Boxer; Wayne Wang's melancholic Hong Kong lullaby Chinese Box; Shôhei Imamura's deliciously strange The Eel; and David Fincher's wild thriller ride The Game.

The Bottom 10 list is capped by Robert Zemeckis' almost unwatchable sci-fi epic Contact. Taking silver and bronze are Johnny Depp's catastrophic directorial debut, the native American/snuff film-themed indulgence The Brave and Les Mayfield's brain-attacking family-aimed monstrosity Flubber.

Rounding out the list of the year's most dubious duds are Jean-Pierre Jeunet's goo calamity Alien: Resurrection; Luc Besson's braindead space opera The Fifth Element; Kevin Smith's strenuous lesbian-themed romcom Chasing Amy; Simon West's sensory bombardment Con Air; Clint Eastwood's inauspicious homicidal president thriller Absolute Power; Takeshi Kitano's self-indulgent, self-pushing zen killer drama Fireworks; and finally Steven Spielberg's grand, ham-fisted rush job Amistad.

Besides Spielberg and Eastwood, the other master filmmakers who also disappointed in 1997 are Ridley Scott (G.I. Jane) and John Musker and Ron Clements (Hercules).

The year's biggest hits list is notable for the non-action (and non-Hollywood) titles that currently rank in the top: Comedies and two (part) British films are all the way in the front. Among the notable stars who had an especially great year are breakthroughs Matt Damon (Good Will Hunting) and Ben Affleck (Good Will Hunting and indie hit Chasing Amy). Cementing their star status were Jack Nicholson (As Good As It Gets), Al Pacino (Donnie Brasco and The Devil's Advocate), Bruce Willis (The Fifth Element) and Nicolas Cage (Con Air and Face/Off), - as well as funny-men Rowan Atkinson (Bean) and Mike Myers (Austin Powers). 

Robin Williams (Good Will Hunting, Flubber) and Johnny Depp (Donnie Brasco, The Brave) headed both major hits and major flops. Among the other notables whose output were costly flops were Jodie Foster and Matthew McConaughey (Contact), Michael Douglas (The Game) and Sigourney Weaver and Winona Ryder (Alien: Resurrection). 

The lists are missing most of the year's important output still, of course, and future updates will include much more.


Biggest flops of the year:

[The loss is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]
 
 

 

1. The Game - 26.24 mil. $ range

2. Contact - 21.56 mil. $ range

3. Alien: Resurrection - 10.48 mil. $ range

4. Flubber - 8.84 mil. $ range

5. The Brave - 5.6 mil. $ range

= Combined losses: 72.72 mil. $


Biggest hits of the year:

[The gain is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]
 
 

 

1. The Full Monty - 99.66 mil. $ range

2. Bean - 82.48 mil. $ range

3. Good Will Hunting - 77.36 mil. $ range

4. As Good As It Gets - 75.64 mil. $ range

5. Face/Off - 18.24 mil. $ range

6. Hercules - 16.08 mil. $ range

7. The Fifth Element - 15.6 mil. $ range

8. Donnie Brasco - 14.96 mil. $ range

9. Con Air - 14.6 mil. $ range

10. Austin Powers: International Man of Mystery - 10.58 mil. $

 

= Combined profits: 425.2 mil. $

 

1997 titles currently on the watch-list:

 

Kiss Me, Guido, Taste of Cherry, Open Your Eyes, The Long Way Home, Ma Vie en Rose, TwentyFourSeven, La Vie de Jésus, Wild Animals, See the Sea, Saint

 

Previous annual lists: 

    
2021 in films - according to Film Excess 

2020 in films - according to Film Excess 

2019 in films - according to Film Excess [UPDATED I] 

2019 in films - according to Film Excess 
2018 in films - according to Film Excess [UPDATED I]
2018 in films - according to Film Excess  
2017 in films - according to Film Excess [UPDATED I]
2017 in films - according to Film Excess
2016 in films - according to Film Excess [UPDATED II]
2016 in films - according to Film Excess [UPDATED I] 
2016 in films - according to Film Excess

2015 in films and TV-series - according to Film Excess [UPDATED IV] 
2015 in films and TV-series - according to Film Excess [UPDATED III]
2015 in films and TV-series - according to Film Excess [UPDATED II] 
2015 in films and TV-series - according to Film Excess [UPDATED I]
2015 in films and TV-series - according to Film Excess  

2014 in films and TV-series - according to Film Excess [UPDATED IV]
2014 in films and TV-series - according to Film Excess [UPDATED III]
2014 in films and TV-series - according to Film Excess [UPDATED II] 
2014 in films and TV-series - according to Film Excess [UPDATED I]
2014 in films - according to Film Excess

2013 in films - according to Film Excess [UPDATED V]
2013 in films - according to Film Excess [UPDATED IV]
2013 in films - according to Film Excess [UPDATED III]
2013 in films - according to Film Excess [UPDATED II]
2013 in films - according to Film Excess [UPDATED I] 
2013 in films - according to Film Excess    

2012 in films and TV-series - according to Film Excess [UPDATED V] 
2012 in films and TV-series - according to Film Excess [UPDATED IV]
2012 in films and TV-series - according to Film Excess [UPDATED III]
2012 in films and TV-series - according to Film Excess [UPDATED II]
2012 in films - according to Film Excess [UPDATED I]
2012 in films - according to Film Excess
2011 in films and TV-series - according to Film Excess [UPDATED III]
2011 in films and TV-series - according to Film Excess [UPDATED II]
2011 in films and TV-series - according to Film Excess [UPDATED I]
2011 in films - according to Film Excess

2010 in films and TV-series - according to Film Excess [UPDATED III]
2010 in films and TV-series - according to Film Excess [UPDATED II]
2010 in films and TV-series - according to Film Excess [UPDATED I]
2010 in films and TV-series - according to Film Excess  

2009 in films and TV-series - according to Film Excess [UPDATED III]
2009 in films and TV-series - according to Film Excess [UPDATED II]
2009 in films and TV-series - according to Film Excess [UPDATED I]
2009 in films and TV-series - according to Film Excess   

2008 in films and TV-series - according to Film Excess [UPDATED II] 
2008 in films - according to Film Excess [UPDATED I]
2008 in films - according to Film Excess
2007 in films and TV-series - according to Film Excess [UPDATED II]
2007 in films - according to Film Excess [UPDATED I]
2007 in films - according to Film Excess

2006 in films and TV-series - according to Film Excess [UPDATED II] 
2006 in films and TV-series - according to Film Excess [UPDATED I]
2006 in films and TV-series - according to Film Excess   
2005 in films and TV-series - according to Film Excess  

2004 in films and TV-series - according to Film Excess [UPDATED I] 
2004 in films and TV-series - according to Film Excess

2003 in films and TV-series - according to Film Excess [UPDATED I] 
2003 in films and TV-series - according to Film Excess 

2002 in films and TV-series - according to Film Excess 

2001 in films and TV-series - according to Film Excess 

2000 in films and TV-series - according to Film Excess

1999 in films and TV-series - according to Film Excess  

1998 in films and TV-series - according to Film Excess 


What do you think of the 1997 lists?
Which 1997 titles would make to your top and bottom lists?
Which worthwhile 1997 titles are missing on the watch-list?

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