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10/16/2014

The Keeper of Lost Causes/Kvinden i Buret (2013) or, Grumpy and Ethnic Find a Woman in a Pressure Chamber



Nikolaj Lie Kaas and Fares Fares stare down at Denmark's underbelly on this heavily animated poster for Mikkel Nørgaard's The Keeper of Lost Causes


A rebel murder detective gets send down into the basement of the police HQ with some old, unsolved cases and a friendly immigrant cop, and they go after a case of a woman who has been missing for 5 years, who is said to have committed suicide.

Keeper is a dead movie, an exercise in form and fixed ideas, nurtured out of the European film support system as a Danish-Swedish-German co-production. It hasn't an ounce of personality behind it, no soul or meaning or ideas; The Keeper of Lost Causes is sheer Nordic noir surface.
Nikolaj Lie Kaas (The Green Butchers/De Grønne Slagtere (2003)) and Fares Fares (Jalla! Jalla! (2000)) are agreeable as the two partners, and technically, Keeper is a neat film.
But the script, written by Nikolaj Arcel (A Royal Affair/En Kongelig Affære (2012)), based on the first 'Department Q' crime novel by bestselling Jussi Adler-Olsen (Fasandræberne (2008)), ends prematurely, and the psychology, which 'explains' the killer's motivation, is wholly unconvincing and almost ridiculous. In addition, the cage of the film's title (the original Danish title translates to The Woman in the Cage) turns out to be a pressure chamber, which is not a cage, really, and the scenes in there aren't dramatically exciting in any way.
The Keeper of Lost Causes is, in short, a bad film.
It is directed by Mikkel Nørgaard (Klown/Klovn - the Movie (2010)). 

Related posts:

2013 in films - according to Film Excess [UPDATED V]
2013 in films - according to Film Excess [UPDATED IV]
2013 in films - according to Film Excess [UPDATED III]
2013 in films - according to Film Excess [UPDATED II]  
2013 in films - according to Film Excess [UPDATED I]



Watch the trailer with English subtitles here

Cost: 6.6 mil. $ (39 mil. Danish kr.)
Box office: Unknown
= Unknown
[Keeper did get more than 700,000 to buy tickets for it in Denmark alone, but, reportedly, more than half of them through Biografklub Danmark (a cinema club), meaning that they only paid half prize. Though the number makes it a success in the Danish context, it is most likely still a financial failure due to its relatively high budget.]

What do you think of The Keeper of Lost Causes?
If you have seen the sequel, Fasandræberne (2014) (in Danish cinemas right now), how was it?

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