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| A fabulous rainbow drives through this classy and supremely elegant poster for Gary Ross' Pleasantville |
A quarrel over a remote control gets two teenagers sucked into the boy's favorite 1950s sitcom Pleasantville, where everything is black and white, and neither fire, sex, toilets, art nor death exists.
Pleasantville is written, co-produced and directed by great Californian filmmaker, debuting Gary Ross (Ocean's Eight (2018)).
It is a really good film based on an exciting and original idea. The plot moves fast, seemingly because Ross wants to cover many points. The conservative proprieties have no qualities; the advent of sins and unrest after the fall of the residents of Pleasantville are also casually leaped over: The present time (and colors) are simply preferable to repression (whatever the costs, apparently.) Liberal emancipation is for the good in absolute terms in this anti-conservative, liberal fantasy that's also interesting as an ideological time machine. Ross' somewhat complacent point is also carried through with the preachy lines from Tobey Maguire (Labor Day (2013)) at the film's end. Before this, however, Pleasantville is fantastically sweet, funny, attractively photographed (by John Lindley (Castle Rock (2019, TV-series))) and produced in a staggering scheme of black and white and colors.
The turns from especially William H. Macy (Sahara (2005)) and Joan Allen (Room (2015)) have moving high points, but the performances are good all over. Pleasantville has cinematic qualities, thought-provoking themes - and great hair and makeup work! It is a modern Hollywood classic, an inventive and original work from Tinseltown.
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Watch a trailer for the film here
Cost: 60 mil. $
Box office: 49.8 mil. $
= Huge flop (returned 0.83 times its cost)
[Pleasantville premiered 17 September (Toronto International Film Festival) and runs 124 minutes. Shooting took place from March - July 1997 in California. The laborious camera work on the film cost the life of camera operator Brent Hershman, who fell asleep behind the wheel driving home one night after a 19-hour work day on the film. The film opened #1 to an 8.8 mil. $ first weekend in North America, where it spent another 2 weekends in the top 5 (#2-#3), grossing 40.5 mil. $ (81.3 % of the total gross). The film was nominated for 3 Oscars, winning none: Best Art Direction-Set Decoration, lost to Shakespeare in Love, Costumes, also lost to Shakespeare in Love, and Score (Randy Newman (Toy Story 4 (2019))), lost to Nicola Piovani for Life Is Beautiful. Roger Ebert gave it a 4/4 star review, translating to a notch over this one. Ross returned with Seabiscuit (2003). Maguire returned in The Cider House Rules (1999); Reese Witherspoon (Just Like Heaven (2005)) in Cruel Intentions (1999). Pleasantville is certified fresh at 86 % with a 7.70/10 critical average at Rotten Tomatoes.]
What do you think of Pleasantville?
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