Eagerly anticipating this week ... (15-24)

Eagerly anticipating this week ... (15-24)
John Crowley's We Live in Time (2024)

1/31/2021

The Great Gatsby (1974) - Great cast wasted in poorly directed adaptation

 

A very classy, deliciously designed poster for Jack Clayton's The Great Gatsby


A bond salesman, who lives in a small Long Island apartment, becomes taken by his loaded neighbor Jay Gatsby, and he spends a good part of one 1920s summer in Gatsby's and other rich people's company.


The Great Gatsby is written by Francis Ford Coppola (The Rain People (1969)), adapting the same-titled 1925 novel by F. Scott Fitzgerald (The Beautiful and Damned (1922)), and directed by Jack Clayton (Room at the Top (1959)).

The epochal novel is here transformed into a watered-down, boring, unreasonably long film. One presumption on the part of Clayton is that the grand party scenes are so lively and fascinating that we should just forget the characters and stare at the frivolities for large portions of time.

The four central characters are well-cast, and particularly Bruce Dern (The Big Town (1987)) is outstanding as the ornery bastard Tom Buchanan; but their experiences and feelings never really affect us as audiences. The costumes are lavish, but the direction here is more than dubious. In terms of cinematography The Great Gatsby has way too many zooms and travelings.

SPOILER The scenes of the last ten minutes, - the murder, meeting with Gatsby's father and the funeral, - are not bad, but they regrettably arrive at the end of a mess of a film.

 






Watch a trailer for the film here

 

Cost: 7 mil. $ 

Box office: 20.5 mil. $ (North America only)

= Box office success (returned 2.92 times its cost domestically alone)

[The Great Gatsby premiered 27 March (New York) and runs 146 minutes. Coppola replaced Truman Capote as screenwriter but later complained: "The script that I wrote did not get made." Shooting took place from June - September 1973 in Rhode Island, New York and England. The international gross numbers are regrettably not reported online, and so it is hard to say if its success was mostly an American occurrence. The film was nominated for 2 Oscars and won both: For Best Costumes and Score (Nelson Riddle). It also won 1/4 Golden Globe nominations and 3 BAFTAs. Roger Ebert gave the film a 2.5/4 star review, translating to a notch over this one. The-Numbers.com assert that the film has made a further 4.9 mil. $ on a 2013 Blu-ray release domestically. Clayton returned with Something Wicked This Way Comes (1983). Robert Redford (All Is Lost (2013)) returned in The Great Waldo Pepper (1975); Mia Farrow (Hurricane (1979)) in Peter Pan (1976, TV movie) and theatrically in The Haunting of Julia (1977). The Great Gatsby is rotten at 39 % with a 5.00/10 critical average at Rotten Tomatoes.]


What do you think of The Great Gatsby?

1/27/2021

Girl with a Pearl Earring (2003) - Production prevails in flawed Vermeer biopic

 

Sensual, carnal lust issues from this steamy poster for Peter Webber's Girl with a Pearl Earring


Johannes Vermeer is a prominent artist in the Netherlands in 1655, but he works too slowly, and now his new housemaid catches his wandering eye.

 

Girl with a Pearl Earring is written by Olivia Hetreed (Birds Like Us (2017)), adapting the same-titled 1999 novel by Tracy Chevalier (New Boy (2017)), and directed by Peter Webber (Emperor (2012)), whose theatrical debut it is.

It is a decently made but not very inspired nor deep period film. It is a painter biopic that lets one become fascinated with things such as how colors are created for the paint that goes into the paintings, but we don't get very near to the artist himself.

The many Brits in the cast are fundamentally unfit to capture the Dutch environment, it seems. The story doesn't swell up to greatness here, and Cillian Murphy (Anthropoid (2016)) is miscast: He and his romantic interest, the picturesque Scarlett Johansson (Lucy (2014)) regrettably do not suit each other.

 

Related post:

 

Peter Webber: 2007 in films - according to Film Excess [UPDATED I]

Hannibal Rising (2007) - Harris returns famed cannibal in sub-par origins flick

 




Watch a trailer for the film here


Cost: 10 mil. £, approximately 16.3 mil. $

Box office: 33 mil. $

= Flop (returned 2.02 times its cost)

[Girl with a Pearl Earring premiered 31 August (Telluride Film Festival, US) and runs 100 minutes. The rights were bought, before the novel was published in 1999. Production was set to start with Mike Newell directing and Kate Hudson and Ralph Fiennes starring in 2001, when Hudson withdrew. Shooting took place in the Netherlands, Belgium and Luxembourg. The film opened #32 to an 89k $ first weekend in 7 theaters in North America, where it peaked at #17 and in 402 theaters (different weeks), grossing 11.6 mil. $ (35.2 % of the total gross). The 2nd and 3rd biggest markets were the UK with 5.9 mil. $ (17.9 %) and Germany with 3.3 mil. $ (10 %). It was the 14th highest-grossing (part-) UK film in the UK of the year. It was nominated for 3 Oscars, winning none: It lost Best Cinematography (Eduardo Serra) to Russell Boyd for Master and Commander: The Far Side of the World and Costume Design and Art/Set Decoration to The Lord of the Rings: The Return of the King. It was also nominated for 2 Golden Globes, 10 BAFTAs, 3 British Independent Film awards, a David di Donatello award, won 1/3 European Film award nominations, was nominated for a Goya award, won a National Board of Review award, among other honors. Roger Ebert gave the film a 4/4 star review, translating to 3 notches over this one. Webber returned with Six Feet Under (2004, TV-series)) and theatrically with Hannibal Rising (2007). Colin Firth (Fourplay (2001)) returned in Love Actually (2003); Johansson in The Perfect Score (2004); and Tom Wilkinson (Belle (2013)) in If Only (2004). Girl with a Pearl Earring is fresh at 72 % with a 6.90/10 critical average at Rotten Tomatoes.]


What do you think of Girl with a Pearl Earring?

1/26/2021

G.I. Jane (1997) or, The Amazing Seal Woman!

 

Razor-shaved sex symbol star Demi Moore is a fierce eye-catcher on this poster for Ridley Scott's G.I. Jane


An ambitious female politician pushes the US military towards full integration of genders and gets the opportunity of putting the first woman to date through the army's toughest education: The Navy Seals.


G.I. Jane is written by David Twohy (Critters 2 (1988)) and Danielle Alexandra (My Two Dads (1987-90)) and directed by British master filmmaker Ridley Scott (The Duellists (1977)), whose 10th feature it is.

Anne Bancroft (Fatso (1980)) is silly and flat as the senator in question, who begins the story, and the same unfortunately goes for the film's star Demi Moore (The Juror (1996)), although she does work like a devil for this movie and certainly gives it her all.

If one is not immediately struck by the injustice of women not being 100 % equal to men in the military, (which I wasn't), then it has to be a more personal story that engages in G.I. Jane, - but it just isn't there. Moore's character remains a cipher, whom we essentially know nothing about; she simply is the woman with something to prove (about women.)

Viggo Mortensen (The Crew (1994)) sleep-walks uninspired through the film. Scott experiments with shaking and zoom camera effects towards the film's ending to highly disrupting effect. G.I. Jane is a thrill-less stinker and among Scott's worst.

 

Related posts:

Ridley ScottThe Martian (2015) - Scott and Damon triumph with hopeful sci-fi adventure  

Prometheus (2012) or, Even Then, Space Eggs Were Bad News
2010 in films and TV-series - according to Film Excess [UPDATED II]

2010 in films and TV-series - according to Film Excess [UPDATED I]

2010 in films and TV-series - according to Film Excess

Robin Hood (2010) - R. Scott's grand film of the English legend 

2008 in films - according to Film Excess [UPDATED I]

2008 in films - according to Film Excess 

Body of Lies (2008) - R. Scott's terror actioner is a fatiguing turkey 

2007 in films and TV-series - according to Film Excess [UPDATED II] 

2007 in films - according to Film Excess [UPDATED I] 

2007 in films - according to Film Excess 

American Gangster (2007) - Great American - now black - gangster picture
A Good Year (2006) - Ridley Scott likes Provence

Matchstick Men (2003) - Great Cage job highlights entertaining Scott crime dramedy 

Hannibal (2001) - Grisly highlights in low-yielding Scott sequel 

2000 in films and TV-series - according to Film Excess 

Top 10: The best big flop movies reviewed by Film Excess to date  
Blade Runner (1982) director's cut - Visual extravaganza, great SF 
Alien (1979) or, Space Eggs Are Bad News

 







Moore guested David Letterman and promoted the film; watch a 7-minute video of the event here  

 

Cost: 50 mil. $

Box office: 48.1 mil. $ (North America alone)

= Uncertain, but likely a big flop (returned 0.96 times its cost domestically)

[G.I. Jane was released 22 August (USA, Lebanon) and runs 124 minutes. The story is entirely fictional. Shooting took place from April - August 1996 in England, California, including Los Angeles, Florida, South Carolina, Virginia and Washington DC. The film opened #1 to an 11 mil. $ first weekend in North America, where it kept the #1 position for another 2 weekends and spent another 2 in the top 5 (#2-#2), grossing 48.1 mil. $. Regrettably the film's foreign numbers are not reported online. If it ended up with a realistic 75 mil. $ total gross, the film would rank as a big flop. Roger Ebert gave it a 3.5/4 star review, translating to 3 notches over this one. The film reportedly earned further 22.1 mil. $ on home video rentals in North America. Scott returned with Gladiator (2000). Moore returned in Deconstructing Harry (1997). G.I. Jane is rotten at 51 % with a 5.70/10 critical average at Rotten Tomatoes.]

 

What do you think of G.I. Jane?

1/25/2021

Top 10: Best UK movies reviewed by Film Excess to date

 

 

1. Great Expectations (1946) - David Lean

 


2. Gandhi (1982) - Richard Attenborough

 

 

3. Dunkirk (2017) - Christopher Nolan

 

 

4. I, Daniel Blake (2016) - Ken Loach

 

 

5. From Russia with Love (1963) - Terence Young  


 

6. Stan & Ollie - Jon S. Baird

 

 

7. The Fearless Vampire Killers/Dance of the Vampires (1967) - Roman Polanski 

 


8. The King's Speech (2010) - Tom Hooper

 

 

9. Philomena (2013) - Stephen Frears  


 

10. Four Weddings and a Funeral (1994) - Mike Newell

 

Chosen out of 118 reviewed titles labeled 'UK', 'England', 'Scotland' and/or 'Wales'

 

Previous Top 10 lists:

Best action movies reviewed by Film Excess to date
Best adapted movies reviewed by Film Excess to date
Best adventure movies reviewed by Film Excess to date
Best big flop movies reviewed by Film Excess to date
Best B/W movies reviewed by Film Excess to date
Best true story movies reviewed by Film Excess to date
Best big hit movies reviewed by Film Excess to date
Best biopic movies reviewed by Film Excess to date
Best 'box office success' movies reviewed by Film Excess to date
Best car chases in movies reviewed by Film Excess to date
Best comedies reviewed by Film Excess to date
Best cop movies reviewed by Film Excess to date        

Best crime movies reviewed by Film Excess to date         
Best debut movies reviewed by Film Excess to date     
Best Danish movies reviewed by Film Excess to date
Best Disney movies reviewed by Film Excess to date     

Best documentaries reviewed by Film Excess to date  
Best dramas reviewed by Film Excess to date  
Best drama-thrillers reviewed by Film Excess to date 
Best dramedies reviewed by Film Excess to date

Top 10: Best drug-themed movies reviewed by Film Excess to date 

What do you think of the list?
Which UK movies would make your personal Top 10?

1/24/2021

The Getaway (1972) - McQueen/Peckinpah hit the bank with unrefined thriller

 

A hilarious poster for Sam Peckinpah's The Getaway, which signals two immortal qualities above all else: Sex and violence


Our anti-hero robber "Doc" McCoy is let out of the can for good behavior after a stint for armed robbery. On the outside he and his lady immediately begin plotting a new robbery. - Which goes completely awry...!

 

The Getaway is written by Walter Hill (The Warriors (1979)), adapting Jim Thompson's (The Kill-Off (1957)) same-titled 1958 novel, and directed by great Californian filmmaker Sam Peckinpah (The Deadly Companions (1961)).

Steve McQueen (The Reivers (1969)) kills at random and beats love interest Ali McGraw (Players (1979)), yet this is still a classic for many people. His character isn't very charismatic or exciting, although he does have a certain sex appeal, which is probably the reason for the celebration. Besides this Peckinpah utilizes his usual stylistic effects; slow-motion shoot-ups and focus on form over substance.

The car chase in The Getaway is surprisingly short. The film is a bit overlong and disappointing.

 

Related posts:

Sam PeckinpahThe Ballad of Cable Hogue (1970) - A manly respite with Robards and Peckinpah  

The Deadly Companions (1961) - Peckinpah's debut is a tough, great, suspense-filled western 








Watch a 3-minute clip from the film here

 

Cost: 3.3 mil. $

Box office: 18.9 mil. $ (North America alone)

= Huge hit (returned 5.72 times its cost domestically alone)

[The Getaway was released 16 December (Italy) and runs 122 minutes. Peter Bogdanovich was hired to direct the film, but McQueen fired him upon learning that he was more interested in comedy What's Up, Doc? (1972). Peckinpah was instead hired, fresh from his flop with McQueen, Junior Bonner (1972), as well as Paramount boss Robert Evans' wife, model-turned-actress McGraw. McQueen worked for 10 % of the gross, which accumulated to at least 1.8 mil. $. Shooting took place in Texas and Arizona from February - April 1972. McGraw and McQueen had an affair on the production, which led to McGraw leaving husband Evans and marrying McQueen. She later said she "hated" her performance in the film. Of McQueen's final-cut privilege, Peckinpah said that he was "playing it safe with these pretty-boy shots." McQueen was unhappy with Peckinpah's regular composer Jerry Fielding and instead got Quincy Jones hired to make a jazzy score, angering Peckinpah further. Sources say the film earned rentals of 18 mil. $ in North America and a 18.9 mil. $ gross domestically, becoming the year's 8th highest-grossing film in North America. The-Numbers have an unsupported claim that it made 36.7 mil. $ domestically. The film was nominated for a Golden Globe. Roger Ebert gave it a 2/4 star review, equal in rating to this one. A flop remake was made with same title by Roger Donaldson in 1994 starring Alec Baldwin and Kim Bassinger. Peckinpah returned with Pat Garrett & Billy the Kid (1973). McQueen returned in Papillon (1973); MacGraw in Convoy (1978). The Getaway is fresh at 86 % with a 6.90/10 critical average at Rotten Tomatoes.]


What do you think of The Getaway?

1/23/2021

Goya's Ghosts (2006) - Forman's under-appreciated last major picture

 

+ Best Box Office Disaster of the Year

 

 

Intense stars and the painting element are prominent on this enticing poster for Milos Forman's Goya's Ghosts


Late in the 18th century, Francisco Goya is a popular and controversial artist in Spain, who paints a portrait of a powerful monk, who then takes up a fatal interest in one of the painter's other subjects, the girl Ines, which begins a terrible downfall for her.

 

Goya's Ghosts is written by Jean-Claude Carrière (The Night and the Moment (1994)) and Czech master filmmaker, co-writer/director Milos Forman (Black Peter/Cerný Petr (1964)), whose 12th and final big international film it was. It is a biopic of the real Goya, though with several elements and characters entirely fictional.

Forman does it once again here and creates an outstanding film. Stellan Skarsgård (Dogville (2003)), Javier Bardem (Jamón, Jamón (1992)), Randy Quaid (Cold Dog Food (1990)) and Blanca Portillo (Between Your Legs/Entre las Piernas (1999)) as Queen María Luisa are splendid in what is an intellectually presented, epic tragedy. It truly is a film that transports its audience to a distant era and lets us feel the wingspan of history.

Goya's Ghosts does not take the easy route but sticks to the importance of truth, (although paradoxically a substantial part of the story is made up.) Forman's genius shines through several times.

Natalie Portman (Knight of Cups (2015)) is possibly not mature enough for the double part she has here, - but she gives a worthy performance, even if she may probably be miscast.


Related posts:

Milos Forman:
2006 in films and TV-series - according to Film Excess [UPDATED III]

2006 in films and TV-series - according to Film Excess [UPDATED II]

Top 10: The best biopic movies reviewed by Film Excess to date
Top 10: The best big hit movies reviewed by Film Excess to date
Amadeus (1984) or, The Fool Genius and his Teacher  

One Flew Over the Cuckoo's Nest (1975) - Forman's 1970s gold-rimmed classic 







Watch a short clip from the film here


Cost: 50 mil. $

Box office: 9.4 mil. $

= Box office disaster (returned 0.18 times its cost)

[Goya's Ghosts premiered 8 November (Spain) and runs 114 minutes. Forman cast Portman upon noticing her likeness to the girl in Goya's painting Milkmaid of Bordeaux. Skarsgård and Quaid were each paid 1 mil. $ for their performances. Shooting took place in Spain from September - December 2005. The film opened #32 to a 159k $ first weekend in 49 theaters in North America, where it only diminished from there, grossing 1 mil. $ (10.6 % of the total gross). North America was the film's 3rd biggest market. Biggest was Spain with 2.1 mil. $ (22.3 %) and Italy with 1.1 mil. $ (11.7 %). The film was nominated for 3 Goya awards (Spain's Oscar). Roger Ebert gave the film a 3/4 star review, translating to a notch under this one. Forman returned with A Walk Worthwhile/Dobre placená procházka (2009), co-directed with his son Petr Forman. Bardem returned in No Country for Old Men (2007); Portman in My Blueberry Nights (2007); and Skarsgård in Guilty Hearts (2006). Goya's Ghosts is rotten at 30 % with a 4.80/10 critical average at Rotten Tomatoes.]


What do you think of Goya's Ghosts?

Eagerly anticipating this week ... (14-24)

Eagerly anticipating this week ... (14-24)
Ali Abassi's The Apprentice (2024)