Eagerly anticipating this week ... (14-24)

Eagerly anticipating this week ... (14-24)
Ali Abassi's The Apprentice (2024)

7/30/2020

The Lighthouse (2019) - Menfolk lose it in Eggers' astounding masterpiece

♥♥


+ 2nd Best Movie of the Year

+ Best B/W Movie of the Year + Best Poster of the Year + Best Psychological Thriller of the Year


Two halves of two men before the titular lighthouse on this tense B/W poster for Robert Eggers' The Lighthouse


A sobering ex-forest worker younger man arrives at a tiny rock island off the New England coast sometime at the end of the 19th century, where he is to work as a wicker at the important lighthouse under the direction of an older, curmudgeon ex-seaman.

The Lighthouse is written by Max Eggers (The Tell-Tale Heart (2008, short), production assistant) and master New Hampshirite filmmaker, his brother, co-writer/co-producer/director Robert Eggers (The Witch (2015)), whose 2nd film it is.
Robert Pattinson (Good Time (2017)) and Willem Dafoe (Edges of the Lord (2001)) both give fully immersed, great performances as the two very different men on the island, master class in acting I and II, they could be described.
Unusually shot in a near-square format on B/W film by cinematographer Jarin Blaschke (Fray (2012)), the film is ripe with eye-popping visuals that never seem to transgress the practically possible with overt uses of CGI. Much of the story and its visuals have symbolic connotations that enhance the mystery and attraction of the film for viewers sensible to them; but The Lighthouse is as compelling and fascinating seen as a straightly concrete tale SPOILER of two men on an island who gradually lose their minds due to dire circumstances.
The film has little music, and its soundscape is dominated by a surreal, deep humming seemingly created by machinery on the isle. In tone the film plays us with complex affinities: Several sequences are dialog reliant, and especially Dafoe's character's authentic local sailor's vocabulary and grammar is a joy as delivered by the seasoned veteran. There's much humor and a genuinely good time to be had, surprisingly, surrounded by the extreme ardors and rancid squalor of two men who descend in drink on a deserted island. Incredibly these hilarious bickering and chum-making scenes also often lapse into truly terrifying scenes of mystery, menace and deep-seated existential dread.
It is all told with assured, tight editing in a film of scenes and images that get lodged in the audiences' memories like a strange, unnerving 19th century novel. - What does it all mean? This review, like the film, will leave it up to each viewer to discern for himself.

Related posts:

Rogert Eggers:
2019 in films - according to Film Excess [UPDATED I]

The Witch (2015) - Eggers' unsettling period-set debut creep-out






Watch a trailer for the film here

Cost: 4 mil. $
Box office: 18 mil. $ and counting
= Big hit (returned 4.5 times its cost)
[The Lighthouse premiered 19 May (Cannes Film Festival, out of competition) and runs 109 minutes. Max Eggers wanted to adapt Edgar Allan Poe's The Light-House (1849), but found it difficult and collaborated with his brother to make the film, which has almost no resemblance to Poe's story. It is instead inspired by the 1801 Smalls Lighthouse Tragedy, which you can read about here. A shot in the script of Pattinson's actual erect penis was removed at the request of the financiers. A 20-meter working lighthouse was erected for the film. Shooting took place in 34 days in Nova Scotia from April - May 2018. The film opened #15 to a 427k $ first weekend in 8 theaters in North America, were it peaked at #8 and in 978 theaters (different weeks), grossing 10.8 mil. $ (60 % of the total gross). The 2nd and 3rd biggest markets were the UK with 1.6 mil. $ (8.9 %) and Mexico with 950k $ (5.3 %). The release was badly hurt by the cinema-closing Corona Crisis. The film was nominated for the Best Cinematography Oscar, lost to Roger Deakins for 1917. The film was also nominated for a BAFTA, a prize in Cannes, 2/5 Independent Spirit award nominations and countless other honors. Eggers returns with Viking movie The Northman (pre-production), again with Dafoe. Pattinson returned in The King (2019); Dafoe in Tommaso (2019). The Lighthouse is certified fresh at 90 % with an 8.04/10 critical average at Rotten Tomatoes.]

What do you think of The Lighthouse?

7/28/2020

2001 in films and TV-series - according to Film Excess

The Top 10 of 2001


1. A. I. Artificial Intelligence - Steven Spielberg + Best American Movie of the Year + Best Sci-Fi Movie of the Year + Worst Poster of the Year


2. Donnie Darko - Richard Kelly + Best Debut Movie of the Year + Best Drama of the Year + Best Period Movie of the Year + Best Shooting Star Actor of the Year: Jake Gyllenhaal + Best Youth Movie of the Year + Most Undeserved Flop of the Year


3. Ghost World - Terry Zwigoff + Best Big Flop Movie of the Year + Best Coming-of-age Movie of the Year + Best Independent Movie of the Year + Best Shooting Star Actress of the Year: Thora Birch 


4. Band of Brothers, miniseries - Tom Hanks, Steven Spielberg + Best Miniseries of the Year + Best War Title of the Year 


5. Nowhere in Africa/Nirgendwo in Afrika - Caroline Link + Best Adaptation of the Year + Best German Movie of the Year + Most Deserved Hit of the Year


6. A Beautiful Mind - Ron Howard + Best Big Hit Movie of the Year + Best Biopic of the Year


7. The Believer - Henry Bean + Best Low-Budget Movie of the Year + Best New York Movie of the Year + Best True-Story Movie of the Year 


8. The Devil's Backbone/El Espinoza del Diablo - Guillermo del Toro + Best Ghost Story of the Year + Best Spanish Movie of the Year 


9. 24 - season 1 - Robert Cochran, Joel Surnow + Best Action Title of the Year + Best New TV-series of the Year + Best Actor's Comeback of the Year: Kiefer Sutherland


10. Bandits - Barry Levinson + Best Crime Comedy of the Year + Best Heist Movie of the Year

Other great movie


Family, documentary - Phie Ambo, Sami Saif

Good, recommendable movies (in alphabetic order)


Behind Enemy Lines - John Moore


The Curse of the Jade Scorpion - Woody Allen + Best Detective Movie of the Year + Best Huge Flop Movie of the Year


Final Fantasy: The Spirits Within - Hironobu Sakaguchi, Motonori Sakakibara + Career-Killer of the Year + Costliest Flop of the Year: 102.96 mil. $ range


Freddy Got Fingered - Tom Green + Best Crazy-Comedy of the Year + Most Under-appreciated Movie of the Year 


From Hell - Albert and Allen Hughes + Best London Movie of the Year + Best Slasher of the Year


Gosford Park - Robert Altman + Best Filmmaker's Comeback of the Year: Robert Altman + Best Murder Mystery of the Year + Best UK Movie of the Year


Harry Potter and the Sorcerer's Stone/Harry Potter and the Philosopher's Stone - Chris Columbus + Best Adventure Movie of the Year + Best Family Movie of the Year + Best Fantasy Movie of the Year + Best Mega-Hit Movie of the Year + Best New Franchise of the Year + Best Poster of the Year + Most Profitable Movie of the Year: 309.04 mil. $ range


The Pledge - Sean Penn + Best Ensemble of the Year: Jack Nicholson, Benicio Del Toro, Aaron Eckhart, Helen Mirren, Robin Wright Penn, Vanessa Redgrave, Sam Shepard, Harry Dead Stanton, Tom Noonan, Mickey Rourke + Best Nevada Movie of the Year


Shake It All About/En Kort En Lang/Shake It - Hella Joof + Best Copenhagen Movie of the Year + Best Danish Movie of the Year + Best Romcom of the Year


Spirited Away/千と千尋の神隠し (Sen to Chihiro no Kamikakushi) - Hayao Miyazaki + Best Japanese Movie of the Year

The Bottom 3 of 2001


1. Amélie/Le Fabuleux Destin d'Amélie Poulain - Jean-Pierre Jeunet + Best $ Return of the Year: Returned 17.39 times its cost + Most Overrated Movie of the Year + Most Undeserved Hit of the Year 


2. Hannibal - Ridley Scott


3. Formula 51/The 51st State - Ronny Yu + Most Deserved Flop of the Year

Other failed, poor and/or mediocre movies (in alphabetic order):

15 Minutes - John Herzfeld
Blow - Ted Demme
Chop Chop/Fukssvansen - Niels Arden Oplev  + Best Dark Comedy of the Year
Evolution - Ivan Reitman + Best Arizona Movie of the Year
The Fast and the Furious - Rob Cohen + Best Los Angeles Movie of the Year
Grev Axel - Søren Fauli + Best Box Office Disaster of the Year + Best On-Screen Couple of the Year: Peter Frödin & Sofie Gråbøl + Worst $ Return of the Year: Returned 0.17 times its cost
Hedwig and the Angry Inch - John Cameron Mitchell

[31 titles in total]

Biggest flops of the year:

[The loss is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]  


1. Final Fantasy: The Spirits Within - 102.96 mil. $range
2. Bandits - 47.96 mil. $ range
3. Evolution - 40.68 mil. $ range
4. The Curse of the Jade Scorpion - 25.44 mil. $ range
5. The Pledge - 23.24 mil. $ range
6. Formula 51 - 21.24 mil. $ range
7. Blow - 19.72 mil. $ range
8. 15 Minutes - 19.48 mil. $ range
9. Freddy Got Fingered - 8.28 mil. $ range
10. A.I. Artificial Intelligence - 5.64 mil. $ range

= Combined losses: 314.64 mil. $


Biggest hits of the year:

[The gain is based solely on the cost and box office earnings for the films. Marketing costs and additional revenue (home video, TV rights and other auxiliary profits) are not taken into account]


1. Harry Potter and the Sorcerer's Stone - 305.04 mil. $ mil. $ range
2. Spirited Away - 113 mil. $ range 
3. A Beautiful Mind - 67.4 mil. $ range
4. Amélie - 59.56 mil. $ range
5. Hannibal - 53.64 mil. $ range
6. The Fast and the Furious - 44.88 mil. $ range
7. Gosford Park - 15.28 mil. $ range
8. Nowhere in Africa - 1.82 mil. $ range

= Combined profits: 660.62 mil. $

Notes:

The first 2001 lists has 3 towering masterpieces reigning supreme in the Top 10: Steven Spielberg's long-in-the-works sci-fi fairytale A.I. Artificial Intelligence, Richard Kelly's incredible debut, teen angst sci-fi drama Donnie Darko, and Terry Zwigoff's graphic novel adaptation, coming-of-age dramedy Ghost World.
The list goes on with great titles; again Spielberg and Tom Hanks' WWII spectacular miniseries Band of Brothers; Caroline Link's poignant war refugee drama Nowhere in Africa; Ron Howard's mathematician biopic A Beautiful Mind; Henry Bean's provocative political indie The Believer; Guillermo del Toro's marvelous ghost story The Devil's Backbone, Robert Cochran and Joel Surnow's first season of the long-running action thriller TV-series smash 24; and finally Barry Levinson's hugely entertaining heist crime comedy Bandits.
Other noteworthy titles of the year include Woody Allen's detective romance The Curse of the Jade Scorpion; the colossally ambitious computer game adaptation animation Final Fantasy: The Spirits Within, (by far the year's costliest flop though); the first Harry Potter movie; Hayao Miyazaki's enormously popular, strange animation Spirited Away; Tom Green's outrageous, critically savaged crazy-comedy Freddy Got Fingered; and Robert Altman's delightful English manor whodunit Gosford Park.
On the Bottom list, which only consists of 3 titles so far, we find Jean-Pierre Jeunet's mysteriously beloved, infantile Paris romance Amélie; Ridley Scott's disappointing horror Hannibal; and Ronny Yu's uninspired drug-comedy Formula 51.
Worth noting about the collection of 2001 titles reviewed at the moment is the rather large number of star vehicles that fared poorly at the box office: Samuel L. Jackson (Formula 51), Robert De Niro (15 Minutes), Jude Law (A.I. Artificial Intelligence), Johnny Depp (both Blow and From Hell), Bruce Willis, Cate Blanchett and Billy Bob Thornton (Bandits), Jack Nicholson (The Pledge), Charlize Theron (The Curse of the Jade Scorpion) and Julianne Moore (Evolution): All fronted titles that didn't make profits in cinemas. On the other end of the scale Harry Potter and (unusually) 2 foreign titles (Spirited Away and Amélie) really pulled some commercial weight.

2001 titles currently on the watch-list:

Session 9, The Center of the World, The Deep End, The Fluffer, Super Troopers, Festival in Cannes, Sleepless, Barteleby, Undeclared

Previous annual lists:
  
 

2019 in films - according to Film Excess 
2018 in films - according to Film Excess [UPDATED I]
2018 in films - according to Film Excess  
2017 in films - according to Film Excess [UPDATED I]
2017 in films - according to Film Excess
2016 in films - according to Film Excess [UPDATED II]
2016 in films - according to Film Excess [UPDATED I] 
2016 in films - according to Film Excess

2015 in films and TV-series - according to Film Excess [UPDATED III]
2015 in films and TV-series - according to Film Excess [UPDATED II] 
2015 in films and TV-series - according to Film Excess [UPDATED I]
2015 in films and TV-series - according to Film Excess  

2014 in films and TV-series - according to Film Excess [UPDATED IV]
2014 in films and TV-series - according to Film Excess [UPDATED III]
2014 in films and TV-series - according to Film Excess [UPDATED II] 
2014 in films and TV-series - according to Film Excess [UPDATED I]
2014 in films - according to Film Excess

2013 in films - according to Film Excess [UPDATED V]
2013 in films - according to Film Excess [UPDATED IV]
2013 in films - according to Film Excess [UPDATED III]
2013 in films - according to Film Excess [UPDATED II]
2013 in films - according to Film Excess [UPDATED I] 
2013 in films - according to Film Excess    

2012 in films and TV-series - according to Film Excess [UPDATED V] 
2012 in films and TV-series - according to Film Excess [UPDATED IV]
2012 in films and TV-series - according to Film Excess [UPDATED III]
2012 in films and TV-series - according to Film Excess [UPDATED II]
2012 in films - according to Film Excess [UPDATED I]
2012 in films - according to Film Excess
2011 in films and TV-series - according to Film Excess [UPDATED III]
2011 in films and TV-series - according to Film Excess [UPDATED II]
2011 in films and TV-series - according to Film Excess [UPDATED I]
2011 in films - according to Film Excess

2010 in films and TV-series - according to Film Excess [UPDATED III]
2010 in films and TV-series - according to Film Excess [UPDATED II]
2010 in films and TV-series - according to Film Excess [UPDATED I]
2010 in films and TV-series - according to Film Excess  

2009 in films and TV-series - according to Film Excess [UPDATED III]
2009 in films and TV-series - according to Film Excess [UPDATED II]
2009 in films and TV-series - according to Film Excess [UPDATED I]
2009 in films and TV-series - according to Film Excess   

2008 in films - according to Film Excess [UPDATED I]
2008 in films - according to Film Excess

2007 in films and TV-series - according to Film Excess [UPDATED II]
2007 in films - according to Film Excess [UPDATED I]
2007 in films - according to Film Excess
2006 in films and TV-series - according to Film Excess [UPDATED I]
2006 in films and TV-series - according to Film Excess   
2005 in films and TV-series - according to Film Excess
 

2004 in films and TV-series - according to Film Excess
2003 in films and TV-series - according to Film Excess 

2002 in films and TV-series - according to Film Excess  
 
What do you think of the 2001 lists?
Which 2001 titles are at the top and bottom of your lists?
Which worthwhile 2001 titles are missing on the watch-list?

Eagerly anticipating this week ... (13-24)

Eagerly anticipating this week ... (13-24)
Jason Reitman's Saturday Night (2024)