12/18/2021

2019 in films - according to Film Excess [UPDATED I]

The Top 10 of the Year



1. Little Women - Greta Gerwig + Best Adaptation of the Year + Best American Movie of the Year + Best Big Hit Movie of the Year + Best Ensemble of the Year: Eliza Scanlen, Florence Pugh, Emma Watson, Saoirse Ronan, Timothée Chalamet, Meryl Streep, Laura Dern, Tracy Letts, Bob Odenkirk, Louis Garrel, Chris Cooper + Best Massachusetts Movie of the Year + Best Melodrama of the Year + Best On-Screen Couple of the Year: Saoirse Ronan & Timothée Chalamet + Shooting Star Actress of the Year: Florence Pugh 

 

 

2. The Lighthouse - Robert Eggers + Best B/W Movie of the Year + Best Big Flop Movie of the Year + Best Poster of the Year + Best Psychological Thriller of the Year

 


3. Parasite/기생충 (Gisaengchung) - Bong Joon Ho + Best Crime Drama of the Year + Best Dollar Return of the Year: 22.68 Times the Cost + Best Mega-Hit Movie of the Year + Best Societal Critique of the Year + Best South Korean Movie of the Year 

 


4. Young Ahmed/Le Jeune Ahmed - Jean-Pierre and Luc Dardenne + Best Belgian Movie of the Year + Best Box Office Disaster of the Year + Best Youth Movie of the Year + Most Under-appreciated Movie of the Year

 

 

5. The Specials/Hors Normes - Olivier Nakache, Éric Toledano + Best Drama of the Year + Best French Movie of the Year + Best Social Realism of the Year 



6. Star Wars: The Rise of Skywalker/Star Wars: Episode IX - The Rise of Skywalker - J.J. Abrams + Best Action-Adventure of the Year + Best Family Movie of the Year + Best Villain of the Year: Emperor Palpatine (Ian McDiarmid)


7. The Irishman (I Heard You Paint Houses), VOD - Martin Scorsese + Best Comeback Actor of the Year: Joe Pesci + Best Epic of the Year + Best Gangster Movie of the Year + Most Expensive Flop of the Year: 155.8-246.8 mil. $ range + Worst Dollar Return of the Year: 0.05-0.03 Times the Cost + Worst Poster of the Year


8. Judy - Rupert Goold + Best Biopic of the Year + Best Comeback Actress of the Year: Renée Zellweger


9. One Child Nation, documentary - Nanfu Wang, Jialing Zhang

 

 

10. Bombshell - Jay Roach + Best True Story Movie of the Year


Other great movies (in alphabetical order):


 

 An Officer and a Spy/J'Accuse - Roman Polanski + Best Historical Drama of the Year + Best Huge Flop Movie of the Year



Avengers: Endgame - Anthony & Joe Russo + Best Blockbuster of the Year (2,797.3 mil. $ gross) + Best Superhero Movie of the Year + Most Profitable Movie of the Year: 761.9
mil. $ range


 

Portrait of a Lady on Fire/Portrait de la Jeune Fille en Feu - Céline Sciamma + Best LBGT Movie of the Year + Romance of the Year 

 


Queen of Hearts/Dronningen - May el-Toukhy + Best Danish Movie of the Year + Best Sex Drama of the Year 

 
Other good, recommendable movies (in alphabetic order):



Honeyland, documentary - Tamara Kotevska, Ljubomir Stefanov + Best Hero of the Year: Hatidze + Best Nature Documentary of the Year 



It Chapter Two - Andy Muschietti + Best Gore Movie of the Year + Best Horror Movie of the Year



Late Night - Nisha Ganatra + Best New York Movie of the Year



Out Stealing Horses/Ut og Stjæle Hester - Hans Petter Moland + Norwegian Movie of the Year



Pain and Glory/Dolor y Gloria - Pedro Almodóvar



Uncle/Onkel - Frelle Petersen + Best Low-Budget Movie of the Year

The Bottom 4 of the Year



1. Glass - M. Night Shyamalan

 


 

2. Midway - Roland Emmerich + Most Deserved Flop of the Year 



3. Annabelle Comes Home - Gary Dauberman + Most Undeserved Hit of the Year 


4. Once Upon a Time in Hollywood/Once Upon a Time… in Hollywood - Quentin Tarantino + Most Overrated Movie of the Year 

Other failed, mediocre and/or poor films (in alphabetic order):

The Goldfinch - John Crowley + Career-Killer of the Year: John Crowley 

Ma - Tate Taylor
Rambo: Last Blood - Adrian Grünberg
Scary Stories to Tell in the Dark - André Øvredal 
Us - Jordan Peele

[29 titles in total]

Notes:

The first updated version of the 2019 lists adds 12 titles to the mix, including 4 masterpieces and 2 turkeys, upending the lists quite a bit:
The year's top is now reigned by Greta Gerwig's fabulous, heartwarming period adaptation Little Women; silver goes to Robert Eggers' original, male-centric madness probing The Lighthouse; and Bong Joon Ho's class critique thriller sensation Parasite takes the bronze. The list goes on with Jean-Pierre and Luc Dardenne's important radicalization drama Young Ahmed; Olivier Nakache and Éric Toledano's autism drama The Specials; J.J. Abrams' exhilarating saga ender Star Wars: The Rise of Skywalker; Martin Scorsese's mammoth-length gangster drama The Irishman; and Rupert Goold's terrific showbiz biopic Judy; Nanfu Wang and Jialing Zhang's politically explosive documentary One Child Nation; and finally Jay Roach's assured, sexism culture slicing drama Bombshell. May el-Toukhy's stirring sex drama Queen of Hearts; Anthony and Joe Russo's expectations-beating franchise finale Avengers: Endgame; Tamara Kotevska and Ljubomir Stefanov's rare nature documentary Honeyland; Hans Petter Moland's visually sumptuous adaptation Out Stealing Horses; Pedro Almodóvar's personal drama Pain and Glory and Andy Muschietti's horror whopper It Chapter Two all fall from the Top 10 in this update.
The less enviable list of the year has two added titles to it here, but still only packs 4 titles: M. Night Shyamalan's major hit, depressing adult superhero fare Glass takes the cake; with Roland Emmerich's glossy war-time yawn fest Midway for silver; and Gary Dauberman's awful bore Annabelle Comes Home bronze. Quentin Tarantino's hugely applauded, dead movie Once Upon a Time in Hollywood rounds off the Bottom 4.
Great filmmakers who put out underwhelming efforts in 2019 also include André Øvredal (Scary Stories to Tell in the Dark), John Crowley (The Goldfinch), Tate Taylor (Ma)  and Jordan Peele (Us).

A good deal of the year's releases saw their box office chances smashed to bits by the incoming China Virus pandemic, as several of them only spread out internationally in 2020. 

 

On the 2020 Oscars:

For the second consecutive year, the Academy elected to have a hostless ceremony and garnered just 23.64 mil. US viewers, the second-lowest ever recorded for the telecast. Leading the nominees were Todd Phillips' Joker with 11, with The Irishman, 1917 and Once Upon a Time in Hollywood coming close behind with 10 each. However it was the outside 'joker' Parasite which surprised and uprooted ceremony tradition by winning the night with 4 statuettes.
Thus fell the golden men:
Parasite won Best Picture, - over fellow nominees Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917 and Once Upon a Time in Hollywood, - Best Director (Bong Joon Ho), Original Screenplay (Ho and Han Jin-won) and International Feature. Joaquin Phoenix won Best Actor for Joker, which also won Original Score (Hildur Gudnadóttir); Renée Zellweger Actress for Judy; Brad Pitt Supporting Actor for Once Upon a Time in Hollywood; and Laura Dern Supporting Actress for Marriage Story. Jojo Rabbit won Best Adapted Screenplay (Taika Waititi). Toy Story 4 won Best Animated Feature; American Factory Feature Documentary. The short Oscars went to Learning to Skateboard in a Warzone (If You're a Girl) (doc.), The Neighbor's Window (live action); and Hair Love (animated). Elton John and Bernie Taupin won Best Song for (I'm Gonna) Love Me Again from Rocketman. Ford v Ferrari won Best Sound Editing and Film Editing. 1917 took Sound Mixing, Visual Effects and Cinematography (Roger Deakins). Once Upon a Time in Hollywood won Best Production Design. Little Women won Best Costumes; Bombshell Best Makeup and Hairstyling. Honorary Oscars went to David Lynch, Wes Studi and Lina Wertmüller.


Biggest flops of the year:

[The loss is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]
 
 


1. The Irishman: 155.8-246.8 mil. $ range

2. Midway: 49.04 mil. $ range

3. Goldfinch: 41.04 mil. $ range

4. An Officer and a Spy: 16.48 mil. $

5. Rambo: Last Blood: 13.44 mil. $ range

6. Bombshell: 7.44 mil. $ range

7. The Specials: 6.34 mil. $ range

8. Young Ahmed: 6.31 mil. $ range

9. The Lighthouse: 3.8 mil. $ range

10. Out Stealing Horses: 3.78 mil. $ range


= Combined losses: 303.47 - 394.47 mil. $

Biggest hits of the year:

[The gain is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]
 


1. Avengers: Endgame: 761.9 mil. $ range

2. Star Wars: The Rise of Skywalker: 154.65 mil. $ range

3. It Chapter Two: 110.2 mil. $ range

4. Parasite: 92.04 mil. $ range

5. Us: 82.04 mil. $ range

6. Glass: 78.76 mil. $ range

7. Annabelle Comes Home: 62.48 mil. $ range

8. Once Upon a Time in Hollywood: 59.8 mil. $ range

9. Little Women: 46.64 mil. $ range

10. Ma: 19.44 mil. $ range


= Combined profits: 1,467.95 mil. $

2019 titles currently on the watch-list:


The Truth, Frankie, Honey Boy, The Kid Who Would Be King, Ip Man 4: The Finale, Frozen II, The Kid, Missing Link, The Twilight Zone, Waiting for the Barbarians, The Addams Family, The Souvenir, The Art of Self-Defense, Luce, Echo, Cold Case Hammarskjöld, Brittany Runs a Marathon, Held for Ransom, Jexi, Dolemite Is My Name, Greener Grass, Ximei, Citizen K, The Virtues, Come to Daddy, And Then We Danced, The Two Popes, Harriet, Maleficent: Mistress of Evil, Toy Story 4, The Lion King, American Factory, For Sama, The Cave, The Edge of Democracy, Learning to Skateboard in a Warzone (If You're a Girl), Life Overtakes Me, St. Louis Superman, Walk Run Cha-Cha, How to Train Your Dragon: The Hidden World, I Lost My Body, Klaus, Hair Love, Daughter, Memorable, Kitbull, The Neighbor's Window, Saria, Corpus Christi, Les Misérables, The Climb, Calm with Horses, The Personal History of David Copperfield, The Projectionist, Collective, Pinocchio, Kuessipan, Moffie, Benny Loves You, Motherless Brooklyn

Previous annual lists: 

    
2020 in films - according to Film Excess 

2019 in films - according to Film Excess 
2018 in films - according to Film Excess [UPDATED I]
2018 in films - according to Film Excess  
2017 in films - according to Film Excess [UPDATED I]
2017 in films - according to Film Excess
2016 in films - according to Film Excess [UPDATED II]
2016 in films - according to Film Excess [UPDATED I] 
2016 in films - according to Film Excess

2015 in films and TV-series - according to Film Excess [UPDATED IV] 
2015 in films and TV-series - according to Film Excess [UPDATED III]
2015 in films and TV-series - according to Film Excess [UPDATED II] 
2015 in films and TV-series - according to Film Excess [UPDATED I]
2015 in films and TV-series - according to Film Excess  

2014 in films and TV-series - according to Film Excess [UPDATED IV]
2014 in films and TV-series - according to Film Excess [UPDATED III]
2014 in films and TV-series - according to Film Excess [UPDATED II] 
2014 in films and TV-series - according to Film Excess [UPDATED I]
2014 in films - according to Film Excess

2013 in films - according to Film Excess [UPDATED V]
2013 in films - according to Film Excess [UPDATED IV]
2013 in films - according to Film Excess [UPDATED III]
2013 in films - according to Film Excess [UPDATED II]
2013 in films - according to Film Excess [UPDATED I] 
2013 in films - according to Film Excess    

2012 in films and TV-series - according to Film Excess [UPDATED V] 
2012 in films and TV-series - according to Film Excess [UPDATED IV]
2012 in films and TV-series - according to Film Excess [UPDATED III]
2012 in films and TV-series - according to Film Excess [UPDATED II]
2012 in films - according to Film Excess [UPDATED I]
2012 in films - according to Film Excess
2011 in films and TV-series - according to Film Excess [UPDATED III]
2011 in films and TV-series - according to Film Excess [UPDATED II]
2011 in films and TV-series - according to Film Excess [UPDATED I]
2011 in films - according to Film Excess

2010 in films and TV-series - according to Film Excess [UPDATED III]
2010 in films and TV-series - according to Film Excess [UPDATED II]
2010 in films and TV-series - according to Film Excess [UPDATED I]
2010 in films and TV-series - according to Film Excess  

2009 in films and TV-series - according to Film Excess [UPDATED III]
2009 in films and TV-series - according to Film Excess [UPDATED II]
2009 in films and TV-series - according to Film Excess [UPDATED I]
2009 in films and TV-series - according to Film Excess   

2008 in films and TV-series - according to Film Excess [UPDATED II] 
2008 in films - according to Film Excess [UPDATED I]
2008 in films - according to Film Excess
2007 in films and TV-series - according to Film Excess [UPDATED II]
2007 in films - according to Film Excess [UPDATED I]
2007 in films - according to Film Excess

2006 in films and TV-series - according to Film Excess [UPDATED II] 
2006 in films and TV-series - according to Film Excess [UPDATED I]
2006 in films and TV-series - according to Film Excess   
2005 in films and TV-series - according to Film Excess  

2004 in films and TV-series - according to Film Excess [UPDATED I] 
2004 in films and TV-series - according to Film Excess

2003 in films and TV-series - according to Film Excess [UPDATED I] 
2003 in films and TV-series - according to Film Excess 

2002 in films and TV-series - according to Film Excess 

2001 in films and TV-series - according to Film Excess 

2000 in films and TV-series - according to Film Excess

1999 in films and TV-series - according to Film Excess  

1998 in films and TV-series - according to Film Excess 


What do you think of the 2019 lists?
Which 2019 titles would make to your top and bottom lists?
Which worthwhile 2019 titles are missing on the watch-list?

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